Thursday, August 6, 2026

August's Reading List


 August Reading List 

The North Doesn't Speak by Clifton Wilcox*

Angel Letters of Esther by C.L. Rosario 

The Duchess With a Secret (The Montevor Royals Saga) by Alix Nichols*

The Shattered Moonstone (Brightstar Manor Series #1) by Patience D. Schoene

Empire's Cost Forged in Paper by William H. Brothers

Barside Manner by Brian Baleno 

Then Finished (Gutted, Dissolved, and Then Finished Book 3) by Anna Madorsky 

Ex and The City by Sally Clements

The Sound of a Fallen Leaf by Shari Linn

No Room to Live by Kyle Fields 

Maritime Master in an Age in Peril: Based on the Life of Sea Captain Matthew Price 1777-1821 by Michael Thomas Price

If you have a book that you would like me to review, beta read, edit, proofread, or write, please contact me at the following:

Bluesky

Facebook

Goodreads 

Instagram

LinkedIn

Literary World

LitPick

Reader Views 

Reedsy Discovery

Threads

Upwork

Email: juliesaraporter@gmail.com or julieporter217@gmail.com

Prices are as follows (subjected to change depending on size and scope of the project):

Beta Read: $50.00-75.00

Review: $50-100.00**

Copy/Content Edit: $100-300.00

Proofread: $100-300.00

Research & Citation: $100-400.00

Ghostwrite/Co-Write:$200-400.00

*These are books reviewed for LitPick or Reader's Views and will only feature a summary and a few paragraphs with links to the full reviews on their sites. Some may not be featured at all.

**Exceptions are books provided by Henry Roi PR, LitPick, Reedsy Discovery, Hidden Gems, Reader Views, and DP Books. Payments of short Nonfiction reviews are already facilitated through various reading groups such as Paid Readers Club, Read Books, Read for Pay, etc.

Payments can be made to my PayPal, Stripe, and CashApp accounts at juliesaraporter@gmail.com

Well that's it. Thanks and as always, Happy Reading.



























































































































































































































































The Girl Who Never Left by Alison Stuart; More Character and Less Mystery

 

The Girl Who Never Left by Alison Stuart; More Character and Less Mystery 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Despite the marketing towards The Girl Who Never Left by Alison Stuart focuses on a mystery, the mystery is probably the least important aspect of it. Instead it is the character development of a woman exploring a new life after the death of her husband.

Helen Morrow’s husband Charlie is killed in The Great War/WWI. Instead of returning to her native Australia, she moves into her late husband's family estate, Holdston. Helen befriends her mother in law, Evelyn and Paul, Charlie's cousin who suffers from his own war ghosts. Helen finds an old diary written by an ancestor of Paul and Charlie's depicting an unhappy marriage and some dark secrets. Helen and Paul investigate the diary's revelations as they fall in love and deal with their own traumas.

By far the most fascinating aspects of the book are Helen and Paul’s post-war struggles. It's hard to live in the present when the past is so brutal and violent.

Helen is forced to live her life in a new place surrounded by strangers. She is far from Australia and constantly feels like she is being judged. She feels out of place in her late husband's wealthy home. The formidable Lady Evelyn, Charlie's mother, hovers between domineering matriarch and welcoming grandmotherly type. Helen isn't sure whether she is welcome or not.

She makes some good friends though. Servants Sarah and Sam Pollard provide steady sources of comfort and understanding for the bereaved widow. She befriends Tony, a titled childhood friend of Charlies’, who develops an attraction to her. Her daughter, Alice thrives in Holdston.

What makes Helen’s journey profound is that of a WWI era widow starting her life over again. Even though she is in the grip of grief, depression, and mental anguish, she keeps it suppressed for Alice's sake. Being an impoverished single woman in the early 20th century, Helen can only depend on the charity of her in-laws to survive. It is a desperate situation and the reader is made to feel and understand it.

Besides Helen’s story, we also get a parallel subplot featuring Paul, Charlie's cousin and Helen's soon to be love interest. If Helen has the stress of living among strangers, Paul has to face the pain of coming home. He has to return to a life that remains the same while he came face to face with trauma, violence, and death. He would rather study archaeology in places like Mesopotamia than go home and face a family that loves him but can't understand what he is going through.

He has PTSD flashbacks of his time on the Front particularly with Charlie. He weighs his guilt, memories, shame, and anxieties of what he did and didn't do and the aftermath of those actions. Paul can't adjust to life back at home with so much baggage surrounding him.

