Thursday, February 26, 2026

Carrying On by Kali Desautels; She is Woman, Hear Her Roar and See Her Write

 

Carrying On by Kali Desautels; She is Woman, Hear Her Roar and See Her Write 

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers:In this day and age when women’s rights are being challenged and some like, reproductive choice and the ability to vote under married names, are being removed, it is important to remember how women in the past lived. How they struggled to make their voices heard and fought for those rights. These accounts remind us of what we didn’t have, what we won, and what we could lose. Carrying On by Kali Desautels is the type of novel that does just that

Carrying On is a sharp and brilliant character driven Historical Fiction novel about Peggy Brennan, a woman embarking on a journalism career in the mid-1960’s. Peggy is different from her more traditional mother and sisters. They have all been married and expect Peggy to do the same, but she has other ideas. The journalism career that they believe is only a hold over until marriage is Peggy’s ticket for living a professional self-actualized life. If a woman has to choose marriage or a career, she is going for the latter while the other women in her family went for the former. 

The book explores the changes that women encountered during the volatile 60’s. The traditional roles of a house, husband, and children no longer applied and were not looked upon as the sole aspirations for women. Books like Simone de Beauvoir’s The Second Sex and Betty Friedan’s The Feminine Mystique and noted events like the release of the Pill are referenced. They are also shown in how this time affected people personally.

One of Peggy’s sisters leaves her closeted husband and moves to San Francisco. Another holds to her values, but also has serious questions about her life. Peggy also asks her mother if she is satisfied with her life and how things turned out. This is a conversation that would never have occurred to her if she wasn’t surrounded by these questions and the decisions that many women of her generation took to answer them.

Peggy herself is surrounded by these changes in her own way. Her roommates struggle with their jobs, relationships, and expectations. At work, she is dismissed for writing important news articles and is worried that she is only going to write the so-called “women’s articles” about fashion, cooking, and childcare. Her contributions are disregarded because the men don’t take her seriously and the women think that she’s acting above her station. Her progressive views are demeaned and dismissed. 

Her new editor, John Grant however is one of the few men that are actually receptive to the idea of change. When he wants to create a woman's section, he doesn't want it to be the fluffy soft news that readers and advertisers expect. He puts Peggy in charge of it because he wants to focus on real news that affects women. News like politics, war, laws, education, work, the various movements, and changes. 

 This egalitarian view interests Peggy as much as John’s genuine interest in her work and opinions. Even though Peggy questions the division between marriage and career, she weighs whether it's possible for a woman to have both. Can she truly have it all with a man who is accepting of that possibility? 

This is a relationship of mutual respect and friendship. It's interesting that I am reading this book at the same time as The Girl From Melodia which also deals with a romance between two people in a similar field. However, The Girl From Melodia explores the concept of the Artist’s Muse and how the Artist is so self-involved in their own art and voice that they deprive the Muse of theirs. Carrying On is the opposite. Someone who is not threatened by their intended’s voice and actively encourages it making their relationship an equal partnership. 

As Peggy conducts interviews and leads focus groups, she sees women of different ages, statuses, political views, goals, and outlooks. They do have one thing in common. They are glad that someone is taking their voices and opinions seriously and they are being shared on a wider scale.

That is what the various feminist movements do. Take seriously the current concerns of women and work to improve them. Whether it's the right to vote, having educational opportunities, to have control over their own bodies, to earn the same amount as men, to stop being assaulted and harassed, or to do away with the patriarchal assumptions of men and women. 

Sure the names change, the specific causes might vary, and the means of sharing information and rebelling fit the era but they all boil down to one obvious function. Anyone who identifies as female fighting for the freedom of agency and choice over their own lives and futures.




Wednesday, February 25, 2026

The Girl From Melodia by Jonathan Toussaint; The Toxic Musician and The Troubled Muse

 

The Girl From Melodia by Jonathan Toussaint; The Toxic Musician and The Troubled Muse

By Julie Sara Porter 

Bookworm Reviews


This review is also on Reedsy Discovery.

Spoilers: The relationship between an artist and their muse is one that has been discussed, studied, analyzed, argued about both for and against, critiqued, defended, parodied, and recognized. The Artist, usually a man but these days any gender will do, is a tortured soul driven by emotion and is inspired by The Muse, often a woman but again that has changed, who is the source of their art and possibly the breadwinner while they go through their artistic funk. The model for the portrait. The name in the catchy rock song. The disguised protagonist or love interest of the novel. The unattainable unrequited love of the romance film. Despite being named for the Greek goddesses who were the sources of the arts themselves, oftentimes the modern Muse takes a secondary role in creation. 

Think Camille Claudel for Auguste Rodin, Gala for Salvador Dali, Aline Bernstein for Thomas Wolfe, Leila Waddell for Alesteir Crowley, Yoko Ono for John Lennon, Patti “Layla” Boyd for George Harrison and Eric Clapton, Charlotte Gainsborough for Lars Von Trier, and Uma Thurman for Quentin Tarantino. While many muses have had careers of their own, the stereotypical assumption towards them is that the Muses are just required to shut up, stand there, passively inspire, and not actively create their own art. Often if the Artist is a Narcissist, they will agree with that assumption. That is what is at play with Johnathan Toussaint’s novel, The Girl From Melodia.

