Sunday, August 30, 2020

New Book Alert: VanWest: The Present (The VanWest Series Book 2) by Kenneth Thomas; Science Fiction Series Soars To New and Better Heights on Mars and An Earthling Underground City

 


New Book Alert: VanWest: The Present (The VanWest Series Book 2) by Kenneth Thomas; Science Fiction Series Soars To New and Better Heights on Mars and An Earthling Underground City

By Julie Sara Porter

Bookworm Reviews


Spoilers: Previously on VanWest: The Past, VanWest, the ultimate super soldier and Universal Games champion, traveled back in time to stop a resistance group called The Utopians from changing the past by halting Earth's environmental destruction and the Universal Council's stranglehold on the 30th century. 

After VanWest infiltrated the Utopians, he was drawn by their philosophies and became enamored with his former childhood friend, Iris VonHelmann, daughter of the Utopian leader Prof. VonHelman, AKA "Mad Newton". He also learned that he was the clone of the last Martian President and his psychic abilities foretold that his former allies will slaughter his new ones. 

VanWest,once the pride of the Universal Council Elite Enforcers, joined the Utopians and became involved in their attempt to assasinate the ruthless UC leader, Dr. King. The assasination attempt and trip to the past ended badly. However, the Utopians made new allies with Van West's former squadron, the Enforcers.

 Now, Iris, VanWest, and computer hacker, LeSouris are in New Jersey's underground trying to obtain a ship to Mars while VonHelman seeks to recruit new allies to join the resistance against the Universal Council.


Kenneth Thomas's VanWest The Present is a teriffic follow up to the previous book, The Past. It is not as complex as the previous volume with the various scenes of time travel and double crosses that further confuses the plot. The Present's plot is pretty straightforward, separating into mostly two distinct storylines and emerges the better for it. Besides the major settings between two very intriguing locations of Mars and the Underground Cities in New Jersey are well-written and described.


A group of New Jerseyans settled in the abandoned tunnels in the Garden State, forming their own underground societies in which the cities are connected via an intricate network. Because they have been underground for so long, the New Jerseyans have evolved to adapt to their surroundings, such as enhanced eyesight, resistance to radiation, and gills. They also have unusual speech patterns such as removing some verbs such as "am," "is", and "are." ("Them two on news wire all the time! This brings heat to my casino!")

New Jersey's income largely depends on the literal underworld. It is filled with underground casinos and Papini traders. (Papini is an addictive drug that promises relief from radiation poisoning). The underground underworld is led by several warlords, one of whom is Method A.


Method A is a flamboyant character that calls to mind Aunty Entity, Tina Turner's character in Mad Max Beyond The Thunderdome. She shamelessly flaunts her wealth from gambling and narcotics, but rules her people with firmness and protectiveness. When VanWest, Iris, and LeSouris arrive in Jersey to try to get a transport to Mars, Method A is naturally concerned that their presence will bring Super Soldiers to her tunnels. However, the promise of moolah (money) and VanWest's prescient warning of their arrival changes her mind. Once an antihero looking out for Number One, Method A becomes a card carrying member of the Resistance and this Reader's favorite character in the series.

The nice thing that Thomas does in this book is expand the POV from VanWest and Iris to other characters. Method A in particular benefits from this. While VanWest, Iris, and La Souris are in Mars, Readers return to Method A's doings as she and her people fight the Super Soldiers and broker alliances with other warlords with clever names like Rulez Haah and Gangs Hater. During the Universal Council's attack on Jersey's underground, Method A shows true leadership abilities as she guides her people to safety while fighting the soldiers and negotiating with the other warlords. 


Meanwhile VanWest's exploration of his past on Mars is moving and heartfelt. This journey has a great setting for him to explore it. Mars proves to be a contrast to the dying Earth. Instead the Red Planet is brimming with life and beauty. 

There is a volcanic plain which spews eye-catching vivid red and yellow plumes of lava. Ornate murals that reveal Martian history surround a chamber.  The "Face on Mars" mountain makes an appearance and still seems to form a human face (and has become a tourist attraction). There are many spaceports filled with wide varieties of visitors from miners to drug dealers.


 The more VanWest, Iris, and LaSouris travel through this alien landscape, the more VanWest gets flashes of the life of Dederic Vander Westhuizen, the last Martian President and the man from whom VanWest was cloned. He sees his wife and family. He sees his battles and arguments with the Universal Council. VanWest is haunted by the ghost of Vander Westhuizen's daughter who points him in the right direction to learn about his own history and that of his predecessor.

VanWest also recalls his life and early training as a clone forced to follow the UC's lead and given no other options in life. An eerie passage occurs when VanWest finds himself inside a lab and comes face to face with other clones of Vander Westhuizen. They are similar to VanWest in appearance, characteristics, and abilities including psychic abilities. VanWest is able to use that to his advantage as he mentally communicates with his fellow clones so they can fight the Council and the soldiers.


The final chapters feature extensive battles in Mars and Jersey. These chapters shine with action, suspense, and betrayal. Alliances are formed and some are permanently broken. People question the motives of an important character who has been around since the previous book to the point that it is possible that the character may emerge as an antagonist in the next volume.

 The final pages reveal promise for a better future, one of cooperation and community over conquest and violence. However, there might be trouble on the horizon, trouble that will no doubt be the focus of the next volume, VanWest: The Future.


If The Future is anything like the previous volumes of The Past and Present, it should be a bright future indeed.


New Book Alert: Memoirs of a Witness Tree: Poems by Randal A. Burd Jr.; Concrete Descriptive Poems About Life ,Love, and Family

 


New Book Alert: Memoirs of a Witness Tree: Poems by Randal A. Burd Jr.; Concrete Descriptive Poems About Life ,Love, and Family

By Julie Sara Porter

Bookworm Reviews



Some poets prefer to write in metaphor and hide poetry's real meaning by abstract description, allusion, and imagery that only hints at the real meaning. Others prefer to be more concrete. The meaning is conveyed through the simple description with no hidden theme. With his book of poems, Memoirs of a Witness Tree, Randal A. Burd Jr. is the latter.


Burd's poems paint verbal pictures through words and form. He captures various subjects such as youth, love, friendship, emotion, aging, and death in ways that even Readers who aren't regular poetry lovers will read and understand. These are experiences that many can relate to and follow.


Burd is fond of using the sonnet form. Various poems in this book are sonnets. The first poem, "Humblest Apologies" hilariously warns the Reader about the "archaic paradigm." The Speaker is afraid that the Readers may think that he is boastful or cliched by retreating to the popular form used by Shakespeare and Spenser. The Speaker however prefers to write his poems his own way and hilariously warns the Reader "And thus with ample warning, pray begin/To reassess conventionality."


