Thursday, April 20, 2017

15 Favorite Books for Mental Health Awareness Month

15 Favorite Books For Mental Health Awareness
By Julie Sara Porter, Bookworm

Before I begin, I would like to give a big thank you and a shout-out to the members of Facebook's ALA Think Tank Group for their assistance in recommending books for this list. I could not have completed this without you. Thank you all again.

May is Mental Health Awareness Month. I created a list of 15 of the best books about mental illness. I  included  both fiction and non-fiction including two short stories, novels,  YA novels, autobiographies, and memoirs.

I am including only books that humanize mental illness and portray those who have it in an understanding light. So psychological thrillers, true-crime books, horror books, or 19th Century Gothic Literature will not be featured. Text or medical books such as The Diagnostics and Statistics Manual of Mental Disorders are also not included because as informative as they are, they are not personal in scope. As always, if you agree with the list or know of books I left out, please let me know in the comments below or on Facebook. I should warn you, some may include spoilers.

Also if you or someone you know has a mental illness​, please call your local healthcare provider or hospital or the National Mental Health Services phone number at 1(877)450-7259. Remember​, you are not alone.

15. One Flew Over The Cuckoo's Nest by Ken Kesey(1962)- Descriptions of: Various including Schizophrenia, Obsessive-Compulsive​ Disorder, Selective Muteness etc.

Ken Kesey's famous novel about a group of men in an Oregon psychiatric ward is probably one of the most famous novels about mental illness, and deservedly so. Besides being a book that humanizes people with mental illness, it is an Anti-Establishment fight against those in charge.

Randle P. McMurphy, who faked an insanity defense, wants to inject some life into his fellow patients. He gets a vote for the patients to watch the World Series. He organizes a fishing trip and sneaks prostitutes into the ward. While his behavior appears extreme and even mysoginistic at times, he simply wants to wake the patients up from their drugged stupors and remind them that they are still human.

Nurse Ratched, the Ward's head nurse, represents The System. She takes an almost sadistic delight in her control over the patients such as when she threatens the introverted, Billy with telling his mother if he doesn't tell her that McMurphy sneaked in the prostitutes.

Even though, Ratched gets McMurphy lobotomized, McMurphy emerges the victor. He changes the mens' lives for the better, particularly Chief Bromden, the selectively mute schizophrenic narrator. Because of McMurphy's guidance, Bromden is able to escape the ward to a new life.



14. Running With Scissors: A Memoir by Augusten Burroughs (2002)-Descriptions of: Various including Psychotic Breakdowns, Obsessive-Compulsive Disorder, Narcissistic Personality Disorder etc.

Augusten Burroughs' darkly humorous Memoir shows what happens to someone when their caregiver and the therapists are as mentally ill and possibly dangerous as they are. This book does not deal with one person with mental illness, it deals with two families of them. First, there's Burroughs' divorced mother, Deirdre, a poet who suffered from psychotic breakdowns and fell in love with women who were as unstable as her.

Then there's the family of Dr. Finch, whom Dierdre signed over guardianship of Augusten. Finch's home was dirty, cluttered with children and Finch's former patients, and  appeared free of rules and regulations. The Finch family got into loud fist fights, encouraged sexual behavior in the children, and participated in odd traditions like reading feces and walking in public wearing nothing but balloons.

In the middle of his mother's hysterics and The Finch's eccentricities lay Augusten. At first, Augusten was disgusted by the Finch's slovenly nature, but then slowly adjusted to their free spirited ways, particularly in his friendship with Finch's sexually active daughter, Natalie.

Over time, Burroughs discovered a dark undercurrent in the Finch home and the doctor's treatment of his patients. He slipped them drugs without a prescription. He had affairs with his female patients, claiming to have three extra "wives" along with Agnes, his legal wife.
 From the time he is 14, Augusten became involved in an affair with Neil Bookman, the Finch's 30ish adopted son who became obsessed with Augusten. Initially concerned, Finch turned a blind eye to the affair even after Neil became threatening towards Augusten. Burroughs realized that because of the freedom from rules, the Finch home harbored little safety and protection from the darkness of others' behavior and within.

Things finally became climactic when after her hospital release following a violent breakdown, Dierdre accused Finch of raping her. Both she and Finch's family particularly, Natalie expected Burroughs to side with them. Convinced of Finch's guilt and fed up with his mother's instability, 17-year-old Augusten decided he didn't belong to either family and moved to Manhattan to begin a new life. His epilogue states that Burroughs remained estranged from both his mother and Finch even up to the doctor's death in 2000.


13.  Wintergirls by Laura Halse Anderson (2009)-Descriptions of: Anorexia, Bulimia, Self-Harm, Depression, Visual and Auditory Hallucinations (possibly)

Wintergirls is among the most graphic books on this list and certainly among the most graphic YA books ever. It details realistically  with a high school girl starving herself after the death of her best friend.

Lia, is consumed with guilt by her friend, Cassie's death from bulimia and that she tried to call her 33 times before her death. Lia deals with her grief by cutting and starving herself. Throughout the book, Lia is visited by Cassie's ghost, possibly a hallucination, who encourages Lia's Anorexia and self-destructive patterns taunting her with, "See you soon."

Laurie Halse Anderson pulled no punches in her descriptions of Lia and Cassie's mental illnesses and their effects on themselves and their families. While concerns about their appearances are important to the girls, they turn to their eating disorders to control something in their lives, particularly Lia who fights with her combative divorced parents. When Lia's mother describes Cassie's death she mentions that her esophagus ruptured. When Emma, Lia's adorable stepsister, sees Lia with blood from self-inflicted wounds, Lia's stepmother, Jennifer sends Lia to her mother so she can't frighten Emma anymore.

Anderson is also very honest in describing Lia's recovery and that all the interventions, institutions, and stern talking-tos matter very little to Lia. Only she can make the choice to recover when she is faced with her own impending​ death in the same hotel where Cassie died. It also hints that her recovery will be a slow process as Lia is still self-conscious and mentally counts the calories of the food she eats but at least is grateful that she is eating.


