Monday, August 29, 2022

Weekly Reader: Theodora (Book 1 of The Byzantine Tales) by Rob Bauer; Brilliantly Byzantine Historical Fiction About the Early Life of The Famous and Scandalous Empress Theodora




 Weekly Reader: Theodora (Book 1 of The Byzantine Tales) by Rob Bauer; Brilliantly Byzantine Historical Fiction About the Early Life of The Famous and Scandalous Empress Theodora

By Julie Sara Porter

Bookworm Reviews


Spoilers: If there is one word to describe Rob Bauer's historical fiction novel, Theodora, the most obvious one is Byzantine. It fits both senses of the word. It is set during the Byzantine Empire, particularly in and around Istanbul then known as Constantinople (go ahead and sing. I did for days.) It is also about the early days of Theodora I (500-548), probably the Empire's most famous and infamous ruler. Her husband Justinian referred to her as his partner in deliberations. She was known to be a strong and effective ruler. Among many of her most known actions were that she helped rebuilt Constantinople after she and her husband were temporarily deposed then returned to power, increased rights for women, and helped underprivileged women escape prostitution. 

The book is also Byzantine in the second definition. It is complex, intricate, and densely plotted with various characters scheming against each other. One of the strongest schemers is of course Theodora herself who even from her youth had a duplicitous nature to help her survive early orphanhood, sexual abuse, and the political corruption that surrounded her. 


The book Theodora is the first of Bauer's Byzantine Tales series so it does not cover her empresshood or marriage at all. In fact, Justinian only gets a mention on the final page as Theodora who has been through a traumatic troubled youth, fought against and outwitted her enemies, and is now facing adulthood and contemplating her next move. However, this book shows us the Byzantine world that Theodora was raised in and how the lessons that she was forced to learn shaped her into the woman and empress in which she later became.


Theodora is definitely someone who fits the "rags to riches" cliche. When we first encounter Theodora, she is an actress preparing for her most famous role, Leda, in the adaptation of the Greek Myth, Leda and the Swan (the story of the conception of Helen of Troy by Princess Leda and, who else but, Zeus taking the form of a swan). Theodora's performance consists of her being barely nude and pecked at by geese playing the part of swans (fowl appropriation?) and dancing and miming the copulation and birth on stage. 

Theodora is quite well known and many see the performances just to see her, including quite a few wealthy potential patrons.

But fame as an actress in Byzantine Constantinople comes with some distinct disadvantages. The stage is looked down upon by many of the people in power, such as the Patriarch of Constantinople, who want to shut the theater down. Even amongst theater goers, an actress's reputation is not very high. It's barely a step up from prostitute (in fact courtesans are slightly higher on the scale). Not to mention that the shelf life of a Byzantine actress is very short. At 17, Theodora is in the apex of her career and her sister, Comito is almost considered too old at 20.


Theodora's life is fraught with peril usually because of the machinations of others.

Besides being an actress, Theodora is also invited to give private performances to the wealthy such as up and comer Alexander of Antioch. Alexander has ulterior motives however. He wants to test his son, Arascius' virility and orders a public rape on Theodora. Not only that but one of the attendees in Alexander's home is a former enemy of Theodora's family, with whom she has sworn vengeance. 

Even when something good happens, like when Comito gets engaged to a man named Nestorius, other forces conspire against Theodora. When Comito is set up with Nestorius's brother, James, the young man is drugged. He hallucinates and screams that Theodora is a succubus. Theodora runs out into the night only to be kidnapped by pirates.


Well that's the Byzantine Empire for you. Plots are the order of the day and people conspire against each other for money, power, lust, revenge, and anything else they can grab. Alexander of Antioch wants to corner the silk trade and will make dirty allegiances to make it. Some servants conspire with former masters to kill or discredit their new masters. The Patriarch of Constantinople is less interested in the rewards of the Afterlife than he is in the financial rewards in this life. 

This is a world in which two factions of chariot racing teams, sportsmen, athletes, called the Blues and the Greens wield awesome political power and many families have allegiances with one or the other. (Theodora's family pledged loyalty to the Blues for example.) It's easy to see why someone like Theodora would have to gain a duplicitous nature even from a young age to survive. The book implies that among the many reasons that Theodora was fit to become Empress was that she ended up being the best at scheming, adapting, and surviving.



Even at a young age, Theodora has a strong survival instinct. When she was raped as a child, she later poisoned her rapist. After she was kidnapped, she used her femininely wiles to escape her captors with the help of a besotted sailor. Theodora is the type of character who even at her lowest position is never at a loss for an escape plan or a means to turn the situation around to her advantage.


Theodora ends up living with Hecebolus, the Governor of Pentapolis as a concubine. A sweet living arrangement and respite turns sour when Hecebolus becomes controlling and abusive. She also learns about the corruption that he is involved like human trafficking. Theodora shows the origins of her leadership skills by maintaining friendship with servants and the peasantry, listening to the people's concerns, and especially defending the young girls who are about to be sold. This leadership pays off when during an insurrection, she is able to escape because of her new found alliances and even seek final vengeance on some old enemies.


Theodora is a brilliant book that shows the makings of an unforgettable empress during a troubled but exciting time.


Thursday, August 25, 2022

Weekly Reader: Crackle and Fire (An Angela Hardwicke Mystery Book 1) by Russ Colchamiro; Science Fiction Detective Angela Hardwick is on Fire in Her First Mystery




 Weekly Reader: Crackle and Fire (An Angela Hardwicke Mystery Book 1) by Russ Colchamiro; Science Fiction Detective Angela Hardwicke is on Fire in Her First Mystery

By Julie Sara Porter

Bookworm Reviews


Spoilers: Last year, I was introduced to Russ Colchamiro's Angela Hardwicke Science Fiction Mystery Series, a series that combines the wry narration, duplicitous characters, and biting commentaries on human nature of the Hard Boiled Mystery with the technological and intergalactic settings, the sense of far reaching wonder of questions yet undiscovered, and larger expansive themes of interconnectivity of Science Fiction. These two seemingly different genres worked together to produce a great book in Fractured Lives and work again to create its equally well written predecessor, Crackle and Fire, the first book in the Angela Hardwicke series.


