The Girl in The Corn (Girl in the Corn Series Book 1) by Jason Offutt; Set Up is Just as Chilling as The Climax in This Contemporary Fantasy

 

The Girl in The Corn (Girl in the Corn Series Book 1) by Jason Offutt; Set Up is Just as Chilling as The Climax in This Contemporary Fantasy

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Warning: Before I begin this review, I insist that you read my review of the book, Boy From Two Worlds as this book will reveal important spoilers in this series. I will also reiterate that this review contains MAJOR HEAVY DUTY SPOILERS!!!

I find it an interesting experience to read a book series out of order. Sometimes, it can be very confusing. Sometimes, it can be tedious if the exciting parts happen in the earlier volume so we have to encounter the exposition. Other times, it actually makes the books better especially if you think of them as though they were meant to be written out of order. 

An example of the latter experience falls in The Girl in the Corn by Jason Offutt which is actually the first book in Offutt’s two part series but is actually the second book that I read in the series after its follow up Boy From Two Worlds. Reading the two books in the proper order works in a linear storytelling fashion in which the plot points are introduced, conflicts begin, action builds up to a climax, the events expand in the next volume, characters evolve, the scope of the threat expands, solutions are given, and resolutions are made. 

But Offutt gives his books a unique gift in which they are just as well written out of order as they are in. Instead of thinking of the books as an ongoing series, one can instead look at Boy From Two Worlds as the main book that tells the important story and Girl in the Corn as the prequel that sets up the situation retroactively. They can be read in order or out of order and the Reader would still be just as fascinated either way. 

In Boy From Two Worlds, a mass murder committed by Bobby Garrett sets up a chain reaction that includes the birth of his son, Jakey, by a woman named Marguerite Jenkins, the disintegration of the relationship between Thomas Cavannaugh and his girlfriend Jillian Robertson, and a series of strange events that get stranger. It is eventually revealed that there are fairies that are violent predators who feast on human flesh and live for their suffering. Jakey inherited some of their powers which the fairies want to take full advantage of in their campaign against the mortals of St. Joseph, Missouri

Girl in the Corn takes us back in time to when 6-year-old Thomas first encounters a fairy in his mother’s garden who tells him that he is special. The fairy girl appears throughout his life telling him that he must defeat Dauor, a dark creature from her world. Meanwhile we are introduced to Bobby, who pre-murder is a teenager with violent impulses that are nurtured by a mysterious creature who takes the form of a Girl Scout. Throughout the years, Thomas and Bobby are encouraged, tormented, cajoled, persuaded, and shaped by these strange creatures who eventually pull them into a battle between supernatural forces, the lives and souls of many, and their own sanity. 

One thing that Boy From Two Worlds did well was expand the universe. Weird things didn't just happen to Thomas or Bobby. They happened all over St. Joseph. Through that we got to explore the town itself and particularly its obsession with Wild West outlaw/infamous native son, Jesse James. Exploring the daily realistic life of St. Joseph's residents builds up tension when the otherworldly action begins.

The supernatural incidents vary including bloody ritualistic murder, cattle mutilations, abductions, lost time, mass murder. If you didn't know going into the book series what happened in the first volume, you would be led to believe that anything could be responsible for the strange happenings.

Instead of expansion, Girl in The Corn focuses on intimacy. The events specifically happen to Thomas, Bobby, or someone associated with them. While we lose something in the setting, we gain something in character. It is not so much the supernatural invading an unprepared small town as it is the supernatural affecting two specific young men who happen to live in that town.

Through their separate experiences, the Reader is given contrasting characters that will end up confronting one another. 

When Thomas first encounters the fairy, he is a little boy. She appears as a sweet innocent little girl, one who promises to befriend the young boy. She plays on the portrayal of old fairy tale concepts where fairies were seen as beautiful,helpful, charming, adorable, and innocent creatures. 

As Thomas matures, his meetings with the fairy become more intense and less fanciful. She now appears as a troubled young woman who appeals to Thomas's good guy helpful personality and his insecurities about being average. She builds up his confidence by saying that he is destined to fight Dauor. This plays on Epic Fantasies where ordinary people are given the Chosen One narrative where they are the ones destined to fight evil for…reasons. Of course, this book is a clever subversion of that trope because it asks the question whether the figure predicting the heroism can be trusted and whether they have ulterior motives for what they do.

As with Boy From Two Worlds, Girl in the Corn builds on different genres. While Thomas's journey compared to Fairy Tales and Fantasy novels, Bobby’s story is more grounded in Occult Supernatural Horror. He comes from a religious family and has his own complicated spiritual beliefs so the fairy builds on that. It first appears as a disembodied voice that builds on Bobby’s anxieties and fears of God's judgment. Bobby begins to commit violence to silence those ever growing fears.

As Bobby ages, his spiritual encounters become angrier, more fierce, and graphic. They are reminiscent of his diminishing mental state and growing blood lust. It takes on horrific images like the body of a murdered girl to taunt and rage at Bobby until he does what it wants. If it weren't for knowing what would happen in the next book, it could be entirely possible that this fairy is in Bobby's head. But since we do know, it's a matter of seeing where it's going to go before it reaches its foreseen explosive conclusion.

