Showing posts with label Elves. Show all posts
Showing posts with label Elves. Show all posts

Wednesday, February 11, 2026

The Quest for Freedom (The Conquest Trilogy Book 1) by Matthew Devitt; Action Oriented Witty Slave Rebellion Fantasy Hints Darker Things to Come


 The Quest for Freedom (The Conquest Trilogy Book 1) by Matthew Devitt; Action Oriented Witty Slave Rebellion Fantasy Hints Darker Things to Come

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: On the surface, Matthew Devitt’s The Quest for Freedom, the first book in The Conquest Trilogy can be taken at face value. A human slave getting tired of mistreatment leads a rebellion against his oppressors. They alert others and armies grow larger and rebellion spreads. One faction of slave owners is toppled leading to victories to come and freedom is on the horizon.

It's a familiar trope and it works well here but there are hints that this is a much more subversive take with more nuanced themes and darker motives than are originally believed.

The plot is set in Affer, a rigid world of species divisions with angels, elves, demons, damned, hybrids, and humans. Once the dominant species, humans have been overpowered by the others. Humans were wiped out and the survivors were forced into slavery. 473 years later, Fletcher Rush decided that he had enough of this mistreatment so he, his best friend Ji, and some new acquaintances band together to rebel against their otherworldly masters. Unfortunately, the other races also have plans of their own.

This series has some interesting touches in world building particularly with the hierarchy among the species. It goes angels, demons, damned, hybrid, elves and humans. It's the kind of structure in which various characters are fighting to retain their status or move upwards. 

Angels behave with indifference and disdain among the lesser races. Demons dominate the lesser species, particularly the humans which they delight in torturing and enslaving. They also probably wouldn't mind taking the highest spot ahead of the angels. The elves are right above humans which does not make them companions with the exception of a few characters willing to go along with the human rebellion.

This structure reminds me of a quote from the book, Little Little by M.E. Kerr. “The fellow on top often does not pick on the one on the ground. They look down at the one on the rung right under them. The one on the lowest rung looks down at the one on the ground.” 

This is at play when we see species look down on others right below them instead of realizing that the whole system is corrupt. It also emphasizes the uphill battle that the humans have to not only rebel against their immediate conquerors but the ones above them to the angels. It's like the smallest doll in a matryoshka/nesting doll set trying to take out the other dolls to become the largest.

Despite being about slave rebellion and containing the dismantling of a series of various higher castes, there is a detached tone to the novel that tries to find humor, mostly dark humor, in this situation. Dare I say it, at times it comes across as light hearted or rather satirical particularly with its lead protagonists, Fletcher and Ji.

Fletcher and Ji act more like a comedy team than rebellion leaders. They are constantly bickering back and forth by mocking each other's actions or doing meta commentary on the plot development. (Ji: I guess you'll just have to wait and witness my unrivaled fighting process for yourself. Fletcher: Damn, I'm sure our enemies are already shaking in fear with those sword skills.)

The humor with the characters' dialogue is reminiscent of satire found in works like M*A*S*H. They are using humor as a means to deflect from the dark situation that they are in. It's a way of retaining their friendship and humanity in the face of what will be an ongoing war with plenty of violence and death.

However, there might be another reason. It may not be just satire within the characters' current incarceration, it may take a more subversive tone that implies there are darker intentions at play.

I wouldn't be surprised if the tone changes in future volumes. The lighter a series begins, the darker it ends.

Fletcher gives some stirring speeches about fighting for freedom which are compelling but also potentially fanatic. There are moments where Fletcher's plans put several people in danger and he is called out about this. Ji and other allies question methods and sometimes the results make the questions completely justified. However these conflicts are hand waved or remain unresolved for now.

Now it could just be Fletcher is a clueless rookie who doesn't know what he's doing but his actions could lead to nefarious motivations. He may have ulterior motives that are less concerned with freeing human slaves and more interested in moving humans back to the top. He might not want to dismantle the hierarchy but reshuffle it. 

Most of this is speculation so it might not pan out, but it is based on my experience reading similar books and some of Fletcher’s questionable tactics. So for now it's more fact than theory. Let's just say that it wouldn't surprise me if the series takes a darker, more sinister turn. We might see the makings of a hero but we may also see him live long enough becoming the villain.