The mystery that surrounds the book concerns an unhappy marriage, domestic violence, and the division between living one's truth and doing one's duty. It thematically shares much with the rest of the book but really it is not as important as Helen and Paul’s plots. The book could just as easily have gone without it.

Instead of focusing on a mystery, the book's true strength lies in the personal journeys of two people who have to start their lives over after being faced with death and the senseless violence of war.





The Music Box and The Missing Bride (A Salt and Cedar Antiques Mystery) by Evelyn Hartwell; Charming Gentle Cozy Mystery About Buried Secrets and Caring For Antiques

 

The Music Box and The Missing Bride (A Salt and Cedar Antiques Mystery) by Evelyn Hartwell; Charming Gentle Cozy Mystery About Buried Secrets and Caring For Antiques

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: It makes sense that in the gentle character driven world of Cozy Mysteries, antiques dealers make good amateur detectives. Both detectives and antiques dealers observe objects to find out histories of the people who encounter them. That's the premise behind The Music Box and The Missing Bride, the first volume in The Salt and Cedar Antiques Mystery series by Evelyn Hartwell. It is a charming and gentle cozy mystery that features this premise.

Mara Ellison and Tessa Bloom, proprietors of The Salt and Cedar Antiques store, know how to study, preserve, and sell antiques. At an estate sale, they reach various objects to be examined and displayed. One of them is more interesting than the others. It's a music box with a secret compartment that holds a ring. This attracts the curiosity of the two women and the music box becomes the catalyst for an investigation in the life of a woman who was stuck in a prestigious but miserable marriage and her frantic desire to escape from it.

There are some flaws in the book’s execution but it has an understanding of appraising and caring for antiques and the stories of the people who once held them.

The highlights are not the mystery but the inside look at the antique trade. This book is filled with various moments of antiques being purchased at yard and estate sales, people donating family members’ old treasures, appraising if the items are worth being sold, examining the items, checking for wear and deficiencies, seeing if it needs repair, seeing if it can be repaired without ruining it, learning the story connected to the item, selling it for the right price and moving onto another item.

It is a close up view of what for many readers is often simply a few hours of window shopping and browsing through old photographs, toys, porcelain dolls, miniatures, tchotchkes, and other items. You may wonder who owned them and what the story was behind it. Well this book provides just such a possible story.

The music box gives off that air of mystery with its secret compartment and the wedding ring hidden inside. Why would it be hidden? Who owned it? Who was meant to receive the box? Was there a hidden message connected to the box? Who was the sender and recipient, and what did the message say? Why would someone hide their wedding ring instead of wearing it? If they got cold feet and ran off, where are they now? 

The antiques portion of the book practically overshadows the rest.The main detective duo, Mara and Tessa are incredibly likeable and curious but practically interchangeable. They don't have many distinct characteristics that set them apart from each other and not much of a personal life beyond identifying, investigating, and selling antiques. 

Their only real difference is Mara is more experienced in antique selling and repair than the younger Tessa. Most of their dialogue consists of Mara showing Tessa the ropes in the antiques trade to give her and the reader important insights in how to collect, gather, and care for antiques.

The central mystery is interesting in unraveling the story behind the music box and the ring. We get a story of a woman caught between duty and love and is forced to hide her true self and actual love of her life from a disapproving judgemental public. The box and ring symbolize all that is beautiful and hidden in the name of respectability and conformity.

Since the mystery is entirely set in the past and mostly involves Mara and Tessa investigating in the present, there really isn't much in the way of suspense. The duo are never really in danger and there are no modern people threatening them from revealing the truth. In fact most people provide tips and clues and are just as fascinated as Mara and Tessa are to find out the story.

The lack of suspense makes the book kind of dull but it also gives the narrative a gentle softer approach than most mysteries, even cozy ones. It's not something to be read to keep you on the edge of your seat. Instead it lets you stay where you are in the center of the seat while reading a calming soothing antique collector’s guide and cold case mystery.






 


 



Friday, July 31, 2026

Clear is Kind by Stellan Crowe, I Am Not a Statistic by Terri Sterk in collaboration with Tammy Lieberman, A Mostly Magnificent Memoir by Bo Bennett


 Clear is Kind: The Quiet Art of Staying Calm, Clear, and Kind in a Loud World by Stellan Crowe

In a society that thrives on meritocracy, productivity, perseverance, and being strong, loud, and in control, remaining clear headed, calm, and kind are often seen as weaknesses. This book reveals that is not so,

The core promise of the book is “How to speak clearly without being cruel. How to set boundaries without guilt. How to return to your center fast. Self-mastery isn’t perfection. It’s return speed.”

