Showing posts with label Intergenerational Conflicts. Show all posts
Showing posts with label Intergenerational Conflicts. Show all posts

Saturday, August 24, 2024

When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke


 

When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke 

Spoilers: When Banana Stains Fade: A Jamaican Family Saga of Adversity and Redemption by Frances-Marie Coke is the second book in a row dealing with intergenerational conflicts concerning mother and daughters after Red Gifts in The Garden of Stones by P.A. Swanborough. While the latter trod a thin line between the reality of the family in question’s situation and the fantasy of their pagan past, the former has no such detours into the fantastic. It is firmly set in the reality of racism, poverty, classicism, gender inequality, domestic violence, and generational conflicts. All of this is in a setting that is quite familiar with this blog. In fact, it was a setting that was quite common in the books that I read and reviewed last year: Jamaica.

In 2002, Zarah left New York for her childhood home of Jamaica. Her parents, Esther and Bradley and grandmother, Naomi are worried and anxious about their daughter's sorrowful return and her memories of an unhappy abusive marriage left behind in New York. Esther’s concern is also joined by loving but strident remainders that she told Zarah that her marriage wouldn't end well. Her kind anxious demeanor often features acidic attacks on Zarah’s choices and personality. This behavior causes their already volatile relationship to become even more strained and leads to threats of estrangement between mother and daughter. Naomi views the conflict with empathy and understanding. After all she had been through something similar with Esther, just as her mother, Pearlie and Aunt Eudora had been through with her, and their mother, Agatha had been through with them. So the Reader is treated to over 100 years of Jamaican history seen through the eyes of five generations of six fascinating women.

What is particularly fascinating and compelling about this book is that it ignores the touristy side of Jamaica. Oh, some of it’s there: the beautiful landscape, the friendly hospitable locals, the Rastafarian religion and its beliefs. There is even a shout out to author Sir Ian Fleming, who made Jamaica his home as he wrote his James Bond novels. But they are largely left in the background. Instead, we are shown what life was and is like for the locals and all is definitely not paradise for the people who live there. 

The forefront of the book features many of the truths that lie within Jamaica’s sandy beaches and reggae music. It is a history of colonization and racism. It is a present of poverty, economic disparity, and domestic violence. These issues are not treated with bold overlines and dramatic emphasis. Instead they are seen and experienced by the people, specifically the family that encounter them.

We are first told of Zarah’s return and her fractured relationship with her parents. We are then treated to a flashback of an affair that Esther had which ended in her divorce and Zarah’s anger at her mother. The majority of the book consists of flashbacks that begin in 1900 with Agatha, Zarah’s great great grandmother and Esther’s great grandmother. Through this family, we see the conflicts that mark one generation and cause friction with the next. 

Agatha works in a sleepy town and is dominated by her religious family, particularly her father. She is told by women around her to just accept whatever treatment that she gets from men. With only that advice in hand, she enters into a relationship with Mas’ Watson, a well-off farmer. Watson gives Agatha two daughters: Eudora and Pearlie. Agatha works to gather and tag bananas to help support her family but can’t avoid the stares and innuendo that people have about her daughters. 

People gossip about Pearlie’s darker skin compared to Eudora who is much lighter. They marvel at the latter’s perceived beauty and predict that she will go far in life. They shake their heads in dread at Pearlie and believe that she will have a future of hardship. Even Agatha’s attempts to straighten Pearlie’s hair or give her lemon juice to lighten her complexion do not hide her real appearance. 

Many degrade the young girl and Mas’ Watson shows preferential treatment towards Eudora. This shows that even when many people are from the same race, there is unfortunately still division within that race. Sometimes there are stereotypical racist beliefs about the difference between people who are from the same basic skin color but whose shades are darker or lighter and hair is straight or curly.

The scrutiny of Agatha’s daughter’s different skin tones and accusations of whether they had different fathers fill the sisters’ lives up to when they attend school. The outrage becomes so bad that after she is raped, Pearlie runs away. She resides in another village where she gives birth to her daughter, Naomi and enters into a relationship with Bertie, a man whose family helps the single mother get back on her feet. Unfortunately, Pearlie’s happiness is cut short and Naomi finds herself alone and friendless like her mother. 

Naomi ends up living with her cold religious Aunt Eudora. Eudora at first doesn’t even want to take in the girl but she is convinced to do so because of her commitment to Christian duty and how it would look within her community to reject her own flesh and blood. Out of rebellion, Naomi attends the local Catholic church and rejects many of the spiritual teachings from her aunt. 

Naomi falls in love with Miles, a musician who spins fantasies within her about moving to America and starting a new life. That isn’t all that he spins within her. No sooner is she pregnant with her daughter, Esther, than she too is left behind like her mother and grandmother before her.