 The Girl from Melodia is like a folk song. It's about two people who are looking for their authentic voices and are consumed by a passionate love, a love that ends badly. It speaks about truth, love, art, obsession, and unhappiness all of the things that make a perfect tragic love song, but a very crappy real life incompatible relationship.

Martyn Lockhart is the son of famed English folk singer/songwriter, John Lockhart. He is proud of his family legacy and his father’s reputation but he also wants to come out of his father’s shadow and be known as his own person. In 1992, Martyn encountered Francoise, a French woman at the Tulle Music Festival. To Martyn, the Artist, Francoise is the Muse. She inspires him and the two begin a very passionate romantic love affair that continues when returning to Martyn’s native England. Unfortunately just as quickly as the romance and creativity are set afire, they fizzle out when the reality of commitment, artistic temperament, financial and practical woes, and professional and personal insecurity set in.

It cannot be overstated how unhealthy this relationship is. Martyn is the archetypal Artiste. He is creative, passionate, reckless, iconoclastic, argumentative, self-absorbed, and Narcissistic. Everything is material for his music. His first encounter with Francoise leads him to his latest song and concept album, The Girl From Melodia

Melodia is a fictional country that Martyn created as a child that he could mentally retreat to in his imagination when things got tough for him. In many ways, Martyn never left that fantasy and still remains in Melodia even as his real world falls apart around him.

He possesses a romantic ideal of Francoise at first. She inspires him with her looks, carefree attitude, lively spirit, and vulnerability. Like him, she is also a passionate writer particularly in her journal which she describes the headlong sexual and romantic emotions of being near each other and the intellect of two creatives sharing ideas. She is also a musician and songwriter and just as she inspires him, Martyn inspires her.

These are the days of the early lyrics and first juvenilia poems which describe the youthful innocence of plunging feet first without thinking or caring about what comes next. Francoise fills that Melodia fantasy so well that Martyn tries to remain there. He wants to hold Francoise to the fantasy world and image that he created. But he considers Melodia and Francoise as his works and there is only room for one writer and artist in that fantasy.

That all changes when they move to England and their real natures, especially Martyn’s, emerges. Because just like Martyn has all of the positive aspects of an artist like creativity and passion, he also has many of the negative aspects. He is the kind of guy who diss tracks like “You’re So Vain,” “You Oughta Know,” or most of Taylor Swift’s catalog were written about.

Martyn is the type of guy who excites, fascinates, and blinds one with his talent, charm, looks, and artistic fire at first. Then his true nature is revealed to be controlling, absent, egocentric, jealous, volatile, immature, and self-indulgent. Suddenly, his love interest is left with a broken heart, a diminished soul, and a cynical outlook on love to fill at least hundreds of discographies.

One of the ways the narcissism is manifested is when Martyn suffers through writer’s block. As his creative well runs dry, Francoise is activated. She writes, rehearses, and performs. There are even hints of a record deal which makes Martyn furious. 

It is very reminiscent of stories like A Star is Born, which is a film that I thoroughly despise no matter the adaptation for reasons that I won’t go into, despite the original screenplay being written by Dorothy Parker, one of my favorite writers. Martyn feels that he is supposed to be the creative one, the musician, the poet and Francoise is the creation, the inspiration, the model. He can’t live with his partner’s success if it is at the expense of his own and doesn’t have the enlightened foresight to take pride in it. 

To Martyn, the muse is not supposed to drink from the artistic poetic well. She is supposed to guide him to the well and provide him with a cup. He was once interested in her talent when it was hers, but now that’s in direct competition of his own, he sees it as a threat. He behaves irresponsibly, withdraws from Francoise, belittles her, and in one of the worst chapters destroys her demo recordings that she worked hard on for months.

Her songs and journal entries show that she is just as driven, just as passionate, and cares about her music just as much as he does. She shapes Melodia into her own fantasy and Martyn doesn’t want to share it.  

To his credit, I suppose Martyn recognizes these attributes in himself. In the prologue, as he goes over his relationship with others, particularly Francoise, he realizes that he is to blame. He compares himself to a vampire sucking on Francoise’ energy and creativity to survive.

 The novel reveals that she wasn’t the only one who suffered from his egotism and his previous partnership with a former friend produced violent results because of Martyn’s conceit and insecurities. Looking back with regret and harshly obtained wisdom, he comments in the narration with lines like “This still haunts me,” and “I know that I shouldn’t have done this, but..” He knows that he screwed up so has some humility and remorse over it.

Some of those negative attributes can be attributed to his upbringing by his folksinger father, John. John also possessed a similar artistic temperament, penchant for violent behavior, and self-destructive coping mechanisms. Those mechanisms led to the decline of his relationship with Martyn’s mother. 

Martyn saw the creative sparks and emotional decline from the front row. But he only connects to his father through their music. He wanted to achieve the artistic, professional, critical acclaim, and audience adulation that his father had. Unfortunately, he got that and everything that came with it: the temper, the addiction, the mistreatment of partners and didn’t realize it until it was too late.

One could say that Martyn’s regret is more self-indulgence and that he hasn’t truly repented. That may be true. He might find another toxic relationship to inspire then anger him. But he may also see this as a wake up call and finally gain the maturity to improve not only his life but his music as well. 