Just as a reminder: Angela is a sardonic, cynical private detective living in Eternity, the cosmic realm that is responsible for the creation, design, and maintenance of the Universe. Her job is to chase after criminals or search for missing people and make sure that the crimes don't affect the smooth run of the Universe. Angela is a single mom whose son, Owen, has been taken by Milo, one of the Minders,the three individuals who are in charge of the entire Universe. Technically, he couldn't be in better hands but Angela worries and is in anguish when the boy is away. For now, all she can do is wait for him to return, go through withdrawals from dRops, a drug in which she was once addicted, and bury herself in work.


In this book, Angela has two intriguing cases. Gil Habersau, an accountant for the firm of Breslin, Anders, & Li hires her to look for his colleague, Arthur Hanson, who disappeared and took some incriminating files with him. Things get even more interesting when it is revealed that Gil and Hanson do not work for a simple accounting firm. Instead, they work for the Visitor Consulting Program, a semi secret but sanctioned organization that identifies all beings, recruits them to Eternity, and trains them to observe the Cosmos. In fact, Arthur Hanson was the latest recruit from Earth.

The second case involves Jamie, the only Minder currently on duty and CEO of the Rubicon Hotel. Eternity recently celebrated Astropalooza, a series of celebrations including fireworks displays that bring The Fourth of July, Guy Fawkes' Day, and New Year's Eve to shame. Jamie informs Angela that thousands of caches of fireworks have been unreported. Concerned, that the fireworks are being rerouted to the black market, Jamie wants Angela to locate them. ("I can't let it be known that I can be taken for granted, Jamie declares.") These two cases end up tied together through the Ashanis, an organized crime family that is after Angela for revenge after their cousin died in prison, and the MinderNots, a terrorist group that vows to rid Eternity of the Minders once and for all.


What is the most fascinating about this series is the existence of Eternity itself. The idea that there is a realm in which various species design and create the universe is exciting and even overwhelming. In fact, many state how difficult the concept is for newcomers to accept. People from Earth especially are prone to breakdowns and existential crises because of their sternly held beliefs in religion or science. Gil says that even explaining the concept to an Earthling recruit drove her to have a nervous breakdown and Hanson had some serious emotional and psychological issues after his arrival and during his time working. Angela, who the book implies may have come from Earth herself, is understanding of this. 


There are some pretty interesting passages that describe the process of organizing the Cosmos. In one chapter, two Universe designers put on an illuminated spectacular exhibit in the style of Las Vegas-style illusionists to show how they position the stars and planets. It's a thrilling section to read and imagine the idea that beings are able to move celestial bodies with a wave of their appendages, suggesting an actual order in design rather than the randomness that often characterizes  the universe.


Everyone takes a part in making the Universe run and everything from work, to education, to entertainment, to recreation is centered around the entire universe. Even something like taking drugs lends itself to an intergalactic perspective. Angela's drug of choice, dRops, allows the user to feel like they are everywhere in the Universe. It seems to be the largest high imaginable.

Even transportation is governed by the Universe's omniscience. In one chapter, Angela dissolves across dimensions to enter Earth right after Hanson left. After all that she has experienced, she is rather underwhelmed by this planet and acts almost like a big city cop working in a small town for the first time. After being in a place where she is practically sitting at the right hand of gods and seeing the cosmos move about like marbles, yeah Earth would seem pretty boring (though no less dangerous as she learns during her investigation). 


In this amazing setting, Angela is also a great character. She goes through personal struggle such as her worry over Owen and trying to recover from her addiction (at one point sliding back in). But she still makes for an excellent lead detective. She is able to boldly stare down and fight against antagonists like the Ashanis siblings and even cleverly turn their animosity towards each other.

Perhaps because of the loss of her son, she also has a maternal side which she especially shows to her sidekick Whistler who acts as an informant and gofer. She teases him but also shows concern when an investigation puts him and a suspect in harm's way. 

Angela is definitely a compelling lead full of fire and determination to find solutions and see justice done.


With an impressive setting and protagonist, the first Angela Hardwicke Mystery crackles with excitement and is fired up with originality.





New Book Alert: All Sins Fulfilled (The Desire Card Book 3) by Lee Matthew Goldberg; The Desire Card, a Customer's Story

 



New Book Alert: All Sins Fulfilled (The Desire Card Book 3) by Lee Matthew Goldberg; The Desire Card, a Customer's Story

By Julie Sara Porter

Bookworm Reviews


Spoilers: One thing that I have learned in reading The Desire Card series, if one ever uses that card identity theft is the least of their concerns. In fact by the time Desire's leader, Clark Gable and his cohorts are through with their hapless customer, they would hope that their identity would have been the only thing that was taken.


In this volume in Lee Matthew Goldberg's addictive and intense psychological thriller crime series, the point of view shifts from Gable's employees and underlings to a customer, the wealthy folk who are given the card and the promise that any wish will be fulfilled for the right price.

This latest victim on Gable's hit list is Harrison Stockton. Unlike the previous lead characters Jake Barnum and J.D. Storm, Harrison is high up on the economic scale. He climbed from a lower middle class upbringing to marry wealthy heiress, Helene Howell. He works in Mergers & Acquisitions while Helene is involved in various philanthropic organizations. They live in a swank apartment on Fifth Avenue and have two children named Gracie and Brenton and a cat named Chauncey. Harrison seems to have everything but then just as quickly ends up with nothing.

He loses his cushiony job. His troubled argumentative marriage with Helene ends in separation. We can't even say at least Harrison still has his health because he learns that he has liver disease and needs a transplant. After a suspenseful, if a bit overlong, section in India where Harrison searches for a possible donor and surgeon only to learn that he has been conned, he turns his attention to a card that his former boss gave him. A card that earlier had granted his wish for a prostitute and now says that he will be given a liver. A card that is new to him but far from new to the Reader: The Desire Card.