 It breaks down the frequent cycle of mental and emotional suffering into easily understood and digestible steps to understand what specifically the mind, body, and heart are going through in these situations: The Voice-the narrator in your head, The Hook-the trigger that grabs your attention, The Lens-the meaning you assign to events, The Wave-emotion moving through the body, and The Return-your way back to center. 

To combat this cycle, Crowe suggests The RETURN Method: Recognize what is happening and notice what parts of the cycle are active, Exhale to create the body and ground yourself physically, Tell the truth to distinguish between facts and the stories you’re telling yourself and identify real feelings and needs, Unhook from old patterns by spotting assumptions, personalizations, or the grip of old identities, and consciously stepping away from them, Respond by choosing a clear honest action that fits the moment, and Nurture the return by supporting a return to center with repair, compassion towards yourself, and repetition of those steps.

The book is divided into ten chapters and contains four appendices. The chapters include Clear is Kind, The Noise, The Voice and Listener, The Hook, The Lens, The Wave, Calm is a Skill, Boundaries That Feel Like Love, Alignment, The Return Practice, The Quiet Victory. Appendices include: The RETURN Card, One Minute Practice List with 10 Tools, Boundary Scripts for Work, Family, and Romance, 30-Day Tracker with Instructions and a Sample.

The book is neatly divided so readers can understand the whole work or search for specific sections that they want to study and improve upon. They are a combination of personal stories, lists, exercises, and suggestions to further improve oneself.

Chapter 1: Clear is Kind has Section 1 which includes Kindness WIthout Clarity Becomes Resentment with three micro-stories that illustrate conflicts in work, family, and romance.

 Section 2 includes The Three Forms of Clarity, 

Clarity With Yourself: “What is true in me right now?” with a microstory on self-sabotage and three questions “What am I feeling right now?” “What do I need?” and “What is my capacity right now?” 

Clarity With Others: “What am I asking?/Saying yes to?//What am I saying no to?” including a micro story about work and two distinctions: Clarity is not control. Clarity is ownership. 

Clarity With Life: “What can I influence, and what can I accept?” a microstory about family and two questions: What is actually within my influence and What is my boundary or response if it stays the same?” 

How These Three Forms Work Together and how you feel when they are out of alignment: If you lack clarity with yourself, you feel numb. If you lack clarity with others, you become resentful or passive-aggressive. If you lack clarity in life, you become stuck in control, rumination, or false hope.

Section 3: The Daily Commitment (The Next Honest Step) features a microstory about self-sabotage, The 60 Second “Clear is Kind” Reset to pause, exhale, name the truth, choose the next honest step, and nurture, the tripwire: over explaining and apologizing for T=truth, a mini checklist and what to say instead scripts, quotable one liners, the vow: “I choose clarity with warmth. Clear is kind” and a tiny homework assignment to practice a sentence that sets boundaries such as “I can do X but not Y.” 


I Am Not a Statistic: A Journey to Reclaim My Life:  A Memoir of Resilience to Navigate Emotional Trauma and Discover Hope, Strength, and Purpose by Terri Sterk in collaboration with Tammy Lieberman 

I Am Not a Statistic tells a powerful story about resilience in the face of tough times like illness and loss.


Tammy Lieberman certainly had her share of tough times as she explains to co-author and chronicler Terri Sterk. She had a childhood marked by  emotional abuse and neglect, particularly from a mother who parentified her to handle a family crisis, sacrificing college to do so. Lieberman said hat this time helped shape her own choices during motherhood. She committed herself to break the cycle of abuse that was inflicted on her so her sons would not suffer the same fate.


Some of the more interesting aspects of the book are when Lieberman admitted the emotional tolls that her tough times took on her. While most of the book encourages triumph over adversity, Lieberman made the readers fully aware of the adversity. She acknowledged that her difficult past produced some negative consequences for a long time afterwards.


As a child she fell into the parental role without question. She solved problems, comforted others, and stepped in where she was needed. This created a cycle of resilience but also an unwillingness to accept help from others. She faced her adult difficulties with strength and perseverance but a reluctance to let others inside. 


Lieberman’s adulthood did not get much easier either. She was diagnosed with breast cancer when her sons were still very young. Treatments, chemotherapy, and the emotional uncertainty weakened her mind and body.


On top of the stress of cancer diagnosis, Lieberman’s husband, Eric, died. Along with a frail body, two sons going through their own difficulties, she had to adjust to grief, widowhood, and single parenthood. Lieberman said that she was caught between two mindpaths, one to stay angry and let pain define her future and the other to acknowledge the trauma but not lose herself to it. It was a hard choice but Lieberman ultimately went with the second option.