Wednesday, February 18, 2026

The Sisters: The Saga of The Mitford Family by Mary S. Lovell; Engaging Biography of Provocative, Controversial, Opinionated, and Unique Sisters

 

The Sisters: The Saga of The Mitford Family by Mary S. Lovell; Engaging Biography of Provocative, Controversial, Opinionated, and Unique Sisters 

By Julie Sara Porter 

Bookworm Reviews

There are many controversial wealthy families in the 20th and 21st century who made news because of their scandalous behavior, illegal activity, political involvement, entertainment value, or even just by having a prominent family name. One of those is the Mitford Family, a wealthy titled English family. Mary S. Lovell tells the story of this eccentric family particularly the six Mitford Sisters in her book, The Sisters: The Saga of The Mitford Family.

 The Mitfords were shocking, provocative, controversial, divisive, opinionated, unique, and captivating women that interested, fascinated, and disgusted people with their behavior and involvement in the mid-20th century political, social, artistic, and cultural landscapes. They were the subject of books, movies, and miniseries. They recently appeared in episodes of Peaky Blinders and the miniseries Outrageous.

This book, The Sisters, captures their fascinating dynamic, diverse personalities, stormy private lives, and different views which drove many apart from each other. (On a personal note coming from a large family with mostly sisters, I have always been fond of reading about that bond between siblings particularly sisters. Those women who alternate between best friend and worst enemy for so many of us.)

The Mitfords were the children of David Freeman Mitford, 2nd Baron of Redesdale, Northumbria and his wife Sydney Bowles. They were a wealthy, accomplished and highly intelligent family whose maternal grandfather founded several influential magazines like British Vanity Fair and wrote historical biographies. They were also related to the Churchills.

The Mitford parents had different socio-political views which inspired their children in various ways, not all of them for the better. David was an ardent Conservative and held very traditional views particularly where women were concerned. Sydney later became a Fascist and spoke admirably about Hitler. This view would influence three of her children to catastrophic results.

The Mitford’s privileged upbringing shaped the children early on as their parents experimented with various approaches to childrearing. They raised eldest Nancy with few rules and restrictions but reverted to becoming more rigid with the younger children when they felt that Nancy was becoming too spoiled and argumentative. Because of David's rigid views about men and women, they home schooled the girls but sent their son, Tom, to public school in Eton. They were also raised largely in their family estate in rural Northumbria where their snobbish parents only wanted them to hang out with children of their class.

Because of the home schooling and isolated upbringing in the country, the sisters were largely self-taught. They were voracious readers and devoured the books in the family library. They also created their own activities like writing The Boiler, their own literary magazine and newspaper, developing their own secret society called The Hons (a nickname for hens), raising farm animals for pocket money, and creating a secret language that they called Boudelage. This busy thoughtful upbringing molded their creativity, shaped their independent thoughts, and honed their self reliance.

The Mitfords consisted of seven siblings, six sisters and one brother. They were:

Nancy (1904-1973)- One of my two favorite sisters in the family. The eldest, Nancy had a troubled relationship with her siblings because of her caustic teasing sense of humor and bossy nature. She took the lead in many of their activities like editing and publishing The Boiler, created various games, and gave her younger siblings nicknames.

Nancy and her sister Diana were part of the Bright Young Things of the Roaring Twenties and had a close friendship with author Evelyn Waugh. Nancy had a stormy love life consisting of a broken engagement with Hamish Erskine, a closeted peer, an unhappy marriage to Peter Rodd, an alcoholic politician, and an ongoing tempestuous love affair with Gaston Palewski, a womanizing French colonel.

 Nancy's relationship with Palewski was particularly toxic as she became obsessed with him but he devalued and belittled her and was frequently unfaithful.

Nancy was a moderate Socialist though acknowledged her aristocratic upbringing. She was virulently against Fascism despite her mother and siblings’ support and took part in relief efforts for the war. During WWII, Nancy denounced her sister Diana who was an ardent open Fascist.

Nancy became a novelist. Her works included Highland Fling, a romp about Bright Young Things on vacation in Scotland and Wigs on the Green, a satire of the British Fascist movement particularly her brother in law Oswald Moseley. Her trilogy, Pursuit of Love, Love in a Cold Climate, and Don't Tell Alfred featured fictionalized versions of her family including her father, sisters, and other relatives. Her novels presented light hearted, mocking, and satirical accounts of the times and society in which she lived. 

Eventually she moved to France where she wrote historical biographies about Madame de Pompadour, Emilie du Chatelet, and Frederick of Prussia and various satirical articles and essays mocking British aristocracy. She died of Hodgkin's Lymphoma after years of frequent pain and surgeries cared for by her younger sisters, Diana, Jessica, and Deborah.

Pamela (1907-1994), The second child, she was the more maternal figure in the children's lives when they were younger. She was frail in early years having developed polio but later became physically strong and healthy. 

Nancy and the younger siblings often came to her for advice. Like her older sister, Pamela was a skilled organizer. Nancy influenced her siblings’ creativity but Pamela was more concerned about their practical needs. She began negotiations between her siblings and their father to increase their earnings from raising farm animals to the commercial average that actual farm workers were making. David was impressed by her research and nerve, so he acquiesced to the request.

Pamela married a physician named Derek Jackson which ended in divorce. She had no children but she and Derek briefly raised her sister Diana's children after she was arrested. She was also the subject of a poem by John Betjeman in which he called her “the most rural of them all.” She was flattered but turned down his marriage proposal.