In the third volume to the series, it is great that we are given an outsider's perspective to the Card. In the first two volumes, we are told that the Card honors the wishes of the wealthy elite. Now, we see one of the wealthy elites that benefit from the Desire Card's services and pays for people like Jake and J.D. to live and fill their own wishes. We see that getting one's wishes fulfilled and being a Desire client isn't any better than being an employee. There are still strings attached, violent bloody strings, and the wealthy client that gets those services can be just as imprisoned and just as in danger as the poor employee that does those services. In Harrison's case, he realizes that his wealth and connections won't protect him from the Desire's real schemes. 


In his own way, Harrison is just as lost as Jake and J.D. are. He was insulated from the real world in his climb to the top. When he is face to face with this violent world, Harrison's conscience gets the better of him and he realizes that he can't let innocent people suffer so he can get his wishes met. When Harrison realizes the cost, his own life is threatened. As we all know, once the Desire Card has you, they aren't the type to let you go.


What is missing from this volume is the secrecy and eccentricity of the previous books in the series. We only see the Hollywood masked hoodlums a few times so they aren't as present as they were in the past. In fact the ones that we do meet are familiar in their assumed and real identities: James Dean, Humphrey Bogart, Rita Hayworth, et al. Yep, it's the exact same characters from Prey No More. In fact, it becomes apparent that All Sins Fulfilled serves as a midquel to Book 2 so we actually do know who some of those masked men and women are anyway.


What All Sins Fulfilled lacks in secrecy, it finally makes up for in answers. We finally get some solutions to the questions that have been hounding this series since Immoral Origins. I dare not reveal them, but it makes sense that Goldberg saves the big reveals for this volume, where it makes the biggest impact.

It also is cleverly revealed because there were hints in the previous books that this was the trajectory and plan all along. It will be fun for the amateur armchair detective to go back through the series and locate the clues that had been staring at us in the face for three books.

However, there is some wiggle room in the answers that we are given to call more tantalizing theories and ask questions that could still happen.


The timing of Prey No More and All Sins Fulfilled occurring at the same time and the answers that we are finally given in All Sins make the climactic ending in Prey No More even more traumatizing. Goldberg has at least two more volumes in the series. Book 4 demands for a confrontation, possibly a final resolution. I'm not sure what is in store for Book 5, maybe a prequel on how the Desire Card began. Whatever it is, my greatest wish right now is to read what happens.



New Book Alert: Hell Spring by Isaac Thorne; Confined and Claustrophobic Horror Involving An Unnaturally Large Flood, A Soul Devouring Demon, and Some Guilt Stricken Souls

 




New Book Alert: Hell Spring by Isaac Thorne; Confined and Claustrophobic Horror Involving An Unnaturally Large Flood, A Soul Devouring Demon, and Some Guilt Stricken Souls

By Julie Sara Porter

Bookworm Reviews


Spoilers: Last year, I reviewed The Cabin Sessions by Isobel Blackthorn which depicted a small group of people who harbored secret personal guilt as they suffered through a night in which one of their group was predicted to die. I mused about how the group seemed stuck in this bar/nightclub. I theorized that they couldn't leave and were forced to stay because of outside forces. That wasn't the case in that book but it certainly is in Isaac Thorne's Hell Spring.

Hell Spring also has a similar premise of a small group of people all with their dark personal stories stuck in one location during a natural disaster. But this time, the already claustrophobic environment is made even more terrifying because of a sinister supernatural creature who feeds off their guilt and sins.


The opening seems almost Lovecraftian in its execution. A demon lives a parasitic existence on a larger gigantic demon. Other souls and demons also live on the giant, (Satan? The book doesn't really say what the giant is, leaving its identity and actual form ambiguous.) but have no sentinence or knowledge of their existence. The female demon does. In fact, she gets reborn and each time remembers who she is and where she is, almost as a sadistic torture. However, since she has sentinence, she can plot her escape and finally she manages it. 

The female demon escapes into Hollow Creek, Tennessee in 1955. She has to take a form that the humans are comfortable with, so she uses a calendar of a pre-fame Marilyn Monroe for her new look. This makes the second time this year after Lee Matthew Goldberg's Immoral Origins in which a character assumes the form of Monroe to commit villainous deeds. Perhaps, underneath that buxom figure, girlish voice, and sultry comedic style lies a dark soul. That was certainly true for Monroe herself who lived a very public troubled life and died of a barbiturate overdose, possibly suicide, in 1962. So despite her beauty and free spirited personality, Monroe produced trouble for herself, what's to stop one who looks like her from producing trouble for others. She is the unattainable beauty that like a siren that could lure one to possess her. In this case, could lure one to their death and eternal suffering.


Marilyn The Demon(we'll call the demon, Marilyn, for convenience's sake.) hungers for souls to devour, humans who are suffering internally from fear of sin and punishment. She finds them inside Beard's General Store in the form of various humans who have their guilty secrets.

The humans include:

Eli Wynn-a young farmhand. He is an orphan so is under the care of a God-fearing farming couple, the Blalocks, for whom he also works. He is constantly worried when he does things like swearing, drinking alcohol, and especially masturbating. 

Mark MacDonald-pastor of the Hollow Creek Nazarene Church. He is concerned about low attendance and his own dwindling finances. He adds a little more of the church funds into his own pocket and takes money from the general store.

Donna Gilliam-a wife and mother suffering from an abusive marriage. She silences the rants and beatings from her husband, Ted, by killing him. She takes her infant son, Theo, and plans to leave town.

Peter Mayberry-church pianist and closeted gay man. When he was young, his mother resorted to disturbing violent means to curb his sexual tendencies. The memories traumatize him even as an adult. Even though he is involved with Samuel, an African American man, Peter is still filled with guilt over the relationship.

Kathy and Jerry Beard-The mother and son who run the general store where the others gather during a large storm that quickly changes into an immense flood. The arrival of the others and the strange happenings put a strain on the already disagreeing mother and son's relationship to the point of completely fracturing.