12. The Quiet Room: A Journey Through the Torment of Mental Illness by Lori Schiller(1994)-Descriptions of: Schizophrenia, Auditory Hallucinations, Attempted Suicide

Lori Schiller's memoir of schizophrenia is a harrowing story about what it's like to hear voices and how frightening those voices really are.
Schiller first heard the Voices at age 17 during a stint in summer camp. Suddenly she heard disembodied voices telling her that she will die. Afraid to tell people, Schiller kept quiet about the Voices until she was 23 and attempted suicide.

The book is filled with frightening moments where Schiller feels enslaved to the Voices. She believed their opinions about her appearance and her intellect believing herself to be ugly and stupid. She turned to cocaine and Self-Harm in attempts to silence them. Schiller reveals through her writing what it is like for someone to live day after day unable to trust their own mind.

Besides Schiller's the book is told from various points of view: Schiller's parents who blamed themselves and each other for her condition; Schiller's brothers one who  hesitated to introduce his wife to his "crazy" sister and the other who worried that he would be mentally ill as well; Her friends particularly her roommate, Lori Winter who called emergency after Schiller's first suicide attempt, and Schiller's doctors particularly Dr. Jane Dollar who prescribed Clozapine and helped Schiller with her recovery.

These multiple perspectives reveal that mental illness doesn't just effect the person who has it. It effects everyone around them.


11. Maus by Art Spiegelman(1980-1991)-Descriptions of: Suicide, Post-Traumatic Stress Disorder, Mental Breakdowns, Psychotic Breakdowns.

The Holocaust is filled with stories of great courage and sacrifice such as Oskar Schindler who hired 10,000 Jews to work in his factory so they wouldn't be sent to the camps or Jan and Miep Gies, who protected the Frank family while they hid in a Secret Annex behind their workplace. However those times left emotional and psychological scars on those who lived through them, scars that passed to the later generations. The book that best exemplifies those scars is Art Spiegelman's surrealistic and brilliant graphic novel, Maus.

The surrealism is displayed throughout as the characters are portrayed as anthromorphic animals, such as Jews as mice, Nazis as cats, Polish people as pigs and so on. (At one point, Vladek and Anja Spiegelman, a Jewish mouse couple wear pig masks so they could pose as Polish.) But at heart, it shows the psychological horrors that the Spiegelman family faced long after the Holocaust ended in 1945.

Art Spiegelman tries to piece together his parent's time during the Holocaust to understand his mother, Anja's suicide in 1967 and his estrangement from his father, Vladek. His father acts with reluctance as he puts off telling the story and admits he destroyed his late wife's papers. Enraged that his father destroyed a part  of his mother's history, Spiegelman calls his father "a murderer."

Vladek's reminisces and Spiegelman's transcription, show that sometimes people in times of great stress will make the most traumatic decisions. The Spiegelman Family is haunted by the death of their older son, Art's brother, who with his cousins were murdered by his aunt to avoid being taken to a concentration camp. Throughout his youth, Spiegelman felt insignificant compared to his "ghost" brother and Vladek avoided the subject.

The trauma in Spiegelman's family is best shown in the mini-comic, "Prisoner in Planet Hell" co-created by Spiegelman in 1971. Vladek's second wife, Maja, shows her stepson that Vladek read it but refused to talk about it. The mini-comic shows Spiegelman's mother's suicide shortly after her son returned from being institutionalized, after a mental breakdown possibly caused by his ingestion of L.S.D. Anja's suicide depressed Vladek so much that his son handled the funeral arrangements and upheld him during the funeral. Spiegelman suffered a relapse because of his mother's suicide. The mini-comic haunting final image shows Spiegelman back in the hospital screaming, "You murdered me, Mommy and you left me to take the rap!"





10. "Diary of a Mad Man" by Nikolai Gogol (1835)-Descriptions of: Schizophrenia, Auditory Hallucinations, Grandiose Delusions, Paranoid Delusions

The title, "Diary of a Madman" makes this short story sound like a psychological thriller or an '80's Heavy Metal album. (Actually not too far off since Ozzy Osbourne used the same title for his 1981 Album.) But Nikolai Gogol's story is a strange, uncomfortably farcical, and ultimately tragic story about a minor civil servant slowly losing his sanity.

Arksenty Ivanovich Poprishchin works in a councilor's office where he is disregarded by his peers, derided by his Supervisor for his lack of ambition, and has an unrequited crush for his Director's daughter, Sofia. His diary entries become bizarre as he begins to believe he can understand the language of dogs and begins to write letters to them. Poprischin's delusions grow more fanciful and larger until he believes that he is the King of Spain.

Gogol's writing is an interesting trip into the mind of a schizophrenic. It is fascinating to read Poprischin's strange entries. For example, his first few entries are chronologically dated, but as his King of Spain delusion takes over, the dates become haphazard such as 43 April, 2000 or in the last few entries are abandoned all together. Also, Poprischin's thought process show the inner workings of one who is schizophrenic rather well by making the thoughts rational to them but insane to everyone else. Poprishchin reads a news story about the absent King of Spain, so he believes the King could be anywhere. He  reads books on Spain's monarchy, so he reasons that he must be the missing King.

Besides understanding, Gogol wrote his protagonist with a lot of compassion for his condition. Before his mental decline, Poprishchin was stuck in a mundane job where he was overlooked and ignored. The writing suggests that Poprishchin held onto his royal delusion so he could be heard and noticed.

Even after he is institutionalized, Poprishchin receives little support from other characters. His hair is shorn and he is beaten and splashed with ice cold water by sadistic orderlies so he will face reality. Instead, Poprishchin retreats further into his insanity by insisting that he has been kept from his court and is imprisoned in China.



9. Stop Pretending! What Happened When My Big Sister Went Crazy by Sonya Sones (1999)-Descriptions of:  Mental Breakdown, Bipolar Disorder, Visual Hallucinations

Sonya Sone's lyrical book of poems tells of mental illness from the point of view of a family member. In this brief, but moving book, Sones tells the point of view of a 13-year-old girl whose older sister suffers a breakdown during Christmas.

Based on the breakdown of Sone's real-life sister, the book details the confusion and fear that Cookie feels over the young woman that Cookie once thought as her sister, but now thinks is a stranger. "Stop pretending," she says. "Right this minute/Don't Tell me you don't know me.."