While Burd often uses the sonnet form, the emotions captured in the poems are so great that the Reader is unaware of the form that is used. The description and imagery take hold. In "Prematurely Blessed", this is particularly noticeable. In this poem, the Speaker is delighted about the birth of his daughter, but anguished about her premature birth and frail body. "Untimely from her mother's womb was hurled/Our premature and sickly sacred prize/Who, we would later come to realize/Became the star 'round which our planet whirled/Her sickliness received intensive care/Pneumonia left her lungs and let her thrive/So lucky and blessed to be alive/Our lives were changed forever then and there." Through his words, Burd captured the bittersweetness when a child is born, but is ill and may not live long.


Many of Burd's poems are filled with nostalgia and a longing for the past. The poem "Overthrown," features the Speaker driving through his hometown and seeing the woods where he and his friends used to play Robin Hood and other games. Burd wrote, "The paths we have made have long since overgrown/Our wooden forts became the forest floor/Adventures don't occur here anymore-/Our sacred places have been overthrown." The Speaker believes that urban encroachment, environmental change, and even the passage of time has violated his sacred space.


Some of the strongest emotions in the book are often the saddest. In his poem, "Grief", Burd reveals what happens to a person when another person close to them is going through a death. The Speaker's neighbor has suffered a death. The Speaker gives as much empathy as he can, but knows that he cannot feel what his friend feels. He is consumed by his friend's sadness and tries to put himself in the other's shoes. Burd wrote, "Those most involved can't simply walk away/Their lives have changed forever from now on-/Those who remain defined by who is gone/Those gone defined by who is forced to stay/They greet the ones who come to say goodbye/And smile when all they want to do is cry/Their well of anguish can never run dry/Replenished by the next in line to die." Being an observer to the grief and not actually in the family going through the loss, the Speaker feels separated from his friend by emotions to which he doesn't have full access.


Burd also captures humor in his work. In his poem "Lost," the Speaker is lost driving down a logging road with a less-than-helpful GPS. The Speaker is anxiously imagining the worst possibilities. "My compact car was never meant for this/How soon until they locate my remains?/My legacy will be my lack of brains/And absence in the lives of those I'll miss." However, the Speaker finds his way out of the woods "just before the fear sets in for good." The Speaker realizes that the imagined fear is often worse than the real situation.


Sometimes the poems give meaning to an object. In "The Suitcase", an abandoned suitcase lies on the ground, a testament to its former owner's travels and lifestyles. When the original owner died, the suitcase was left behind. "What irony! A suitcase left behind/Speaks more about the trip it never made/Found useless for the task it was designed/When owner passed from substance into shade" When that owner took their final trip into the Afterlife, it left the suitcase behind. Burd wrote, "Things that matter now won't matter then/The cycle only ends to start again."


Burd describes nature settings in a lyrical manner capturing the various senses. The poem, "Blue Spacious Skies" does this. Burd wrote "Blue spacious skies meet greener pastures' hue/Where sleepy woodland creatures rendezvous/The fragrances of lilac and of fir/Are pungent in the air and would confer/A feeling of tranquility on you." Burd uses this beautiful image to remind the Reader that when they feel disappointment, that there is still great beauty in the world.


The final poems in the book reflect on death and loss. The final poem, "Forgotten" takes place in a cemetery. The Speaker sees an abandoned gravestone that is cracked and not cared for. He contrasts this headstone with the others, more recently tended for ones. He realizes that all people will end up the same way. Burd wrote "Few living souls know whose remains are there/Not even their descendants really care." Eventually, the people in the deceased's lives will die and the headstones will be all that is left.


Memoirs of a Witness Tree features poems that create word pictures of many of the most beautiful, emotional, important, and meaningful life experiences.





Thursday, August 20, 2020

Classics Corner: The Heart is a Lonely Hunter by Carson McCullers; McCullers's Insightful Classic on Loneliness and Isolation in 1930's Georgia


Classics Corner: The Heart is a Lonely Hunter by Carson McCullers; McCullers's Insightful Classic on Loneliness and Isolation in 1930's Georgia

By Julie Sara Porter

Bookworm Reviews


PopSugar Reading Challenge: A book by an author in their twenties (23)


Spoilers: By far the most interesting and enigmatic character in Carson McCullers' debut novel, The Heart is a Lonely Hunter is John Singer.

Singer is a deaf-mute transient who arrives in an isolated unnamed small town in 1930's Georgia. He rents a room at the Kelly Family's boarding house and hangs out, like nearly everyone else in town does, at Biff Brannon's cafe. No one knows where he comes from or anything about his past and he arouses everybody's curiosity. 


Singer seems to the other characters to be a man without a story. However, we the Readers learn his story. Out of the characters who feel lonely, he is the loneliest because he lost his only source of human contact. 

McCullers wrote, "In the town there were always two deaf-mutes, and they were always together." 

Spiro Antonapoulos was Singer's best friend, only family, life partner and, while the book never outright states but hints at this, potential soulmate. The two communicated with sign language and understood each other's conversation, thoughts, and emotions. Antonapoulos and Singer were able to communicate on each other's level. They didn't see each other as far off or remote. They saw each other as equals, friends, and family. Unfortunately, Antonapoulos was institutionalized by his cousin, with Singer having no official say in what happened to his friend. 

While Singer appears mysterious to others, Singer now only lives a half-life. "Nothing seemed real except the ten years with Antonapoulos," McCullers wrote "In his half-dream he saw his friend very vividly, and when he awakened a great loneliness would be great in him...and so in the months passed in this empty, dreaming way." 

While others begin to confide in Singer, his thoughts are elsewhere. His usual thoughts are with his friend, in that hospital, and wishing that Antonapoulos could be out with him or that he could join him.


Now that Singer is alone and in a new town, he arouses other's curiosity. Some are intimidated by his silence.

However, some are not curious about him or intimidated by his silence, but find a sympathetic soul to confide in, one who won't interrupt or judge them. Singer is someone who listens to their problems, or at least sits in silence while others talk about them.

For four people in town, Singer acts for them as an oracle or a priest in confession. They talk to him because they are lonely, feel isolated, and have no one else to confide in. Their one-sided conversations are their ways of searching for answers in a dark world that seems to be without them and thrives off the characters's loneliness, isolation, and despair.


One of those characters is the second most interesting character in the book and probably a stand-in for the young McCullers herself. Mick Kelly, is the daughter of the family who owns the boarding house in which Singer is staying. She feels isolated because of her gender and socioeconomic status. 

Mick is an androgynous tomboy who is tough, active, and creative. She fights to defend herself and her effeminate younger brother. She also fights for time for herself. She is a budding musician and composer who vents out her frustrations into her music. She longs for the day when she can leave town and her limited role as a young adolescent poor white trash girl in a male dominated society. She wants to become a famous musician and achieve art and beauty through her music.


Dr. Benedict Mady Copeland is another interesting character who confides in Singer. He is isolated from the society around him because of his race.He is a black man in the South. Like Ralph Ellison's Narrator, he too is an invisible Man to white society. 

In the segregated black community, Copeland is an esteemed doctor and philosopher. He once was an activist, so much so that he named his son Karl Marx Copeland. 