In the most harrowing section, Naomi enters an unhappy second marriage to Pastor Bloomfield. Bloomfield’s abusive and controlling nature is present as he micromanages her schedule down to prayer times and how long she can meet her friends. He won’t allow her to find a career outside of caring for his home and church. In a very classicist gesture, he forces her to stop using the Jamaican patois and speak the standard British English.

 Because of her limited relationship with her biological family and limited resources, Naomi is trapped in an abusive marriage with someone who she thought was a man of God but turned out to be someone who thought that he was God and had a private church of two worshippers: his wife and stepdaughter. 

A very terrifying encounter breaks Bloomfield’s hold on Naomi and Esther and the two rebuild their lives elsewhere. Naomi reverts to the spiritual beliefs that had always provided her comfort and in an act of defiance against her ex, reverts back to the Jamaican patois that he ridiculed. 

With the generations of Agatha, Pearlie, Eudora, and Naomi we see mothers struggling with problems of racism, poverty, religious dogma, and domestic violence. Each one works and hopes that the younger generation will succeed where they failed. With Esther and Zarah, we see the results of those dashed dreams, the desire to escape, and how that unhappiness and disappointment played into their relationships as mother and daughter and the men in their lives. 

Even though Esther had a comparatively happy marriage to Bradley as compared to her mother’s with Brookfield and great-grandmother’s with Mas’ Watson, even she had troubles. In 1988, Esther reunited with her former boyfriend, Patrick who lived an affluent life in Ft. Lauderdale, Florida. She had been living a meager existence with Bradley scraping for every dollar and was growing tired of the struggle. She dreamed not only of a different wealthy life in Florida but of the dashing man who could have given it to her.

 Thoughts become actions during a hurricane and Esther ends up with a miscarriage, a divorce, and a resentful daughter. What was truly heartbreaking in hindsight was that Bradley is an easygoing, steady, kind hearted man. His laid back nature could have provided a contrast to Esther’s more rigid strident domineering control over Zarah’s life. Zarah could have had an ally when arguing with her mother. Instead she reacted to strictness with rebellion and ran away. Esther only realizes when Zarah returns that Bradley has a peculiar strength in his blundering kindness that she overlooked. 

Zarah is considered the great hope of the family. Her mother puts enormous pressure on her to succeed well in school and have the right friends. She becomes something of an overachiever with dreams of escaping Jamaica. However, she also falls in love with Damien, considering him a reprieve from her mother’s tight control and secrets which caused her family to implode. 

Unlike her antecedents, who only dreamt of a life away from the island, Zarah managed to get away and form a life for herself. But her independence came with a price tag: that of being married to the abusive Damien. 

The freedom that Zarah thought that she would experience being away from Jamaica becomes even more of a trap in New York. She is beaten, insulted, and criticized. Worse, she is isolated in a new country where she is an immigrant and has very few friends. 

However, Zarah continues to work and study, raising money in secret. She befriends a woman who takes a maternal interest into her life and helps steer her into a good direction. Zarah’s drive to get out of the abusive situation shows her to be someone who learned enough from the earlier generation to plan an escape and make a new life for herself even if it means retreating to the homes of Mom and Dad for a while.

Agatha, Pearlie, Eudora, Naomi, Esther, and Zarah all lived very difficult traumatic troubled lives but they found strength in other places. Sometimes it was through close friendships, surrogate family members, their religious faith, future goals, or aspirations. Most importantly they learned from each other. Even when they didn’t always get along and fought endlessly, their inner strength and love for each other is always shown as are their hopes that the daughters will have better lives than the mother’s. 

Sometimes those dreams didn’t always come true and depended on the next generation to make it happen. Most importantly they had each other to find comfort, sanctuary, and guides to see them through the tough times and learn from them.

Tuesday, November 23, 2021

New Book Alert: The Keeper of Happy Endings by Barbara Davis; Predictable, But Sweet and Romantic Novel About The Desire To Give Happy Endings

 


New Book Alert: The Keeper of Happy Endings by Barbara Davis; Predictable, But Sweet and Romantic Novel About  The Desire To Give Happy Endings

By Julie Sara Porter

Bookworm Reviews


Spoilers: The Keeper of Happy Endings by Barbara Davis is one of those types of novels with twists that you can see a mile away. The surprise revelations can be spotted in the next country with how predictable they are, especially if you have read a lot of these types of books that tell two stories: one historical and one modern. It won't be a big surprise that the two characters from different eras have a lot in common, or that the modern character learns a valuable lesson from the older character, or even (shocker), that the two stories of two complete strangers are actually connected. Despite or even because of its predictability, The Keeper of Happy Endings makes the Reader love the characters and want to see them get their happy endings after experiencing such hardship as war, abandonment, loss, abuse, and death.