Reading the series backwards, turns this book into an unfinished jigsaw puzzle. We see all of the sides and colors and are waiting for the whole image to show. “Okay we see Thomas and Bobby,” the Reader might think. “What about Jillian and Marguerite? When is Jakey conceived? What about the mass murder?” All of those questions are answered and the pieces fit in ways that make the Readers look at them differently in Boy From Two Worlds or deepen understanding in the second book if we read them in the right order.

Cleverly, Thomas and Bobby's journeys seem to be a battle of good vs. evil but once they face those final confrontations, those lines are less defined. The two young men realize that they were led to this conclusion by not only the magical influences but by their own choices. They were given great gifts to see another world, obtain intuition and knowledge, and to decide what to do with that information. In reading the two books, it becomes apparent that the trouble didn't start with a mass murder in a hospital. It started when a six year old boy met a fairy and chose to follow her.

Scars of The Heart by Bob Van Laerhoven; Around the World Trip Into Loss, Grief, Love, and Terror

 Scars of The Heart: Short Stories by Bob Van Laerhoven; Around the World Trip Into Loss, Grief, Love, and Terror

By Julie Sara Porter

Bookworm Reviews

Bob Van Laerhoven knows how to take an around the world trip through different countries right into the dark and damaged hearts and minds of the people who live within those countries. Alejandro’s Lie focused on the aftermath of a dictator’s reign in a fictional Latin American country and the effect on its people, particularly a man who was just released from prison and has PTSD. 

His follow up, Shadow of the Mole is a dual narrative set in WWI France involving a psychiatrist's obsession with an amnesiac patient and the patient’s manuscript which might be a novel or his memories of being cursed by a Romany couple. 

With his anthology, Scars of the Heart: Short Stories, Van Laerhoven does what he does best: peer into the tormented minds and heavy hearts of people in different interesting locations. It is less an around the world trip than it is an “around the human psyche” trip.

The best stories in this anthology are: 

“The Abomination”- In Syria, the narrator is part of a terrorist cell called the Shabah. As he languishes in a Doctors Without Borders facility with an amputated arm, he thinks about his life and what he did to get to that point. 

The Narrator is written to be a truly delusional and angry man. He sees himself as a wrestler or a superhero that he calls The Abomination. His fantasies about fictional heroes and villains, toxic masculine attitude, and confidence in his virility fill his mind with delusions. 

While in the hospital, he is faced with the reality of his actions. It is a reality of broken and injured people, dead bodies, friends and family members violently taken away from their loved ones, a country torn apart by war and hatred, and his own damaged body. His missing arm is a testament to the lives that he took.

Unfortunately, reality comes too late for The Narrator. His violent fantasies are all that he lives for and even when someone reaches out in kindness and compassion, all he knows is rage. All he can feel is anger and toxic pride. The only way that he can act is to commit destruction towards others and ultimately himself.

“Scars of the Heart”- In Belgium, a photojournalist is captivated by Jean-Claude, an octogenarian who tells his life story of being a soldier in Algiers. Jean-Claude recalls his colleague Bisserund who participated in a mission that ended in betrayal. 

Most of the story is a character study of Jean-Claude and his memories of Bisserund. He recalls details about his appearance, personality, and their experiences. It shows that in stressful times, particularly war, friendships develop. Sometimes the people that we encountered during those times are more vivid to us than our own family members. 

The twist in the end offers some interesting reinterpretations of the narrative, particularly Jean-Claude’s voice. It forces the Reader to reflect on what we were told about Jean-Claude and Bisserund. How much of it was real and how much did Jean-Claude make up? How much were his actual memories or how he wanted those memories to be? What about his confession? Why did he feel the need to tell the Photojournalist? Was there a connection between him and Bisserund like Jean-Claude hinted? Were guilt, remorse, illness, or fear of getting caught the reasons behind his end? 

In the end, we are given so much but at the same time not enough. This leaves us to investigate Jean-Claude’s story in our own minds and make our own interpretations about what we were told and what was revealed.

“The Bogeyman and Regina The Street Wench”-In Liberia, a reporter nicknamed the Bogeyman is covering the war torn city of Monrovia. He takes shelter with a nun, Sister Sponza, who is trying to escape with the children in her care. One of them is Regina, a girl who has lost her leg and seems to see right through the Bogeyman.

This story shows how stressful times can make strange friendships. The Bogeyman, Regina, and Sister Sponza are thrown together during violent circumstances. They come to depend on one another to survive. A cynical reporter, a selfless nun, and a former child soldier would have very little need to be together, but now here they are. 

This is also a time of sacrifice and asking questions of oneself and others. Some people rise to the occasion while others do not. Sister Sponza asks a question of The Bogeyman which leaves him to question his motives, the corners that he cut in the past, his earlier plagiarism, and his own egocentric desires to make something of himself. 

The Bogeyman has to examine himself to see whether he has the courage and fortitude to do what Sister Sponza asks or whether this will be the latest in his catalog of disappointments.  

“Abducted and Raped by Aliens”-In New York, failed author, Penman reflects on his ongoing rivalry with Stanislas Nakowski, a fellow writer who has an active sex life and writes about UFOs and alien abductions.

This story has one of the most memorable narrative voices with Penman’s third person point of view. His strange speech patterns like repeating the phrase “looky-looky” or non sequiturs like “this wet and slimy cold invading my nostrils is the swamp-stench of animal sex, eternal sex, war sex” portray him as someone who potentially shows signs of ADHD, or some neurological disorder. 