Cookie is torn between lying about having too much homework to avoid visiting her sister and wanting to help her. Like many teenagers, Cookie is anxious about her role in school and wonders if other students know of her sister's condition. A few poems described how Cookie's friends ignored after she told them and a boy at school supported her when he learned of her sister's condition.

Many of her poems recall childhood experiences of the sisters getting lost, fighting about minor issues, and going on family trips and Cookie's attempts to help her sister remember them. One of the most moving passages occurs when Cookie's sister recalls their mother's gold leaf decor. For Cookie it is the first sign that her sister will recover. 



8. The Eden Express by Mark Vonnegut (1975)
Descriptions of: Schizophrenia, Visual Hallucinations, Auditory Hallucinations, Paranoid Delusions, Attempted Suicide.

The Sixties seemed like a carefree time for many hippies, but for Mark Vonnegut, it was less of a long strange trip than it was a frightening one.
The son of noted author, Kurt Vonnegut, Vonnegut moved to British Columbia with his girlfriend, dog, and various other hippies to start their own commune. Then he started hallucinating.

Vonnegut's schizophrenia is really well-written particularly​ because for a long time, Vonnegut was unaware that he had a problem. He exhibited bouts of extreme mania and excitement which he attributed to his enthusiasm for keeping the commune going. When (in one terrifying scene), he saw a disembodied face and heard voices, he believed that it was either a drug trip or a cosmic message. Only when he kept having delusions of world destruction, his girlfriend dying in a massive earthquake, and his father committing suicide and he blamed himself did he seek help.

This book shows the difference between living an eccentric free-spirited lifestyle in which a person has thoughts that are outside the mainstream but not harmful and having a mental Illness​ in which the person is filled with disturbing thoughts that cause destruction to oneself and others.

The final passages reveal a touching letter that Vonnegut wrote to a woman who also had Schizophrenia. In his letter, Vonnegut detailed his hospitalization, his recovery particularly orthomolecular therapy( a somewhat outdated process which includes restoring brain chemistry by taking vitamins and minerals, adjusting diets, and desensitizing allergies. In later writings including the book's Afterward, Vonnegut would downplay and even dismiss the involvement orthomolecular therapy had in his recovery​.) Most importantly Vonnegut assured Anita that Schizophrenia is nobody's fault and that she should not hesitate to get as much assistance as possible. In his letter to Anita, Vonnegut reminded her and the Reader that people who have mental Illnesses can be a guide for others who live through it.



7. Girl, Interrupted by Susanna Kayson (1993)-Descriptions of: Various including Borderline Personality Disorder, Depression, Pyromania, Sociopathy etc.

Susanna Kayson's memoirs of her two years in McLean Hospital in Massachusetts could be seen as a female version of One Flew Over The Cuckoo's  Nest, but it is stronger than just being an imitation of Kesey's novel. While it is about women residing in a hospital, the book is about how the institutionalization affected them  in the hospital and afterward.

Kayson, who was diagnosed with Borderline Personality Disorder, describes herself, the other patients, and the staff rather well. There is Georgina, Kayson's roommate who felt "a wave of darkness" in a movie theater, Polly, who set herself on fire and above all, Lisa, a diagnosed sociopath whom the other girls admired. Like McMurphy, Lisa challenged the nurse's authority for privileges. However, Kayson's is not afraid to show the dark side of Lisa's behavior. She attacked other patients, exhibited violent behavior, and was constantly isolated. She is a composite of a breath of fresh air and a juvenile delinquent someone who alternately fascinates and annoys the Reader.

The strongest theme in Kayson's book is how the stigma of being diagnosed with a mental illness effects the characters. When Kayson's applied for a job and listed the hospital's address, she writes that she read their expressions wondering what she had and if it was contagious. She reads the description of Borderline Personality Disorder in the DSM manual  to compare her experience with the symptoms described in the book. ( which she she realizes that she fits.) After she was released, Kayson threw herself into a short-lived marriage just to "return to life."

Meanwhile her other fellow patients adjusted to their releases in their own way, particularly Lisa who had a child and longed for a respectable life. However, both she and Kayson's realize that they will never truly put their past at McLean behind them, the place that Kayson writes took two years of her life.



6. I Never Promised You A Rose Garden by Joanne Greenberg (1964)
Descriptions of: Schizophrenia, Auditory Hallucinations, Visual Hallucinations, Self-Harm, Paranoid Delusions

 Joanne Greenberg's semi-autobiographical novel shows how detailed the mind of a schizophrenic can be. When a person with schizophrenia is highly intelligent and creative, such as Deborah Blau, Rose Garden's 16-year-old protagonist the schizophrenic's thought process can be a fascinating and disturbing place.

Deborah suffered from psychological problems even as a child when a surgery removed a tumor from her brain at age 5 and later when she became the victim of anti-Semitism in school and at summer camp. These two events plus the isolation Deborah felt after the family moved caused Deborah to create a fantasy world which she called Yr.

Deborah's fantasies of Yr at first are welcoming as the characters in her fantasies treat her like a long-lost Queen. When she gets older, Deborah's Hallucinations become more threatening as the fantasy creatures particularly a sadistic character called The Censor, tell her that she is not like everyone else, remind her of every bad thing she has ever done or thought, and taunt her from inside a dark place she calls The Pit. Periodically, Deborah burns herself as punishment that she calls a volcano exploding. Deborah's fantasies and delusions of Yr take over her whole life as she is institutionalized.

The Yr fantasies show Deborah's and Greenberg's thought processes rather well. Deborah creates a secret language which she chants in times of great stress. Time is measured differently so Deborah goes back and forth between the Yrian Calendar and the "Earth Calendar." She gives Yriian names to the people in her life such as her psychiatrist, Dr. Fried whom she calls Furii, a fire goddess. The details Deborah constructed of Yr show how much Creativity and Imagination contribute to Schizophrenia and what lengths that a Schizophrenic mind can go through to protect itself.

