Julie Sara Porter, Bookworm Reviews

*These are books reviewed for LitPick or Reader's Views and will only feature a summary and a few paragraphs with links to the full reviews on their sites. Some may not be featured at all.

**Exceptions are books provided by Henry Roi PR, LitPick, Reedsy Discovery, Hidden Gems, Reader's Views, and DP Books. Payments of short Nonfiction reviews are already facilitated through Real Book Review, Amazon Book Groups, Michael Cheng, Five Stars Books, Eureka Publishing, and Book Square Publishing.

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Well that's it. Thanks and as always, Happy Reading.

We Spread by Iain Reid; Delicate Symbolic Open Ended Look at Old Age and Senior Care

We Spread by Iain Reid; Delicate Symbolic Open Ended Look at Old Age and Senior Care

By Julie Sara Porter

Bookworm Reviews

Spoilers: This is the second book in a row, after Delusions of Madness by Kimberly K. Taylor, in which institutional care is an important focus. Delusions of Madness was a dark disturbing Historical Fiction about the institutional abuse found in a 19th century mental asylum and the stranglehold of the patriarchy that controls it.

We Spread by Iain Reid, the second book, focuses on Senior care in modern day. The setting and plot aren't the only things that are different about it. Where Delusions of Madness is more direct and honest about the mistreatment suffered by the patients, We Spread is more hidden, subtle, and delicate with how Senior care is portrayed. It is surrounded with potential metaphor, allegory, and open ended questions that are left for interpretation.

Penny, a Surrealist painter, has just lost her partner who passed away. After an incident where she collapses, her landlord authorizes her commitment to a long term care residence which both he and the center’s staff insist was arranged by her partner. She doesn't recall such a conversation and is very reluctant to go. However the three other residents, Pete,Ruth, Hilbert, and the only two staff members, Jack and Shelly, seem very nice and she's well taken care of so maybe it will work out.

That is before strange things start happening. She and other residents start to forget things that they always used to remember. There are moments of missing time where they may have slept for several hours or days due to medication. Some of the residents’ personalities are different. Objects keep appearing and disappearing. There are whispered conversations and warnings about the residence’s founder, Shelley whose behavior is utterly bizarre.

Six Cedars seems like a pleasant setting that perhaps might be just a bit too pleasant. Penny's first description of the residence is a stone house surrounded by trees. It's big, old, plain, and the only sounds are songbirds and natural silence. The foyer is clean and immaculate with fresh roses, two leather chairs, and the sound of a violin coming from one of the rooms.

Penny's room has a queen bed, a thick duvet, a recliner chair, lamp, dresser, desk, and a grand window facing the forest. There are common rooms, a hair salon, a dining room, and even though residents are not permitted to go outside alone, they can be accompanied plus every room has a scenic natural view.

It's safe, comfortable, welcoming, clean, sterile with no clutter, dust, or personal items. It's the kind of place that relaxes one because they don't have to think about duties, responsibilities, stuff, mental clutter.

Penny can get her needs met and everyday she sees new brushes, paint, and other supplies encouraging her process that appear as if by magic. Who wouldn't want to live in such a nice, comfortable, quiet place that allows you to create to your heart's content?

Penny bonds with the other residents who have their own interests as much as Penny has with her art. Pete was a concert violinist and plays in his room. Ruth is a polyglot and often peppers her conversations with French phrases. Hilbert is a mathematician and often speaks in complex puzzles and equations. Each one has a special means of communication and self-expression and uses it to create a shared language of words, music, numbers, and pictures among them.

Though the staff is small, they are also memorable. Shelley is a beautiful woman who seems to genuinely want to give the residents the proper care that they need and allow their minds to flourish and grow. She also has an interest in biology so often speaks in terms of environment, plant cycles, and growth. Jack is probably the least developed of the main characters, but he alternates between being a helpful guide and a fountain of frantic exposition especially when the weird things start happening.