She also learned some valuable lessons about who to trust and who not to. Despite Eric serving his community faithfully as a police officer, his life insurance policy was denied leaving her and her children destitute. Well they picked the wrong woman to deny it, because Lieberman fought them. She spoke publicly about the denial and was interviewed by ABC News. Eventually the insurance was restored.


She cited friends who taught her to advocate for herself and to ask for help so she could receive answers. This challenges the isolation that she developed in the self-reliant but toxic childhood that shaped her. Her friends proved to be direct contrasts to the fair weather departments that her husband served so faithfully and turned their backs on his family in their darkest time of need.


Lieberman also cited her family particularly her sons and brother that helped her through the difficulties. Because they lost their father and their mother was going through a health crisis of her own, they were forced to grow up pretty quickly. They provided physical and emotional support for their ill and often bed ridden mother. Their strength and devotion are admirable showing that caregiving between parents and children can be a two way street.


Lieberman decided to build a corporation to make sure that her sons were cared for. Her brother, Charlie, who helped the business grow while she received medical care. She says that he handled countless responsibilities such as building, repairing, painting, and handling the material necessities for the business. Charlie became a steady rock that Lieberman desperately needed. 


Besides sharing her story, the book leads by example. It combines Lieberman’s story with advice that can be used by readers for their own struggles. For example one section establishes safety by creating a safe space. Lieberman transformed her environment into a place of healing. Soft lighting, warm blankets, essential oils, and soothing music nurtured her senses and calmed her mind. Using her example, readers can create such a space of their own to destress. Creating a sacred space is essential for self care.


Lieberman also cites her faith to help her through her struggle. Lieberman's belief in God helped her live her remaining life with purpose and to fight to see the light that she felt was hidden from her during the darkness. She quoted poems and Bible verses, like the 23rd Psalm, that provided comfort and connection for her and in turn for her readers. Religious minded readers will find comfort in Lieberman's reliance on spirituality and faith. 


Lieberman died in 2025 but her story, spirit, and legacy live on.


A Mostly Magnificent Memoir: True Stories Dramatized and Somewhat Fictionalized by Bo Bennett 

Despite what the title says, Bo Bennett’s A Mostly Magnificent Memoir: True Stories Dramatized and Somewhat Fictionalized is not a non-fiction memoir. That's important to know in light of some information revealed towards the end of the book that won't be spoiled here. 

Instead it is a humorous Historical Fiction anthology based on events from Bennett's youth but told from the perspective of a fictional protagonist, Jimmy Murphy. Why Bennett chose this roundabout way of narration, I do not know but in doing so, he captures a brilliant first person narration of a childhood told with warm nostalgia, sharp wit, and acceptance of some bittersweet truths.

Instead of an overall novel of one singular youthful experience or a straight linear chronology of Jimmy's life between childhood and adulthood, A Mostly Magnificent Memoir, tells of nineteen chapters of various events in Jimmy's (and probably Bennett’s) youth involving school, friends, first crushes, bullies, causing trouble, fads, and adventures. 

These are the types of adventures that are often found in those days when we ran around freely and didn't care what adults thought. Only after we cut ourselves and broke our legs did we realize that looking before leaping was good advice. When we thought that we knew everything about the world but were really just wrapped in youthful ignorance, naivete, and stupidity. When our bodies didn't ache and moan with aging and adulthood pressures. When our hobbies and entertainment interests were the most important things in our lives. When we thought that the world would always be like this.

Jimmy's friendships are what distract him and provide comfort in a toxic home life with an alcoholic bad tempered father and a loud tabloid obsessed mother. The book explains that even a simple birthday greeting for their son is enough to send them into a virulent hurricane of insults and accusations towards one another. 

Many of Jimmy’s childhood experiences are flights of reality mixed with fantasy such as his fantastic tale of a beanstalk growing in his yard (told to him by his teasing father) and when he saw a monkey that escaped from a nearby zoo in their yard. There is also a seriocomic moment when his mother violated speeding laws to chase what she believed was a UFO so she could be abducted hinting at instability as well as a violent temper. 

Most of Jimmy’s childhood and the book consist of youthful misadventures. He gets into fights with local boys, mourns a deceased beloved family dog, runs a baseball card trading racket, and despairs of being friend zoned by older women, and getting a perm which rendered him the scorn and ridicule of his classmates.