Despite her marriage, Pamela was a lesbian. She fell in love with Giuditta Tommasi, an Italian horsewoman and lived with her for a time in Switzerland. After Guiditta’s death, Pamela remained in Switzerland until the last of their dogs died.

Unlike her involved siblings, Pamela largely stayed out of politics and spent much of her time in the country. She had a vast array of fur and feathered babies and managed farms in Ireland, Switzerland, and England. She became an expert on breeding chickens, even introducing new breeds into Britain. She appeared on television in agricultural themed documentaries and retrospectives about her family.

A lover of animals to the very end, Pamela's final words, before she succumbed to complications from falling down a flight of stairs, were asking which horse won the race the day before. 

Tom (1909-1945)-He was the third child and only boy. He didn't get as much attention and wasn't as widely known as his more colorful sisters but was still a large presence in their youth and adulthood.

 Because of his schooling, he was not as close to his sisters. He shared similar views to Diana, Unity, and their mother Sydney and despite very different opinions was very close to Jessica. 

Tom was bisexual and had serious affairs with Eton classmate, James Lees-Milne and married dancer Tilly Losch. He also dabbled in Fascism before his death in WWII shortly before the war’s end.

Diana (1910-2003)-The fourth child and third daughter, she was considered a great beauty and social butterfly. She had a wide circle of friends, modeled, and posed for portraits. She was particularly fond of her cousin Winston Churchill who nicknamed her “Diana-mite.”

 The three younger sisters treated her like the cool big sister that they could have fun with whereas bossy Nancy and motherly Pamela did not always suffice. Unity particularly worshipped her which was a factor in her own problems. Like her sister Nancy, Diana was part of the “Bright Young Things” social set of the 1920’s and had many friends and lovers among them.

Diana eventually married and divorced Bryan Guinness, heir to the Guinness Family. She also embraced Fascism and their views of racial superiority. She eventually met and began an affair with Sir Oswald Moseley, head of the British Union of Fascists. They later married after the death of Moseley's wife and became a very notorious couple. Their wedding was attended by Hitler and they considered him and his girlfriend, Eva Braun to be close friends. At one point, Diana was considered “Britain's Most Hated Woman.”

After the Germans invasion of Britain, the Moseleys were arrested and imprisoned leaving Pamela and her then husband Derek to raise their children. Upon their release, they were exiled and lived in South Africa for a time where their racist and nationalistic views were welcomed by the White Apartheid-supporters.

After Moseley's death, Diana wrote book reviews. One of her columns ended when the editor learned of her previous involvement with Fascism and Nazism and terminated her employment. Her columns and articles then mostly appeared in right wing journals. She also wrote nonfiction works about her husband and her close friends and acquaintances like Wallace Simpson, the Duchess of Windsor.

 She later renounced many of her views but retained others such as her continued administration of Hitler. Many considered her words too little too late. She died of emphysema and heat exhaustion during the Paris heat wave of 2003. 

Unity (1914-1948)-The fifth child and fourth daughter. She resorted to shocking and provocative behavior to be noticed among her loud and busy family and may have had mental health disorders. She did unusual things like release pet snakes and rats in public places to get attention. 

Unity was particularly close to her sister, Jessica whom they referred to each other as “boud.” They communicated in their secret language Boudelage so well that they were not always understood by others. However they also had diverse views concerning the conflicts in the 1930s world in which they were raised.

 Unity supported Nazism and admired Hitler while Jessica became a Communist and devotee of Lenin and Stalin. Supposedly, their bedroom was sharply divided with a German flag, swastikas, and pictures of Hitler on Unity's side and Soviet flag, hammers and sickles, and pictures of Lenin and Stalin on Jessica's. 

There is some evidence that Unity was led to Fascism and eventually Nazism specifically because of her mother, brother, and older sister Diana's influence. That may have been true but her devotion became an obsession and paranoia. She openly spoke about and wrote Anti-Semitic views and was volatile when challenged.

Unity was obsessed with Adolf Hitler to the point of stalking him in Germany. They developed an affair during Hitler's temporary break up with long time lover, Eva Braun. It was a dangerous affair in which the leader infantilized and dominated her and she was submissive towards him. 

Their affair ended when Unity attempted suicide via gunshot on the eve of the German invasion of Britain. She survived and returned to England in the care of her mother and younger sister, Deborah. 

Unity suffered brain damage and amnesia. She fell into a childlike dependent state often requiring care. She may have had a brief passionate relationship with John Anderson, an RAF pilot but it ended quickly when he was reassigned and subsequently killed in battle. Unity eventually died of meningitis caused by cerebral swelling from the bullet. 

Jessica or Decca (1917-1996)-My other favorite Mitford sister. The sixth child and fifth daughter, she was the most outspoken and rebellious child and wasn't afraid to challenge her parents and siblings. She argued with her father when she wanted to go to school and questioned her mother's insistence on only playing with children of their class.

As previously mentioned, Jessica and Unity were close but took directly opposite political views. Jessica read about the Great Depression, the union strikes, racism, and hunger marches. They stoked her social conscience. Her sympathies towards lower income people led her to embrace Communism to the detriment of the rest of the family.

She eventually eloped with Esmond Romily, himself an avowed Communist and a distant cousin of hers and Winston Churchill’s. The Romilys emigrated to Spain where they sided with the Loyalists or Republicans during the Spanish Civil War. They wrote articles denouncing the Nationalists, tested weapons, and argued with their family who insisted on Jessica's return. Eventually the Romilys left Spain and moved to London then the United States.