The sinister happenings don't occur until halfway through the book so the Readers fall into the same subtle complacency and detachment that Penny first does. Things are strange here but this place is too nice. Everything is so routine. You don't have to think about the strange things or the world outside. Everyone here will take care of you. Now lie down and relax. Oh you can't remember your partner's name whom you have been with for decades? Well perhaps that's a sign of dementia. We'll have a doctor look you over in the morning. Now take this drug, lie down, and sleep for a couple of days.

It works because it puts the residents in a stagnant comfortable routine. They can't and won't question anything because there doesn't seem to be anything to question. There's just a general unease when memories become fragmented, items are missing, and Penny can't recall details like whether or not she and her partner ever did talk about this place or their future end of life plans. When Penny starts questioning them, she can't get anyone to act in meaningful ways beyond talking. She isn't sure if she wants to either.

What is particularly compelling about this set up is because it is so subtle it remains uncertain if anything sinister really is happening. After all, absent mindedness and forgetting details are signs of dementia. The languid tired feelings could just be that their minds are becoming numb from routine and the appearing art supplies and other things could be gifts from Jack and Shelly to keep their minds active.

Even some of the stranger events like odd discoloration on one characters' skin, Jack's frantic late night warnings, and a crucial overhead conversation could just be nightmares or delusions from Penny since she is the only person who experiences them.

A metaphor that is spread throughout is Penny's connection to art. She laments that when she was with her partner, some of her more complex Surrealist paintings were unfinished while he often flourished creatively.

Since she has all the time in the world in Six Cedars, she can finally work on them. But she is always finding something incorrect, flawed, or wrong with them so she has to start all over again. It's almost like she doesn't want to finish them.

This conflict could be symbolic of her feelings towards Six Cedars. She is curious but uncertain. She thinks that her life might be in danger or she's paranoid and imagining it. She wants to find out but doesn't want to find it. Because finishing the painting is like finishing a story. If she asks questions and gets answers that she doesn't want to hear, then her story is finished. She is moving closer to the edge of her life and while she sees the view, she is afraid of jumping off. Her life is in her art and now her art and life are here in Six Cedars. Is she really ready to put her signature on the painting and read the final end page?

Friday, April 3, 2026

Delusions of Madness by Kimberly K. Taylor; Harrowing Historical Fiction About The Reality of Mental Asylums and Mistreatment of Women

Delusions of Madness by Kimberly K. Taylor; Harrowing Historical Fiction About The Reality of Mental Asylums and Mistreatment of Women

By Julie Sara Porter

Bookworm Reviews

This review is also on Reedsy Discovery.

Spoilers: Delusions of Madness by Kimberly K. Taylor is about as skin crawling, creepy, harrowing, and anxiety inducing as any Supernatural Horror book or movie. The most disturbing part of this Historical Fiction nightmare is that it is true. It depicts the lives of patients, especially women in a 19th century mental asylum and it does not skimp on any of the details. Even if you don't have dementophobia (fear of insanity-which I do), you might still have nightmares.

Proper 19th century Ohio wife and mother, Cassie Alexander is institutionalized by her husband, Jed who reports that she has gone insane. She hasn't. She and Jed are having marital problems and he is having an affair and needs to get rid of the competition before he can move onto the Second Mrs. Alexander. He convinces a judge that she needs to be institutionalized, so she is sent to a mental asylum.

When Cassie arrives, she finds a filthy degrading place filled with suffering patients, practices that damage them even more, and a sadistic or indifferent staff that tortures and abuses those under their alleged care. It doesn't take Cassie long to figure out that mental asylums are not there to treat people or help them recover. They are places to put people to forget about them.

Mental asylums have become an important topic in the past year with President Trump insisting that immigrants “from prisons and mental asylums” are being sent to the US, probably confusing mental asylums (institutions for the treatment and care of the mentally ill) with asylum seekers (people fleeing persecution, war, or violence and applying for legal recognition as refugees to another country but whose claims are still pending). Last year he signed an executive order aimed at reducing homelessness and severe mental illness by encouraging the expansion of involuntary, long-term commitment into psychiatric care including reducing community health services and bringing back long-term mental institutions and insane asylums.