One of the most entertaining chapters describes the “Seek and Destroy” Missions. They were a series of elaborate pranks that Jimmy and his friends would do out of sheer boredom. One involved driving a car with a car seat and a realistic baby doll strapped to the roof. Jimmy reframes an early prank in which his friends broke into secure garage doors by accurately guessing the passcodes as a “public service to remind people to change their damn codes.” 
They “had fun with technology” by using their remotes to change TV channels around town to the Playboy Channel (“Clearly the engineers behind this design didn’t have teenage boys”) and imitating a phone service to annoy randomly selected numbers creating departments like “Confusications” and “Satisfacations.”  

Most of the pranks were immature but creative and not harmful but some skirted the line. Jimmy and his friends created elaborate seasonal displays that while most were harmless, one could have resulted in a serious car accident. Another resulted in a fire, community service, fines, and no more seek and destroy missions. This chapter has a biting savage humor that reminds readers that youth can contain creative exuberance, reckless abandon, and unfortunately simple mindsets that don’t stop and consider the consequences until it’s too late.

The book falls into drama late in the book, so late that it might have worked just as well without it. But it does present a finality to someone who had a childhood worth remembering during a mundane and often troubled adulthood marked by insecurity and illness. They were the days worth remembering.



Friday, July 17, 2026

The Price of Loyalty: Serving Adela of Blois by Malve Von Hassell; An Era in Anddemar by Maureen B. Roberts; The Orphans of Absolution The Hollow Dark Chronicles by Remi A. Rodriguez Brignoni




The Price of Safety: Serving Adela of Blois by Malve Von Hassell 

This review is a summary. The entire review is on LitPick 

 The Price of Loyalty: Serving Adela of Blois is a sublime look at the early Medieval Era during the time of the Norman Conquest and the First Crusades. It is rich in character particularly in its two protagonists Princess Adela of Normandy and Countess of Blois and Cerdic of Wessex, a knight sworn to serve her.

The book sees her through her brothers’ rebellion, the Crusades, her marriage to Count Stephen-Henry of Blois, motherhood, and her family's legacy. It is also told from the perspective of Cedric of Wessex, a knight and childhood friend of Adela’s but has complicated feelings for her despite their marriages to other people.

The two become friends by sharing outsider status. Cerdic is removed from his home in Wessex and Adela subverts her family's expectations. Adela and Cerdic develop a bond of friendship that lasts through constant changes particularly when Adela's brother rebels against her father and Cerdic is trained to fight him.

Adulthood transforms their friendship into a platonic romance. Their relationship never becomes physical but it's clear that they are among the most important people in one another's lives. Even though they marry two decent characters the kind Stephen-Henry and the strong willed Gisella, they still retain their closeness.

The book goes out of its way to not only make Adela and Cerdic decent characters, but also their spouses as well. Because Von Hassell portrays Adela, Cerdic, and their spouses in decent lights, the marriages and Adela and Cerdic’s bond does not resort to love triangle tropes. Adela and Cerdic stay faithful to their spouses and don't give into their passions. 

In the struggle between the political and the personal, Adela and Cerdic choose the political. That doesn't mean that they don't love each other. It just means that their bond includes their spouses, children, homes, lands, positions, values, and self-respect.

An Era in Anddemar by Maureen B. Roberts 

This is a summary. The full review is on Reader Views 

Maureen B. Roberts’ An Era in Andemarr is the best kind of science fiction novel. The extensive world building, rich characters, and involved plot provide a dream-like almost immersive experience inside a new literary universe. 

The Greying is entering the Andemarr Galaxy. This strange combination of natural disaster and viral pandemic leaves nothing but dull gray indifference, suffering, and despair from anyone that comes in contact with it and will turn a once vibrant galaxy into a hollow empty shell and quite possibly spread to other galaxies. It's up to the dark knight Sir Jaide, the shapemage Jessiah, and a group of scientists that find themselves in this strange galaxy far far away from their home, to combat and fight against it. 

An Era in Andemarr is a feast for the eyes to read and the brain to create mental pictures. The Andemarr Galaxy itself is a masterclass in Science Fiction world building. The setting combines space opera with fairy land. The descriptions of various planets with different sky colors,the presence of several moons in the sky, glimmering lakes, plants present only in their worlds, and figures like sprites, melusines, and hippogriffs zipping in and out of the landscapes capture the imagination.

The Greying is set up not as a physical antagonist or a villain but as something that is both natural and psychological. It is similar to The Nothing in The Neverending Story, an abstract concept that destroys the universe because of its mere presence and stands as a metaphor for the issues that exist in fictional and real life.