Penman's thought process could be someone who has difficulties processing information either from birth or trauma. It is also worth noting that he is addicted to cocaine and that may play into his mindset. His thoughts could just as easily be reflective of a mind that is slowly losing connections to reality.  

Stanislas himself is a memorable foil to Penman’s narration. He not only believes and writes about UFOs but he seems obsessed with them, almost aroused by them. A witness's story of an abduction is often interrupted by Stanislas’ lewd commentary and his interest in the witness’ sex life. 

He also had prior history of sexual assault in Kosovo when he and Penman’s paths crossed before. He is fueled by his sexual experiences and many of them either had violence during or afterwards. Stanislas equates sex, violence, and aliens in some crazed fantasy life.

With Penman and Stanislas we are experiencing two men whose minds are traumatized and fractured from earlier events. Both are completely unstable, unhealthy, and are bound to lives of further alienation, frustrations, violence, rage, and death.

“Lilies of The Valley”-In a WWII concentration camp, a Romany girl cares for her brother and ensures their survival by having sex with the guards. 

The Narrator is a resourceful young woman who is brought down to the most basic survival instincts and she knows it too. She was once a talented dancer and her brother an accomplished violinist but none of that matters now in the camps. 

She only uses her talents to be granted favors such as extra food or to live another day. Her morality and self-respect have long ago disappeared and now she is numb and unfeeling to what the guards do to her. The Nazis took everything that was precious to her leaving a broken shell.

Just when the Narrator thinks that she is devoid of all feelings beyond living for the next day, she is given a final tragedy, one that fills her heart and mind with rage. She uses her beauty and mind to engage in a one on one battle against one of the guards and others.

The Narrator becomes a blade of revenge and uses it against those who hurt her. As though she were the human embodiment of karma, she commits an act of vengeance that is equal to the cruelty that was inflicted upon her. 

“The Left-Handed Path of Tantra”-In 1970’s Antwerp, Johnny Di Machio had plenty of nightmares, particularly about a time when he was sexually assaulted as a boy. 

Johnny tries to live a normal life in Antwerp selling books and dating women, but he is completely haunted by these nightmares. His past eats away at him making him unable to function in the present. He has tried many means to overcome his trauma: sex, drugs, travel, meditation, seeking advice from psychologists and gurus. 

Johnny comes close to becoming romantically involved but he freezes upon intimacy. The nightmares and memories won’t leave. Johnny is an adult whose mind is frozen inside his bitter abused violent childhood. 

When Johnny is finally confronted with his memories, he has to evaluate his character: what happened, what he did, what he didn’t do, who was the perpetrator, and who was the real victim in the past. He is confronted with the truth and only when he has the truth can he actually begin to come to terms with himself and finally heal.

When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke

 

When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke 

Spoilers: When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke is the second book in a row dealing with intergenerational conflicts concerning mother and daughters after Red Gifts in The Garden of Stones by P.A. Swanborough. While the latter trod a thin line between the reality of the family in question’s situation and the fantasy of their pagan past, the former has no such detours into the fantastic. It is firmly set in the reality of racism, poverty, classicism, gender inequality, domestic violence, and generational conflicts. All of this is in a setting that is quite familiar with this blog. In fact, it was a setting that was quite common in the books that I read and reviewed last year: Jamaica.

In 2002, Zarah left New York for her childhood home of Jamaica. Her parents, Esther and Bradley and grandmother, Naomi are worried and anxious about their daughter's sorrowful return and her memories of an unhappy abusive marriage left behind in New York. Esther’s concern is also joined by loving but strident remainders that she told Zarah that her marriage wouldn't end well. Her kind anxious demeanor often features acidic attacks on Zarah’s choices and personality. This behavior causes their already volatile relationship to become even more strained and leads to threats of estrangement between mother and daughter. Naomi views the conflict with empathy and understanding. After all she had been through something similar with Esther, just as her mother, Pearlie and Aunt Eudora had been through with her, and their mother, Agatha had been through with them. So the Reader is treated to over 100 years of Jamaican history seen through the eyes of five generations of six fascinating women.

What is particularly fascinating and compelling about this book is that it ignores the touristy side of Jamaica. Oh, some of it’s there: the beautiful landscape, the friendly hospitable locals, the Rastafarian religion and its beliefs. There is even a shout out to author Sir Ian Fleming, who made Jamaica his home as he wrote his James Bond novels. But they are largely left in the background. Instead, we are shown what life was and is like for the locals and all is definitely not paradise for the people who live there. 

The forefront of the book features many of the truths that lie within Jamaica’s sandy beaches and reggae music. It is a history of colonization and racism. It is a present of poverty, economic disparity, and domestic violence. These issues are not treated with bold overlines and dramatic emphasis. Instead they are seen and experienced by the people, specifically the family that encounters them.

We are first told of Zarah’s return and her fractured relationship with her parents. We are then treated to a flashback of an affair that Esther had which ended in her divorce and Zarah’s anger at her mother. The majority of the book consists of flashbacks that begin in 1900 with Agatha, Zarah’s great great grandmother and Esther’s great grandmother. Through this family, we see the conflicts that mark one generation and cause friction with the next. 