It's important to remember that the treatment at such centers wasn't always the best and to understand the history of how people were treated back in the day, to recognize the mistreatment for what it was, prevent such abuse from repeating itself, and remember that there are resources that can be contacted if such abuse does happen now.

Taylor pulls no punches in her descriptions of the horrid conditions that Cassie and the other inmates/prisoners suffer through. We are treated to drafty mildewed walls, filthy floors with rancid odors and waste that is barely cleaned, uncomfortable and filthy beds, rats and other vermin that inhabit some of the rooms, and the sounds of tortured sobbing and screaming. It is not a pleasant place to say the least, said Ms. Obvious.

Then there is the staff who make Nurse Ratched from One Flew Over the Cuckoo’s Nest look like Florence Nightingale. They beat and physically torture the patients and purposely use dehumanizing language to bring them down to their lowest basest level.

Dr. Gooding, the asylum's primary physician, sexually assaults the patients. One of the patients ends up pregnant and he arranges for her to have an illegal, painful, and potentially destructive abortion. Matron Harrow, the asylum director is adept at manipulating and mentally abusing her charges. She has a particular vendetta against Cassie because there is a personal link between her and Cassie's erstwhile husband. She saves the worst punishments for her.

The asylum patients are subjected to various torturous punishments disguised as treatment from the moment they enter. They are branded upon entry. If one steps out of line as Cassie does, they are sedated and deprived of food and water. They are subjected to torture disguised as treatment like dunking their heads in ice cold water, throwing them in solitary confinement, or strapping them to a chair and spinning it around to the point of disorienting them.

There are also early forms of electroconvulsive therapy and lobotomies practiced by people who do not know what they are doing.All of these are means to break a patient's spirits and remove their free will. If they are constantly monitored, ridiculed, tortured, beaten, and dehumanized, they will consent to anything.

The dehumanization is revealed in various ways in the book. Some are left screaming. Others sit in fetal positions crying. Many just lie inert, no longer giving a damn. One woman whose child has died holds nothing but air in her hands under the delusion that her baby is with her. The sad part is if help and reform comes to the asylum, these women will be too far gone to appreciate it.

In some ways, the asylum is representative of the patriarchy. Women’s sanity is determined by husbands, male family members, judges, doctors, and attendants who make medical decisions for them. Women who help the system like matrons, nurses, and Conservative women can only seize power by siding with men and condemning women who don't fit the program. The results are the women are silenced, isolated, deprived of any agency, and left utterly dependent and complacent to whatever abuse they receive.

Just like other facets of the patriarchy, it takes women to challenge it and reveal what is wrong. While most of the female patients are left dependent and animalistic by the abuse, ironically it strengthens Cassie. She argues with staff when she or others are abused. She stands up for and defends those who can no longer speak or reason for themselves. She still recognizes their humanity. She covertly takes notes on her situation and tries to send hidden messages to authority figures so something legal and permanent can be done to stop it. She's not the only one.

The book is set around the same time that Nellie Bly wrote her famous Ten Days in a Mad House expose in which she faked mental illness symptoms to be institutionalized and was sent to Bellevue Hospital and later Blackwell Island. She took notes of the poor treatment and abuse and compiled them into her book which was such a sensation that reforms in mental institutions began almost immediately. Bly and her book even get a shout out in this book as Cassie and her fellow inmates now have someone speaking out for them and telling the truth.

Cassie in the book and Bly in real life forced the public to see that the mentally ill, particularly mentally ill and institutionalized women are people with names, histories, and identities. They challenged the people in charge and on the outside to recognize their humanity and change and reform the institutions accordingly.

Dissolved (Gutted, Dissolved, and Then Finished Trilogy Book 2) by Anna Madorsky; Semi-Return to Normalcy-Maybe

Dissolved (Gutted, Dissolved, and Then Finished Trilogy Book 2) by Anna Madorsky; Semi-Return to Normalcy-Maybe

By Julie Sara Porter

Bookworm Reviews

This review is also on Reedsy Discovery.

Spoilers: Since this review is for the second volume in a trilogy, I advise you to read my review for the first volume, Gutted and be forewarned that this review will contain MAJOR SPOILERS!!