Sunday, April 27, 2025

All Silence Must Cease (The Peacebringer Series Book 2) by Raymond W. Wilkinson; The Women of Vespa Academy Are Back in a Brave New Bloody World

 


All Silence Must Cease (The Peacebringer Series Book 2) by Raymond W. Wilkinson; The Women of Vespa Academy Are Back in a Brave New Bloody World 

By Julie Sara Porter

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers: If there is one trend that has stood out among the books that I am reading this year so far, it's the abundance of sequels. I have read nine sequels so far so many that I am considering making a separate Best of Category just for sequels at the end of the year. It's not just that they are common sequels either. They are sequels to books that were favorites in years past. This year, I read Wallace House of Pain by S.M. Stevens, the follow up to Beautiful and Terrible Things which was my #1 Contemporary Fiction book last year. I also read Merchants of Light and Bone by Erika McCorkle and The Penny Arcade Mother's Care Orphanage by David Neuman the continuations of Merchants of Knowledge and Magic and Kaleidoscopic Shades Within Black Eternity respectively, both of which were my top favorites from 2022. Not to mention the continuing adventures of The Forge Trilogy in The Shadow Guardians Series by G. Russell Gaynor, The Others by Evette Davis, The Mantis Gland Series by Adam Andrews Johnson, The Everlan Trilogy by Conor Jest, and The Angela Hardwicke Science Fiction Mysteries by Russ Colchamiro. Well we can also add All Silence Must Cease, the second book in The Peacebringer Series by Raymond W. Wilkinson, the follow up to To End Every War which was my favorite book of 2023.

To End Every War was a unique book in the Epic Fantasy genre in that it wasn't an Epic Fantasy. I mean it was. It was set in an Alternate version of our world in 1902 where Elves, Dwarves, Giants, Centaurs, Selkies, demon-like Abraxas, and Fairies exist alongside Humans and in this case attend university together. There were the usual tropes that can be found in such works: arcane mysteries, magic, strife among various kingdoms, and so on. 

But what set it apart was that the focus was on the characters, a circle of female friends and their conflicts with each other and adjustments to living in a new environment away from home. No epic quests, no good vs. evil battle. Just six women of different species, backgrounds, and personalities learning to live with and like each other, more Feminist than Fantasy. In my previous review, I compared it to “Lord of the Rings meets Mary McCarthy’s The Group” and said that “it's not an Epic Fantasy with an All-Female cast. It's a Woman's Fiction Novel that happens to have a Fantasy setting.” I did not exaggerate.

The second volume is less character driven and more plot driven but no less interesting. Alongside the individual characters and their internal issues within themselves, each other, and their peers, it also puts them into the larger scope of warring communities, secret societies, political backstabbing, and their own roles as future community leaders, influencers, and fighters. 

The women are definitely rife with personal trauma that has affected their lives in Vespa Academy. Esmeralda Vespa, the Human future Duchessa, becomes a central figure in various power struggles. She weighs potential marriages and obtains a very dangerous rival with an unstable prince.

Zabel Lusine, an enigmatic Elf is pregnant and has a secret marriage to another Elf while her husband's guardian is her patron. Her body is also inhabited by a simulacrum, a violent Dark Elf named Shamir.

Viatrix Corna, a scholarly Dwarf finds her image of her family and species called into question. She has to deal with her father having an extramarital affair, her brother being part of a Socialist organization that is planning violence, and her grandfather being a member of a secret society that finances many of the happenings in the other lands.

While Alya Pamoroyan, an Abraxas, is studying in Vespa Academy, her kingdom has been attacked. She is anxious about her parents who are reported missing and her newly married sister, Dina who will soon be right in the thick of things.

Kirsi Takala, a Selkie, is struggling to put a hold on her violent nature, which all Selkies possess (and makes them good but terrifying fighters). She also is trying to solve a mystery involving her mother's time in Vespa and the dark secrets that led to her dismissal and a murder.

Kamila “Kam” Ruszo, a Human/Fairy hybrid is going through physiological changes as her body transforms into a more Fairy-like form. She also learns that her mother is a spy and assassin and has the Royal family in her sight.

The six women's struggles are both external and introspective, mixing the personal and political. There are great moments that collide their private lives with their public and pushes them into a wider circle of influence and change.

One of those moments involves an assassination attempt during a public event. The characters also face various conflicts such as Kam’s with her mother, Viatrix with her father and brother, Kirsi with bullying students, Alya with Dina, Esmeralda with the prince, and Zabel with Shamir during the attempt and its aftermath. These intertwining conflicts change their lives by pushing them onto darker, unsettling, and unstable paths.

The larger big picture events surround the characters but except for some violent moments and allegiances of older friends and family members do not directly involve them. Being peripherally involved might not be the same way as physically involved but it is no less traumatic.