What is particularly compelling is how Marilyn controls her human victims before she eats them. Through these people, Marilyn gets into their heads and influences their thoughts. This fills them with guilt and remorse, making them ready for her feeding. The humans are stuck inside a general store with a rapidly growing flood outside and a hungry demon in the form of a sexy movie star inside.


Marilyn transforms herself into whatever form and personality to entice, lure, or shame the humans. They take her inside the store because she assumes the form of a shivering, frightened, terrified victim, so they feel sorry for her.

She becomes a sexy temptress to seduce the men particularly Peter. 

Since he believes that he had sex with a woman and because it's the repressive 1950's when homosexuality is illegal and he had been shamed for it, Peter believes that Marilyn "cured" him. So he becomes the demon's sidekick, by sharing her consciousness and manipulating the others into thinking about their own sins. Peter gets so far gone in his relationship with Marilyn that he begins to think of her as God at first. 


Marilyn also uses other tricks in her arsenal to feed on her victims, such as using her sexy form to entice Eli to masturbate then turning into Mrs. Blalock to embarrass him for doing so. She also takes other forms and she and Peter keep whispering guilt inside the victim's brains, getting them to continuously think about their deeds.

 As the characters feel shame and guilt for the things that they did, and Marilyn and Peter keep reminding them, Marilyn eats their souls. At first the victim feels the guilt and blame lifted from them. They feel lighter but then as Marilyn continues to feed on them, they feel intense choking pain. The guilt leaves their bodies, looking like red steam that smells like sulfur. The victim becomes smaller and weaker until there is nothing left.


One of the more nightmarish things that happens is the loss of space and time that occurs inside the general store. No one is sure how long they are there: hours, days, or even years. Day and night aren't shown because rain and floodwaters cover the view of the world outside. With the exception of Peter, no one shows signs of visible advancing age. Even Baby Theo remains in his infancy held and fed by his mother.


Even the Reader is confused by how long Marilyn and her victims are inside. There are chapters taking place outside the store, but because of all that is going on inside, it is uncertain whether the external chapters are in the present, flashbacks, or flash forwards. This absence of time puts the characters and Readers off kilter. It also suggests that Marilyn is alone for an extended period of time with the victims and their guilty feelings and shame. She may have been feeding on them for years, even decades.


Shame. That is actually troubling them and the true secret weapon in Marilyn's assault. Shame and having the fear of sin and God's punishment put into them. They are made to feel guilty and judged by religious standards that look at everything that they do is a sin. Eli is shamed for doing something that biologically people, especially men, do all the time. Jerry and Kathy feel anguish, even though family fights are quite common and are means to let off tension.

 Peter is made to feel guilty for being gay, a sexuality that he was born with and being judged when he is in a loving consentual adult relationship. 


Even Mark and Donna's larger crimes are not looked through the lens, of pure right or wrong, innocence or guilt, the black or white that they are led to believe. Donna is a woman in the 1950's who is unable to divorce an abusive husband. She protects her child and defends herself the only way that she can in a time period with limited resources and means to protect them. 

Mark is a thief absolutely, but the book also explains the reasons behind it. Despite being considered a pillar of the community, he is below the poverty line and has dwindling attendance in his church. He is beginning to wonder if his flock is forgetting about their shepherd. He acts out of thoughtlessness and desperation. To his credit, he is guilty about his actions even before he gets to the store and legitimately becomes the moral center of the group. He is also the first to recognize Marilyn for what she really is.


The shame and guilt that comes with generations of thoughts of religious sin are what fuels Marilyn. That is also what weakens her victims. In their concerns about whether they are worthy of Heaven, instead they create their own Hell.


Saturday, August 20, 2022

New Book Alert: The Fairy Tale Code (Anne Anderson Book 1) by Cameron Jace; Intricate Murder Mystery/Treasure Hunt Adventure Brings The Truth Behind The Fairy Tale

 



New Book Alert: The Fairy Tale Code (Anne Anderson Book 1) by Cameron Jace; Intricate Murder Mystery/Scavenger Hunt Adventure Brings The Truth Behind The Fairy Tale

By Julie Sara Porter

Bookworm Reviews


Spoilers: I have a soft spot for books and movies that involve treasure and scavenger hunts that provide answers towards history and legends' greatest mysteries. Stuff like The Da Vinci Code, National Treasure, The Indiana Jones movies, Avanti Centrae's Van Ops Series. Plus, I love History Channel documentary series like The Unxplained, History's Greatest Mysteries, and the various series on the Travel Channel hosted by Don Wildman. 

Whether you believe the claims in them, the quests are suspenseful and intricate especially with how the clues and codes are joined together. Questions are asked, theories imposed, and fascinating things even some potential answers are discovered. They make you look at things differently and see that often times there is more behind what we learn and read. At the very least, the claims are fun to speculate upon.

Adding to this subgenre is Cameron Jace's The Fairy Tale Code, the first in his Anne Anderson series. This one takes that type of high adventure and mystery into the world of fairy tales, particularly those gathered by Jacob and Wilhelm Grimm.


Folklorist Anne Anderson is called to appraise a copy of the presumed first edition of Grimm's Fairy Tales. Realizing that the book is a fake (and threatened not to reveal it), Anne is then called to solve a bigger mystery. DCI David Tale and his team investigate a woman's body hung on a cross in Lady Chapel Westminster Abbey. There are a few clues pointing to a potential connection to fairy tales as well as a coded message to locate Anne. 

No, Anne doesn't know why there is a message singling her out nor does she know who the woman is. However, the clues lead to a trail in Germany known as the Fairy Tale Road, the real life locations of the inspirations to many famous fairy tales. This clue sends David and Anne on the run to solve the clues and find out the mystery. 

In the meantime, they are being stalked by various strange characters: Tom Jon Gray, who operates on behalf of the British Royal Family, Jacqueline de Rais and Franz Xaver who are trying to preserve their family's names and legacies, Lt. Wolfe, an intense and violent cop from Germany, Bloody Mary Harper, David's sadistic former colleague who has a vicious streak, The Advocate, a mysterious creepy character who pulls everyone's strings, and (my personal favorite characters) The Ortizes, a family of seven sisters, most of them little people, who either are trying to harm or help Anne and certainly have their own strange secrets and rituals.