In Gutted, the first volume of Anna Madorsky’s Gutted, Dissolved, and Then Finished Trilogy, Elliot, a woman troubled by PTSD and frequent insomnia, meets Jason, a highly intelligent, temperamental stranger who shares many of her philosophical Nihilistic thoughts. The two become lovers and kindred spirits before Jason reveals that in moments of fury, he killed people in the past and still has the urge to kill again. Elliot is at first frightened but then is drawn to his aggressive energy and open contempt for people around them. They marry and she becomes complicit and eventually partners with him when he goes in for his latest kill: a man who brutally kidnapped, raped, and murdered her friend Abbie. Elliot helps Jason cover up the crime but their relationship has been significantly altered so she decides to take a break from their marriage. She won’t notify anyone but she can’t be with Jason right now. She leaves him to find a different life for herself.

Dissolved, the second volume is mostly about her time alone. If Gutted was a journey of Elliot discovering the dark side within herself and Jason and taking those dark sides to frightening levels, then Dissolved is about the opposite. It involves Elliot trying desperately to return to normalcy or perhaps embracing it for the first time.

To maintain distance between herself and Jason, Elliot offers to house-sit for Oluchi, friend of a friend in Portland. In this new location, she makes new friends and becomes a different person. Unfortunately, she can’t stay away from Jason for too long and the two reunite. Their reunion brings back their actions and unresolved conflicts and Elliot has to either leave Jason to his own devices or return to their “Bonnie-and-Clyde” escapades.

In the previous book, Elliot lived in a cloak of darkness. She was still scarred with the traumas of her past and her mind was fogged from sleepless nights and damaging memories. She became easily susceptible to Jason’s manipulations, intellectual rhetoric, and pressing dark souled charisma.

She thought that she found someone who shared her pessimistic views of the world until he revealed that he had been purposely stalking her. What he needed was a partner to share and facilitate these dark urges to commit murder. She was an outsider to everyone but to Jason and began to embrace a complete isolation from the world and a detachment to its laws and standards.

Dissolved is about the same woman trying her damned best to join that world that she once felt isolated from. Elliot invigorates her friendships by becoming more involved in their issues. In the previous book, she displayed some empathy for a coworker having trouble with her aging mother, and a couple of friends that are having marital problems. Most prominently, her concern for Abbie is what motivates her and Jason's rage and desire for murder. But her interactions with them conveyed world weary detachment as though she viewed them through thick glass, observing and feeling but up to a point.

However, she blossoms in Portland. She bonds with Oluchi enough to give her some information about her marriage (though not all of it). An elderly neighbor, Josephine treats her like a surrogate daughter. Rav and Yesenia, a fighting married couple, are put into her confidence.

Rav and Yesenia’s subplot proves an interesting contrast to Elliot and Jason. Rav and Yesenia's fights are loud, emotional, and almost darkly comic like a realistic sitcom with a hard edge. In other words, they are the type of couple that Elliot and Jason tried to avoid becoming. Rav and Yesenia's marriage conflicts are all outward while Elliot's and Jason's are inward.

Also Rav proves to be a contrast to Elliot herself especially when Jason returns. Just as Elliot sees Jason as a means to share her trauma and her grief, Rav sees them as a means to reflect his own aggressions and irritations. He is drawn to their shadow presence as much as Elliot had been to Jason. Looking at it now from the outside, she recognizes the harm and toxicity to the relationship but also is aware of her own longing for Jason's presence once more even as she tries to reject him.

Elliot also has a potential second love interest in Caspian, a bookseller. It isn't quite a romance but it is a deep respectful friendship. Caspian is an alternative to Jason. Like Jason he is highly intelligent, speaks of philosophical, metaphysical, and literary concepts, and causes Elliot to look inward. However he does so in a more positive way that seeks to better her not pull her down to a lower level as Jason does.

Normally, I don't care for love triangles but this is one that actually kind of works because of what Jason and Caspian represent to Elliot. Jason opened up her outsider status and encouraged her to acknowledge her darker angrier side, the side that had been hurt, hates the world, and wants to pass that hurt along to someone else.