Throughout the book, Deborah's understanding psychiatrist, Dr. Fried strives to help Deborah to see through her delusions to find the truth. She helps her see that the Yriian people are really symbols of people in her life, such as a soldier is her stern grandfather. Dr. Fried assists Deborah in breaking through false memories that the Yriian delusions taunt her with, such as Deborah almost throwing her baby sister out a window. Dr. Fried reminds her that since Deborah was a small child, she could not have carried her sister and the memory is false implanted by Deborah's own feelings of envy towards her sister and guilt for feeling that way.

Dr. Fried is also very realistic in her treatment of the young woman. When Deborah questions hospital policy after a friend is isolated, Dr. Fried quotes the book's title and said that she never promised Deborah that life without Schizophrenia would be perfect or fair. She only wants to help Deborah recover so she chooses to make her life better.



5. She's Come Undone by Wally Lamb(1992)-Description of: Clinical Depression, Attempted Suicide, Binge Eating

There are probably many Readers who were or still are social outcasts that relate to Dolores Price, the protagonist of Wally Lamb's novel. Even as a girl, Dolores is beset by problems. Her philandering father and bipolar mother divorce. Dolores is raped as a teenager by a married man who rents the family's upstairs room.

As she gains weight, Dolores is constantly bullied by other girls in school.  She is one of those characters even when she gains some  happiness such as maintaining a close correspondence with her future college roommate, then that happiness is crushed, such as the roommate calling Dolores a hippopotamus upon their first face-to-faces meeting.

Dolores is understandable as she withdraws into herself by eating junk food and watching television. The television becomes a focal point as Dolores navigates her life through the shows she watches like the soap opera, Search for Tomorrow, Bonanza, or Jeopardy. While Dolores is certainly a television addict, she justifies it by seeing very little else that she can rely on.

While it would be tempting to make Dolores  a sad sack caricature, Lamb did not do this. Dolores is very sardonic and cynical. (She calls her primary psychiatrist, "Dr. Quack-Quack") But she carries a determination throughout the narrative to make things different by moving to a seaside town, working in various jobs, and becoming involved with and eventually marrying her former roommate's ex-boyfriend. (A marriage that does not go well because of Dolores' denial of her past and his affair with one of his students.) Throughout her troubles, Dolores keeps trying to be a happier person than she was before.

A beautiful symbol that carries through the book is that of a beached whale that Dolores sees before a suicide attempt. Afterwards, Dolores thinks about and even dreams of "her" whale swimming out to sea. It is only after Dolores finds supportive friends, a committed relationship, and a probable career that she sees a whale at sea swimming happily knowing that Dolores has found peace within herself.



4. Call Me Anna: The Autobiography of Patty Duke by Patty Duke (1987)- Description of: Bipolar Disorder

Many Hollywood memoirs are about struggles with drug addiction, alcoholism, and mental illness. But few are as memorable as Patty Duke's autobiography which tells of Duke's struggle with bipolar disorder. (then called manic-depression)
Duke tells how she struggled to keep the facade of the perky, outgoing, adorable actress seen as Helen Keller in The Miracle Worker, the "Identical Cousins" on The Patty Duke Show, or the troubled Neely O' Hara in the cult film, Valley of The Dolls. This facade was enforced by her tyrannical managers, John and Ethel Ross who took their charge from her mother and subsequently abused Duke mentally and sexually. The constant abuse and stress of maintaining a cheerful front took their toll on Duke and became a contributing factor to acquiring bipolar.

Many of the symptoms of bipolar are sprinkled throughout in the early chapters during Duke's time with the Rosses such as fears of death triggering panic attacks or Patty's decision to sleep for two or three days straight while she wasn't working. (She considered sleep as an escape from dealing with her managers.) Duke's condition became full-blown after she broke from her managers at age 18 to marry her first husband, Harry Falk.

Much of the book is filled with descriptions of manic episodes. Some of which such as walking off sets and fighting with directors rendered Duke difficult to work with. In one particular unsettling manic phase she married music promoter, Michael Tell for only 13 days where they shopped compulsively and took private jets for minor trips.

The book settles down as Duke writes of her loving but troubled third marriage to actor, John Astin who helped Duke find treatment for her mental illness, and her loving relationships with her sons, Sean and Mackenzie, and her fourth husband, Michael Pearce. Many Readers won't forget Duke's descriptions of her illness and how it affected her personal and professional life and will wonder about what goes on in the minds of public figures and how their mental disorders sometimes get worse under the spotlight's glare.


3. "The Yellow Wallpaper" by Charlotte Perkins- Gilman (1892)-Descriptions of: Postpartum Depression, Visual and Olfactory Hallucinations (possibly)

Charlotte Perkins-Gilman's short story proves the cliche about the cure proving more deadly than the disease. A young woman is given a Rest Cure by her physician husband. Locked inside a bedroom and deprived of any outside stimulation, The Narrator becomes obsessed with the yellow wallpaper which she believes has another woman trapped inside. She suffers a breakdown as she tries to free the woman.

The story's description of The Narrator's mental decline, particularly her hallucinations of the  woman inside the wallpaper are quite unnerving. But what makes this story even more disturbing is that the treatment was real. In fact, Gilman herself had been prescribed the Rest Cure by S. Weir Mitchell, a prominent physician and " The Yellow Wallpaper" is based on her experience. While, Gilman wrote that she did not suffer hallucinations, she suffered an even worse breakdown than before. This breakdown only ended after Gilman separated from her husband and she visited California where she engaged in physical activities, communed with nature, wrote, and lectured.

The narrator of " The Yellow Wallpaper" has only a slight grasp of what the isolation is doing to her. She says that she would love to write more but keeps her journal from her husband and hints that she doesn't get well faster because of him. Gilman and the Reader know full well that is the isolation and boredom that has driven The Narrator  to her breakdown and that in freeing the hallucinatory woman, The Narrator is trying to free herself from not only  her psychiatric disorders but from her well-meaning, but thoughtless husband.


2. Prozac Nation: Young and Depressed in America by Elizabeth Wurtzel (1996)-Descriptions of: Acute Depression

Elizabeth Wurtzel's autobiography is the best description of depression and how it is a long continuous process that effects every aspect of the depressed person's life.