They might be on the edge of the events, but those edges are becoming narrower and they will soon be thrown in.

Right now they have to live with the consequences of other’s actions. They worry about family members being exiled or disappearing. They are disillusioned by family members who walk violent and treacherous paths. Their darker sides become even more present as they give into violence, sadness, and rage. They weigh the changes that will be made to end these conflicts. 

The strengths in both this and the previous book is the tight sisterhood and solidarity that form around the main characters. In this book, we still see that each character is able to put her own worries aside and use her talents to aid the others. Whether it's Viatrix’s scholarly pursuits, Kam’s interest in sneaking in and out of forbidden places, Zabel's intuitive wisdom, Alya's stoic rationality, Kirsi’s obstinate energy, or Esmeralda’s leadership and big picture thinking, these women always find a way to help one another through their various struggles. Which makes the ending all the more questionable, darker, and potentially even more tragic.

As the book ends, each character is recruited by secret organizations, go home to fight in their own way, make advantageous marriages and alliances, and settle into private lives in their kingdoms while becoming involved with the local political scene. In other words, they have to take larger parts in the worlds around them.These changes could mean that they will not only participate in the upcoming conflicts but will be forced into becoming enemies with each other. 

The school motto might be “To End Every War” but war seems to be what is going to happen. The characters have to decide whether they will take part or stick together to find a way around war and end it.


Sunday, November 3, 2024

Among Stars and Shadows by Diane Farrugia; Beautiful Romantic Fantasy Between An Elven Prince and Human Woman


Among Stars and Shadows by Diane Farrugia; Beautiful Romantic Fantasy Between An Elven Prince and Human Woman 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Diane Farrugia’s Fantasy Romance Among Stars and Shadows can be formulaic and predictable with its story of the love between a human woman and an Elven Prince. However, Farrugia does enough in terms of characterization and world building that she works well within the formula to make the book a standout.

In the kingdom of Lockhaven in the land of Encantraalm, Prince Declan is sworn to defeat his tyrannical father by any means necessary. Declan’s allies have discovered an artifact that could remove The King’s magic and potentially end his life. The only problem is that it's inside the domain of the High King. For Declan to gain access to the artifact, he has to receive admittance from the High King. To do that he has to offer his hand to the High King's daughter, Princess Myra. Oh well, some things are more important than Declan's personal feelings and whether he likes Myra or not is immaterial as long as his father is defeated. Unfortunately, a serious wrinkle in Declan's plans arrives in the form of Kayla Winters, a woman from London, or Humaynraalm to phrase the vernacular. After receiving some devastating news, Kayla is swept away by a mysterious vortex right into Encantraalm and Declan’s presence. The two are instantly attracted to one another despite Declan's misgivings about a human in the elven realm and also his growing awareness that Kayla might be his Lasai Cara, his twin flame.

The world building is that right blend of imagination and archetypes that can be found in this genre. When Kayla first stumbles into Encantraalm, she has a strange encounter with an underwater siren only to be rescued by a winged elf, also known as an avariel. Many of the characters display certain gifts like Declan's empathic abilities. In one very creepy chapter, The King displays his abilities of mental manipulation.

The backstory of Encantraalm is combined with the legend of Camelot connecting the mythical and the real worlds. Another clever bit is Kayla's astonishment at Encantraalm having electricity and appearing modern when in her mind, a fantasy realm would be Medieval in appearance. It is fascinating how the book plays with expected characters and situations but also has fun exploring new ones and concepts within them.

Declan and Kayla's relationship goes through the usual spots of difficult first meeting, arguments based on assumptions, and different worlds to the point where those spots are predictable but somewhat comforting in their predictability. It's like comfort food. You know what's going to happen but like it anyway.

There is a lot of depth in their relationship that takes the novel in interesting dimensions. One of the complications is that Kayla was diagnosed with lupus before arriving in Encantraalm. She is not just in danger from this magical world but also from her own body and is in a place where the people don't know about lupus and certainly don't have any treatment for it. It's also refreshing to see a character in an Epic Fantasy setting dealing with real world problems. 

Declan and Kayla's romance takes a long time to build and actually goes through several stages that take advantage of a long 900+ page book so they are fully developed as individuals and as a couple. 