Agatha works in a sleepy town and is dominated by her religious family, particularly her father. She is told by women around her to just accept whatever treatment that she gets from men. With only that advice in hand, she enters into a relationship with Mas’ Watson, a well-off farmer. Watson gives Agatha two daughters: Eudora and Pearlie. Agatha works to gather and tag bananas to help support her family but can’t avoid the stares and innuendo that people have about her daughters. 

People gossip about Pearlie’s darker skin compared to Eudora who is much lighter. They marvel at the latter’s perceived beauty and predict that she will go far in life. They shake their heads in dread at Pearlie and believe that she will have a future of hardship. Even Agatha’s attempts to straighten Pearlie’s hair or give her lemon juice to lighten her complexion do not hide her real appearance. 

Many degrade the young girl and Mas’ Watson shows preferential treatment towards Eudora. This shows that even when many people are from the same race, there is unfortunately still division within that race. Sometimes there are stereotypical racist beliefs about the difference between people who are from the same basic skin color but whose shades are darker or lighter and hair is straight or curly.

The scrutiny of Agatha’s daughter’s different skin tones and accusations of whether they had different fathers fill the sisters’ lives up to when they attend school. The outrage becomes so bad that after she is raped, Pearlie runs away. She resides in another village where she gives birth to her daughter, Naomi and enters into a relationship with Bertie, a man whose family helps the single mother get back on her feet. Unfortunately, Pearlie’s happiness is cut short and Naomi finds herself alone and friendless like her mother. 

Naomi ends up living with her cold religious Aunt Eudora. Eudora at first doesn’t even want to take in the girl but she is convinced to do so because of her commitment to Christian duty and how it would look within her community to reject her own flesh and blood. Out of rebellion, Naomi attends the local Catholic church and rejects many of the spiritual teachings from her aunt. 

Naomi falls in love with Miles, a musician who spins fantasies within her about moving to America and starting a new life. That isn’t all that he spins within her. No sooner is she pregnant with her daughter, Esther, than she too is left behind like her mother and grandmother before her.

In the most harrowing section, Naomi enters an unhappy second marriage to Pastor Bloomfield. Bloomfield’s abusive and controlling nature is present as he micromanages her schedule down to prayer times and how long she can meet her friends. He won’t allow her to find a career outside of caring for his home and church. In a very classicist gesture, he forces her to stop using the Jamaican patois and speak the standard British English.

 Because of her limited relationship with her biological family and limited resources, Naomi is trapped in an abusive marriage with someone who she thought was a man of God but turned out to be someone who thought that he was God and had a private church of two worshippers: his wife and stepdaughter. 

A very terrifying encounter breaks Bloomfield’s hold on Naomi and Esther and the two rebuild their lives elsewhere. Naomi reverts to the spiritual beliefs that had always provided her comfort and in an act of defiance against her ex, reverts back to the Jamaican patois that her he ridiculed. 

With the generations of Agatha, Pearlie, Eudora, and Naomi we see mothers struggling with problems of racism, poverty, religious dogma, and domestic violence. Each one works and hopes that the younger generation will succeed where they failed. With Esther and Zarah, we see the results of those dashed dreams, the desire to escape, and how that unhappiness and disappointment played into their relationships as mother and daughter and the men in their lives. 

Even though Esther had a comparatively happy marriage to Bradley as compared to her mother’s with Brookfield and great-grandmother’s with Mas’ Watson, even she had troubles. In 1988, Esther reunited with her former boyfriend, Patrick who lived an affluent life in Ft. Lauderdale, Florida. She had been living a meager existence with Bradley scraping for every dollar and was growing tired of the struggle. She dreamed not only of a different wealthy life in Florida but of the dashing man who could have given it to her.

 Thoughts become actions during a hurricane and Esther ends up with a miscarriage, a divorce, and a resentful daughter. What was truly heartbreaking in hindsight was that Bradley is an easygoing, steady, kind hearted man. His laid back nature could have provided a contrast to Esther’s more rigid strident domineering control over Zarah’s life. Zarah could have had an ally when arguing with her mother. Instead she reacted to strictness with rebellion and ran away. Esther only realizes when Zarah returns that Bradley has a peculiar strength in his blundering kindness that she overlooked. 

Zarah is considered the great hope of the family. Her mother puts enormous pressure on her to succeed well in school and have the right friends. She becomes something of an overachiever with dreams of escaping Jamaica. However, she also falls in love with Damien, considering him a reprieve from her mother’s tight control and secrets which caused her family to implode. 

Unlike her antecedents, who only dreamt of a life away from the island, Zarah managed to get away and form a life for herself. But her independence came with a price tag: that of being married to the abusive Damien. 

The freedom that Zarah thought that she would experience being away from Jamaica becomes even more of a trap in New York. She is beaten, insulted, and criticized. Worse, she is isolated in a new country where she is an immigrant and has very few friends. 

However, Zarah continues to work and study, raising money in secret. She befriends a woman who takes a maternal interest into her life and helps steer her into a good direction. Zarah’s drive to get out of the abusive situation shows her to be someone who learned enough from the earlier generation to plan an escape and make a new life for herself even if it means retreating to the homes of Mom and Dad for a while.