The plot focuses on two women. The first protagonist is Aurora "Rory" Grant, a

young woman from the 1980's who is anxious about her fiance, Hux, a doctor who had been reported missing in South Sudan. The worry is intensified by the verbal abuse that she experiences from her mother, Camilla, a wealthy snobbish woman with extremely high standards that Rory feels that she can never achieve. Feeling lost and disenchanted, Rory decides to open a gallery and maybe display her own textile art. She has even spotted a lovely old building that would be perfect.

The building is owned by the second protagonist, Soline Roussel. In the present, Soline is an elderly recluse. As we learn about Rory's present, we also learn about Soline's past. She was one of a family of dressmakers, whose specialty lay in wedding gowns. The Roussels acquired quite a reputation as being almost magical with their talent. It was said that a bride who wore a Roussel wedding gown was destined to have a happy ending. 

However, the happy endings did not cover the Roussels themselves. Soline's mother had a  mysterious lover who disappeared before she realized that she was pregnant. Her grandmother was deserted by her husband after the birth of her second daughter. That daughter, Soline's aunt, became widowed when her husband died in a car accident during their honeymoon. The Roussel women put their pain and grief into their beautiful intricate designs earning the nicknames of "The Dress Witches." 

Soline also succumbs to the Roussel Family Curse of being unlucky in love. In 1943, shattered by her mother's death, her discovery of Edher father's identity, and the French Occupation by the Nazis, Soline falls in love with Anson Purcell, an American Red Cross medic. The romance begins sweetly enough but let's just say that things don't end well between them. 


The Keeper of Happy Endings is a lovely story which intertwines past and present like the threads that make a Roussel wedding gown. LIke with many of these stories, Rory and Soline's stories are paralleled. Both are talented artists with textiles and fabric. Both have missing lovers due to war. Both have to live up to their family's immense expectations. The difference between the two women is how they handle those similarities. 

Rory is a lot more passive than Soline. Though highly talented, Rory lacks self esteem to display her art. Hux gives her the suggestion to open the gallery and her friendship with Soline gives her the confidence to display her art. Until these influences, Rory never believed in her talent. 

However with Rory's mother, it is easy to see where Rory gets her insecurities from. Camilla micromanages Rory's entire schedule and commands that they meet for regular luncheons. The lunches usually consist of Camilla telling Rory everything that she feels that she is doing wrong, which from what I can tell, is everything that Rory is doing. She is constantly picking at Rory finding different ways to undermine her daughter's self esteem and unfortunately because Rory is still in close proximity to her mother, she is forced to listen. 

Anyone who has lived with a narcissistic verbally abusive parent will understand exactly what Rory is going through. That pain lasts into adulthood and many, like Rory, often accept it. Sometimes it takes an outside agent to break that cycle of abuse and dependency and lucky for Rory, Soline is that outside agent.


In contrast to Rory's passivity, Soline is much more active. While her family already established their reputation as makers of dressing gowns, Soline's addition of bows to the gowns makes the company her own. She becomes just as well known in her own right in New England as her family is in France.

During the war, she volunteers at a hospital and becomes an ally to the French Resistance showing that she can be resourceful in times of great stress. She also has the strength to leave France when her business dries up and the Nazis are on the lookout for Resistors.

Some of the best passages that show Soline's more active character is when she arrives in the United States and like Rory finds herself in a potentially abusive situation. She stands her ground against her abuser and befriends a family member, even making some lovely designs to get back into the business. When Soline finds herself in a troubling situation, rather than accept it like Rory, Soline stands up for herself and leaves. Slowly, she retains her reputation in the states as a prominent designer. Hearing this story gives Rory the confidence to act upon her own life and take charge of it. Like the gowns that her family designs in the hopes that the bride will have a happy ending, Soline almost acts like a fairy godmother by becoming the catalyst for Rory to get hers.


As I said, the plot twists and revelations are somewhat predictable but their placement in the book is well executed. Usually, the revelations are at the end where the characters are gob smacked and strengthened by this deeper bond. Sometimes there is an epilogue that serves as a "Where Are They Now?" Moment to show how the characters reflected and evolved because of the deeper connections.

In Keeper of Happy Endings, the revelations occur towards the middle so there is more to be done. There are still hurt feelings. Characters say that they aren't ready for such a confrontation and still spend several chapters estranged. These characters' worlds are rocked by such news and Davis realizes that one chapter is not going to change that.

What actually stands out is how this news affects Rory. Far from the passive wallflower that she was before, she is compelled to act and fix what went wrong in the past. This news, along with Soline's friendship, propel Rory to bring about not only her happy ending but everyone else's as well.


Yes  The Keeper of Happy Endings is predictable. But it is also sweet, romantic, and filled with lovable characters that you root for. Yes you do want to see, and are glad when they finally get, their happy ending.