 

Tuesday, January 2, 2024

New Book Alert: To End Every War (Book One) by Raymond W. Wilkinson; Complex Occult Academia Feminist Fantasy of Female Friendship is the Best New Book of 2023

 



New Book Alert: To End Every War (Book One) by Raymond W. Wilkinson; Complex Occult Academia Feminist Fantasy of Female Friendship is the Best New Book of 2023

By Julie Sara Porter

Bookworm Reviews

Spoilers: Well the year is over. Time to close it and open the next one with a bang and a review of the best new book of 2023. That honor goes to Raymond W. Wilkinson’s To End Every War. It's a complex superb Occult Academia Feminist Fantasy novel about a group of women who represent different species in their world and are united for the common cause of building peace and stopping war between the various people and nations.

In 1901, Vespa Academy is the most prestigious and well respected university. Students all over their world attend alongside classmates and faculty of different species. There are Humans, Dwarves, Elves, Fairies, Selkies, Giants, Abraxas, Kitsunes, and Centaurs, to name a few. Many of the countries in which they come from are at war with each other and they all have a shared history of domination and oppression.

 During her first year at the Academy, Esmeralda, the Human Duchessa of Vespa is determined to do something about it. She arranges for four women from different species to be roommates to open up potential friendships and communication and to put an end to the various wars that surround them. After all, if people fear what they don't understand, then understanding is what needs to happen.

Besides Esmeralda, the potential roommates are: Viatrix Corna, a scholarly and devout Dwarf whose parents are professors at the Academy, Zabel Lusine, a quiet and mysterious Elf who is hiding various secrets from her past, Kirsi Takala, a wild Selkie (a water creature like a siren) who is struggling with her addictions, and Alya Panosyan, a serious minded and stern Abraxas (half person half-bull) who has spent much of her life fighting and isn't quite ready to lay down her weapons. Other characters also become important to this newly made quintet like Kamilla “Kam” Ruszo, a saucy Human/Fairy hybrid sophomore who is on academic probation, Bernie, Esmeralda’s loyal assistant, Violeta AKA Doppel, a look alike and spy for Esmeralda, Dina, Alya’s more reserved sister, Erna, a bullying Giant and Warden, and Snow, a naive Centaur. Through their tumultuous first academic year, these women study, attend classes, fall in love, learn things about their families and their world, suffer great loss, achieve mighty victories, and cultivate a deep friendship that changes all of them.

To End Every War is a strange combination of Game of Thrones, Lord of the Rings, and Mary McCarthy’s The Group. It is an Epic Fantasy with amazing world building and wide sweeping plots. It is also a first rate Women's Fiction novel in which each character experiences personal struggles, challenges, and conflicts that changes their outlook and strengthens their bond with each other. 

Each character is masterfully explored as individuals and as a group. Not in some time have I read a novel about such a memorable team of friends and thought, “I wish that I could be one of them.” The lead seven characters: Esmeralda, Viatrix, Zabel, Kirsi, Alya, Kam, and Bernie are rich and vibrant in a way that transcends genres and makes these women relatable and identifiable to their modern day Readers. There is not a weak link in the chain. 

To illustrate the interconnectivity of the characters, Wilkinson inserts some clever narrative approaches. Incidents are repeated across chapters so each of the main female characters have different interactions and responses to the same events. 

One incident involves Esmeralda, the four future roommates, and Bernie meeting each other on the gondola that takes them to the Academy. They have some serious disagreements and a burst of magic caused by an unwilling Zabel stops their infighting. 

Another incident occurs during a school gathering when the protagonists are faced with various personal, familial, and political complications. It culminates in an assassination attempt and the discovery of a betrayal and a potential conspiracy.

These events are recalled by each character giving her own perspective based on her personality, experience, and biases. Their encounters reflect different emotions such as defensive, rational, anxious, irate, worried, curious, self-absorbed, preoccupied, confused or hopeful among others. It's rather like having several eyewitnesses giving their own accounts of the same event. You probably would have several different versions that describe the basic facts of the event but pepper it with their own assumptions and feelings about it. 

Say a two-car collision is seen by five people (including the two drivers). All will agree that two cars hit each other and the name of the street where the collision occurred but there will be five different versions of who hit who, the amount of damage, the trauma that occurred, and the emotional impact. 

The character’s different perspectives of the same events develops them as representatives of their separate homogeneous communities, students involved in a wider diverse community, and women who are questioning their societal roles, life goals, and separate identities.