Agatha, Pearlie, Eudora, Naomi, Esther, and Zarah all lived very difficult traumatic troubled lives but they found strength in other places. Sometimes it was through close friendships, surrogate family members, their religious faith, future goals, or aspirations. Most importantly they learned from each other. Even when they didn’t always get along and fought endlessly, their inner strength and love for each other is always shown as are their hopes that the daughters will have better lives than the mother’s. 

Sometimes those dreams didn’t always come true and depended on the next generation to make it happen. Most importantly they had each other to find comfort, sanctuary, and guides to see them through the tough times and learn from them.

Red Gifts in The Garden of Stones: A Tale of Grief and Ghosts and One Small Dog by P.A. Swanborough; Mystical and Relatable Novel About Mothers and Daughters

 Red Gifts in The Garden of Stones: A Tale of Grief and Ghosts and One Small Dog by P.A. Swanborough; Mystical and Relatable Novel About Mothers and Daughters

By Julie Sara Porter 

Bookworm Reviews 

This review is also available on Reedsy Discovery.

Spoilers: I come from a family of mostly women with my mother, myself, and four other sisters as well as two brothers. So I understand what conflicts between mothers and daughters are like. That's probably why P.A. Swanborough’s book, Red Gifts in The Garden of Stones: A Tale of Grief and Ghosts and One Small Dog resonates so much with me. It's about four generations of mothers and daughters who get on one another's nerves but still love each other.

The Coombe Family that resides in Ty Merched (The Women's House) are the type of family that invites suspicious rumors and haunting stories from the other residents in the town of Swansea, Wales. There is just something odd and peculiar about them. 

 Lizzie, the matriarch is celebrating her 100th birthday and she spends most of her time talking to the ghosts that live around her house. Her daughter, Myfanwy feels things strongly and is barely hiding an explosive temper. Myfanwy’s daughter, Sarah Maud practically lives in an alcoholic stupor and haunts the local pub. Sarah Maud’s daughter, Jenner wanders through the woods on endless treks and is fascinated by ancient powers that her ancestors might have had. 

The Coombe women have a love-hate relationship that threatens to explode during the week of Lizzie's birthday when Jenner goes missing, old lovers are reunited, pastor Rev. Morgan incites his flock against the Coombes, a group of hippies and other outsiders show up and befriend the family, a friendly dog appears as a guide, and the family ghosts are begging to be heard by the living.

Red Gifts in the Garden of Stones treads a thin line between Contemporary Fantasy and Historical Fiction/Reality. It describes the real conflicts of a family of women in the late 1960’s in rural Wales but there is always a poetic mystical sense of the other world in the background.

At the forefront, we are given a story of four generations of mothers and daughters who vie with each other and the society around them. These are women who alternate between loving and irritating each other.

Lizzie is in mourning for her late husband and family members. Because of her deep grief, she finds it hard to be emotionally close to the living, often creating friction between herself and her descendants. One could see her behavior as signs of Alzheimer's or dementia but there is just as much evidence that she hangs onto those old memories of her ancestors for emotional reasons. The present is too difficult to live with so she prefers the past and willingly withdraws from those around her.

Lizzie's behavior has been going on since her daughter Myfanwy was very young so naturally she would be bitter and resentful. She is caught between her distant mother and troubled daughter and granddaughter. She is someone who may have had dreams of getting away but family responsibilities tied her down. Now she is stuck at Ty Merched looking after a barely functioning family and becoming more resentful. She too feels abandoned by the man who left her and Sarah Maud and is isolated from the community that spreads rumors about her behind her back and sometimes to her face. 

To face the world around her, Myfanwy barely bites back sardonic comments and expressions and a rising temper that strikes back at everyone else in ire.

Of all of the family members, Myfanwy is the one who has the most potential to one day snap and commit violence, like a vengeance goddess raining her wrath on those who would hurt her and her family.

If Myfanwy reacts in outward anger, Sarah Maud does so inwardly. She isn't a potential danger to anyone but herself. Like her mother and grandmother, she too had been abandoned by the man that impregnated her. Even worse, he was a prominent towns member who refused to acknowledge his one-time mistress and illegitimate daughter. So Sarah Maud lives every day in the same town as the father of her child who is well known but ignores her. She lives with a constant reminder of a moment of youthful indiscretion and weakness which became a lifetime of regret. 

Sarah Maud is practically the living embodiment of a wailing ghost. She drowns her sorrows in alcohol and takes to her bed to escape sleep. She retreats into Depression like her mother does to her rages and grandmother does to her memories.

The fourth member of their family, Jenner, is also a product of this difficult environment of three older women who are in their own worlds. Since Jenner finds no comfort at home with a melancholic mother, choleric grandmother, and nostalgic great-grandmother, she has often had to rely on herself. This is an upbringing that she takes all too easily to heart.

Jenner does what her antecedents are too afraid or too tied down to: she leaves Swansea. She goes on long nature walks, sometimes for hours and even days on end. On one of those trips, she is accompanied by a small dog called, originally enough, Smalldog. Her trips are a way of distancing herself from the problems at home and give her a chance to get away from it all, even if temporarily. Her connection to nature gives her the emotional connections that her family cannot provide.

As striking as their unhappiness is, the Coombes’ loyalty resonates just as strongly. There are moments where the character's love for each other is clearly visible. Lizzie defends Jenner in front of a nosy Rev. Morgan. Myfanwy and Lizzie hover over a bed ridden Sarah Maud. Myfanwy barely restrains a clenched fist as she hears a hate filled speech directed at her family particularly her mother and daughter. 