Now,  Copeland is embittered and just tries to be accomodating despite the racist societal standards that view him and his friends and family as less than human. He tries to maintain his humanity and dignity despite adversity. However, when members of his family are attacked, Copeland's inner rage and desire for action emerge. He plans to organize a thousand African-American people to march on Washington.


Jake Blount is similar to Copeland, because he too is a former activist who is now bitter. He was once a Socialist and union member who has fallen on hard times. He is isolated because of his illness and habits. 

Jake is an alcoholic who has seen much suffering and despair and it has consumed him. Now he just drunkenly rants and raves about his philosophies. He has lost the desire for action and now is a source of mockery.


Biff Brannon would seem to be the most visible member of this group. He represents the middle class white men who are important figures in town. His cafe is where the townspeople congregate and normally he would be the one who everyone would talk to. However, it becomes clear that this ideal model of society has his own problems. 

Biff has all the trappings of what his middle class society should have: a home, a standing in the community, wife, children. He should be satisfied, but he isn't. He alienates his wife and family and appears to have no real contact with the people around him. He is isolated because of his inner misery.


To Mick, Dr. Copeland, Jake, and Biff, Singer almost represents a god-like figure, one that they could pray to but never gain full access to. Of course, we know that Singer is just a lost lonely individual. Even though they talk to him, they don't understand his problems or emotions. They only see in Singer what they want to see, someone who must be on a higher plane of existence than they are and has the answers in which they seek.

Singer tolerates their presence, though sometimes finds them rude. Perhaps, in absence of his only friend he is desperate for anyone to provide warmth and human contact for him. They long for that as well. They only want someone to understand them. Instead of telling their troubles to family members or each other, they tell Singer. This fact reveals how alone the characters feel that they acquiesce to this one-sided conversation rather than reaching out to other people around them, people who mistrust them since they all exist on the outer fringes of society. It's an almost symbiotic existence as Singer and the other four characters serve each other's needs, but don't exist on a personal or emotional level.


This symbiotic relationship with Singer and the four others comes crashing down. When Singer goes to the hospital to visit Antonapoulos, he is stunned to learn that his friend died. Singer is driven to despair after losing the man with whom he shared a life. Singer return to the Kelly home and shoots himself. He does not want to live a life of loneliness with him being privy to other people's thoughts and troubles and no one privy to his.


Singer's death exacerbates the lonely existance of the other characters, leaving their dreams unmet and their lives even more isolated than before. Rather than have his planned March on Washington, Dr. Copeland is sent to a home for people with tuberculosis, cut off from the black community that he tried so valiantly to uphold. Jake works at a carnival, now living as a figure of amusement and no longer someone who has the ability to change the world. Biff is stuck in his middle class lifestyle, emotionally cut off from those around him. Mick surrenders to the life of a typical female of her society. Gone are the boyish clothes, tough attitude, and music. Instead she wears feminine clothes, behaves in a passive obedient manner, and works at Woolworths. They have lost the ability to fight and now just live.


While the book ends in despair, there are possibilities that things will not remain badly for the four characters, particularly Dr. Copeland and Mick. Ways in which McCullers never dreamt when the book was published in 1940. As mentioned in my review for A People's History of the United States, black people rebelled in many ways in the 1920's-'40's, rebellions that would later continue on a wider scale during the Civil Rights Movement. (It's hard not to read about Dr. Copeland's aborted March on Washington without thinking of Martin Luther King Jr.'s real life later March.) The seeds that Copeland sows in his activism would later grow in history. Perhaps, subsequent generations take up Copeland's mantle and follow his dream to its inevitable conclusion.

Another possibility is raised in the dichotomy between an author and her character. As mentioned before, Mick is a stand in for Carson McCullers herself. Like Mick she wore boyish clothes and had a tremendous talent in which she put to good use. In fact The Heart is a Lonely Hunter was published when she was 23. 

Perhaps, Mick would be another McCullers, able to use her talent for music to describe the sufferings around her and become as recognizable as her creator.

Jake and Biff may also see their dreams and lives changed in meaningful ways as well. Perhaps Biff will realize how important his family means to him. Maybe, Jake will find his causes have new meaning with others.

Their dreams may not be gone forever, just postponed until they are ready for them.  The four characters may yet find some meaning and purpose in their lives and break from these cycles of !oneliness and isolation. 















Wednesday, August 19, 2020

Weekly Reader: Becoming Hero by Jen Finelli; Brilliant Meta Criticism of and Tribute To Comic Book Superheroes

 Weekly Reader: Becoming Hero by Jen Finelli; Brilliant Meta Criticism of and Tribute To Comic Book Superheroes

By Julie Sara Porter

Bookworm Reviews


Spoilers: The only way that Jen Finelli's Becoming Hero could become any more meta and fourth wall breaking is if Skye, the super hero protagonist, popped out of the pages and had words with the Reader.


Becoming Hero is an affectionate tribute to comic book heroes and their creators. It gently mocks and sometimes openly criticizes the genre and its many tropes. Finelli's writing takes aim at origin stories, romantic subplots, betrayals from allies, archvillains, replacement characters, women in the fridge stories, darker approaches, sequels, fans who become writers, and fans falling in love with the characters. Heck, this book is so meta that it mocks critics of comic books while criticizing them itself. 


The book is actually two stories in one. The first is that of Skye, a young superhero, who can create lightning. His adventures feature him facing robots, aliens, criminal masterminds, and the rest of his veritable Rogue's Gallery. 

While saving the world, he also faces many personal issues found in the usual comic subplots. He finds love with Natasha, a fellow superhero who can create thunder, only to lose her during a mission that ends badly. During another mission, he falls in love with Ming, a mysterious woman who turns out to be a criminal mastermind's equally cunning daughter. He also has to contend with the betrayal from a former friend and finding love again with a new female character.


Besides the story of Skye, we are also introduced to the story of Jace, a young comic book nerd. Jace lives in our universe (I assume, who knows) in which superheroes only exist in comic books. While facing a bully, Jace is saved by Caleb, a stranger. The two share a mutual interest in comic books and science fiction films. (Jace even admits that his full name is Jacen Solo Howard. His father named him after Han Solo and Princess Leia's oldest son in the Star Wars Expanded Universe/Legends franchise).

However, Jace notices that Caleb acts strange whenever they mention the Skye comic book series. During a TV interview with Greg Amadeus, a writer for the Skye comic books, Caleb calls Amadeus a murderer. He gets into a heated argument over the character with two guys who run the local comic book store. Come to think of it, Caleb bares a strong resemblance to Skye and acts like him too. Could he be-?

Meanwhile, Greg Amadeus and one of Skye's illustrators are mysteriously killed. Someone has a huge problem with the Skye franchise but who?


Becoming Hero is a lot of fun with its many asides and references to the superhero genre that even the most casual fan will get. There are plenty of clever jokes such as Jace's revelation that his name is spelled like Han Solo's Expanded Universe son and not like the second Robin, Jason Todd. ("The son of a rogue instead of the rogue son," Caleb adds.)