Wurtzel's first encounter with depression began at summer camp when she was 12 and lay in her bunk, listening to Bruce Springsteen, and overdosing on medicine. The depression continued throughout Wurtzel's life in school as she challenged her absent father and her argumentative mother after their divorce.

Wutrzel's depression worsened when she attended Harvard University where she took too many drugs, had affairs with men who broke her heart, and traveled from one place to another from one job to another hoping to find some semblance of peace and happiness.
 The symptoms are well-written. Sometimes Wurtzel's despair gave way to frenzied activity, particularly during her time working at the Dallas Morning News where she enthusiastically jumped from one article to another. She later learned that behavior is not uncommon among people with depression when they are in an upswing, when things are going well. 

Wurtzel describes her depression with depth and understanding. When she related her problems to friends, particularly her former roommate, she is aware that she comes across as annoying to them. She knows that to people who don't have depression, those that do can seem irritating and emotional. All Wurtzel knew was that she couldn't control her feelings and needed help.

Wurtzel even retains some humor in her situation, particularly in her epilogue. Recovering from her depression with the assistance of therapy and Prozac, Wurtzel is bemused by the publicity Prozac received in the 90's media and how many people revealed their struggles with mental illness, citing the suicide of Nirvana frontman, Kurt Cobain. She contemplates the issues in society such as economic uncertainty and unhappy home lives that cause mental illness and believes more could be done to help such people so their depression doesn't lead to suicide.


1. The Bell Jar by Sylvia Plath (U.K. Published date, 1962; American Published date,1971)-Descriptions of:  Mental Breakdowns, Clinical Depression, Attempted Suicide

Sylvia Plath's novel about a woman going through a mental breakdown may seem all-too-real for readers because it is. The plot was based on Plath's real-life 1953 breakdown after she worked as a Guest Managing Editor of Mademoiselle magazine. The book tells of Esther Greenwood, Plath's fictional counterpart as she works at Ladies' Day magazine, has failed love affairs particularly her consumptive hypocritical ex-boyfriend, gets rejected for an exclusive writer's program, suffers from Depression, attempts suicide, and finally is institutionalized.

One of the things that make The Bell Jar stand out from many of the other books on this list, indeed from many other depictions of mental illness is the seeming randomness of Esther's breakdown. There is no specific set trigger such as abuse, rape, parental divorce or separation, or death of a loved one.
To most people, Esther's life would appear normal, even enviable. But what Esther, and Plath, knew was that depression and other psychiatric disorders don't need a specific event and that they will come anytime irregardless of an outside trigger.

Esther is aware that her emotional state may seem unimportant compared to the problems of others. She often compares her situation to the execution of Julius and Ethel Rosenberg (convicted of and executed for espionage.) knowing which one is the greater tragedy. She doesn't always know why she feels depressed, she just does.

Throughout the book, Esther carries a sense of futility and sadness that she strives to break out of but seemingly can't. For example, after she is rejected for the writer's program, Esther talks about how she built up her expectations for it and her crushing despair now that she feels the avenue has been closed to her.

Esther feels so strongly and becomes overwhelmed and depressed, because she is face with so many possibilities but feels unable to reach her goals.  Even when she gains some success, such as winning a scholarship  prize, she finds little satisfaction, because she doubts and second guesses herself. In one famous passage, Esther dreams of several possible bright futures, hanging from a fig tree and she starves to death as she can't decide on which one to take. Any Reader will completely relate to what Esther goes through and understand that even the most seemingly mundane normal life can mask inner turmoil and eventual despair.

Honorable Mentions: Lisa, Bright and Dark by John Neufield, I Am The Cheese by Robert Cormier, The Man Who Mistook His Wife For A Hat and Other Stories by Oliver Sacks, Sybil: The True Story of A Woman With Sixteen Personalities by Flora Rheta Schrieber, An Unquiet Mind: A Memoir of  Moods and Madness by Kay Redfield Jamison, Suddenly Last Summer and A Streetcar Named Desire by Tennessee Williams, "There She Goes Again" by Elizabeth Wurtzel from Bitch:In Praise of Difficult Women, Who's Afraid of Virginia Woolf by Edward Albee, Furiously Happy by Jenny Lawson (recommended by Bernice Wittwer)  and The Day Room: A Memoir of Madness and Mending by Kathleen Crowley(recommended by Bernice Wittwer).



Tuesday, April 11, 2017

Shakespeare in Popular Culture: 20 Best Reimaginings Of the Bard of Avon


Shakespeare in Popular Culture: 20 Best Reimaginings of the Bard


By Julie Sara Porter, Bookworm

 

April 23 is the anniversary of William Shakespeare’s birth and death dates and he and his works are still as well-known today as when he first stepped onto the Globe Theater. I have compiled a list of the best representations of Shakespeare and his plays.

Like my previous list for “20 Favorite Poets and Lyricists”, I have decided to do things a little differently. Instead of limiting myself to only books and short stories, I included visual representations including movies, tv episodes, musicals, and comedy sketches. When possible, I embedded videos, but some because of the poor quality  and rights issues of Youtube, will not be shown.

The selections have to feature Shakespearean plays and characters or Shakespeare himself in a prominent role to qualify. They also have to reinterpret the material in one way or another, in some cases even updating the setting to modern day with modern dialogue.

However, no straight interpretations of the Bard’s plays are permitted because they are deserving of their own list. There is one exception to that rule, and that is because the version is from Mystery Science Theater 3000 where characters make comments throughout the film. If you have a favorite on this list or know of one that I have missed, please let me know in the comments below or on my Facebook page.
I should let you know: HERE BE SPOILERS!!

20. Shakespeare in Love (1998)

Film; Director: John Madden, Screenplay: Marc Norman and Tom Stoppard, Cast: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Colin Firth, Ben Affleck, Judi Dench, Simon Callow, Martin Clunes, Rupert Everett

Connections to Shakespeare: Shakespeare himself, Romeo and Juliet, Twelfth Night


This romantic period piece starring Joseph Fiennes and Gwyneth Paltrow has received many criticisms over the years on whether the movie and Paltrow deserved their Oscars for Best Picture and Best Actress. (Many felt that Saving Private Ryan deserved the Best Picture and Cate Blanchett deserved Best Actress for her role as Queen Elizabeth I in Elizabeth.) But what can’t be denied is that Shakespeare in Love presents a very beautiful, funny, and imagining of who inspired Shakespeare’s works.