The older women realize many of their flaws in parenting led to the moment when Jenner goes missing and vow to be better people, which they take to the letter. This is a family that are experts in supporting each other and driving each other crazy. Anyone who is a mother or a daughter can certainly relate to the “I love you, even if I don't always like you” mindset.

There are other traces of the real world of the 1960’s around them. A group of hippies arrive and take some of the weird labels often given to the women of Ty Merched. In a case of one outsider group bonding with another, they befriend the Coombes to the point that Sarah Maud in particular bonds with one of them, hovering close to a romance.

The status and roles of women have changed, particularly as we see Jenner. Unlike her older relatives, she isn't contented to stay where she is and is more self-assured when it comes to dealing with men. She won't be caught up in a haze of romantic nostalgia, rage, or despair when a relationship ends. She will just move on and forward.

One of the more humorous anecdotes in this book is the Swansea residents' reaction to the historic Moon Landing. A world shaking news event may be important to most people, but not them. It barely gets a mention in the book, just a non sequitur sentence solely to say when this book is specifically set. It has that rural town attitude in which world events sometimes are seen as not as important as the events around them. “Forget that Armstrong fellow. Did you hear what Lizzie Coombe did yesterday?! That's the real scoop!!”

That realistic view of small town life doesn't just play into their interest in local gossip but also in how easily mob mentality takes hold especially when influenced by religious figures. Rev. Morgan, the latest in a long family line of pastors, is particularly influential towards his parishioners. One of his favorite topics is suspicions towards the Coombe Family. 

Morgan creates dissent within his flock and drops hints here and there that the four women are witches and highlights the strange things that happen around them. The appearance of a dead body and the women's history of missing men provide enough fuel for Morgan's accusations. Sure enough he creates enough kindling of hatred and judgment to set all of Wales on fire.

The religious intolerance to witches isn't the only supernatural trait in this book and that's where the poetic mysticism comes in. While the forefront of Red Gifts in The Garden of Stones is in the real world, there is a more metaphysical element in the background, one that is firmly entrenched into the Old World of Welsh Mythology and Pagan practices.

There are a lot of descriptions of mist and grayness making the Reader instinctively feel haunted. The characters, particularly Jenner’s, connection to nature calls to mind Wicca priestesses or early witches who meet in the woods and pay reverence to nature in their spells. This is a world that may be approaching modern times but hasn't lost its sense of the ancient world.

What is particularly compelling about the supernatural events in the book is how anticlimactic most of them are and how they can easily be seen with a more scientific explanation at least by the Reader. Jenner’s dog, Smalldog, could be a lovable spirit guide leading her on her solitary journeys but it could just as easily be a friendly stray dog who found a new human friend. There is a mysterious woman, Blodeuwedd, who appears in and out of the book and who could be a friendly but reclusive neighbor, a ghost, or a character from Welsh Mythology helping the mortals who still believe in her and her kind. 

What about those ghosts Lizzie talks to? We read her conversations with them but are they real? Are they proof that Lizzie and the rest of her family have clairvoyant abilities or are they signs of dementia or an emotional desire to live in the past? What are we to make of some of the events prophetic, synchronicity, or coincidence? Even though we are given some theories, ultimately we are left to make our own conclusions.

One of the strongest links with Paganism is that this is a book which is led entirely by women. The fact that this book has a large cast of women of different ages and has significant ties to paganism is not a coincidence. The four Coombe Women reflect the different stages of the Triple Goddess which is a strong belief in modern Pagan movements and was often told in myths and legends as well.

Jenner is the Maiden, innocent, virginal, adventurous, reckless, naive, emotional, immature at times, and always ready to move ahead and forward in life

Together Sarah Maud and Myfanwy form different aspects of the Mother. Sarah Maud parallels the Nymph side, sensual, earthy, existing for physical pleasures, melancholic, self-centered at times, driven by passion, romance, and emotion.

Myfanwy reflects the Mother, warrior, protector, nurturer, something of a martyr complex, temperamental, combative when necessary, and choleric

Last but not least Lizzie is the embodiment of the Crone, wise, experienced, resigned, nostalgic, family leader, filled with sage advice, guide and has seen it all. They embody and are the Goddess.

Red Gifts in The Garden of Stones is a book that is very meditative and lyrical but at the same time relatable and contemporary. It reflects a poetic dream-like world of spirits, magic, and ancient traditions but also faces a reality of addiction, abandonment, grief, and intergenerational conflicts. It doesn't fit nearly into any one particular category or genre so much that it crosses them and opens a veil between reality and fantasy. 

A Cat's Cradle by Carly Rheilan; Psychological Thriller Explores The Mindset of a Pedophile and His Victim

 

A Cat's Cradle by Carly Rheilan; Psychological Thriller Explores The Mindset of a Pedophile and His Victim 

By Julie Sara Porter 

Bookworm Reviews

Spoilers: Sometimes when reading, we have to explore some difficult topics and get inside some terrifying mindsets. Murder Mysteries, Crime Novels, and Psychological Thrillers are practically built on the trope of looking at the world through the point of view of characters that we would rather not: murderers, con artists, burglars, thieves, serial killers, mass shooters, kidnappers, rapists, racists, terrorists, pedophiles. Those are very uncomfortable places to be inside but they are useful. They help us recognize the signs, the mental process, and motives behind such acts so we can recognize them in reality. We can see the early stages in others or even within ourselves so we can act accordingly and prevent crime before it starts. That is what goes into Carly Rheilan’s A Cat's Cradle, a Psychological Thriller that explores the relationship between a pedophile and his victim in a way that is meant to be captivating and also uncomfortable.