The Annie Chen illustrations are part of the fun. Occasionally, Skye's adventures are illustrated in comic book form with the typical dialogue balloons,colorful costumes, and side panels. The visual experience serves as a great addition to the written experience by acting as a counterpoint and commentary to the rest of the book. During one climactic fight between a colleague  and an enemy of Skye's, the enemy mocks the colleague for being a plot device. Incensed, the colleague delivers a death blow to her assailant but not before she declares that the enemy is nothing more than a splash panel.


During the Jace plot, characters comment on events that later appear as plot points in Skye's storyline. A fellow student and Feminist goes into a rant about the "Woman in the Fridge" trope, the controversial stories in which the superhero's love interests are killed for no reason except to give the hero more depth and conflict. This happens a few chapters before, you guessed it, Skye's girlfriend is killed in a darker and edgier storyline. 

Jace and Caleb spend a lot of time dancing around each other, unsure if they can trust one another and believing that one will betray the other. While this is happening to Jace, Skye's close friend becomes consumed by his hatred to destroy people with unusual powers and abilities and seeks to kill them in a way that not only becomes a detriment to Skye's world, but Jace's as well.

The characters question as the bizarre events in Skye's world are echoed in Jace's world. Heroes and villains battle each other and people reveal that they have abilities to a very confused public. Jace himself has a hard time keeping up with the ongoing weirdness. In one passage, he is surprised and annoyed that a wormhole is a target for Skye's enemies. A wormhole is considered a science fiction cliche, often used for space, time, and interdimensional travel.  ("That's like radiation," Jace moans.)


Besides being humorous, Becoming Hero raises some interesting points between creators, characters, and their fans and Readers. Are authors responsible for their creations? When a storyline or sequel raises controversy, is it the author's fault or is it the fan's for wanting something different or the same and then complaining when they get it? Does an author owe it to the character or fans to add new elements to the story to keep it fresh and interesting or to do the same old thing over and over? 

These points come up mostly in the conversations between the current authors and illustrator of Skye and their murderer to be. Each creator almost uses Skye as some sort of wish fulfilment in their lives. One wanted to put Skye on a darker path. Another was more interested in the sexual side of the story by drawing buxom women in tight outfits. Still another developed such a crush on Skye, that she wrote his comics just so someday she hoped to meet him. Skye represents different things to them, so they put him through these conflicts to convey their own desires and the fans's needs, such as killing off an unpopular character, but don't take Skye's needs into consideration. It becomes a surprise when the characters they write for start striking back at those who write and draw their suffering.


Many of the characters in the Skye series question their fate once they enter Jace's world. Tigris, a minor villain in the Skye comics, agonizes that he doesn't have a motive or backstory. He isn't even remembered much by Readers. When he enters Jace's world, he longs to gain prominence and be recognized. In a clever moment that shows the difference between the comic book and the real world, a fight between Skye and Tigris in Jace's world results in much death and destruction. Jace even sees a young girl watching the fight and is traumatized by the bloodshed and violence. That is something that never occurs to villains and heroes in comics, that their encounters may cause trouble for the bystanders.


Another character that is upset about her fate is Jackie, the aforementioned unpopular character. She speaks for The Scrappys, The Cousin Olivers, the Jar Jar Binkses, the Replacement Love Interests: Characters that are usually added later and whose very presence annoys fans. Jackie reminds Jace, and the Readers, that they deserve to be recognized too. Someone put their heart and soul into their creation and that they should be allowed to have their moments to shine just like everyone else.


Skye himself dislikes many of the things that the authors put him through. He hates finding love and friendship only to lose it over and over again. When he questions his actions, motivations, and losses to the authors, he is almost like a penitent question their fate in front of God. Jace recognizes that anger within himself as he wants to rail at his own creators: God for taking his mother away when she died of cancer and his police officer father for ignoring him.


Becoming Hero is similar to Eileen Favorite's The Heroines and Jasper Fforde's Thursday Next Series where characters break from their confining storylines and allow themselves to develop into new characters with their own motives and actions, independent of what is forced upon them by their creators. Instead they take charge of their own storylines.




Weekly Reader: Coin For A Dream: Stories from My Early Childhood; Mae Adams Presents The Lighter, Sweeter, More Fanciful Side of Korean Life

 

Weekly Reader: Coin For A Dream: Stories from My Early Childhood; Mae Adams Presents The Lighter, Sweeter, More Fanciful Side of Korean Life

By Julie Sara Porter

Bookworm Reviews


Mae Adams's previous book, Precious Silver Chopsticks: A True Story of a Korean Noble Family, is a beautiful and tragic book about the life of Adams's family including her childhood and youth, covering the years before, during, and after World War II and the Korean War. Adams wrote about many grim topics including her abuse at the hands of her mother, her father's early death, the suffering and poverty that her family endured during the two wars, her troubled second marriage, her eventual escape from her family to America, and her happy third marriage to Hewitt Dayne Adams. 

It is a wonderful, but heartbreaking book.

For her follow up, Coin For A Dream: Stories from My Early Childhood, Adams takes a lighter and more fantastic approach. It's different from her previous book, but just as good.


 Instead of one full chronological story, Adams selected twenty stories from her childhood and Korean legends that cover various incidents in her life. The stories are humorous, clever, sweet, and enjoyable to read. They remind Adams's Readers, that her life didn't just begin and end with child abuse and war. Sometimes, she had happy memories filled with odd situations, jokes, heartwarming moments, and laughter.

Some of her stories are integrated with Korean myths and legends. The legends are magical and beautiful, and they also sometimes serve as commentary for the incidents in Adams's life. For Readers who are familiar with Korean legends, this book will serve as a reminder of these tales. For those who aren't familiar with such stories, this book gives them an introduction to Korean mythology.


The stories are all good, but the best are:


"Monks' Minds Are Flapping"-Many people from different cultures and countries love to poke fun at authority figures, including religious figures. Many Korean legends and jokes tease Buddhist monks. Some of these jokes stem from stereotypes of monks being lecherous, pompous, and not following their religious calling.

Adams candidly revealed that many monks appeared at her herbalist grandfather's door to beg for food or donations. She became familiar with their daily habits, such as eating soybeans.

Soybeans are a basic diet staple for protein in Korea. Monks and lower class people eat them for health, but they produce some embarrassing, um, gassy side effects. Adams's description of a temple of monks in prayer making their discomforts known is hilarious and pokes a few holes in the image of Buddhist monks in silent repose. Thanks to their consumption of soybeans, their repose is anything but silent.

Adams also recounted a few short anecdotes about monks's fobiles. One story involves a lecherous monk impersonating Buddha to a beautiful, but naive young woman who prayed to marry a wealthy governor. The monk told the woman to hide in a box while he carried the box to his temple. On the way, he stopped and put down the box to hide the woman from an upcoming procession led by, of course, the governor. The governor led the woman out of the box and told his men to put a live tiger inside the box. The monk was unaware of the switch, so he took the box to his temple. He opened the box to an angry tiger who bit him.