I love how intricate the creation and execution of the quest is where each clue leads to a specific location and gives a little more about the history of the participants and their involvement in fairy tales. For example, a picture on a laptop of the WWII-era Ortiz Sisters, aka The Seven Dwarves, reveal that the Ortiz involvement in the fairy tale world goes very deep. Also, the location of the shot is Polle, the site of the real story behind Cinderella. It must have been quite an impressive feat for Jace to create the clues and codes that lead to each solution and each place along the Fairy Tale Road. 


The book also gives some interesting perspectives about the origins of fairy tales that make sense, that herald interesting possibilities. The majority of these stories featured women as protagonists and antagonists, so it would make sense for the stories to be told and gathered by women. This book proposes that a group called The Sisterhood (of which the Ortizes are members) had and still have a close connection to the Grimm Brothers and the original tales. 

It is also no secret that the original stories are much darker and (pun not intended) grimmer than we are used to. They contained rape, incest, cannibalism, destructive black magic, and homicide in its various forms. They were horror stories that slowly evolved into moralistic stories with potentially dark elements but ultimately happy ever afters. The Fairy Tale Code provides interesting theories about the real meanings behind the stories, why they were so dark, and what compelled the gatherers like the Brothers Grimm and France's Charles Perrault to change and edit them.

Again, whether it is necessarily true in the real world or not, the theories posed in this book are impressive and offer unique perspectives.


Any good mystery adventure makes the main mystery a personal struggle for the characters and The Fairy Tale Code is no exception. Both Anne and David bear personal angst that they hope this mystery will bring solutions towards. Anne was very close to her older sister, Rachel, who introduced her to the world of fairy tales. (They even called each other "Snow White"-Rachel and "Rose Red-"Anne after one of theirs, and my, favorite story.) Unfortunately, something happened that led to an estrangement and Rachel is hard to get in touch with. Plus Anne describes her sister in vague terms implying that she might have a serious mental disorder.


David meanwhile still grieves for his mother who died in a gruesome way when he was still a child. He also speaks about a sister who is missing. A common thread in fairy tales is a sibling looking for another one. Anne and David hope that maybe the solution to this mystery will lead to the answers to their own quests.

 

My favorite characters, The Ortiz Sisters, also have their own struggles with family and its meaning, even as they are involved in this mystery. They are part of The Sisterhood and operate under the behest of a shadowy figure called The Queen who doesn't mind that her subordinates use violence. Many of the sisters follow The Queen's orders without question. Another sister  Lily, questions the orders and whether she is fit to be a sister in every sense of the word, both theirs and in The Sisterhood. She debates what sisterhood means if it conflicts with the personal individual thought.


With its adventurous suspenseful plot, fascinating characters, and strong themes of feminism, family, and the history behind the legend, The Fairy Tale Code isn't just a great book. It's one of my favorite books of 2022. 










Weekly Reader: Griffin's Perch by Ian Conner; Fantasy World With That Conner Touch

 





Weekly Reader: Griffin's Perch by Ian Conner; Fantasy World With That Conner Touch

By Julie Sara Porter

Bookworm Reviews


Spoilers: Ian Conner appears to be the author's equivalent of throwing everything to the wall to see what sticks. I have a notion that he wants to write at least one book in every genre, just because he can. So far he has done Folkloric Ghost Stories/Horror (Dark Maiden ), Political Thrillers/Mystery (The Long Game: An Amy Radigan Mystery), Vampire Dark Fantasy/Horror (Cardinals), Science Fiction (Cooper's Ridge). Now he's taking on Epic Fantasy with his book, Griffin's Perch. I don't have one favorite specific author, but because of his versatility and willingness to write so many genres and do them so well, Conner has become one of them.


Denrael of Gesthamin, the last of the current order of wizards, has some big plans to make. His world is being ravaged by five dangerous dragons led by their leader, the diabolical Fury. This confrontation has been predicted for a long time and Denrael knows what he needs. 

Some objects that he needs to defeat the dragons include a golden cluster and a silver scroll. He also needs to create an army that will fight against the dragons. He and his associates come upon some small griffins, created by a former colleague of Denrael's. 

When they grow bigger, Griffin's can become large, strong, and formidable even against dragons. So he recruits the Delphens, a fox-like species, to ride, work with, and fight alongside these powerful creatures. He also has to broker peace between the feuding pixies, elves, and merpeople because the prophecy specifically required these species to work together to fight their same foes. All of these different species, creatures, and characters must find some common ground so they can cooperate and fight the destructive dragons.


This epic fantasy is like all good epic fantasies where the world building is impressive. The only completely original species created are the Delphens and Conner does a great job of creating their biology, social structure, and characteristics while making them individuals. The Delphens were once a mostly farming community but the arrival of dragons and griffins transformed some into a corps of warriors. The Griffin Corps are able to use their physical strength, hardiness, and closeness to nature to bond with and ride the griffins. They treat the griffins like more than just dumb steeds. They share consciousness, mind links, and emotions. The Delphens' relationships with their griffins are that of friends, companions, and siblings in arms.


Two of the best Delphens are Shala and Flinch. Flinch is a quick witted sometimes comic relief who has a running gag of dismounting badly. However, he also has inherited precognitive abilities which requires him to have some dark visions. For him, this quest is one of maturity as he has to shed his childlike impetuosity.

Shala is a much more serious character. She embodies both a hardened worrier and loving nurturer. The warrior aspects occur in her aerial battles. She earns the distinction of being one of the best in the Griffin Corps for her strategic thinking and quick stealth. 

Her nurturing side is revealed when she is one of the character who sets up a nursery to care for and feed the griffins until they age and bond with a rider. This quest is one of independence in which she has to counter many of the requirements expected of her and bring out the best in her people and herself.