The world building is detailed and sneakily subversive. Like many other fantasy works, To End Every War, has a map to provide visual information about the world. It's beautifully illustrated and looks very familiar. The outline depicts some recognizable features such as a large country in the east that covers almost that entire half, a chain of islands and a large peninsula to the north, and a boot shaped nation in the south. Yes, it's actually a refurbished map of Europe. That and the fact that the years are organized similar to how they are in the western world, during the school year of 1901-1902, suggest that To End Every War is not set on a completely new fantasy world, but an alternate version of Earth. Perhaps the time and place setting and the theme of countries in constant war is also a reflection of our history, specifically during the World Wars. Maybe the union of the female characters to work out their issues with communication and discussion rather than weapons and declarations echoes the real life formation of organizations like the League of Nations and United Nations.


It is also very important to note the academic setting of the book. It's no coincidence that the opening features several women leaving their individual countries to encounter each other on their way to college. Going to college is not just an educational experience as students use their studies and major to prepare for their chosen career and life trajectory. It is a social experience as they leave home, taste independence, meet other students and staff that are different from them sometimes for the first time, and become involved in important causes that they become passionate towards. 


In this new environment the characters have to spend a lot of time together, talking to each other, fighting, learning, and gaining a wider understanding. In meeting other people, the characters look at their old worlds and countries with less affection and unwavering loyalty. They recognize the flaws within their nations and how they contributed to the constant state of war that they have been in for generations. They also become aware of those who benefit and profit from the species’s division. They realize that in the various conflicts, their nations failed to unite against a real enemy that might be larger, hidden, and more powerful.


This is a wide sweeping Epic Fantasy with strong themes of developing connections across borders, obtaining knowledge and wisdom through learning and education, and achieving peace and strength through unity. To End Every War is also a strong Feminist novel about the importance of creating and developing a foundation of sisterhood. Vespa Academy is co-educational and there are plenty of male characters. In fact, many are paired off in the end (and the male characters are just as well written as the females). But this is definitely a woman's book. The female characters are the stars and are rich with nuances, development, and good writing. They embrace leadership opportunities within their species and cultures and are individualized by their personal journeys. 


The main characters have their previous world views shaken. In fact, what stands out is not the epicness of political infighting, magical quests, secret conspiracies, and sweeping battles. It's the individual journeys and internal changes that make the book. This is not an Epic Fantasy novel that happens to star female characters. It's a Woman's Fiction novel that happens to have an Epic Fantasy setting. Characters use magic and fight with weapons, but they also fall in love, attend class, fight with family members, and rely on each other for physical, mental, and emotional support.


As they go through these experiences, each character develops and changes. Esmeralda, an idealist, learns how to be an effective leader and future ruler for all people not just her own. Viatrix discovers some heartbreaking revelations about her family and the Dwarves in general that alters her once arrogant worldview. Alya learns that strength can be found in peace and to trust those she thought were her enemies. Kirsi makes an effort to get off of her self-destructive path and gains a more positive forward thinking outlook. Zabel reveals her troubled background and accepts assistance from her friends. Kam learns to reconcile and gain closure with the two halves of her heritage. Bernie steps out of Esmeralda's shadow and makes her own voice heard.


There are wonderful moments as the characters interact with each other strengthening their emotional ties. Viatrix is asked to be Kirsi’s minder, a task in which she is first unprepared but then results in a deeper understanding between the two. Alya and Zabel’s people are sworn enemies, but Alya helps Zabel through a mental breakdown. Kam uses her skills of sneaking around forbidden areas like the Academy’s Dark Library to find important information that will aid Esmeralda and the others. Esmeralda is very protective towards the other women. Bernie is the chronicler of this account and capture her friend's voices and actions out of love and friendship. The main characters in To End Every War are wonderfully written as striking individuals that form into a perfectly working team.


To End Every War combines the immense world building of an Epic Fantasy and the intimacy and emotional core of a Woman's Fiction novel to create a masterpiece that transcends both genres and inhabits one of its own.







Saturday, August 20, 2022

Weekly Reader: Griffin's Perch by Ian Conner; Fantasy World With That Conner Touch

 





Weekly Reader: Griffin's Perch by Ian Conner; Fantasy World With That Conner Touch

By Julie Sara Porter

Bookworm Reviews


Spoilers: Ian Conner appears to be the author's equivalent of throwing everything to the wall to see what sticks. I have a notion that he wants to write at least one book in every genre, just because he can. So far he has done Folkloric Ghost Stories/Horror (Dark Maiden ), Political Thrillers/Mystery (The Long Game: An Amy Radigan Mystery), Vampire Dark Fantasy/Horror (Cardinals), Science Fiction (Cooper's Ridge). Now he's taking on Epic Fantasy with his book, Griffin's Perch. I don't have one favorite specific author, but because of his versatility and willingness to write so many genres and do them so well, Conner has become one of them.