In the movie, Shakespeare (Fiennes) is a struggling playwright laboring through his latest work Romeo and Ethel, the Pirate’s Daughter when he falls in love with Viola (Paltrow)

a young wealthy woman posing as a boy actor. The movie is filled with clever inside references about Shakespeare’s life and work such as his rivalry with fellow playwright, Christopher Marlowe (Rupert Everett), including in one memorable scene a possible motive for Marlowe’s mysterious death in a tavern brawl.

While Viola ends up being a muse for Shakespeare to write the famous Romeo and Juliet, her fate at the end of the film when she sails to America becomes another inspiration.

Queen Elizabeth (Judi Dench) tells Shakespeare to write something cheerful “for Twelfth Night.”



19. Kiss Me Kate (1948)

Theatre Musical; Music and Lyrics: Cole Porter, Book: Samuel and Bella Spewack, Original Production- Director: John C. Wilson, Choreography: Hanya Holm, Cast: Alfred Drake, Patricia Morrison, Lisa Kirk, Harold Lang, Charles Wood, Harry Clark

Connection to Shakespeare: Taming of the Shrew


For his Tony winning 1948 musical adaptation of The Taming of the Shrew, Cole Porter and Samuel and Bella Spewack took Shakespeare’s concept of a “play-within-a-play” and ran with it. Instead of doing a straight musical adaptation of Shakespeare’s tale of feuding lovers, Porter and the Spewacks made the story about a group of actors performing the roles in Shrew while dealing with their own difficult love affairs.

The troubled marriage between the show’s director/producer/star, Fred Graham and his ex-wife/leading lady, Lili Vanessi is mirrored in Shakespeare’s characters, Petruchio and Katherine. The actors’ behavior constantly overlaps with their Taming of the Shrew characters giving the musical two brilliant clever stories both on-stage and off.

Porter’s music also provides witty commentary such as “Another Openin’ Another Show” which discusses the problems of being part of an acting troupe and the memorably hilarious “Brush Up Your Shakespeare” in which two mobsters convince Graham that all he needs to woo women is to memorize a few of the Bard’s lines.  (“Just declaim a few lines from Othella/And they think you’re one hell of a fella/If your blonde won’t respond when you flatter ‘er/Tell her what Tony told Cleopaterer/If she complains that your clothes she is mussing/What are clothes? Much Ado About Nussing…”)



18. “Hamlet Trailer” Last Action Hero (1993)

Film; Director: John McTiernan, Screenplay: Shane Black, David Arnott, William Goldman (uncredited), Based on a story by Shane Black, Adam Leff; Cast: Arnold Schwarzenegger, Austin O’Brien, Joan Plowright, Don LaFontaine ( voice uncredited)

Connection to Shakespeare: Hamlet (well sort of…)


For anyone who ever wanted Hamlet to stop talking and just kill Claudius, this scene is for you. In The Last Action Hero, a  send-up of action films, movie buff, Danny Madigan

(Austin O’Brien) daydreams in class while his teacher (Joan Plowright) shows the Sir Laurence Olivier film version of Hamlet. Based on his teacher’s insistence that many consider Hamlet “the first action hero,” Danny imagines Hamlet being played by his favorite actor: Arnold Schwarzenegger in the style of Danny’s favorite character, Jack Slater, the titular last action hero of the movie.

This scene will make any Shakespeare lover or action film buff laugh even if they see it many times. Though brief, it is filled with numerous references such as the fact that Plowright, who plays Danny’s teacher, was the widow of Olivier who directed and starred in the film version of Hamlet she shows in class.

The trailer is littered with great bits such as when Schwarzenegger/Hamlet contemplates “To be or not to be” while lighting a cigar. Instead of continuing with the monologue, the Future Former Governator simply says “Not to be” while Elsinore explodes behind him.

The icing on this Shakespearean parody cake is the voice-over narration provided by the late Don LaFontaine (AKA “The Movie Trailer Guy”). He gives Danny’s trailer/daydream tag lines like “There’s something rotten in the state of Denmark and Hamlet is taking out the trash!” and “No one’s going to tell this sweet prince good-night!”



17. “Shakespearean Therapy,” Studio C (2013)

TV Comedy Sketch; Director: Michael Hunter, Jared Shores, Matt Meese, et al;

Teleplay: Adam Berg, Whitney Call, Mallory Everton et al. Cast: Whitney Call, Mallory Everton, Matt Meese

Connection to Shakespeare: Romeo and Juliet, Hamlet


Studio C is a hilarious sketch comedy TV series from Brigham Young University in Utah. Because of the university background of the principal writers and cast members, the show is filled with references to geek pop culture, literary works, and historic figures. Naturally, these Merry Mormons would tackle the Bard of Avon.

In this sketch a love-lorn Juliet (Mallory Everton) seeks help from her therapist (Whitney Call) for her romantic troubles. Everton and Call play off each other rather well as Everton’s Juliet quotes the play’s plot in Shakespearean dialogue to a bemused Call as the therapist.  

Call’s character speaks for many people who have questioned Romeo and Juliet’s rash behavior wondering how Juliet could be willing to run off with a man she only met three days prior and who had killed her kinsman. At one point the therapist inquires, “Doest thou hear thyself?” When Juliet decides to take sleeping potion to be reunited with the banished Romeo (who seems “to be a player-and not the one on stage” to the therapist), the therapist “thinks this plan has many holes.”

The sketch has a terrific punchline as the exasperated therapist believes that the departed Juliet is her strangest patient yet. Then Prince Hamlet (Matt Meese) walks in. And speaking of Hamlet seeking therapy……

 

16. “Hamlet/Bogus Psychiatrists” Monty Python’s Flying Circus  (1974)

TV Comedy Sketch; Director: Ian McNaughton, Teleplay: Graham Chapman, John Cleese, Eric Idle, et al, Cast: Terry Jones, Graham Chapman, Eric Idle, Michael Palin, Carol Cleaveland, Connie Booth

Connection to Shakespeare: Hamlet


Apparently Shakespearean characters seeking therapy is comic gold, because Monty Python’s Flying Circus featured Hamlet on the psychiatrist’s couch as well. This sketch parodies Hamlet’s constant portrayal as an indecisive talker as the Melancholy Dane (Terry Jones) is bored with that and everyone quoting “To be or not to be” at him. He tells the psychiatrist that he wants to “be a private dick” for “Fame, money, glamor, and sex.”