After a fight with her bullying brothers, 7 year old Mary Crouch follows a cat to the home of eccentric recluse, Ralph Sneddon. Ralph seems like a helpful friendly sort and the two begin to bond as they put together a secret hideaway. But what Mary doesn't know is that Ralph has a history of violence and sexual abuse towards a minor. As the two become closer, Mary gets nervous, suspicious, and ultimately frightened of her new friend.

A Cat's Cradle is a disturbing book that is written in a way to purposely make the Reader uncomfortable. Since we are seeing sex crimes on a minor from the points of view of the assailant and his victim, we get up close to some terrified and terrifying mindsets.

Ralph’s thought process is that of a sociopath. Even before his relationship with Mary becomes physical, it crosses several boundaries. He wants her to keep their meetings secret from her family and gives her small gifts. His dark humor about hurting the cat or others goes from gallows humor to completely disturbing. The red flags are definitely waving for this guy.

What is even more chilling is when we get into his head through his narration.

 He never believes that there is anything wrong with his behavior. He blames his first victim for haunting his memories so that he sees her in every child. He blames his mother for defending him in court out of maternal love but then throwing him out once she realized that he really was guilty. He blames society for giving him this reputation of a murdering pedophile. He blames everyone but himself. 

Ralph is unable to examine himself or recognize that there is something wrong with wanting to be alone with a little girl that is not a relative and forcing her to keep secrets from her family. He treats his encounters with Mary almost like a suitor planning his romantic dates with a love interest culminating in a marriage proposal except that his intended partner is 7 years old, does not consent or even understand what he is doing, and is unprepared when he molests her. Ralph is mentally stunted and emotionally immature. He has no control over his impulses or his libido. He wants complete control over his victims to the point when Mary is unable to meet him, he sulks and rages over being “stood up.” He is a truly sick and disturbed man.

Mary is just as interesting and worrying in her own way. She exhibits some violent tendencies such as when she threatens her brothers by describing a murdered decayed cat. She is someone who has been bullied by siblings and classmates. She is also neglected by a father who abandoned her family and a mother who is caught up in her own grief and drive to get her husband back. She feels helpless and powerless so these moments when she can display violent tendencies, maintain a dark Gothic humor, and play at being a bit naughty and wicked practically liberates her and gives her a way to express herself. Unfortunately, with Ralph she meets someone who isn't just playing at being wicked.

In some ways Mary and Ralph are parallels at the beginning. They both have troubled pasts, a fixation for dark things, and are solitary introverts. It seems that they could be a match or partnership but they are not. Mary is a child who doesn't know what she is doing. Ralph does and because of that he holds complete dominance over her. Despite this being told from their perspectives, at no point does this relationship look positive or healthy. It is clearly one in which an adult takes advantage of and controls a child.

Because Mary is so young and so inexperienced, the suspense works on a subconscious level. She doesn't know what Ralph has planned but we do. We know the textbook signs of a potential molester and we can see him for who he really is. At 7, Mary doesn't yet have that built-in alarm system that tells her that this behavior is wrong. She just sees a secret adult friend who likes the same things that she does and seems to accept her. We read their encounters and want to yell “Don't trust him” but know that she doesn't understand why she shouldn't. It's when Ralph starts touching Mary that her alarm goes off and she feels uncomfortable. By the time their meetings go from quick touches to full on assault, Mary is completely besotted, traumatized, and damaged. 

This narrative of perpetrator and victim builds to a climax that unfortunately falters a bit. It subverts expectations but in ways that do not fit with everything that previously happened. The build up was definitely better than the pay off.

A Cat's Cradle is a book that reminds us that there are at least two sides to every crime: the person who commits it and the one who is victimized and suffers because of it.

Debunked by Beth Perry, Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Your Ancestors by Barry D. McCollough, French Turquoise Echoes by Carola Schmidt

 Debunked by Beth Perry, Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Your Ancestors by Barry Douglass McCollough, French Turquoise Echoes by Carola Schmidt 

Debunked by Beth Perry 

This is a brief review. The longer version can be found at LitPick.

Debunked is an engaging Supernatural Thriller/Occult Mystery about possessing intuitive abilities and using them as well as releasing long buried guilt. It is a fascinating conflict between skeptics and intuitives that has a lot of parallels with real life.

Craig Herbert is the executive field producer of The Debunkers Challenge, a top rated reality program that exposes fraudulent psychics. The twist is the show will offer money if they can prove their abilities in front of the skeptics.

Craig visits Tennessee upon the advice of a colleague’s relative to visit Betty Ann Crawford, a clairvoyant with an uncanny success rate. The more Craig interviews the woman, the more bemused and mystified he is. Either she is an excellent con artist or she really is psychic.

The Debunkers Challenge is clearly based on the challenge created by James Randi.