Caspian wants to encourage Elliot's softer, more empathetic side, the type that wants to be loved and surrounded by loving, understanding people. Elliot opens up to share her thoughts about poetry, literature, and finding creative means to express her emotions. Caspian gives her possibilities to see past that hurt and find a way to move on from it. He opens up the insider status and the desire to belong and be accepted

Another way that Elliot expresses the desire to belong is through her family. In the previous book, Elliot was abused by or estranged from her immediate family. She was left isolated without anyone close to her, no positive examples to learn from leaving her alone and vulnerable.

Now she learns that her father died and she makes an attempt to reconcile with her mother who lives in Australia with her younger brothers. Elliot recognizes her own wasted effort at a reunion when the woman turns her back on her daughter while justifying choosing her sons over her.

Instead Elliot actually does discover a found family in her Aunt Ava, her father's sister. She runs a New Age shop, reads Tarot Cards, and gives Elliot maternal advice about love and relationships. She is the older feminine guide that Elliot needed all along. It's particularly intriguing that she finds this familial link while separated from Jason. Without Jason her circle has widened but with him, it was severely limited.

You will notice in my review that I don't refer to Elliot and Jason's romance much but refer to other characters. That's because Jason isn't in it as much as the others. In his frequent absence from the narrative, other characters take prominent roles in Elliot’s life. She seems to be doing alright without him. For a time.

When Jason returns, Elliot realizes how much she missed that intense passion between them and their unique relationship in a world of two. She also is more suspicious of him and receives non-answers when she asks if he killed anyone else since they have been apart. She wonders if her presence was able to satisfy his bloodlust or at least redirect it to people who they felt deserved to die like abusers and rapists.

She is torn between the man that proved to be a dangerous killer and the man that she feels understands her the most. Even though she worked very hard at improving herself since their separation, she still has traces of that sad, mentally scarred, traumatized young woman that Jason met. The more she tries to deny their connection, the harder that it is to resist him.

Gutted revealed that Elliot was figuratively cut open when Jason explored her vulnerabilities. Dissolved reveals the tug of war between Elliot's personas: law or lawlessness, inner peace or outward violence, belonging or isolation, love or loneliness, society or outsider, burying her painful past or letting it consume her, being a decent person helping others or a violent criminal creating someone else's pain. Eventually, one or the other persona is going to have to dissolve, leaving only one.

Wednesday, April 1, 2026

A Collection of Tiny Stories: Diminutive Tales From The Tips of My Imagination by C.K. Sobey; The School of Optimal Futures by Annie Flint

A Collection of Tiny Stories: Diminutive Tales From The Tips of My Imagination by C.K. Sobey; The School of Optimal Futures by Annie Flint

By Julie Sara Porter

Bookworm Reviews

A Collection of Tiny Stories: Diminutive Tales from The Tips of My Imagination by C.K. Sobey

This review is a summary. The entire review can be found on Reader Views.

Sometimes writers can say much with very few words. That's what C.K. Sobey demonstrates with the anthology A Collection of Tiny Stories: Diminutive Tales from The Tips of My Imagination. Sobey presents 24 short stories no longer than one or two pages or a few paragraphs to describe a conflict, a setting, a character, or a specific moment.

A babysitter discovers dark secrets about her neighbor. A bookworm receives a personal message from their latest book. A woman receives a newspaper with a prophetic story. A woman writes to her husband during WWI. A little girl wants a new doll for her birthday. A janitor longs for a different path in life. An abusive man encounters a witch. Workers make the most of the dockyard night life. A woman finds an abandoned teddy bear and takes it home with her.

Sobey doesn't use many words. The words that are used capture those brief flickering moments which dare readers to read, visualize, and understand a brief point in time. They are descriptive, lyrical, visceral, and skillful in depicting a single lasting image within each story.

The School for Optimal Futures by Annie Flint

This review is a summary. The entire review can be found on LitPick.

The School for Optimal Futures by Annie Flint book is a YA dystopia science fiction novel that acknowledges the conflict between the domineering authority figures and the young courageous rebels but also comments on many of our current conflicts with technology, government overreach, and education.