The Python sketch not only pokes fun at Hamlet but at psychiatry as well as a line of therapists (played by Graham Chapman, Eric Idle, and Michael Palin) want Hamlet to confess whether his problem is sexual in nature. They each try to convince Hamlet that they are the real psychiatrist and the other two are “bogus psychiatrists.” (Idle's character claims it’s a “lesson in disorientation.” ) To prove his psychiatric credentials, Palin’s character even goes so far as to bring his diploma from the University of Oxford, his card from the British Psychiatric Association, a letter from another psychiatrist, his Psychiatrist Club tie and matching cufflinks, a copy of Psychiatry Today magazine, and a letter from his mother asking how the psychiatry is going.

Each psychiatrist wants to hear about Hamlet’s sexual problems with a girl on (his) bed “got her stretched out and her legs on the mantelpiece,” and leave as the other psychiatrist and a nurse (Carole Cleaveland) throw them out. The running gag continues into the episode as a computer and Ophelia (Connie Booth) get in on the joke asking Hamlet about the girl with her feet on the mantelpiece.



15, Kill Shakespeare (2010-2014)

12 Issue Graphic novel; Writers: Anthony Del Col, Connor McCreery, Artists: Andy Belanger, Ian Herring, Kagan McLeod, Publisher: IDW Publishing

Connection to Shakespeare: Various particularly Shakespeare himself, Hamlet, Romeo and Juliet, Henry V,  Othello, Richard III, Macbeth, A Midsummer Night’s Dream, and others.


The graphic novel series, Kill Shakespeare is to Shakespeare’s plays what Fables is to fairy tales or League of Extraordinary Gentlemen is to 19th century literature: a multi-crossover of Shakespeare’s best and worst characters that take on each other in an epic adventure.

The graphic novel series is beautifully illustrated and brilliantly written as Hamlet is hired by Richard III to kill William Shakespeare and steal his quill. Along the way Hamlet encounters Falstaff, Juliet, Othello, and Puck who make him question his allegiance to Richard.

The characters’ encounters lead to some interesting reinterpretations from the plays and allows them to interact with each other freely changing their fate from the plays. In this story, Juliet survives her suicide attempt in Verona and is exiled. While leading a Resistance against Richard III, she and Hamlet fall in love sharing mutual tragedies: for Juliet, Romeo’s death and for Hamlet, his accidental killing of Polonius. Richard III’s strongest aide is none other than Lady Macbeth, who also is involved in a conspiracy with Othello’s Iago, who switches allegiances keeping his allies, enemies, and the readers guessing.

 The series is also filled with cameos and references to Shakespeare’s other works. At one point the Resistance encounters Titus Andronicus’ Tamora, and Midsummer’s Lysander. Falstaff’s Merry Wives of Windsor co-horts, Mistress Page and Mistress Ford run a brothel and are eagerly awaiting their favorite client: Falstaff. At one point a group of Players perform The Murder of Gonzango which is achingly familiar to Hamlet.

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14. The Lion King (1994)

Animated Film; Directors: Roger Allers, Rob Minkoff, Screenplay: Irene Mecchi, Jonathan Roberts, Linda Woolverton, Cast: Matthew Broderick, Jeremy Irons, James Earl Jones, Nathan Lane, Ernie Sabella, Moira Kelly, Madge Sinclair, Rowan Atkinson, Robert Guillaume, Jonathan Taylor Thomas, Nikki Calame, Whoppi Goldberg, Cheech Marin, Jim Cummings

Connection to Shakespeare: Hamlet


For many children, this was their first taste of Shakespeare. Disney’s 32nd Animated Feature is a portrayal of Hamlet set in the African Pride Lands with an-all animal cast. It is a wonderful film with gorgeous animation of the African environment and tuneful music provided by composer, Elton John and lyricist, Tim Rice.

The film tells the story of Simba (Jonathan Taylor Thomas), a young lion cub who is destined to succeed his father as king of the lion pride. His greedy uncle, Scar (Jeremy Irons) has other ideas: He kills his brother and Simba’s father, Mufasa (James Earl Jones), then exiles Simba. While in the jungle, Simba (Matthew Broderick) befriends Timon, a wily meerkat (Nathan Lane), and Pumbaa, a dim warthog (Ernie Sabella), who teach him about “Hakuna matata” (a Swahili term that means “no worries.”). Simba lives a peaceful existence with his friends until his childhood lioness friend, Nala (Moira Kelly), and Mufasa’s ghost remind Simba that he has a duty to perform and that he has to take his place “in the circle of life.”

Besides being a memorable movie on its own right, The Lion King’s Shakespearean influences are clearly evident. In his self-imposed exile, Simba is about as grief-stricken and questioning as his Shakespearean counterpart while Scar’s lust for power to murder his brother especially in his Villain Song “Be Prepared,” would make King Claudius blush. Shakespearean themes are prominent throughout such as when disorder threatens the political order (The murder of Mufasa) it also brings chaos in the social order (the arrival of hyenas to the Pride Lands), and the natural order (drought and the departure of food and water).



13. “The Play’s The Thing” Boy Meets World (1993)

TV Series Episode; Director: David Trainer, Teleplay: Ed Decter & John J. Strauss,

 Cast: Ben Savage, William Daniels, Rider Strong, Lee Norris, Will Friedle, Betsy Randall, William Russ, Lily Nicksay, and Danielle Fishel

Connection to Shakespeare: Hamlet


This episode of the ‘90s sitcom demonstrates the difficulties of presenting Shakespeare to a group of sixth graders. Mr. George Feeny (William Daniels) tells his class to perform scenes from Hamlet. He selects the show’s protagonist, Cory Matthews (Ben Savage) to play Hamlet because like Cory “(Hamlet) gets on a lot of people’s nerves, makes one stupid mistake after another, and for five acts never shuts up.” When Cory wants to change the script to be more action-oriented and walks off in protest towards the traditional Renaissance wardrobe, Feeny gives the role of Hamlet to class nerd Stuart Minkus (Lee Norris).

