By Julie Sara Porter
Bookworm Reviews
Spoilers: So we come to the next weird book continuation, the next installment in Erika McCorkle’s Pentagonal Dominion series: one of the strangest Fantasy/Science Fiction worlds put into book form, a world where few humans or humanoid characters exist so McCorkle was free to let her imagination run wild and wild it ran.
The first book, Merchants of Knowledge and Magic, is about Calinthe Erytrichos, a reptilian Merchant of Knowledge, and Zakuro “Pom” Rathmusen, a Godblood, demi-god and Merchant of Magic. The duo encounter many patrons, assignments, estranged family members, and totalitarian governments as they affirm their love for each other. While the Epic Fantasy/Science Fiction setting and world building was important, at heart Merchants of Knowledge and Magic was a Road Trip Comedy-Drama/Queer Romance set in a world of living gods and anthropomorphic people.
That's what is at play with its successor, Merchants of Light and Bone. It's not a direct sequel so much as it takes place in the same universe as Merchants of Knowledge and Magic. Besides one reference to Zakuro’s family name, those characters are not featured or mentioned.
Instead this book focuses on The Last-Scrim-Den Family of Aloutia. They consist of Amiere Lasteran, his wife, Liesle Denwall and husband, Su Scrimshander (yes they are a throuple), and their seven children. They and their children are in mourning for their deceased daughter and sister, Tawny. They also have to deal with local bully Militico Svelt whose daughter, Usana Demiu, might be getting abused. Amiere, the eponymous Merchant of Light, notices that his crystal light business is expanding and going through some troublesome changes. Su, the Merchant of Bone and a Godblood, is keeping secrets about his history, gender identity, and divine ancestry. Meanwhile, Liesle, the Merchant of Faces, goes through extreme measures to protect those that she loves including her children and spouses.
The approach to this book is similar to Merchants of Knowledge and Magic which is a Queer Romance set in a Fantasy/Science Fiction World. It is also similar to another previous favorite book of mine, To End Every War by Raymond W. Wilkinson which was a Feminist Women's Fiction Novel set in an Epic Fantasy Occult Academia world of Dwarves, Elves, Selkies, Fairies, Giants and others. Both novels put the prosaic and ordinary plots of regular people and dropped them into fantastic settings that turned the ordinary events into extraordinary circumstances.
Whereas the focus in most Epic Fantasy or Science Fiction novels is on quests or revolution, the majority of plots in this book like the death of a child, abuse, employment concerns, and spouse's hidden lives would not be out of place in a Family Drama. It's sort of like what would happen if The Waltons, or The Dunphys from Modern Family suddenly grew fur, sprouted wings, and gained electrolyte tails. After all, it happens.
This book is comparable to other Fantasy novels when heroes go on epic journeys, spend a night in an inn, and the innkeeper rants about his marital problems or the dictatorial government is cutting into his business. Well Merchants of Light and Bone would be about that innkeeper and how he tries to live an everyday life in a world where magic exists and characters aren't human.
In fact the one journey narrative where characters go from one place to another has the more personal goal of saving a couple of children from slavery rather than a quest to save the entire world.
There are some magical moments to remind Readers of the fantastic world that they are in. Su goes through a mesmerizing ritual where he communicates in person with a Water God. Liesle has conversations with a dark demon. Amiere is inflicted with a curse that when angered opens his more leonine side. But those are brief moments in a novel that captures the human, or human in personality though not in appearance, spirit.
The family goes through intense grief after Tawny’s death. They respond in different ways. One child, Kohaku, withdraws into her own private world. Others become more belligerent and quarrelsome. Liesle becomes physically ill and bedridden. Amiere tries to retain a brave front but can barely suppress his darker feelings. Su is the solid rock for the rest of the family but his vulnerabilities are present. The familial reaction to grief and how realistically McCorkle writes it would not be out of place in a traditional Earthling series. That the family has animalistic characteristics is almost immaterial.
Besides the grief, abuse is an ongoing theme within the book particularly in the story of Militico and Usana. Liesle and Amiere have to contend with the fact that Militico, a former childhood friend, has taken a darker, more violent turn as an adult. They have their suspicions that the caprine Militico is abusing his adorable leporine daughter. They recognize that the signs are there but as in the world of the Readers, it's not an easy thing to prove or stop. In many heart tugging moments Usana bonds with Su, himself a child trafficking and abuse survivor. The resolution leans to the fantastic elements but when removed from that angle, the real subtext brings up questions about self-defense, justice, and protecting the innocents at all costs.
The personal conflicts and struggles intermingle with the fantasy world in unique ways. Amiere’s occupation getting overtaken by bureaucrats who care more about the bottom line and getting rich than they do about the people working there is highly relevant even if the crystals are remnants of the gods. Liesle’s desire for vengeance and spell to protect her loved ones might be a magical solution, but it could also be seen as a metaphor for trauma survivors and how the trauma comes on them like a demonic figure. The trauma can be ignored, faced, or the survivor could attack the person who caused the trauma.
Even the questions about Su’s origins carry a lot of resonance. Liesle and Amiere love their husband as he is and formally respect his privacy but still they are curious. They observe him and pick up clues about his powers to learn who his divine parentage actually are. Even though Su identifies as male and currently uses “he/him” pronouns, there are suggestions that this wasn't always the case so even his gender identity is a question. As much as he is a sweet, even tempered nurturing third parent to the children and loving spouse to his husband and wife, Su’s identity is a mystery that neither Amiere nor Liesle can entirely avoid. In a world where people’s identities are precious and are currently being held under scrutiny because of recent executive orders, the questions and acceptance of Su’s identity is very relatable to some Readers.
Merchants of Light and Bone tells Readers that even in a Fantasy or Science Fiction novel populated with non-humans, human Readers can still recognize the relatable struggles that are similar to their own.