While in the United States, Jessica became involved in various causes. In lieu of their once close bond, Jessica continued to speak well of Unity, but she was antagonistic towards Diana. After Edmond’s death during the War, Jessica denounced her older sister saying that she and Moseley should be shot. (They only reconciled years later while caring for an ailing Nancy.) 

Jessica eventually remarried a Civil Rights attorney named Robert Treuhaft and became heavily involved in American politics. She took part in protests to stop the execution of Willie McGee and refused to speak in front of the House of Un-American Activities.

Jessica, a self-described “professional muckraker” and investigative journalist wrote books and articles that explored her views in great detail and attacked various institutions and industries in Europe and the United States. Her books included, Hons and Rebels about her childhood, The American Way of Death (considered her most important work), attacking the funeral industry, The Trial of Dr. Benjamin Spock, The Rev. William Sloane Coffin Jr., Michael Ferber, Mitchell Goodman, and Marcus Ruskin, focusing on their protest against the Vietnam War and conspiracy to violate draft laws, Kind and Usual Punishment: The Prison Business attacking the American prison system, and The American Way of Birth, which criticized hospital care towards pregnant women, and articles about Southern attitudes about the Civil Rights movement for Esquire and decrying fraudulent correspondence course businesses for the Atlantic Monthly. 

True to her negative views about the American funeral industry, when Jessica died, her funeral cost a mere $533.31 and her ashes were scattered at sea.

Deborah or Debo (1920-2014)-The youngest of the family, she was considered quiet and sweet tempered. She was often babied by her older siblings and went along with many of the older ones’ schemes.

Deborah's sympathetic nature towards her siblings continued through the adversities. Even after her family stood on opposite political sides, she retained close correspondences with all of them often serving as a bridge among them. Similar to Pamela, she largely stayed out of politics and her views shifted from Conservative to Social Democratic. 

She was also the most sensitive and was greatly affected by her parents' separation when her father moved out of the Mitford home to an island off the west coast of Scotland and her mother remained on the estate. They reunited briefly when Unity returned. However they remained separated, unreconciled, but legally married until David's death in 1958.

Deborah eventually married Andrew Cavendish, the second son of the Duke of Devonshire. His older brother, William was killed in action in 1944 and William’s wife Kathleen “Kick” Kennedy died in a plane crash, Yes she was the sister of John F. Kennedy which linked the Mitfords to another wealthy, famous, controversial, and influential family. After the death of Andrew’s father, he and Deborah became the Duke and Duchess of Devonshire.

 Deborah took to running her husband's ancestral home, Chatsworth House which was in poor condition upon her arrival. She spent time and money renovating, restoring, and modernizing it. It is now one of Britain's most successful stately homes and is open for tours.

Deborah wrote several books on Chatsworth's restoration, the rooms, furnishings, and gardens and other books about home care. She was frequently interviewed about her sisters, including for Lovell's book becoming an unofficial family historian. When she died in 2014, she was honored as the last of the Mitfords.

The Mitford Family were outrageous, scandalous, and colorful. They were women who were highly intelligent, knew their own minds, and chose their own paths. Sometimes those paths led them down dark roads of prejudice, violence, hatred, and animosity. They suffered heartbreak, loss, separation, and the effects of a world that rapidly changed around them. Lovell's book shows that most importantly the sisters were unforgettable. 


The Purpose of Getting Lost by Tracy Smith; Recovery and Self-Discovery Through Travel

 

The Purpose of Getting Lost by Tracy Smith; Recovery and Self-Discovery Through Travel

By Julie Sara Porter 

Bookworm Reviews


Spoilers: Tracy Smith's The Purpose of Getting Lost is a detailed and introspective memoir about Smith discovering herself through travel.

Smith survived a childhood of rejection, and an adulthood of divorce, the departure of her kids, the fading of old friendships, extensive surgery, physical pain, and mental health crises. At age 49, she booked a flight to Iceland and kept on going afterwards to other countries. She didn't consider travel an escape but a “way to stitch (herself) together and pay tributes to the part that (she) had ignored for so long.”

One of the most interesting aspects of the book are the icons that appear before each chapter to reveal what elements Smith explored during that particular part of the trip. They consist of mountains to indicate Adventure, fire for Community, a tornado for Risk, an elephant for Acceptance, a lighthouse for Confidence, and a bird for Freedom. These icons indicate that Smith was not traveling just for fun or just to be a tourist. She intended to challenge herself and explore aspects to her personality that helped her become a more fulfilled person.

Smith’s first trip to Norway and Iceland was a risky endeavor. Since it was largely unplanned, she walked around the terminal trying to figure out where to go, how to use her phone, and how to find a bus to Reykjavik. This reveals that a trip made by impulse often has its drawbacks and sometimes relies on guesswork, patience, and asking people.

Since it was her first couple of days, Smith's primary emotions, uncertainty and exhaustion, marred her first views of Reykjavik. She was looking forward to this journey but was also overwhelmed by the choices, the new surroundings, and anxiety. She recovered enough to go to a nearby bar dressed in Buffalo Bills attire and struck up a conversation with a fellow sports fan. This chance meeting soothed her uncertainty by reminding her that seeing new sights and meeting people are worth the risk of traveling alone. 