Many of the characters are able to counter the Greying by their individuality, emotional connections, determination, and love for the world around them. Sir Jaide is extremely protective of his loved ones, particularly his lover Vidar Quain (Queen of Vidar) Starwing. They are the very definition of soulmates who love and respect each other. Starwing navigates the wide monarchical and political landscape, while Jaide goes on missions and operates one on one with those who are personally affected by The Greying.

Jessiah is a more scholarly academic contrast to Sir Jaide’s physically active approach. He is able to reveal an inner strength and endurance as he faces this intergalactic crisis and his growing powers that are augmented in this strange new environment.

An Era in Andemarr is the type of science fiction novel that invites the reader inside and makes them feel like they want to spend longer than an era there.


Orphans of Absolution (The Hollow Dark Chronicles) by Remi A. Rodriguez Brignoni 

Orphans of Absolution by Remi A. Rodriguez Brignoni deftly combines Westerns and Paranormal Horror to create a chilling graphic novel of the creatures that can be found in the Old West. 

Twins Francis and Randall O’Dowell are the sole survivors when Father Mercer, a violent minister, murdered their entire family. Now they wander the Southwest, particularly the Arizona Territory hunting demons and other supernatural creatures for a bounty. However, they are on the lookout for their real target, Father Mercer.


The book is a veritable tour into Southwestern myths, legends, and ghost stories. The twins encounter a town in which children have been captured by La Llorona, the notorious ghost that lures children to drowning deaths. The results of a town filled with missing children in a time where early death was all too frequent is heart wrenching and motivates Francis and Randall on their search. 


They also encounter shapeshifters that sometimes fool the twins by looking or sounding like people that they knew. There are various moments when the twins are out in the isolated desert where suddenly they might hear their deceased mother’s voice or catch the form of a former lover out of the corner of their eye. It is terrifying to imagine a creature that not only knows their entire history but is willing to use it as a weapon against them.


Even when characters are potentially benevolent, there is a dark sinister aura that hints that they might not be trustworthy. A mysterious man known only as Crow appears and disappears to give them solid hints and advice about their missions but also maliciously puts them in dangerous situations.


What also makes this book more ominous is the setting. This is set primarily in the desert regions where the landscape is the same for miles. Where the nearest help could be in the next town or county for all anyone knows. Where the mind often plays tricks on the unwary who are lulled into a false sense of sameness and security.Where a mysterious moving shadow could be an animal, a violent person, or something else entirely. Brignoni takes full advantage of the haunted Old West.


The creatures and settings aren’t the only things that are haunted. Randall and Francis are too. They only live for the hunt and have foregone any hopes of romance, family, or settling down while there are dark supernatural spirits out there. They both have histories of relationships that ended prematurely, something that their antagonists take full advantage of. They are also haunted by their family’s graphic death and wake up with memories of blood, bodies, and the minister's sinister presence.


Because of their status as nomadic orphans, all Randall and Francis have in the world are each other. If anything challenges that union, whether it's human or supernatural, that challenge is outright rejected. They have no lives beyond the hunt and each other. It’s an unhealthy codependent relationship that is at times possessive and controlling (though the jury is out over who is controlling whom). But Randall and Francis have a shared understanding, language, and destiny that only they can understand. They have seen death as children and now have to face it every day as adults.


Orphans of Absolution is a graphic chilling Horror Western that combines the barren landscape and the lone gunslingers of one genre with the nightmares and twists of another. This combination presents strange but effective absolute results.

Wednesday, July 15, 2026

Rock Kills by Michael Di Lauro; Rocking Good Times With An Awesome Narrator

 

Rock Kills by Michael Di Lauro; Rocking Good Times With An Awesome Narrator 

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers: Michael Di Lauro’s novel Rock Kills walks the path that many accounts of rock stars take but it does it with the perfect narrative voice that lets you enjoy the familiar ride.

That voice belongs to Steven Apollo Belmondo AKA Stabb Bell, former lead guitarist for the 1970’s rock band She Kicks. The book tells his story from folk musician to rock star with the usual beats of humble beginnings, small starts, greedy music executives, musical group of misfits, damaged love lives, meteoritic rise to success, addiction, egos, bad tempers, betrayals, break ups, and so on. We've seen it before in every biopic ever but none are told by Stabb Bell.

Stabb’s narration is what makes the book. I would genuinely love to hear the audiobook version to see how the narrator would capture his voice. His elevates many of the usual beats of a star’s rise and fall to an interesting and actually compelling level.

Stabb’s sarcastic comments about his own story are self-deprecating, acknowledging the tropes while also mocking them. Instead of a faded celebrity full of ego and delusion, he looks back with honesty. He compares She Kicks to other famous groups like The Beatles and the Rolling Stones and admits that his band was famous but “never fainting famous.” (Where fans fainted in delight during their concerts). It's less a story about being lonely at the top than it is about feeling kind of crappy in the middle. 