Another anecdote is about a head-monk telling two young postulants a story about four monks who constantly argued and boasted about everything, including about the size of their temples. One claimed that his temple is so big that visitors had to ride a horse for a day before they can reach the end. The head-monk, who told the story, inquired whose temple was the biggest.

While pondering the answer, the two postulants saw the prayer flag flying outside their window. One said that the flag flapped in the wind, while the other insists that the wind flapped the flag. The head-monk's answer and the postulants's realization reveals that sometimes an answer is a matter of perspective and for people to not be so prideful and full of themselves that they can't listen. Otherwise, they are just blowing wind.



"Blood Red Serpent Flowers"-The South Korean countryside is filled with beautiful flowers. Adams and her grandmother loved to share stories about the flowers, particularly the Rose of Sharon and the crepe myrtle.

The Rose of Sharon is the national flower of South Korea. It is also known as the "everlasting flower" and "eternal flower." When Korea was under Japanese occupation, Adams's uncle, Little-Pa, taught her a song that he sang when he was a member of the Secret Korean Independence Movement Organization. The song included a lovely lyric: "Arise beautiful tenacious people/To witness the winter's passage/The rain has washed the dust away/The eternal flowers are now blooming/For the season of spring has come." The passionate lyrics reveal how much the Rose of Sharon means to the Korean people. It is a symbol of beauty, independence, and immortality.

Another important flower is the crepe myrtle. Like many flowers, a myth is connected to how the crepe myrtle came to be. Two lovers, Duk and Gaye were promised to be married. However, Gaye was chosen to be sacrificed to a three-headed serpent that attacked their village. Duk and a group of men intended to fight the serpent. Duk promised his fiancee that his ship would fly a white flag if he was successful and a red flag if he failed. They fought the serpent and won. Unfortunately, the flag was smeared with the serpent's blood. When Gaye saw what she believed to be the red flag, she killed herself. At the woman's graveside, a bush of red flowers grew for one hundred days. The crepe myrtles are known as the "hundred days flowers" and the "blood red serpent flowers." While the myth of Duk and Gaye is sad, Adams's grandmother reminded her that the story revealed the passionate love between two people and that Gaye's death resulted in a beautiful flower that returns every year as a testament of their love.


"Ginseng Boys"-Since Adams's grandfather was an herbalist, he taught her about the various herbs and how they treated ailments. Ginseng was used to heal many things and was also cooked in stew or ate fresh or dipped in honey. Because of ginseng's omnipresence, many stories and legends were told of the plant. The stories often are about creatures that are made of ginseng. These creatures are similar to fairies, elves, and other such creatures, because they are considered quite powerful and mysterious.

The Ginseng Boy Tales were told by Adams, her grandfather, and two friends. In one story, a young boy befriended a young boy with leaves on his head and hair on his legs. His greedy parents realized that their son played with a ginseng boy. They invited the ginseng boy to their house and attempted to trap him inside a cauldron. They intended to eat the ginseng leaves and become young again. While the parents argued, the boy let his friend out of the cauldron and they disappeared into the woods.

Another story concerned a couple who lived with their young son and their grandfather. Their grandfather fell ill. The couple dreamt that an old man with a long silver beard told them to cure their grandfather, they had to kill their son and make a soup out of him. Grief stricken, but longing to save their elderly relative, they did as they were told. While grieving the loss of their son, they heard a familiar voice behind them. They turned around and saw their son, alive and well. They lifted the cauldron and saw the remains of a ginseng boy. They served that in a soup to the grandfather.

Like many fairy tales and legends, the Ginseng Boy Tales give nature human elements and investigate the possibility that there might be creatures that exist beyond the realm of our understanding. These creatures protect nature and allow people to use it, provided they treat the natural world with respect.


"My Dragon Lady"-As mentioned in my review for Precious Silver Chopsticks, Adams's grandmother, Go Jaesoon was a positive influence on her young life. She raised Adams when her mother could not and treated her like a daughter. As the family fled the Japanese soldiers after WWII, Jaesoon distracted them and poisoned several soldiers before committing suicide. 

This chapter provides more information about the woman whom Adams referred to as "(her) dragon lady."

Jaesoon was a feisty strong willed woman who fled an unhappy marriage to a wealthy psychopath on their wedding night. She traveled to a far away village where she became a sea diver. She eventually left that occupation and contemplated becoming a Buddhist nun.

Meanwhile Adams's grandfather, Yum Hyung Kee, was a widower with three small children. He dreamt that a voice told him to go east to a Buddhist temple. When he arrived at the temple, he saw Jaesoon. He was shy about courting her (since all of his three marriages were arranged), so he told her about his dream. Jaesoon laughed at him.

Embarrassed Hyung Kee lost his footing and fell into a nearby pond. He wetted his cool face by dunking his head under water, but Jaesoon believed that he was drowning so she dove in and rescued him. Hyung Kee informed her that it was her destiny to go with him, so she agreed. Later, Jaesoon confessed to her granddaughter that she later learned that Hyung Kee was a champion swimmer. Despite the mistake and unintentional deception, the two later married and had a long happy marriage.

Jaesoon's early years showed her as a plain spoken strong willed independent woman who cared for her young daughter. She was a woman who her family knew would give her life to protect the people that she loved.


"Coin For A Dream"-Besides her grandmother, Adams had another role model, one from history: Queen Seondeok of the Silla Kingdom in Korea. Seondeok was the younger of two sisters, daughters of King Jinpeoyng. Even though they weren't sons, the people of the kingdom loved and respected them. 

Seondeok was known for her outdoor activities such as hunting, shooting bows and arrows, and chasing down thieves. She was also pretty clever. One example of her cleverness occurred after her sister suffered a bad dream. Seondeok offered to buy her dream for a single coin. Jinpeoyng was impressed by her courage, protectiveness of her sister, and was concerned that the meaning behind the dream interpreted that the older daughter would not make a good ruler. He appointed Seondeok as his successor.

Seondeok became a beloved queen. She sent officials to provide assistance to the poor and made Buddhism the official religion. She was fond of kite flying and encouraged people to celebrate the 

Lunar New Year by flying kites.

She had many legends about her such as a musician who constructed a flute in her honor. After he died, no one else could play the flute. 

She was also known for precognitive abilities. After she saw a band of white frogs croaking by the Jade Gate Pond, she then sent 2,000 soldiers to the Women's Root Valley. When asked about her accurate prediction, she revealed that the frogs symbolized soldiers, the color white symbolized the west, and the Jade Gate Pond represented female genitalia. 

She had many enemies, particularly those who didn't care for a female ruler. One, Kim Bidam took her illness as a means to revolt against her. Thanks largely to the efforts of General Kim Yushin, Seondeok's lover, Bidam's rebellion ended. After, Seondeok died, her successor had Bidam executed.

Seondeok's story was an inspiration for Adams with her cleverness, strength, and leadership ability. The influence of Jaesoon and Seondeok helped Adams grow into the woman that she would later become.