Smith’s sense of adventure was tested when she visited Doha, United Arab Emirates during the World Cup. Surrounded by people, Smith felt several anxieties about such things as being kidnapped or getting lost. She silenced her fear by pausing and looking at the people and sights around. Instead of returning to the hotel, she stopped to enjoy herself. This was her trip and her adventure so she reasoned that she might as well make the best of it.

The adventure continued as Smith entered a mosh pit consisting of soccer fans. Caught up in the excitement of the crowd, she joined them cheering, clapping, and celebrating. Some men even lifted her up and pushed her over a gate into a restaurant that she wanted to eat at. This was an experience in facing large crowds and finding a sense of adventure in an unfamiliar place and surrounded by unfamiliar people. While she faced many natural elements and risky tours, the fear of crowds and unknown places can be filled by anyone going on any trip. It is an adventure to face those fears as much as mountain climbing or bungee jumping.

Smith’s solo trips were an experience in acceptance. Before, she often made decisions that involved other people, but this journey was a practice in self-care and reliance. Her trip to Costa Rica with her daughter was a relaxing journey but Smith had to accept that her daughter was growing up and therefore so should she. Her journey to Croatia was much more difficult because it involved a fracturing relationship. Her time in Croatia was cut short because she and her boyfriend broke up. She had to accept that loss and move on.

This relationship and its end left her with a choice to visit a friend in Italy who was going through her own issues and risk hurting her with the pace or go to Portugal alone and allow her friend to heal. She chose Portugal recognizing that her friend needed rest and not the stress of travel and that Smith herself needed some time alone to sort through her troubled relationships. This allowed her to accept herself by herself.

Smith was often a planner and often made itineraries and lists. While that can be good for travel especially in the early stages, it can limit the spontaneity and surprises that come with travel. Smith’s time in Koh Samui, Thailand taught her to enjoy freedom. She viewed a waterfall with a tour group that she stumbled upon and was in awe of the sight that she might have missed if she stuck to a plan. 

Most of that time on the island was spent relaxing and not sight seeing. Smith rested in the hotel, read her Kindle, went swimming, shopped nearby, and observed people around her. The relaxation and freedom of living in the moment was just as important for her as the times where she took tours, participated in adventures, and interacted with others. 

Not all of Smith’s trips were solo adventures. As previously stated, she traveled with her daughter, son, ex, and friends. She also interacted with strangers forming a large global community of friends and family around the world. Traveling to Greece with her friends Stacey and Cheryl illustrated the importance of community especially when traveling. The three friends booked separate rooms, had a loose itinerary, and spent some time by themselves. Ironically, their solo time deepened their connections to each other because they had space to breathe and their time together was much more engaging.

Another journey with her friend Carmen also taught Smith about forming community with others. Carmen introduced her friend to her family in Puerto Rico who accepted Smith as one of their own. She had meals with them, conversed with Carmen’s aunts and uncles, and was embraced by their warmth and hospitality. She arrived as a stranger but left as a surrogate niece and cousin.

Smith’s travels were exercises in persistence and confidence. She endured many hard and difficult journeys such as climbing pyramids, hiking through the jungle, and visiting Machu Picchu. She realized that these dangerous trips were tests of her persistence and ability to survive them. 

Many of her experiences tested her endurance. Once in Belize, her group had to climb 130 steps. Even though she sweated, her legs cramped, and she doubted herself, Smith made the climb. She said that “the climb wasn’t pretty. It wasn’t graceful but it was mine.” This was true confidence in herself and her journey.

Traveling around the world gave Smith several opportunities to encounter new places, meet new people, learn some important lessons, test her strength and endurance, take risks, practice self-care, live in the moment, and ultimately to find herself.








Friday, February 13, 2026

The Promise of Love (The Promise of a Dragonblood Book 1) by Emmeline Lovel; Fantasy Romance Features Promising Female Lead and Questionable Plot Points

 

The Promise of Love (The Promise of a Dragonblood Book 1) by Emmeline Lovel; Fantasy Romance Features Promising Female Lead and Questionable Plot Points 

By Julie Sara Porter 

Bookworm Reviews 


Spoilers: Emmeline Lovel’s Fantasy Romance, The Promise of Love, the first book in the Promise of a Dragonblood series reveals a character that has a lot of promise but has extremely questionable plot points.

In a world where people are judged by their magical abilities, Princess Mira is an outlier. One of three sisters, she is magically resistant. She can telepathically communicate with dragons but she keeps that a secret from everyone around her. She is the victim of bullying, threats, and condescension. She has a chance meeting with a stranger who is revealed to be Walderon, prince of a neighboring kingdom and the two develop an attraction which is hampered by Walderon’s arrangement with Mira’s sister. There is also a conspiracy unfolding within the kingdoms and Mira finds that she, her friends, family, and way of life are in danger.

Mira is a heroine surrounded by people who can do fantastic things. That makes her feel out of place and bland compared to others. She often uses attributes like observation, intelligence, courage, and resilience that most take for granted. It could be a story about someone discovering her actual talents and strengths could be her power and that she doesn't need magic to be a hero. 

However this theme is not as cut and dry as it should be. She has two attributes that set her apart from others. One is that she is magically resistant. She is unable to use magic but she is also unable to receive magic. Ironically, this makes her invincible from magical attacks, a gift that is eventually used to a benefit but takes some time for others to recognize it.