There are times when Stabb’s burnt out narration becomes almost cluelessly adorable. For example, it takes Stabb an entire chapter to figure out an important secret about his past even though the person revealing it drops several obvious hints beforehand. 

The Reader easily guesses the secret only a few lines into the beginning of the chapter and waits, with a forehead aching from the constant face palms, for the Midnight Train to Clue Town to finally catch up to the protagonist. Stabb is highly talented and a great storyteller but he's not the sharpest note on the musical scale. 

Unfortunately there are also times when that naivete results in less humorous moments especially when Stabb finds out too late that he was being used as a front for others’ criminal activities. To his credit the middle aged man telling the story recognizes what an idiot the young budding star was to ignore it but he can't change the past. The only thing that he can do is talk about it.

Di Lauro's writing also gives Stabb interesting recall in describing the colorful characters that he encounters on his journey to and from stardom (not “fainting super stardom" of course). His former girlfriend Margot, the “one that got away” and who inspired his earliest hits appears and reappears in his life but she has her own agency. 

While she appreciates him as a musician, Margot lets Stabb know about what she thinks of him as a person and lives her own life separate from him. In fact it's less like she is pining over him and more like he is pining over her. 

The band members of She Kicks are an interesting eclectic bunch particularly Siobhan, the sharp tongued lead singer who leads the band like a cross between a larger than life prima donna and cold blooded CEO. Think of if Janis Joplin was ever crossbred with Leona Helmsley.

She also isn't afraid to maintain dominance in a largely masculine led industry including arguing with her obstreperous and verbose lead guitarist. Siobhan and Stab often engage in one on one snark battles to disguise their own anxieties and insecurities.

Another interesting member of the band is the ebullient bassist Tanya. She is usually something of a comic relief, blurting out off color jokes and asides at even the most inopportune moments. But her story ends up being one of the most heartbreaking. 

Tanya joined She Kicks to pursue her passion for music and maintain a separate identity from her suffocating family only to find herself crushed by them anyway. Even after all of these years Stabb still feels the vicarious anguish of his former colleague.

 In his recall of his and his band mate’s experiences, Stabb reveals the great cost of pursuing artistic success: the performance highs, constant pressure, and the need to be an individual that is screaming to be heard, understood, loved, and accepted while being surrounded by a crowd.

Stabb Bell, and by extension Michael Di Lauro, turns what could be a hokey cliched melodrama into a thought provoking introspective engrossing novel about fame, love, identity, artistic pursuits, and maintaining one's own individual voice in the face of change, conformity, and control. It is truly a rocking good time. 



Tuesday, July 14, 2026

The Arts Council by Dolly Gray Landon; The Writing Writes The Writer Taking Kev to Sizzlin' Meats and Salads by Kevin Cann

The Arts Council by Dolly Gray Landon 

 The Arts Council by Dolly Gray Landon is a bizarre book. It can't really be said to be highly recommended. It can't even be considered particularly good or well written. Instead it is a messy, loud, disturbing, darkly comic, vulgar, inappropriate, immature, witty, bizarre, trippy, unforgettable, sharp, and ruthless satire. You don't go into a book like this to like anyone or anything. You read it to cringe, laugh bitterly, compare it to real life, maybe think, and more than likely wonder “What the heck did I just read?”

The plot mainly involves Honoree Oinkbladder and Modesty Greedance, two high school artists who are constantly trying to one-up each other. It also concerns the Pimpleton Regional Arts Council who determines whose artwork is praised and promoted but are often swayed by famous family names, bribery, and other more nefarious means in selecting pieces. There are also various other subplots that involve cheating spouses, hook ups, break ups, murders, public humiliation, illicit lobotomies, and feral attack therapy dogs.

The Arts Council walks that strange line between being a very intelligent satire and an immature joke. There are savage takedowns everywhere from aggravating political figures, to pretentious artists and art experts, to judicial corruption, to inept intellectuals, to kangaroo courts, to depraved socialites, to obnoxious teenagers, and especially to a society which pays lip service to hard work and merit but lets money and names lead to success.

The attacks especially on the art industry are spot on. Landon skillfully dissects an industry which talks a big game about artistic integrity and free expression but only promotes art that is deemed acceptable when it is financially beneficial for collectors, council members, and gallery owners. 