Betty Ann is probably not based on one specific person but probably an amalgam of different famous psychics and mediums such as Dorothy Allison, Sylvia Browne, Tyler Henry, Allison Dubois, and Uri Geller. Readers will love the inside references and the themes of science vs. superstition, skepticism vs. belief, the physical world vs. the supernatural world. 

This is also a very tight efficient Occult Mystery which plays all of the right notes within the subgenre. Craig has a tragic past with his own brush with death and unsolved crimes. His encounters with Betty Ann build on those memories as he receives horrific visions and flashbacks connected with his past. 

The final chapters taking place during the filming of the episode in which Betty Ann is the spine tingling climax. Betty Ann makes some chilling revelations that are genuine plot twists that were properly built up but enough of a surprise once they were finally told. 

Debunked is a brilliant chilling Occult Mystery that challenges the Readers with what they believe in and what it would take to question those beliefs.

Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Our Ancestors by Barry Douglass McCollough

Barry D. McCullough’s Discover Your Natural Gifts is a brilliant inspirational book that encourages Readers to discover and build on natural talents in Leadership, Management, Math, Art, and Science.

Each chapter follows the same formula. It explains the origins of the gifts and how they evolved through time. They then cite examples of famous people who exhibited those traits as well as many of the others. They then discuss strengths, limitations, and keywords of those gifts and how the others balance them out.

Among the most interesting sections are the ones that describe specific people who exemplify those gifts and how they used them to help create a better world around them. Mohandas K. Gandhi was an example of a Natural Leader by creating a specific vision and inspiring large groups of people with his words and calls to action. He led many to embrace his ideals of nonviolence and civil disobedience and became a symbol of India’s fight for independence from Great Britain.

Another fascinating section is one which describes the gifts in great detail, particularly their keywords. A Natural Manager for example would be adept in observation, analysis, organization, planning, discipline, calculation, restraint, utilizing, making decisions, allocation, and assigning and delegating responsibility. They falter in gaining control, manipulation, judgment, accepting and rejecting certain people and views, being too commanding, and sometimes practicing discrimination. 

They show that every gift has positive and negative attributes and how important it is to balance them with the other gifts so the person doesn't become too rigid and short-sighted in their roles and views.

Discover Your Natural Gifts is an interesting way to explore and nurture one's abilities and maybe gain some new ones.

French Turquoise Echoes by Carola Schmidt 

Carola Schmidt’s short work “French Turquoise Echoes” could be seen as a modern day adaptation of Charlotte Perkins Gilman’s “The Yellow Wallpaper.” Like its predecessor, it explores the fine line between sanity and insanity. It also asks some really tough uncomfortable questions about the real reasons behind this psychotic break, the person experiencing it, and the world surrounding them before and during this episode.

Janet Danvers is a retired psychologist/youth volunteer.spends her days staring at her French turquoise wallpaper which is decorated with a floral pattern. Throughout her days, she interacts with a variety of characters who could be either products of an overactive imagination, repressed memories of people in her life, or visual and auditory hallucinations. As her conversations with them become more intense. Janet is forced to come to terms with various past traumas that may have manifested themselves into the forms of her companions.

“French Turquoise Echoes” is reminiscent of those classic Gothic short stories which take place in a small enclosure and where every object is filled with meaning and metaphor. The wallpaper for example could stand for Janet’s fractured mindset. Flowers normally symbolize life, youth, peace, and growth but in case they mean something different. The flowers on the wallpaper seem to be metaphors of death and hidden truths. Instead of reminding her of good pleasant times, they are covered in her blood as she strips away the paper. They force her to peer into her subconscious and come to terms with things that she mentally concealed.

Her companions are deceptively written to be engaging and a welcome presence.. Such characters as the curious Margaret, the calm Antonio, the sardonic Robert, the elegant Lilac comment on and become almost as multifaceted as Janet herself. Even some characters like Gwen, Janet’s daughter, and Otto, a young boy put in Janet’s care, have an air of mystery to them. It is purposely left ambiguous whether they are actually real or a part of this gang. 

At first, they appear to be a sort of protection from the real world, a means for Janet to express herself in a creative manner. They represent facets of her personality and allow her to examine those traits inwardly. They also could just be someone that she can talk to on a daily basis. However, as the story continues they become more forceful, manipulative, and possess violent and self-destructive impulses. On the one hand, they want Janet to learn the truth but they don’t mind hurting her to make her see it.

As I mentioned before, “French Turquoise Echoes” is a post-modern adaptation of “The Yellow Wallpaper.” Both are commentaries on the line between sanity and madness and how society treats the people involved. Gilman’s story was a criticism of the treatment of women in a patriarchal society. Women who had depression and other illnesses were prescribed rest cures, were deprived of outside stimulation, and reduced to an infantile state. 

“French Turquoise Echoes” is a meditation on loneliness and the plight of the elderly. Janet once felt useful, a large part of a thriving community. She had a successful career to look back on with pride,loyal friends, and a loving family. Now, she lives a solitary life detached from the world around her. She is forgotten by the society around her, so she retreats within herself inside her own head. Is it any wonder that she has such an active fantasy life when her reality is so disappointing? 

Unfortunately. Janet used her fantasy life as a deflection and a shield from her traumas. However, the more she tried to hide from them the more they appeared until she couldn’t hide any longer. Her fantasy and reality, once separate world are forced to become one.