Denrael of Gesthamin, the last of the current order of wizards, has some big plans to make. His world is being ravaged by five dangerous dragons led by their leader, the diabolical Fury. This confrontation has been predicted for a long time and Denrael knows what he needs. 

Some objects that he needs to defeat the dragons include a golden cluster and a silver scroll. He also needs to create an army that will fight against the dragons. He and his associates come upon some small griffins, created by a former colleague of Denrael's. 

When they grow bigger, Griffin's can become large, strong, and formidable even against dragons. So he recruits the Delphens, a fox-like species, to ride, work with, and fight alongside these powerful creatures. He also has to broker peace between the feuding pixies, elves, and merpeople because the prophecy specifically required these species to work together to fight their same foes. All of these different species, creatures, and characters must find some common ground so they can cooperate and fight the destructive dragons.


This epic fantasy is like all good epic fantasies where the world building is impressive. The only completely original species created are the Delphens and Conner does a great job of creating their biology, social structure, and characteristics while making them individuals. The Delphens were once a mostly farming community but the arrival of dragons and griffins transformed some into a corps of warriors. The Griffin Corps are able to use their physical strength, hardiness, and closeness to nature to bond with and ride the griffins. They treat the griffins like more than just dumb steeds. They share consciousness, mind links, and emotions. The Delphens' relationships with their griffins are that of friends, companions, and siblings in arms.


Two of the best Delphens are Shala and Flinch. Flinch is a quick witted sometimes comic relief who has a running gag of dismounting badly. However, he also has inherited precognitive abilities which requires him to have some dark visions. For him, this quest is one of maturity as he has to shed his childlike impetuosity.

Shala is a much more serious character. She embodies both a hardened worrier and loving nurturer. The warrior aspects occur in her aerial battles. She earns the distinction of being one of the best in the Griffin Corps for her strategic thinking and quick stealth. 

Her nurturing side is revealed when she is one of the character who sets up a nursery to care for and feed the griffins until they age and bond with a rider. This quest is one of independence in which she has to counter many of the requirements expected of her and bring out the best in her people and herself.


Even with characters that are common in other fantasies, Conner does different things with them. Pixies are present with their mischievous and naughtiness. One of the more humorous characters is Glow, a sweet energetic pixy who will give any information if you provide enough sugary snacks for a bribe. But however what we see is that their sense of mischief has harmful long term implications plus they, Glow in particular, suffered tremendous loss in the past. 

The Merpeople are described here as they often are in legends: attractive, but stand offish and prone to emotion. However, they are capable of assisting others and looking at the big picture that what affects everyone else will affect them.

What makes the war between the pixies and merpeople so heartbreaking is that those specific personality traits that made them stand out were controlled and manipulated by outside forces that took advantage of those characteristics to create the conflict and the tremendous intergenerational loss that resulted.


The dragons are the characters with the most interesting backstory. The book even begins at the moment that Fury is awakened for the first time, filled with anger and, well, fury. It's a rich story on how he and his fellow dragons, Rage, Rampage, Wrath, and Scorn were created. I don't want to get into it, but let's just say there was a lot of greed, ambition, jealousy, anger, and complacency that led to their presence. Many of the same emotions that were found in the Pixy-Merpeople Conflict. 


Of course there are the various romances, interspecies friendships and allyships, and tremendous loss that develops during these struggles. Naturally, their world is the site of much death and destruction.

In fact, probably the strongest theme in this book is the interconnectivity of the different species and how they are affected together. They benefit from mutual cooperation and when one species suffers, eventually they all do and their world suffers. Only in coming together can they defeat the darkness and evil around them.



Saturday, April 2, 2022

New Book Alert: The Last Keeper (Book One of The Warminster Series) by J.V. Hilliard; Gripping Epic Fantasy About a World Coming To An End or At Least a Transformation

 


New Book Alert: The Last Keeper (Book One of The Warminster Series) by J.V. Hilliard; Gripping Epic Fantasy About a World Coming To An End or At Least a Transformation

By Julie Sara Porter

Bookworm Reviews


Spoilers: When an Epic Fantasy begins, usually it shows a slightly lighter world. It introduced us to the plucky characters at the start of their adventure. They are going through their daily lives ignorant of what monumental changes are going to affect their world.

Rare is the epic fantasy that starts out dark and just stays that way throughout the entire series.


J.V. Hilliard's The Last Keeper, book one of The Warminster Series is that book. When the first chapter begins with a character painfully transforming into a demonic creature then you know we are in for quite a somber ride and all of the elven creatures, magic spells, and sword fights aren't going to change that.