Classics Corner: The Elements of Style by William H. Strunk Jr.; The Definitive Writer's Guide

 

Classics Corner: The Elements of Style by William H. Strunk Jr.; The Definitive Writer's Guide

By Julie Sara Porter

Bookworm Reviews 


There are many good reasons why The Elements of Style is considered by many to be the definitive writer's guide and English grammar textbook to help Readers improve their writing ability. Those reasons are that it is helpful, simple to follow and break down, interactive, and is easily accessible and updated for modern readers.


The book breaks down into several sections to give the writer good advice how to improve their grammar usage. The first part includes elementary rules of usage for punctuation.

"A participal phrase at the beginning of a sentence must refer to the grammatical subject," is one such example.

Instead of writing "On arriving in Chicago, he met his friends at the station," the proper usage should be "When he arrived in Chicago, his friends met him at the station" No

one knows whether the man or his friends arrived at the station in the original version.


The second part features elementary principles on composition. Readers can improve paragraphs and other sections in writing assignments. 

This Reader admits to making the mistake of using needless words in sentences. The book advises readers to omit them, so their writing will flow better and become understandable.

"I know a lot about this subject" is an easier and more understandable phrase than "That is a subject  in which I know a lot about." The words "that is" and " in which" are not necessary to describe the subject. They also put the phrase in passive voice, rather than active.


The third part is the shortest. It features suggestions on how to form numerals, parentheses, quotations, references, syllabication, and titles. A sentence with a parentheses should be treated as if the parentheses were absent. It should not have any capitalization or punctuation, unless it ends in a question mark or an exclamation point

"He declares (and why should we doubt his good faith?) that he is now certain of success" is an example.

The phrase in parentheses "and why should we doubt his good faith?" offers a different thought from the rest of the sentence. The speaker seems to doubt the other person's good faith, so the phrase in parentheses is questioning, almost sarcastic, about the other person's certainty of success.


The next part offers help for commonly misused words and expressions. These are some of the most common mistakes writers make. The "effect"/"affect" confusion is one.

Effect is a noun, meaning the result. Affect is the verb, meaning to influence" "The side effects for the medicine include:..." as compared to "The Impeachment trial affected the results of the election."

The noun effect has been misused as perfunctory writing about fashion, music, painting, and arts. Phrases like "very nice effects" are vague. 


The book includes a list of commonly misspelled words. The list includes words from "accidentally" to "villain." Even in this day and age, spell checker does not always work. Writers should double-check words for confusion such as "there," describing a place, "their" referring to plural possessive, and "they're," which is an abbreviation of they are.


Writers are also advised to improve their texting and emailing style in two parts. While texting style is informal, writers are still suggested to to treat the recipients like they are worthy of their time. This include using proper capitalization, punctuation, and capitalization. Other suggestions include planning text messages in advance so the sender isn't in an awkward place to send them and to use abbreviations sparingly.

Emails are usually more formal. They require more structure, especially in business settings. Emails should include salutations and signatures, and different subject heads. Don't use three questions in a row, because that's too intrusive. Also, email writers should choose a more personal situation to convert bad news. 

The book's modern readers can improve their texting and emailing abilities by following the advice.


The Elements of Style offers the best advice to help create better writers, personally and professionally.








Saturday, August 15, 2020

Weekly Reader: Precious Silver Chopsticks: A True Story About A Korean Noble Family by Mae Adams; Beautiful and Tragic Memoirs of Adams' Life Growing Up in Mid-20th Century Korea

 Weekly Reader: Precious Silver Chopsticks: A True Story About A Korean Noble Family by Mae Adams; Beautiful and Tragic Memoirs of Adams' Life Growing Up in Mid-20th Century Korea

By Julie Sara Porter

Bookworm Reviews


Like many in Korea, Mae Adams and her family were firm believers in dreams and omens. Pregnancy dreams foretold the birth of a child. If a mother-to-be dreamt of picking seeded fruit, she was predicted to give birth to a boy. But if she dreamt of a flower, then she was predicted to give birth to a girl. When Adams's mother, Yi Nam Hyang was pregnant with her second daughter, she dreamt that she picked a Rose of Sharon, the official flower of South Korea. The thorns pricked her fingers, even though Roses of Sharons don't have thorns in reality.


A first born son is important in Korea. He is the heir and is believed to carry on the family legacy. A first born daughter is considered useful, because she is marriageable, but a second daughter is considered unimportant. After Nam Hyang dreamt of the Rose of Sharon, she tried to abort the pregnancy.  When that didn't work, she gave birth to her second daughter, Yum Mae Hee, who would one day grow up to become Mae Adams. Adams's mother's dream and her ambivalence about her second daughter's birth cemented their relationship forever.


Mae Adams's beautiful and tragic memoirs, Precious Silver Chopsticks: A True Story About A Korean Noble Family tells about Adams's difficult childhood and youth, and relationships with her family, particularly her abusive mother. She tells her story with memorable description and details that reveal what life was like for a Korean woman in the years preceding World War II and Korean War and afterwards.


Adams's childhood was largely shaped by her parent's dismissive attitudes towards her and their preferences for their other children: oldest daughter, Mae Ree (whom Adams nicknamed "Big Sis") and youngest child and only son, Intaek. 


Adams described her father, Yum Suck Jung, as an angry and distant man with great artistic talent, but a strong addiction to alcohol. He painted watercolor art, embroidered fabric, carved figures, composed and played music. Some of his songs were famous, particularly in the Korean countryside. Suck Jung was something of an iconoclast and rebel, not wanting to work in a regular non-artistic job. He was quite well known, but family responsibility and his role in Korean tradition as a husband and father appeared to weigh him down with disappointment.

There was a dark side to Suck Jung's behavior. Many times, he visited the tavern and got drunk on soju. He then returned home with an empty wallet and to an angry wife. 


He also wasn't above playing favorites with his children. Suck Jung lavished attention towards Mae Ree by always bringing her beautiful gifts after he returned home from travels, but ignored Adams and beat Intaek. This had a detrimental effect on the siblings's childhood, especially the sisters.

 Her father's preference caused sibling rivalry between the two as Adams thought of Mae Ree as rather vain and superficial and Mae Ree saw Adams as argumentative and obstinate when they were children. Mae Ree however longed for attention and inherited her father's musical abilities to become a singer and actress, ultimately becoming a film star in Korea in the 1940's-'50's.

 

Yum Suck Jung was very frail and succumbed to tuberculosis at the age of 32. One chapter describes a hunt that Adams and Mae Ree went on for a snake to treat their father's illness, maybe a live miracle snake that would cure him. After the hunt, in which the two girls nearly drowned in a river, the sisters eventually bought a dead snake from a peddlar. This incident haunted Adams. "The failure of catching a miracle snake to save our father, which had seemed such a hopeful idea in the morning, totally crushed my spirit," Adams wrote. "Would it be my fault if he died?" 

Later as her father lay dying, Adams still remembered that day. She gained immense knowledge through her studies, but considered herself a failure anyway. "Should I have tried harder to catch that miracle snake?" She asked. "But knowing how to count and read was quite different from catching a snake."