One can look at Mira’s magical resilience as a metaphor for disabilities but only up to a point. Her family tries to keep her in hiding so she doesn't get hurt. Her peers and sometimes relatives mock and disregard her. Some think that she can be cured. She even becomes swayed by a manipulator who uses her uniqueness to their advantage. These are all things that people with disabilities have to endure.

But this theme is muted by one simple glaring fact. Mira actually has a magical ability but is unwilling to share it with others. Her telepathic communications with dragons show strong mental and emotional connections and animal communications. She explains why she doesn't share her talent but it is not explained clearly enough and makes the rest of the book ring hollow.

Perhaps one of the issues that I have is that her telepathic abilities seem to be ongoing. She didn't just discover them. There is no sudden hearing of the voices, being shown her new abilities or learning the advantages and limitations. Her unwillingness to share them could be depicted as her just learning about them. She's new at this and isn't certain whether she is crazy or not. Her secret keeping could be reframed out of uncertainty and self-preservation.

Instead, Mira has had them for a long time, for years in fact. Hiding and never mentioning them especially when there are times that it could help her family make her seem like an idiot at best and selfish at worst. 

There are also other issues. She is in a love triangle with Walderon and her sister which gets over-explained and repetitive. The manipulative character is so obvious from the word go that their betrayal leads to sighs and eye rolls rather than opened agape mouths and wide eyed surprised expressions.

For a Fantasy novel, this needs more than just promise to make it dearly loved.

Thursday, February 12, 2026

Oak Logs and Gasoline Tending Your Internal Fire by Jake Knox, Raising Readers How to Help Your Child Learn to Read by Amy Coffey; The Platinum Workforce: How to Train and Hire For the 21st Century's Industrial Transitions by Trond Arne Undheim; The Divine Feminine: From Awakening to Walking to Union by James Compton


Oak Logs and Gasoline: Tending Your Internal Fire by Jake Knox 

  Jake Knox’s personal development book, Oak Logs and Gasoline: Tending Your Internal Fire, uses fire as an extended metaphor for life and the choices that we make. This metaphor is concrete and poetic as Readers are encouraged to consider whether their lives overwhelm with excess heat, are underdeveloped leaving them in the cold, or provide just the right amount of warmth.

Knox used various analogies such as that people are “simply cold” because they don't know how to start their own fires. He advises Readers to find a “woodsman” or a mentor that will build a fire that lasts and guides Readers to use their talents and choices wisely.

This book encourages inner reflection and considers questions like "Why am I here? What drives me? Who am I here for? Who makes this worth fighting for? What do I want in life?" These questions and the answers help readers shape their journeys. They are the sparks that light the flames.

Each chapter includes reflections and conversations. They ask questions like “When was the last time you said or did something that is truly yours not copied, not influenced but born from what you believe?” 

A unique approach is that the reflections ask from the perspective of both the student and the mentor. Mentor questions include “when in your life did you first find your own voice-the moment you stopped echoing and started speaking from conviction?” 

This allows Readers to focus on where they are in their specific journeys either just starting out and looking for advice or if they are experienced and want to guide others. 



Raising Readers: How to Help Your Child Learn to Read by Amy Coffey

Reading is very important as a necessity and as a pleasure. Unfortunately, many statistics state reading problems or have high basic reading skills but none for pleasure. This book discusses what the brain does to read, why reading is important, and what parents, guardians, and educators can do to encourage a generation of readers.

The brain lights up in all four lobes and enables three jobs: visual process of registering orthographic symbols, translates symbols to sounds, and sounds into meaning and comprehension. Many children that have trouble with that process are dyslexic. Educational methods and technology do their part in shaping this process.

The book suggests different means to encourage children to read like online tutoring services like Reading Adventures, reading out loud with children, have interactive questions and answer sessions about the book, sound out and study hard to follow words and terms, compare books to other pop culture touchstones like movies and television, play games like I Spy or card games with words, have book club parties, and high impact tutoring, and of course work with teachers, librarians, principals, and educators together to create a comprehensive plan from all sides.



The Platinum Workforce How to Train and Hire For the 21st Century's Industrial Transitions by Trond Arne Undheim 

The current workforce is changing because of the abundance of AI and the remaining need for the human element. Futurist and author Trond Arne Undheim suggests ways that workers can adjust to work with and not against AI. There are certain things that AI is unable to replicate like creativity, critical thinking, human to human communication, and empathy. This book takes a look at that changing environment and what employers and employees need to do to adapt and adjust to it.

Among the suggestions that Undheim makes is for employers to revamp their reskilling programs to help employees train skills that they may not have learned or known before. It would also do a lot of good for employers to reskill and retrain as well.

Other suggestions include enhancing human capabilities through scientific and engineering interventions like AI systems, genetic modification technologies, biotechnological innovations, nanoscale engineering, neural interface development, and cybernetic integration. Many of these and other fields are transformative in nature and still rely on human technology interaction.

Undheim also suggests changing the workforce by becoming aware of various skills, managing the integration of these skills and employees, and teaching by using immersive real world learning activities. The Human+ workforce features two core skills: human-AI collaboration and interoperability mindset. The future critical capabilities include eco-awareness, maker skills, mediation, megascale operations, mobility, risk aptitude, agile R&D, psycho-resilience, socio-technological insight, agentic AI management, and systems thinking.