Ginger is sent to The School for Optimal Futures, an elite bizarre private school. The curriculum is strange. The faculty are very secretive and students disappear. Ginger and her new friends, Zoe, Matty, and Aiden discover a conspiracy between the school’s founder and the tech company that owns the school and the nearby town.

The School for Optimal Futures gives a pleasant exterior but is questionable internally. It has a beautiful campus, interesting curriculum, welcoming students, supportive faculty, but it's all surface.

There is something performative and uncomfortable about the whole situation, like the school is playing the part of a welcoming empathetic place for misfits and outsiders but isn't really. Things like constant surveillance and.missing students and faculty members are highly suspicious plus a giant tech company has complete control over the school.

The book’s plot is a savage commentary on surveillance, corporate control, and the manipulation of educational standards to serve the goals of the oligarchs and the world they strive to create. The school is written as a microcosm of what is already being done on a larger scale by large corporations who focus on gain and control rather than humanity and preservation.

The School for Optimal Futures calls to attention many of the real-life world problems but also offers ways in which they can be countered, challenged, changed, and maybe defeated.

Gutted (Gutted, Dissolved, and Then Finished Trilogy Book 1) by Anna Madorsky; Troubling Relationship Turns Destructive and Toxic

Gutted (Gutted, Dissolved, and Then Finished Trilogy Book 1) by Anna Madorsky; Troubling Relationship Turns Destructive and Toxic

By Julie Sara Porter

Bookworm Reviews

Spoilers: Even if the introduction of Anna Madorsky’s book, Gutted, the first book in her Gutted, Dissolved, and Then Finished Trilogy, doesn’t outright spell out what happens to the central couple the first few chapters alone carry an initial feeling of unease that this couple is not going to be a happy one. This feeling only grows long before we learn about the violent history that haunts them in the past and the impulses that still rule their lives.

Elliot, a frequent insomniac, heads for a cafe in the rain in a desperate attempt to find something to soothe her. On the way there, she meets Jason, a mesmerizing stranger who asks probing and philosophical questions and understands the dark aspects luring inside her subconscious. The two become close and more intimate while Jason hints at some disturbing impulses and mannerisms.

Finally, in a candid moment, Jason reveals his history of violence, darker urges and impulses which consume him, and that he still has those urges even now. Elliot is left with a moral quandary. Should she turn a blind eye to his behavior, help him no matter how far his urges take him, or leave him, inform the police, and regain her life?

The overall tone of this book is bleak. Both Elliot and Jason are disturbing characters caught in their own shadow natures and emotions particularly trauma, depression, anger, violence, hatred, and depersonalization.

This is a couple that is practically destined to be a killer couple long before the first victim is identified and the body is laid out. Separately, they are miserable and insulated. Together, they are destructive towards others and themselves.

Their first encounter in hindsight is a lesson in subtle manipulation, control, and dominance. Elliot’s thought process is incredibly askew because of her insomnia and her early traumatic home life which causes her to withdraw into herself. She is very susceptible to Jason’s influence which he later revealed was among the reasons that he purposely sought her out.

Jason captivates her by echoing many of her own thoughts about the world around her. He offers his own Nihilistic views which she resonates with. She sees a partner in their mutual dark views of the world around them and who turns those thoughts into a distorted logic. If they have been hurt by a cruel and unfeeling world around them, can anyone blame them for seeing nothingness everywhere they go and thinking that life is completely pointless?

If life is pointless, then there is no reason to honor laws, ethics, morals and other barriers. Jason rewords and reframes these views so Elliot thinks that she thought of them herself. She then thinks that Jason is a kindred spirit when all he is is a pathway to further isolation.

Elliot feels detached from everyone except for Jason. A chapter that illustrates this is when she and Jason have dinner with her close friends. Elliot’s friends’ marriage is happy. They are well adjusted with their house, careers, and dog. These are goals many aspire towards, but Elliot cannot help but think that it’s a phony surface.