Suck Jung's death left Adams confused and uncertain about her feelings for him. She didn't remember him as a loving man, only one who was a drinker who preferred his oldest daughter over his other children. "Whether I was a filial daughter or not, I had to mourn his death and forgive him for the wrong things that he had done to me," Adams wrote. "For his death canceled all his sins and debts. But it wasn't easy to do so, because I harbored complex feelings about Father's indifference towards me."


As complex as her relationship with her father was, Adams's relationship with Nam Hyang was consistently contentious.Adams believed that much of her mother's behavior was because of her youth, as the daughter of a noble family and a fourth daughter. She was held in little regard except as a target for marriage and to be cared for by a husband and family.

However, Yi Nam Hyang wanted more out of life. She received a college education, despite objections from her traditional family. 

"Mother had full of aspirations at one time in her life," Adams wrote. 

"She'd wanted to conquer the world. She'd wanted to smash the social inequity, and become the first woman to achieve fame and to stand tall, right beside any great man in the world. But by the time she grew up, Korean society had already brainwashed her with its stringent Confucian doctrine, and didn't even realize until it was too late."


While this doesn't excuse her behavior towards her daughter, Adams allowed herself to see her mother, as she saw her father. They were people who were disappointed by life. Her father had the talent and her mother the education, but neither were able to do much with it. Nam Hyang especially lived a life of disappointment, made even worse by an education that gave her a thwarted ambition and then told her that she could do more with life and was unable to do so. She took her frustrations and anger out on her second daughter.


Adams explored the ambivalence that her mother felt towards her birth with wry observation.

"Saddled with another girl, (Nam Hyang) grumbled, 'Who needs more than one daughter?' Although she had been born a fourth girl and her mother endured a full term, she felt no appreciation for her mother's labor. Her mother had two sons to show off before she gave birth to daughters," Adams wrote.

"Mother knew that it was every mother's duty to give a child a place in the world as a wife and mother, and her birth family and her in-laws all upheld the principles, but that call could sail down the river for all she cared. Mother thought that she had little to look forward to in life with the impending arrival of a second daughter, useless in every way."


Even after Adams was born, Nam Hyang still wasn't happy. She refused to bond or feed her newborn child, leaving Adams's grandparents to search for a wet nurse. No sooner than her daughter was born, than she took off for Seoul leaving Adams to be raised by her grandparents. She returned a year later, not wanting her children to grow up as country kids.

 She periodically allowed Adams to return to her grandparents' country home. Adams hovered between her city home with a cold unloving mother and her country home with her grandparents, who became the loving adult figures in her life that her parents could not.


Nam Hyang subjected Adams to frequent physical and verbal abuse.

Adams's first memory of her mother was when she was 2 1\2 and she tried to collect rainwater. She slipped and hit her head knocking over a metal dustpan. Nam Hyang took her to the doctor, but only after she gave her a few blows to the head.


Like her husband, Nam Hyang too had a favorite among her children, particularly after her husband's death. That was her only son, Intaek She smothered the boy with maternal affection and indulged his every whim. As he grew and became a commercial artist, Intaek became a spoiled entitled brat unable to accept adult responsibility, because of his mother's influence.


There was a ray of hope during Adams's childhood and that was in the form of her paternal grandparents. Yum Hyung Kee, her grandfather came from an Imperial academic family and worked as an herbal doctor, Christian missionary, and Kung Fu instructor. Go Jaesoon, her grandmother came from a family of commoners and worked as a sea diver. Despite their different backgrounds, they had close marriage and were able to give young Adams the love that she lacked from her parents.

After Adams was born, Go Jaesoon declared, "Being a second daughter is nothing to be ashamed of," and held the newborn close, the way that her mother should have.


Adams's grandparents always greeted her with embraces and cries of joy, when she visited them. They allowed her to eat and sleep whenever she wanted and didn't criticize her when she made a mistake or broke something. They defended her firom her mother. They treated Adams as a daughter, better than her mother did.


The title of the book comes from a gift that Go Jaesoon gave her grandaughter on her birthday. The silver chopsticks were made by the best silversmith in the country and were decorated with pretty drawings on the upper and wider sides and the words "Happy Long Life" in Chinese characters on the back. The chopsticks were a sign that portended Adams would never go hungry. They also changed color if the food being served was poisoned. 

Adams considered the chopsticks as symbols of her grandmother's love for her. Adams kept the silver chopsticks with her, everywhere she went as if keeping Go Jaesoon's spirit with her. She never sold them, even through war and poverty. To Adams, selling or losing them would be like selling her grandmother's spirit.


The tensest moments occurred during the war years and had a detrimental effect in Adams's family. World War II. The Japanese had control over Korea. They forced people to labor for them by making weapons and other military supplies. They drilled children in school in military fashion. While, they introduced voluntary enlistment originally, the orders changed to mandatory conscription by 1942.

"Many  Koreans died in the war, and many young Korean girls went to the factories or served as 'comfort girls' for the Japanese soldiers," Adams wrote. "....The Japanese companies greedily stripped our forests for export to Japan, but they didn't allow Koreans to cut trees for their use. If the Japanese caught a Korean man cutting down a tree in the night for fuel, they beat him and put him in jail."


The war and Japanese occupation affected Adams's family. Her aunt and five children moved to her grandparents's farm, to get away from the constant blombing and air strikes. Christians were under attack and many were killed by Japanese soldiers. Hyung Kee's mission escaped human casualties, because he swore that he would not support the Korean independence movement and that he would continue providing opium for the Japanese.


After World War II ended and Korea was divided between North and South Korea, Adams and her family fled to the South. Her grandmother and aunt, Little-Ma, remained behind as bait to distract the soldiers as the rest of the family fled. Go Jaesoon succumbed to suicide (though not before poisoning several Japanese soldiers). Adams's never learned what happened to her aunt.

Adams's uncle, Little-Pa summarized the protectiveness that Go Jaesoon felt towards her family, particularly Adams. He quoted her final words, "A wife just protect her husband and children. It's her duty and privilege. I now have the privilege of protecting all of you. Why do you question it and make it more difficult for me?'"


Adams detailed the fear and anxiety that her family held as the world around them changed.

"The world we had known was no longer in existence and anything valuable in it was useless," Adams said. "We were fugitives in the eyes of the new world that had replaced the old world. The large house that had been our home could shelter us no more."


Adams, her brother, sister, and mother lived in poverty in Seoul. Nam Hyang worked in a machine embroidery job and barely earned enough to provide nourishment for her family. However, she retained her haughty attitude.

Adams admitted that her mother's inability to humble herself helped her family escape the grimness and she was determined enough to accomplish certain things. She challenged her brother to help her grow cabbages and radishes to get past the food shortage. Nam Hyang eventually bought and managed a tea shop with Mae Ree providing the entertainment.