Even with characters that are common in other fantasies, Conner does different things with them. Pixies are present with their mischievous and naughtiness. One of the more humorous characters is Glow, a sweet energetic pixy who will give any information if you provide enough sugary snacks for a bribe. But however what we see is that their sense of mischief has harmful long term implications plus they, Glow in particular, suffered tremendous loss in the past. 

The Merpeople are described here as they often are in legends: attractive, but stand offish and prone to emotion. However, they are capable of assisting others and looking at the big picture that what affects everyone else will affect them.

What makes the war between the pixies and merpeople so heartbreaking is that those specific personality traits that made them stand out were controlled and manipulated by outside forces that took advantage of those characteristics to create the conflict and the tremendous intergenerational loss that resulted.


The dragons are the characters with the most interesting backstory. The book even begins at the moment that Fury is awakened for the first time, filled with anger and, well, fury. It's a rich story on how he and his fellow dragons, Rage, Rampage, Wrath, and Scorn were created. I don't want to get into it, but let's just say there was a lot of greed, ambition, jealousy, anger, and complacency that led to their presence. Many of the same emotions that were found in the Pixy-Merpeople Conflict. 


Of course there are the various romances, interspecies friendships and allyships, and tremendous loss that develops during these struggles. Naturally, their world is the site of much death and destruction.

In fact, probably the strongest theme in this book is the interconnectivity of the different species and how they are affected together. They benefit from mutual cooperation and when one species suffers, eventually they all do and their world suffers. Only in coming together can they defeat the darkness and evil around them.



Thursday, August 18, 2022

Weekly Reader: The Prophecy Has Begun: Donum by Alexandra Lane; Suspenseful and Fantastic Faith Based Dark Supernatural Fantasy (and My Views on Faith Based and Conservative Literature)

 



Weekly Reader: The Prophecy Has Begun: Donum by Alexandra Lane; Suspenseful and Fantastic Faith Based Dark Supernatural Fantasy (and My Views on Faith Based and Conservative Literature)

By Julie Sara Porter

Bookworm Reviews


Spoilers: This is the second of four Faith Based works that I am doing closely together so I feel that I must make a true confession.

I am not a Christian, regular Readers of my blog know that. But it is worth repeating. 


I grew up in a Christian household and was figuratively beaten over the head with scare tactics about Hell, The Rapture, The Last Days, and "You must be saved or suffer the consequences of burning in the Lake of Fire."

 I was a kid who already had Depression and Anxiety. I was undiagnosed until my first year of college. The religious threats only made my fears worse and I often suffered untold psychological stress including nightmares, trauma, crying jags, mood swings, and other negative emotions over whether I was saved or "saved enough." I replaced what I was told was God's love with God's Judgement.

As if the fear factor wasn't enough, by the time I reached high school, I developed some very strong political opinions which were very different from what I was being indoctrinated with from the pulpit. The views I heard were often racist, homophobic, misogynistic, and were forceful towards who "Good Christians" were supposed to vote for, much of it was espoused by people that my family knew for years. (This was during the '90's when religion and politics were becoming intertwined only to tighten ever further.) 

When I entered college, I realized that since I no longer lived with my parents, then I needed to find a spiritual/philosophical path that was more in line with what I believed and made me feel accepted and welcomed. I realized that I no longer wanted to be a part of a religion that speaks more of judgement and exclusion rather than acceptance and understanding, that has to guilt trip, scare, proselytize, or browbeat a person into joining. In 2002, I became and still remain a Solitary Wiccan. 


Now where does this leave the books that I read and review,

you may ask. Well, I consider myself open minded and accepting of many paths. The various myths and legends share many common tropes, themes, names, and characters and parallel many scientific occurrences so much that they are all telling the same stories. They just use different words to describe them. If you accept me and others then I have no problems with you. 

I am an avid reader of History and certainly understand that religion definitely has its place in history, for good and bad. Many schisms, debates, and wars were and still are fought over different religions, many times the same religion but different denominations. Many people used religion as a standard for their society's rules and regulations or at least allowed their people to have freedom of and from religion. So of course, religion has its place in Historical Fiction and Nonfiction.


For modern times, that can vary depending on book, author, and intent. I find that I can enjoy a religious book if it is well written. I have reviewed a few for this blog including An Elegant Facade by Kristi Ann Hunter, Amora by Grant Halloran, Unraveled and Made Whole Again by Deanna Wood Priddy, and most recently The Book of Uriel by Elyse Hoffman. If a book is well written from a storytelling point of view and a character is fully focused without just being a mouthpiece for the author to insert their religious or political views. If they aren't seen as this perfect model of paragon and virtue because they accepted their faith and all the liberal or disagreeing characters aren't cardboard, then I will read the book. I may even like it, even if the author and I have very different views. 


However, the religious books and works that I don't like are the ones that try to force a conversion out of the Reader. If the character converts after a hard life and this is seen as an individual choice, then that's fine. However, if  every character is either practically forced to convert or become a one dimensional villain shilling for the evil "Atheist/Pagan/Other Religion" antagonists then that is just poor writing. If the author then ends the book by turning their words to the Reader and orders them that they must be saved too or suffer God's wrath, then I'm sorry. I will hate it. Works like that include Jack Chick Tracts, Pure Flix films, or the Left Behind Series by Tim LaHaye and Jerry Jenkins.


For one thing, the author doesn't trust the Reader to make their own connection so it treats them like they're stupid. For another thing, that religion may have worked for the creator but like it or not, it may not work for everyone else. People do not need to be indoctrinated to make decisions. They are smart enough and should be allowed to find their own path in life without someone forcing them down their road.

The other reason is more personal. It takes me back to that anxious and depressed young woman who was constantly being scared and verbally chastised by adults who seemed to care more about injecting fear and judgement into their young listeners,viewers, or readers than whether their tactics were actually working. (News flash: They didn't and still don't.) I'm sure that I'm not the only one who feels that way. 