Elliot is shut out from achieving such a life, so she doesn’t bother to hope for them. Instead of wanting what she can’t have, she finds the flaws within and magnifies them until they turn into the whole picture. Instead of trying to move beyond her status, she remains detached, depersonalized, and immobile. Miserably unhappy but unable or unwilling to act upon it until Jason enters her orbit.

While Elliot simmers in her thoughts and unhappiness, Jason is the one who brings them to the surface. He is the agent of chaos that does the things that Elliot dreams of doing but is hampered by her own inertia.

Jason reveals a dark past in which he was forced to respond to violence with violence. Instead of feeling remorse or justification, the violence became an obsession and fixation. It is an itch that he can't scratch so satisfies it by hurting others.

Jason likens his violent actions to an urge that when he sees someone that angers him, he needs to satiate that obsession with blood and murder. For someone who speaks so well about philosophy and metaphysical concepts, he cannot articulate his murderous impulses until Elliot rationalizes them.

As he reframed her dark thoughts, she reframes his random acts and urges into a means of self-protection and defense. As Elliot is controlled by Jason, Jason is controlled by these urges. Elliot’s own inert thoughts are given movement by Jason and Jason’s acts of violence are given rationale by Elliot.

The violent acts occur in the final chapters and are almost cathartic after the build up provided by these two disturbed individuals. It is bloody, brutal, and purposely grotesque. For all of the depth in characterization that is given to the two lead characters, when we see them acting out their violent fantasies their mystique and control disappear.

They no longer see each other as mutual lost souls drifting along in an uncaring world. They see partners and instigators in escalating the chaos and violence that contributed to that uncaring world.

Monday, March 30, 2026

Intervention (The Galactic Milieu Series Book 1) by Julian May; How the Galactic Milieu Began

Intervention (The Galactic Milieu Series Book 1) by Julian May; How the Galactic Milieu Began

By Julie Sara Porter

Bookworm Reviews

Spoilers: Upon rereading The Galactic Milieu Series by Julian May, I came to a discovery that I never knew for decades: the series is not a trilogy. When I purchased the series in the late 90’s, it was advertised on the covers as a trilogy. I read it in order as a trilogy. It has a beginning, middle, and end, with some intriguing exposition and back story, as a trilogy. Everything about it screamed, “Read me, I'm a trilogy!” Well, it turns out that I was wrong. The Galactic Milieu Series is actually a four book series.

Well depending on where or when you read it, the series is either a four or five book series. The actual first volume, Intervention was published in 1987 in the UK as one volume and in the US as two volumes: Surveillance and Metaconcert. The subsequent books, Jack the Bodiless, Diamond Mask, and Magnificat published in 1991, 1994, and 1996 respectively were released as a trilogy separate from Intervention at the time. Intervention has subsequently been rereleased as one volume and renumbered to fit the series proper.

Oh and to make things even more interesting, I just learned that Intervention links The Galactic Milieu Series to May's earlier series, The Saga of Pliocene Exile. Even more important, some Milieu characters, most notably Marc Remillard, serve double duty in both series making them one continuous shared universe, The May Literary Universe or MLU if you will. Julian May loved to make things difficult for her readers didn't she? But I digress.

The good news is that the intriguing exposition and backstory hold up as a decent gatekeeping introduction to the rest of the Galactic Milieu Series. Intervention gives us important information about the Remillard Family, the Galactic Milieu, the Atoning Unifex, and the introduction of metapsychic abilities, the sociopolitical intergalactic circumstances that will affect the world at large and the Remillard's personal struggles and conflicts which will result in the creation of Fury, the metapsychic creature who will make the family’s lives miserable in the next three books.

The book begins when narrator Rogatien “Rogi” is a tween with his twin brother, Donatien “Don,” in the 1940’s and ends in the late 90’s when intergalactic intervention occurs. It is a fascinating experience to read this book after the trilogy just to see how concepts like psychic abilities are introduced.

In the subsequent books, metapsychics are so well known that those abilities are considered commonplace. It's interesting to see a point when they are so new that it scares Rogi the first time that he hears someone's thoughts. He, like anyone else who would discover mental telepathy, thinks that he imagined it or he's going crazy.