War once again rocked Adams and her family. Adams led the rest of her family to escape via ferry down the Han River. They spent a tense time living in a mountain village, hiding from the Communist soldiers. Eventually, they returned to a destroyed Seoul, devastated by war and destruction and reunited with her grandfather at a refugee camp. 

The war ended after three years, but Korea remained separated. Adams wrote about Mae Ree's visit 47 years later to the Demilitarized Zone which separates North and South Korea. It is considered one of the most unspoiled green spaces left in Asia and is one of Asia's most hospitable homes for plants and wildlife.

"Every year more than two hundred thousand people visited the DMZ, about thirty miles North of Seoul to see the world's most dangerous border, where North and South Korean soldiers stared at each other eyeball to eyeball," Adams wrote. "The sceneries were spectacular with the steep ravines and valleys covered with thick firs, pines, and aspens as if only the hands of the Three Gods had created them. Big-Sis couldn't help, but wonder at the incongruity of it all."


After the War, Nam Hyang borrowed money and enrolled her second daughter in Sook Myung's Women College. Adams speculated that her mother wanted her to get a decent job, so she could live off of her money, which proved to be true. Nam Hyang and Big-Sis's teahouse closed and Big-Sis and Intaek left for a business opportunity leaving Adams with their mother.

Adams got a job in the construction office of the 226th Battalion of the United States Army. She became fond of the American soldiers and they reciprocated their affection by gifting her with a classic rice chest and a fluffy white dog, named Snowe. Adams doted on the dog despite her mother's dislike for him. In a fit of spite, Nam Hyang sold Snowe to a place called the Dog Stew House. She then sold the rice chest for a handsome price. Adams's only relief was that she never let her mother know that she still had the silver chopsticks or she would have sold them too.


 After defending Mae Ree from her abusive boyfriend, Adams retained a good reputation. Nam Hyang couldn't resist riding on her now famous daughter's coattails. She enticed Adams to pay for her brother's education and force him to become a doctor. Adams however, allowed Intaek to make his own decision and study fine arts.

 Adams worked for the Cosa Export Company, managing to pay for living expenses, Intaek's education, and Nam Hyang's luxuries. Nam Hyamg began to sponge off of her by buying exorbitant items and leaving Adams to pay for them. She also constantly subjected her daughter to financial abuse by taking the money Adams earned and spending it on herself, Intaek, and a preacher who may also have been her lover.


Adams recounted her stormy love life, some of it because of her mother's interference. Adams's first marriage to an American named Dex ended just as quickly as it began. She married him mostly to get away from her mother, but Nam Hyang guilt tripped her into remaining in Korea. They got a divorce and Dex married his girlfriend. Mae Ree however married an American and moved to Hawaii.


Adams's second marriage to a man named Chang was rough from their first meeting. Nam Hyang forced her to get back money that her mother leant and give it to Intaek. Despite the frustration from her mother's manipulative request, Adams had tea with Chang and had what she thought was a pleasant time, but later was revealed to be less pleasant.

Adams realized that she married Chang mostly to play the role of the dutiful daughter and help provide for her mother and brother. During a fight, Adams told Nam Hyang off saying that unlike her who tried to abort and then abandon her, Adams never would do the same.

Adams told her, " I will never abandon you even if you become a shriveled up, helpless old woman with meanness dripping out of you. I refuse to stoop that low. So, stop lying, scheming, backstabbing, and blackmailing me. It is beneath the dignity of a highly educated woman like you!"

 Adams made it perfectly clear that she was marrying Chang and caring for Nam Hyang solely out of duty and not for love. Her mother showed her no love, so Adams let her know that she would receive none in return. She compared the narcissistic Name Hyang to the selfless Go Jaesoon. "Everyone in the village would jump in the river if Grandma told them to because she would never have let them drown," Adams told her. "Do you think that you can earn that kind of trust? Never!"


Besides her mother, Adams realized that she was also being manipulated by Chang even from the beginning. During their marriage, she realized that he had spiked her tea with opium. When confronted about it, Chang admitted that he not only had been doctoring her tea throughout their marriage, but the day they first met as well.

 She also learned that contrary to his earlier claim of being a childless widower, he in fact had a wife, two daughters, and a concubine. Even though current Korean law dictated that Chang's second marriage was technically illegal, there were exceptions if the marriage did not produce sons. "Many people who came to my wedding knew that Chang had a wife and concubine," Adams wrote. "I was the last one to find out."

Adams gave birth to a son, Hooney, but she and Chang were estranged at the time. Nam Hyang kept insisting that the two get back together, but Adams had enough of being manipulated by her mother and soon to be ex-husband. 

However, Chang played one final trick. When Hooney visited his father's village, Chang had him registered in his family's registry under his wife's name. Adams was no longer considered his mother and ended up separated from her son.


Adams took over Chang's business and made a profit from it. This success gave her financial satisfaction and became the first step towards her independence from her mother. The second step came from her desire to study business management and textile design in America so she could learn to create and sell handicrafts and run an export business. She settled her affairs with Nam Hyang and Intaek by offering them a house and money if they allowed her to go. She paid her respects to her grandfather, uncle, and her grandmother's spirit. Adams finally obtained her freedom from her family.


Besides freedom, Adams's plans allowed her to get acquainted with the man who would eventually become her third husband: Hewitt Dayne Adams, a Marine colonal. Introduced by a mutual American friend, Hewitt not only proved to be a kind sympathetic man, but was useful for her business. One of his responsibilities was to help Korean citizens begin and operate businesses.

While she found him to be a charming man, Adams knew that Hewitt was married to another woman. Unlike the passivity that was forced upon her by Confucian doctrine, her abusive mother, and previous unhappy marriage, Adams refused to continue the relationship while Hewitt was still married. Her newly won independent spirit would no longer accept being a mistress or a concubine. 

They separated while she continued her ecucation. He obtained a divorce and the two resumed their relationship, eventually marrying. Hewitt became a professor in Asian and American History at Clemson University and Adams ran a successful business. They had two children, Michael and Mae Lee, along with Hewitt's two daughters from his previous marriage.


There were two incidents in Adams's life that helped provide closure towards her unhappy past. The first concerned her mother. After her children grew, Nam Hyang hovered between them and friends continuing to live off of other people's money and kindness. In 1998, as the older woman lay dying, Adams wrote a letter condemning her for all of the abuse and manipulations that she submitted to her all those years. Even though she never sent the letter and later learned about Nam Hyang's death, Adams believed that the letter finally gave her a chance to liberate herself from all of the anger and negative feelings that her mother bestowed upon her.


The second incident concerned Hewitt and her grandparents. Adams gave the silver chopsticks to Hewitt while they were dating. She told them that if he didn't want to see her again then he was to return them to her. She never got them back until after his death in 2003. While going through his belongings, she found the silver chopsticks realizing that he kept them close all those years.


 With tears streaming down her face, Adams placed the silver chopsticks inside her husband's urn. The once traumatized young girl shared a gift of love from her grandmother with another person that she truly loved, allowing that love to continue beyond death and into the next world.