On a similar note, since religion and politics are so interconnected these days, I am going to mention one more thing. There are certain recent Conservative political books, not just nonfiction but novels, and even children's books, that promote certain views that I absolutely cannot and will not condone and refuse to review. I won't even name them in this review so they don't get any more publicity than they already have. Regular Readers of this blog and my social media accounts like Facebook know what those titles are or can take a good guess.

 Call me "woke," a "snowflake," or whatever the latest name is which has no real meaning except to show that rhetoric hasn't changed beyond schoolyard taunting that you want. I know what I believe and where I stand. To be truthful, I don't think that I could in good conscience give  a fair, unbalanced, and unbiased review. Normally, I try and say "This book is not for me but Readers who like this type of thing will….." But  I draw the line somewhere. 

You may ask me and I might read it. (Don't worry, I don't charge until after the review airs). But now that you know who I am, what I believe, and how I feel, it's on you whether to ask me for a review. There are other bloggers and reviewers that might be more inclined towards that perspective and you are free to check them out. I am just letting you know.


Okay now that confession is over. On with the review.


As I mentioned before, if a religious book is well written with good characters and is the type that can genuinely be read by more than just the choir in which the author preaches, then it actually is a good experience. Thankfully, Alexandra Lane's The Prophecy Has Begun: Donum is that type of book. 

You might wish to think of it as Left Behind: The Correction. In everything that the LaHaye and Jenkins' Best Selling Millennialist Tribulation period series failed at, Lane excels. Like them, she writes a Supernatural Dark Fantasy about the end of days from a Biblical perspective. She hits the high points that these types of works often include: natural disasters, angels, demons, a sinister charismatic figure who has a direct line to Hell (not Michigan) AKA The Antichrist, divine miracles, Biblical prophecy, The Mark of the Beast the whole bit. The type of stuff Readers of the Book of Revelation watch and repeatedly debate on. 

However, Lane makes it a decent well written book with interesting characters, genuine suspense, and adds other touches to these works that focus more on friendship and human compassion rather than fire and brimstone.


In Capers, North Carolina, Noigel Braddock,a new Tech CEO, has moved in. He is handsome, charming, charismatic, but there is something….off about him. Local pastor, Frank Wright feels this as a distinct chill fills him whenever he sees the man or his tinted black car. The realtor, Allison Kennedy feels this when he asks if his new neighbors, Drs. Charles and Katy Leonardis have had their baby…yet. 

Okay the Leonardis are public figures. Charles is a medical researcher on diabetes and Katy is a well respected psychologist. Allison reasons that Braddock might know about them.

But their fertility problems are hardly a matter of public record and why is this his business anyway? The CEO's hypnotic stare with solid black eyes that emit pure evil are enough to freeze Allison in her tracks, but a good sales commission steadies her hand. She sells the house feeling vaguely like she made a deal with the Devil, before she gets the Hell (pun not intended) out of town.

Meanwhile, true to Braddock's question, Katy Leonardis learns that after over a decade of trying, she is pregnant. She gives birth to a son named Charles Leonardis Jr. However, he is an unusual boy to say the least. After he is born, his parents are stricken by his strange teal colored eyes that seem intuitive and wise, like he can see right through anyone who is looking at him. Because of his strange eye color, he is nicknamed Teal. As Teal grows, many strange things happen around him. He talks to an angel that only he can see. When he is still a child, a sick little girl touches him and is miraculously healed. Other people such as  a terminally ill woman are also healed by his touch. Others see Teal in their dreams and call him "Donum dei," Gift from God.

On the other end of the spectrum, strange bad things seem to happen around Braddock. His girlfriend, Chris leaves her husband and daughter and is reduced to an anorexic abused alcoholic mess for years. A local pharmacist who invests in Braddock's company fills his sadistic urges by molesting and killing young girls. In fact, crime goes up in Capers with several murders, domestic violence reports, and missing family members reported, all by people associated with Braddock.

It becomes clear that Teal Leonardis and Noigel Braddock are on opposite sides of the struggle between good and evil. Soon these two polar opposites will have to use all of their abilities, human and supernatural, to face each other in a final showdown.


What makes this book stand out is Teal himself. He has great awesome powers and is a selfless kid slowly becoming aware of his role in this supernatural war. However, he is also a regular kid. He argues and disagrees with his parents. One of the more dramatic confrontations between parents and child occurs after the illness of the family dog. Teal argues with his mom and dad, refuses to accept the dog's inevitable death (Teal can heal but can't bring the dead back to life), and refuses for a time to bond with the new pup that they later get.


Teal also grows into a typical adolescent with typical adolescent friends and interests. He and his best friends James, I.Q., and Stilts hang out and talk about-what else will hormonal heterosexual teen boys talk about but-girls. They also protect Teal from the dangers around him.

 Also, Teal goes through two major relationships in the book. Unfortunately, he does not break cleanly with Carry, Chris's unstable daughter, to date James's sister, Bree. James behaves like a teenager acting on impulse and does not think about the consequences.


There are some strong spiritual passages spread throughout the book that are pretty suspenseful. One is when Braddock sends a legion of demons through Capers to hunt and kill everyone around. Teal orders the residents to go in their houses, lock the doors, and don't even look outside through the windows. The few that do suffer gruesome fates.

 It's true sometimes what you don't see is as terrifying as what you do. Most of the night, Caper's residents are treated to hoofsteps climbing over roofs, glowing eyes peering inside the windows like searchlights, and the tortured screams of those who were unfortunate enough to be caught outside.



What is particularly nice about the book is that even though the book is very Christian based, there is no over emphasis on doctrine. No one gets "saved" and they don't discuss punishment in Hell. It's clearly the Revelation inspired version of the end of the world but it is written like a situation you would find in secular horror films like The Exorcist or The Omen.

In fact, the Christian characters are not concerned with beating other characters and Readers over the head with the religious talk of salvation. Instead, they let their actions do the talking.

 Katy's sister, Marlene had a troubled past in which someone helped her get clean. She does the same for another character that changes them for the better.

Another time, Teal and his friends help a family during a natural disaster. The Christian characters are the type that you wish would exist in real life, buy don't always: Kind, giving, and committed to helping all people, even those not in their religious spectrum, not preaching to, shunning, and excluding them. 