This is the typical Epic Fantasy in which there are several characters involved in this disturbing quest. However, there are three main protagonists.

There is Daemus Alaric, a member of the Keepers of the Forbidden, scribes who write and protect arcane historical archives. Besides having a tremendously important profession, Daemus also has a gift of prophetic dreams. Lately, he has been dreaming of a demonic figure in the mist who calls him by name and taunts him.

Another important protagonist is Sir Ritter Valkeneer, a warrior. Half-elven and half-human, Ritter and other human/fantasy creature hybrids are called by the derogatory term, Trollborn. Despite the slurs, Ritter is a greatly respected knight and warrior. Normally, they battle cryptid creatures. However, now he and his fellow knights have to take on a more otherworldly magical foe.

The third protagonist is Addilyn Elspeth, a noblewoman and daughter of an ambassador. She also has dreams but her dreams are more symbolic than those of Daemus. She dreams of a herd of tetrine, ten foot tall black unicorns. To dream of a tetrine signifies death and destruction and judging by what's been happening to the rest of the world, that dream is spot on. Daemus, Ritter, and Addilyn's stories eventually converge when they realize the depths of their antagonist's dealings in murderous dark magic and how many will suffer.


There are many moments that bring fear forward that transform an Epic Fantasy into a Supernatural Horror in a Fantasy world. The dreams of tetrines are not of a herd of majestic pure unicorns. Instead, they are more like the steeds of the Hundred Riders of the Apocalypse. It's easy to see why Addilyn and others are fearful of this nightmare and what it represents. In a world which takes dreams and omens seriously, this is a disturbing one.


It doesn't get any better after that. The Reader and characters are subjected to various violent scenes. In one harrowing encounter, a shape shifting assassin kills the relative of one of the main characters. The grief is insurmountable and puts the character into a severe depression that motivates their actions through the rest of the book transforming their personality immensely. While many are determined to catch this murderer, there is a realization that this is a hard task because the assassin is a shape shifter. By definition, they could hide anywhere and become anyone. Justice may take awhile to be met, if indeed it can ever be.


There is also a visible darkness within characters as well. We learn the backstory of the main antagonist. They are not some god or demon. Instead this person is all too human. Just someone whose ambition and passion got in the way of common sense and reason. It's frightening because this character is so relatable. In a fantasy world, their villain could be any one of us.


We also see a more troubling nature in characters who believe that they are on the side of good. At one point, Daemus goes on the run and encounters a group of friendly and helpful outlaws. Unfortunately, when they return to Daemus' home and his wealthy noble family, his family doesn't want to have anything to do with the people who saved their son's life. They cite rivalries and family grudges, but the truth is they are prejudiced against these people and want them arrested.

 Not to mention the term Trollborn is meant to convey many of the slurs that are heard in modern day. Those like Ritter can be as heroic as anyone, even be held up as Legends but to some that won't matter. They only see their appearance or family lineage.

The Last Keeper is one of those fantasies that makes real world commentary in a fantasy setting and does it well.


Sometimes with Epic Fantasy, darkness spills into a formerly light world making the characters wait for the light to return. However with The Last Keeper, the demons both outside and within the characters, the light may never appear. The darkness may remain for a long time, even forever.




Sunday, November 4, 2018

New Book Alert: Stories From The Vale: Path of the Dragonfly by Kathy Trueman; Powerful New Fantasy Novel is Aided By Four Memorable Leads That Form A Family



New Book Alert: Stories From The Vale: Path of the Dragonfly by Kathy Trueman; Powerful New Fantasy Novel is Aided By Four Memorable Leads That Form A Family

By Julie Sara Porter

Bookworm Reviews




Spoilers: If I were to take a poll over what is the most popular genres for new writers, I would bet Epic Fantasy would be number one. So far three of the new books that I read and reviewed were right in that genre. What is it about this genre that so many budding authors want to experience? Perhaps it is the highest level of creativity; the author not only has to create characters, plot, and conflict but they have to build worlds. They have to consider the sociopolitical structure, the flora and fauna, the races, religion and how these characters fit in their world. Perhaps it is personality. Authors are by definition largely introverted imaginative people so they are often attracted to Epic Fantasies, like Lord of the Rings, The Shannara Chronicles, The Dragonriders of Pern, and so on. They want to write the stuff they like to read. Then again it could just be marketing. Many Epic Fantasy Series have been bestsellers like Harry Potter, Song of Ice and Fire, and Lord of the Rings and have made box office success. Authors often put their fantasy novels into series, requiring the Reader to buy more volumes. Either way it's a genre in which many love to play and fortunately for me, many do a good job.