They determine what is considered fine art and will try to assign an arbitrary meaning to make it more valuable. For example, a painting of Honoree’s that was defaced in the most horrible way during a bullying incident is considered a worthy piece. Honoree then displays it, despite its rancid odor and disgusting visuals. She periodically makes some slight additions and changes to make it look like an entirely new piece each time to the delight of her prestigious and unaware fans.

The intellectual satire is augmented by more childish humor making the book a bizarre concoction of humor. Various characters have double entendres and dad jokes for names such as Dweebaldo Van Boofus, Poppin’ Jay Godandy, and Ian Tickleman. The two protagonists named Honoree and Modesty suggest virtue but are conniving manipulative young women who have multiple sexual relationships.

There are moments that over emphasize scatological function and humor. Readers might be torn between sardonically smirking at the satire or rolling their eyes at an obvious dirty joke, sometimes doing both in the same paragraph.

There are many things that prevent this from being a highly recommended book or even a great work of satire and parody. The characters are off putting in that exaggerated way that is found often in satire where everyone is written to an obnoxious extreme and no one is particularly likeable. Some plot points go nowhere or are arbitrarily resolved. It's hard to care about anyone in a cast of shrill annoying caricatures who do stupid obnoxious things as plot devices.

That is probably the point but the incomprehensible plot and one dimensional characters also cause the book to run far too long. Readers might say, “We got the joke the first time. Can we move on please?” It's a book that is not well constructed but also revels in how ill constructed that it is. Technically that makes the book a potential work of genius.

Trigger warnings but there are also moments that are incredibly disturbing. A few characters get publicly humiliated in sexually and physically abusive ways that are treated as graphic and disturbing jokes. One could say that is the point and comedy is subjective. In a world that is becoming increasingly satiric on its own, those who point out society's flaws in arts and entertainment need to be more graphic, more satiric, and crazier to get their points across.

However, these are chapters that go to an extreme that is beyond humor. The excessive nature of these passages turn dark satire into psychological horror. The characters don't just suffer but others stand around, watch it happen, and take part in the humiliations. Once read, the reader can't unsee them and has a hard time focusing on the rest of the book. Because of them, the book could be considered recommended but with extreme reservations that it is definitely not for everyone. It is for people who like bizarre satire, dark humor, sexual innuendo, and have strong stomachs.




The Writing Writes The Writer Taking Kev to Sizzlin' Meats and Salads by Kevin Cann 

This review is also on Reedsy Discovery.
Spoilers: Some books capture large moments. Characters dealing with politics, life transitions like birth and death, trauma, and sweeping changes. Some capture little moments concerning friendships, couples, and daily life. 
That is the case with The Writing Writes The Writer: Taking Kev to Sizzlin' Meats and Salads by Kevin Cann. There isn't much in the way of plot but it's heavy in characterization.

The book mostly focuses on Kev and his best friends, married couple Jeb and Mae. Kev is legally blind and Jeb and Mae often drive him around. One of their favorite places to go is Sizzlin' Meats and Salads, the local eatery. It's just a few weeks of their lives punctuated with trips to Sizzlin.’

The three characters and setting are relatable and identifiable. Those who live in small towns will understand the comfortable routine found in a town like Peculiar, California. It presents a history of the town and how it got its, well, peculiar name. It's the type of story that townspeople know by heart and retell. Maybe celebrate it in historical reenactments and guided tours. 

There is also recognition of the important locations that give the town character. In this case Sizzlin' Meats and Salads. It's a local mom and pop place where people arrive every week, order their favorite expected meals so often that sometimes even the servers memorize it before they order, and recognize co-workers, classmates, neighbors, or just the regular gang of diners. It's so beautiful because it's so familiar and comforting.

The three protagonists are the type of characters who depend on daily lives and routines. This is especially vital to Kev. An intellectual and writer, Kev hates being dependent on his friends but still relies on them to be his contact with the world outside his house. 

He is such a devotee to this routine that he looks forward to it like a kid waiting for a trip to a theme park. When things get in the way like car trouble or a family issue, Kev makes them swear that they will go the following week and it's non-negotiable. Of course unlike most people, he doesn't have the luxury of going some other day because of his lack of transportation. It's just as aggravating for him as it is for them and the frustration is easily understood.

We also see Jeb and Mae as a couple that are comfortable with each other. They compliment each other with different personalities but a yin yang dynamic that recognizes each other's strengths and vulnerabilities. 

They have shared memories, inside jokes, unfinished sentences that they answer. They know each other so well and treat Kev like another family member that's welcome in their lives and not an unwanted third wheel. It's a power trio that relies on warmth, familiarity, and connections as their strongest assets.

The Writing Writes The Writer is a simple book. But sometimes the simple books tell the strongest truths.