This book shows that it is indeed possible to have a workforce that builds on AI innovation and human interaction and connection.



The Divine Feminine: From Awakening to Walking in Union by James Crompton 

This is a summary of the review. The full review can be found on Reader's Views website. The link is provided above.


James Crompton 's memoir, The Divine Feminine: From Awakening to Walking in Union, is a deeply personal and spiritual memoir about a man’s search for faith and finding it in the form of the Goddess Figure who appears within various mythologies and religions under different names.

Because the Divine Feminine takes many forms and names, she isn't limited to any one specific myth or religion. Crompton speaks of her as Mary, Sophia, Shakti, Kali, Lalitha and others. She can offer wisdom, sensuality, abundance, justice, beauty, maternity, shelter anything. 
This book can be seen as a starting point for those who are interested in other mythologies and spiritual paths to find a connection with a deity who represents some personal struggle. 

Crompton describes his own personal issues, the process of meditation, his vision of the Divine Feminine and in what form(s) she took, the message that she conveyed, and how he implemented it into his life. The solutions or messages weren't all quick fixes. Sometimes it took years to find answers, or led to a separate path than the one Crompton visualized. Mostly it took a lot of study, research, openness, understanding, and acceptance. 

Wednesday, February 11, 2026

The Quest for Freedom (The Conquest Trilogy Book 1) by Matthew Devitt; Action Oriented Witty Slave Rebellion Fantasy Hints Darker Things to Come


 The Quest for Freedom (The Conquest Trilogy Book 1) by Matthew Devitt; Action Oriented Witty Slave Rebellion Fantasy Hints Darker Things to Come

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: On the surface, Matthew Devitt’s The Quest for Freedom, the first book in The Conquest Trilogy can be taken at face value. A human slave getting tired of mistreatment leads a rebellion against his oppressors. They alert others and armies grow larger and rebellion spreads. One faction of slave owners is toppled leading to victories to come and freedom is on the horizon.

It's a familiar trope and it works well here but there are hints that this is a much more subversive take with more nuanced themes and darker motives than are originally believed.

The plot is set in Affer, a rigid world of species divisions with angels, elves, demons, damned, hybrids, and humans. Once the dominant species, humans have been overpowered by the others. Humans were wiped out and the survivors were forced into slavery. 473 years later, Fletcher Rush decided that he had enough of this mistreatment so he, his best friend Ji, and some new acquaintances band together to rebel against their otherworldly masters. Unfortunately, the other races also have plans of their own.

This series has some interesting touches in world building particularly with the hierarchy among the species. It goes angels, demons, damned, hybrid, elves and humans. It's the kind of structure in which various characters are fighting to retain their status or move upwards. 

Angels behave with indifference and disdain among the lesser races. Demons dominate the lesser species, particularly the humans which they delight in torturing and enslaving. They also probably wouldn't mind taking the highest spot ahead of the angels. The elves are right above humans which does not make them companions with the exception of a few characters willing to go along with the human rebellion.

This structure reminds me of a quote from the book, Little Little by M.E. Kerr. “The fellow on top often does not pick on the one on the ground. They look down at the one on the rung right under them. The one on the lowest rung looks down at the one on the ground.” 

This is at play when we see species look down on others right below them instead of realizing that the whole system is corrupt. It also emphasizes the uphill battle that the humans have to not only rebel against their immediate conquerors but the ones above them to the angels. It's like the smallest doll in a matryoshka/nesting doll set trying to take out the other dolls to become the largest.

Despite being about slave rebellion and containing the dismantling of a series of various higher castes, there is a detached tone to the novel that tries to find humor, mostly dark humor, in this situation. Dare I say it, at times it comes across as light hearted or rather satirical particularly with its lead protagonists, Fletcher and Ji.

Fletcher and Ji act more like a comedy team than rebellion leaders. They are constantly bickering back and forth by mocking each other's actions or doing meta commentary on the plot development. (Ji: I guess you'll just have to wait and witness my unrivaled fighting process for yourself. Fletcher: Damn, I'm sure our enemies are already shaking in fear with those sword skills.)

The humor with the characters' dialogue is reminiscent of satire found in works like M*A*S*H. They are using humor as a means to deflect from the dark situation that they are in. It's a way of retaining their friendship and humanity in the face of what will be an ongoing war with plenty of violence and death.

However, there might be another reason. It may not be just satire within the characters' current incarceration, it may take a more subversive tone that implies there are darker intentions at play.

I wouldn't be surprised if the tone changes in future volumes. The lighter a series begins, the darker it ends.

Fletcher gives some stirring speeches about fighting for freedom which are compelling but also potentially fanatic. There are moments where Fletcher's plans put several people in danger and he is called out about this. Ji and other allies question methods and sometimes the results make the questions completely justified. However these conflicts are hand waved or remain unresolved for now.

Now it could just be Fletcher is a clueless rookie who doesn't know what he's doing but his actions could lead to nefarious motivations. He may have ulterior motives that are less concerned with freeing human slaves and more interested in moving humans back to the top. He might not want to dismantle the hierarchy but reshuffle it. 

Most of this is speculation so it might not pan out, but it is based on my experience reading similar books and some of Fletcher’s questionable tactics. So for now it's more fact than theory. Let's just say that it wouldn't surprise me if the series takes a darker, more sinister turn. We might see the makings of a hero but we may also see him live long enough becoming the villain.