Case in point: Kathy Ann Trueman’s Stories From the Vale: Path of the Dragonfly. Trueman's book is your standard fantasy road trip filled with Lords, ladies, cheerful inns, magic users, and fantasy creatures like elves and dragons. However, what makes this book stand out is the rich characterization in which she provides four brilliant leads that form a family in times of trouble.




Shak, a retired soldier has had enough of bloodshed. He is haunted by memories of his deceased wife and scenes of brutality such as the time when after a battle he abandoned two children inside a temple. He is only motivated by one thing: to kill Lord Sefal, a former childhood friend turned enemy whom he blames for his wife's death.

Shak's magical grandmother gives him a request: He must find two orphaned children and take them to a magical place called the Vale where they will find their families. Shak agrees and meets two children: Falin, a boy who has the ability to freeze time and was raised as a thief and Celia, a human girl with telepathic abilities who was raised by elves to learn magic. It doesn't take long for Shak to realize-small world-these are the same two kids that he abandoned at the temple.




Most of the book is centered on the journey that Shak, Falin, and Celia take and also with Lord Sefal's attempt to follow him with as equal a vengeance mindset as Shak's. While the journey could be a typical one, Trueman's writing provides deep characterization that keeps the book from being too formulaic.




Shak is a memorable protagonist. While sometimes he comes across as the standard “gruff soldier/hero softened by a child’s love,” he is never written to be hard hearted in the first place. He is someone who was fond of children but never got the chance to father any of his own. As soon as Falin and Celia are in his life, Shak goes into protective father mode. He rescues them from danger when they are kidnapped by bandits. When the elves’ magical training caused Celia to suffer what amounts to a near breakdown, he is there to comfort her. He tries to straighten out Falin's behavior so he isn't so impulsive and headlong. He is a warm father figure and his moments with the kids are truly touching and heartfelt.




Shak is not a character without flaws. He is very stubborn and persistent particularly in his hatred for Sefal. He blames the Lord for his wife's death based on circumstantial evidence that most would question, but as far as he is concerned only certifies his already growing hatred for him. Shak takes the two kids out of their way so he can mount his revenge in a mano-y-mano fashion at first without realizing that if he fights Sefal and gets killed, then he will leave those kids abandoned anyway. It takes well into the book before he realizes the truth about his wife's death and even longer still before he can forgive Sefal or himself for it.




Falin and Celia are also terrific characters. At times they come across like a comedy team such as when the proper literal Celia acts like a Lady when they visit an inn and the feisty argumentative Falin is irritated with playing the part of her servant. Other times they act like loving siblings like when they protect each other after getting captured and display their unusual talents-Falin's ability to freeze time and Celia’s mental communication with a dragon- to escape. Even though they are about thirteen, Trueman's tactfully avoids any romance between the two allowing them to emerge as friends and family.




Some of the more gripping moments involve Falin and Celia's pasts and their returning memories of what happened to them. They both reunite with long lost family members and feel love and acceptance for the first time in their lives whereas before Falin was an abused thief with no purpose and Celia was manipulated and controlled to follow her sinister elvin guardians’ orders. Once they emerge from the journey, they not only find their families but Falin finds a new direction in his life that allows him to grow into a better person and Celia finds a calling in which she doesn't have to be a puppet for other's machinations.




Trueman's talent for writing believable characters is not just limited to her protagonists. It's also seen in the way she writes her antagonists, most notably in Lord Sefal. While Shak hates him and is filled with vengeance and vice versa, Sefal is never written as an irredeemable character. Instead he is sort of like a Medieval Yuppie, a poor boy made wealthy by making powerful alliances and an advantageous marriage but realizes too late how lonely he is at the top. His marriage is crumbling and he is grief stricken over the loss of a child. As the book goes along, it’s clear that he envies what Shak has: friends, family, and two children who look up to him.




Sefal also goes through a transformation especially when he finds out about Falin and Celia's identities. He becomes driven to protect them almost as much as Shak and redeems himself in a way that isn't phony or overdone. Instead it is true to a character who is surrounded by wealth and power and realizes almost too late how lonely he really is.




The plot moves along as revelations are made which make sense to the characters and their world. The climactic final battles at the Vale fit the overall style and tone of the book particularly when Falin and Celia play key parts in taking down their enemies. Kathy Ann Trueman is a brilliant author in the Epic Fantasy genre and if this book is any indication, I look forward to another trip to the Vale.