Throughout this book, we see metapsychic abilities evolve from a pseudoscience, to a theory, to something few people have, to a recognized legitimate phenomena, to something openly studied and practiced, to something feared and used to dehumanize others, to something that gives a huge advantage for those who have it, to becoming a central facet in some lives. The trajectory has some historical and scientific parallels in the real world.

I keep forgetting to mention in these books there are five types of metapsychic abilities. There is creativity which creates illusions, change shapes, manipulate energy, and assemble matter into new forms, coercion which is mind control and overwhelming mental awareness and creating mental defenses, psychokinesis which is telekinesis, farsensing which is communicating with others mentally and sensing remotely, and redaction which is psychic healing and mind reading. In previous books, some excel in one specific ability like Dorothea with redaction and Rogi with creativity while others notably Jon can practice all five.

This book emphasizes those different types and how they can be used and misused. Some use their specific abilities to help others like Denis who uses farsensing to create a bridge of understanding between those who are metapsychic and those who aren't. Then we see those like Denis’s brother Victor who uses coercion to commit criminal violent activity. It shows the different talents that one can specialize in and what means they use them for.

The book also introduces us to the conflicts found within the Remillard Family. Fury has yet to be formed but we see the toxic environment in which such a being would be mentally created and thrive inside a powerful subconscious. Rogi and Don’s struggles begin early. As Rogi studies his abilities and comes to terms with his sterility, Don falls into alcoholism, early marriage and fatherhood, and philandering. Rogi who is in love with Sunny, the woman who married Don, becomes the de facto father figure in their lives alienating Don further.

Rogi eventually bonds with Denis who becomes a favorite nephew to him. Rogi and Denis’s mentor protege relationship is one of the highlights of this volume. He guides him in testing his metapsychic powers foreshadowing Denis’ eventual status as Remillard Family Head and prominent leader in metaphysics study and intergalactic relations. This also retroactively makes the decline of their relationship in the remaining books much more poignant knowing how close they once were.

The Remillards have several generations of family rivalries and this book shows the origins with Rogi and Don, then with Denis and Victor. While Don is simply a failure that exists for hedonistic pleasures, Victor is much more cunning and ruthless. He sees metapsychic powers as a means of superiority over people who don't have them.

As previously mentioned, Victor uses coercion in violent and destructive ways such as assaulting women, accessing accounts and government secrets, and brokering an alliance with organized crime leader, Kierian O’Connor while manipulating O’Connor’s daughter. In this reality, the Cold War is still relevant into the late 90’s and Victor manipulates various political sides to his advantage.

Later such things as intergalactic intervention, creating the Galactic Milieu, and interstellar travel will do their part in making these Earth struggles between warring nations and the law and lawless seem minor in comparison. But here they are in this book, present and unaware that the time when Earth's residents believed that they were alone in the universe and can treat the planet as horribly as they want will soon be at an end. Victor, like many, is all about his personal gain until forces greater than himself render them null and void.

As far as the aliens are concerned, mostly they interact with each other in space, observe Earthling activity, and debate whether this planet deserves Intervention and an invitation to join the Milieu (No spoiler alert: obviously we know they will extend the offer and Earth will accept otherwise the previous books would never have happened). Mostly they just summarize what has happened so far.

However one alien character fascinates: The Atoning Unifex AKA Rogi’s Family Ghost. The Unifex has been helping Rogi since he was young to discover his powers, predict his future, help him face conflicts, and provide the extra strength for self-defense. There were hints in the next three books of what exactly the Unifex and what their motive is for helping Rogi without confirming or denying the truth. One line in this book reveals the truth behind this character’s identity and why they are connected to Rogi.

Readers could skip Intervention and begin with Jack The Bodiless as I did. The exposition is revealed in an easy way to follow without getting lost and the three books could be seen as occurring en media res. It wouldn't have changed anything and there are advantages in reading the three without it like gaining immediacy with the characters and being left surprised at the twists and revelations.

However, Intervention does include some interesting backstories and take us to the beginning of Rogi and The Remillard Family. In turn it makes the remaining series more meaningful and powerful.

Now maybe onwards to The Saga of The Pliocene Exile to get the full story.