The Prophecy Has Begun: Donum may be based on Christian literature but there is enough in there for any Reader.




Monday, August 15, 2022

New Book Alert: Lexington Anatomy of a Novel by D-L Nelson; How to Write a Historical Fiction Novel While Being a Historical Fiction Novel


New Book Alert: Lexington Anatomy of a Novel by D-L Nelson; How to Write a Historical Fiction Novel While Being a Historical Fiction Novel 

By Julie Sara Porter

Bookworm Reviews 


Spoilers: There are many books that are guides on how to write books in certain genres. I used to own guides on how to write Science Fiction, Fantasy, Horror, Mysteries, and Children Books. I also had back issues of a magazine called Byline which offered advice to aspiring writers.  One of my all time favorite articles for writers involved a man whose book about a boy with an overactive imagination was rejected because it was too similar to Calvin and Hobbes. In a rage, the author looked up the works of philosophers John Calvin and Thomas Hobbes to grasp the editor's meaning before he was introduced for the first time to a familiar comic strip about a boy and his stuffed tiger.


Usually, the authors of these books and articles include excerpts of their works to show how they did it or didn't do it

The guides are meant to help other authors improve their works and make a sale. Sometimes, they are fascinating behind the scenes tours of how a work is conceived, written, prepared, edited, and hopefully fingers crossed, accepted and published. It's like watching the "Making of" documentary on a Blu-ray of a film.

D-L Nelson's book Lexington Anatomy of a Novel is like that. It is partly a historical fiction novel about a British man joining the Army during the American Revolution and taking part in the Battle of Lexington. It is also the story of two modern women whose study of the Revolutionary War inspires a collaboration in creativity. However, it is also a nonfiction account of how Nelson was inspired to write the novel and how she put it together.


Nelson wrote that the idea for her book came when she and her husband visited the Minute Man National Park in Lexington, Massachusetts. While coming upon the graves of various American soldiers, they saw two graves of unnamed British soldiers. Nelson wondered who the soldiers were and what life was like for them. So she was inspired to write a Historical Fiction Novel from the point of view of a British soldier.

While Nelson writes about how she created her characters and researched the history, we get the novel that she wrote. It tells of James Holloway, assistant in a bakery owned by his bullying older brother, William. James's wife died in childbirth. He is grieving and wondering if his life will always consist of him playing second fiddle to his brother. A chance encounter with a soldier inspires him to enlist in the British Army right as Revolution is brewing in America. 

Nelson combines the Revolutionary era story of James with a modern story about Daphne Andrews, a British ambassador's wife. She gets through her boredom in her marriage by studying history. She shares her interest with Florence Dubois, the French Ambassador's wife who has a talent for drawing. The two combine their resources and talents to collaborate on a comic book about a pair of twins living during the Revolutionary War.


Lexington: Anatomy of a Novel is an ambitious idea that works well mostly. It gives the steps towards making a novel while also presenting the finished product. Both the historical novel and Nelson's journey work well as complimentary towards each other. 

We experience James's time in the army working as an aide to General Gage at the same time that Nelson reveals the difficulties that she had with putting Gage into the action and making sure his fictional whereabouts matched his real ones at the time. It gives Readers some ideas of how real people are inserted into a historical fiction starring fictional characters.


Nelson's historical research is the highlight of the book particularly with how it works into James's story. For example, Nelson visited the many taverns, houses, and other locations to check the actual names and owners. These are revealed in the chapters before James encountered them. It shows the dedication authors have in their research by visiting locations, checking census records and reports, reading books and news articles, and interviewing locals. It's a hard job but when done right, the dedication shows. 


Also present is Nelson's attention to character which she also illustrated. She clearly gave a lot of thought in how she wrote James's actions and motivations. For example, while in America he has a flirtation with a few female characters and even considers settling down with one, Nelson was clear that her book had no room for becoming a Romance, plus James would still be in mourning for his wife. So James's romantic relationships are seriously downplayed.

 

I find it fascinating that this book is exclusively told from a British perspective. As an American, most of the Revolutionary War works that I have read or seen are almost exclusively told from an American point of view. Even characters who start out British often convert to an American ideology. While James considers settling down and opening a bakery in one of the Colonies, his views are mostly pro-British. It's a refreshing unique perspective in the historical genre that is sometimes dubbed "Revolutionary Chic."


What doesn't quite work as well is the subplot about Daphne. Nelson says that she wrote that because she heard the voice of a modern woman wanting to tell her story alongside James's. But a fictional modern story is unnecessary because Nelson already has a modern story to interact with James: her own. Perhaps, it was her own voice and not Daphne's that she was hearing.


Now there isn't technically anything wrong with Daphne's story. It shows her realization that she is stuck in a loveless marriage and how she uses her creative talents to study her passions, do something that she loves, and even break free and find independence. She is a well written character and her and Florence's comic book sounds brilliant.


But in most historical fiction, the modern and historical stories overlap somehow. The modern character might be studying the past character in an attempt to solve some mystery. They might have themes in common or there could be some familial link that is revealed. The family tie is a bit cliche but it is one of the most common ways the stories are linked.

But aside from a few thematic elements and the fact that she is also studying the Revolutionary War, the connection between Daphne and James is tenuous at best. She and Florence are writing their book about a pair of twins. James isn't even a character in their work. In fact, with Nelson already inserted into the book, Daphne's story in this book is redundant. There are times in Nelson's chapters where she spends a long time "forgetting" about Daphne and struggling to return to her plot.


What might have been better could be that Nelson could write a separate book solely about Daphne and her book. Perhaps she could even collaborate with an illustrator or cartoonist to compose sketches and the final panels so we could see the fictional making of a fictional comic book. It would make a very solid but separate story in its own right.


Despite the issues with Daphne's plot, Lexington Anatomy of a Novel is excellent both as a historical fiction novel and a guide on how to write them. It helps Readers understand the hard work that authors go through to make their stories and characters come to life and sometimes how difficult it is in the end to let them go.