The series is a long-favorite among Children of the ‘90s and beyond and this episode is a good example why. It is filled with hilarious bits such as when Minkus weighs different possibilities to the character such as quoting Hamlet’s lines in an American Southern accent because he read “that the Elizabethan English accent was similar to the contemporary southern accent.” (“Great it’s Ernest Goes to Denmark,” Cory quips.)

The best scene however is after Cory suggests performing a “Steven Segal soliloquy.”

Daniels goes into an effective and dramatic version of Hamlet’s Father’s monologue complete with dim lights and spooky music. “Of course I’m no Steven Segal,” Feeny cheekily says afterwards.



12. “Hamlet,” Mystery Science Theater 30000 (1999)

TV Series Episode; MST3K Credits Director: Michael J. Nelson, Teleplay: Bill Corbett, Bridget Jones, Kevin Murphy et al, Cast: Michael J. Nelson, Mary Jo Pehl, Kevin Murphy, Bill Corbett

Hamlet Credits Director: Franz Peter Wirth, Screenplay: William Shakespeare,          

Cast: Maximilian Schell, Hans Canineberg, Wanda Rotha, Dunja Movar

John Banner (voice uncredited), Ricardo Montalban(voice uncredited)

Connection to Shakespeare: Hamlet


Even the classics deserve to be riffed once in a while. The cult comedy series in which Mike Nelson (Michael J. Nelson), an average human man and two robots, Tom Servo and Crow T. Robot (Kevin Murphy, Bill Corbett) make comments at bad movies takes on a 1960 TV version of Hamlet made for German television.

Many MST3K fans consider this one of the weakest episodes of the series because they feel the movie is too plodding, slow, and intellectual for the Mystery Science Theater treatment. However, it is a very witty and humorous take on Shakespeare’s classic. Many of the riffs that Nelson and the robots make are based on comments many have made over the years about Hamlet’s character and the play.

When Hamlet (Maximillian Schell) says the immortal line “To be or not to be,” Mike counters with “the verbal equivalent of Dum-Dum-Da-Da-Dum” (Beethoven’s Fifth Symphony). Mike helpfully summarizes the famous monologue as “so I’m a chicken for not stabbing myself, that’s all you needed to say!” Many times the trio yell for Hamlet to “Sum up!” or wonder “is there a word in the English language that he hasn’t said?”

The host segments during the episode are pretty clever as well. In one, the robots impersonate the ghost of Mike's father (who's very much alive). In another Tom and Crow reveal various alternate versions of Hamlet such as using percussion instruments to represent the characters. Another is “Alas Poor Who?” in which Mike encourages the robots to recognize careerly dead celebrities by their bones (a take on the “alas poor Yorick” soliloquy). The best segment is the final one in which the robots present a Hamlet action figure which doesn’t do very much but has the world’s longest pull cord. Meanwhile, an irate Fortinbras (Murphy) is furious that once again he has been cut out of the film version, parodying the many times when filmmakers cut out his subplot for time. (This time though the fault lies with the MST3K team, who cut the Fortinbras subplot from the German production to fit the series’ 90 minute time frame.)



11. The Shakespeare Stealer Series (The Shakespeare Stealer, Shakespeare’s Scribe, and Shakespeare’s Spy) (1998-2003)

YA book series; Author: Gary J. Blackwood, Publisher: E. P. Dutton

Connection to Shakespeare: Various including Shakespeare himself, Hamlet, All’s Well That Ends Well, and Pericles: Prince of Tyre et al


This is an excellent book series about the lives of Shakespeare and his fellow players in the Lord Chamberlain’s Men. In the first book, The Shakespeare Stealer, Widge, a young orphan is hired as a scribe for a sinister character, Simon Falconer. Noting the boy’s ability to copy words rather quickly, Falconer orders young Widge to transcribe and steal a copy of Shakespeare’s Hamlet. Widge ingratiates himself onto the Players and accepts

being a part of them and finding a family that he never had.

The books present a very fascinating insider’s look at the Players’ world. Many details are dwelt on such as young boys, like Widge, are recruited to play the female roles. Many fascinating tid-bits are sprinkled throughout the series such as the scripts that only exist

 in parts for each actor to avoid theft (which presents a problem for Widge) and the expensive beautiful costumes that cost more than an average player’s salary.

Blackwood also wrote Shakespeare and his Players rather well. Shakespeare is written as a loving fatherly head of the group, but sometimes insecure in his talents, constantly questioning his works. The other Players are memorable as well such as Richard Burbage, the highly talented but emotionally cold lead actor, Ned Shakespeare, Will’s charming and immature younger brother, and Robert Armin, a comic actor who takes a fatherly interest in Widge.

 

10. Shakespearean Whodunnits: Murders and Mysteries Based on Shakespeare’s Plays (2000)

Book Anthology; Editor: Mike Ashley, Publisher: Barnes & Noble

Connection to Shakespeare: Various including Shakespeare himself, Richard III, Cymbeline, A Midsummer Night’s Dream, Henry V et al


I mentioned this anthology before in my review of “Other Sides of the Stories: Favorite Alternate Points of View,” and the short story “Macbeth: Toil and Trouble”  but it gets a second mention in this list because of how the authors frame the works of Shakespeare over the concepts of murder mysteries.

Like many anthologies, the stories run the gamut in quality. They include the very bizarre “Richard III: The Shadow That Dies” by Mary Reed & Eric Mayer and “Cymbeline: Imogen” by Paul Barnett in which characters receive unusual assistance to commit crimes.

Like in Shakespeare’s plays, the supernatural comes into focus in many stories intending to interfere with the characters’ lives beyond the final act. In “A Midsummer Night’s Dream: A Midsummer Eclipse” by Stephen Baxter, Puck is invited to solve the murder of Lysander at the behest of Queen Hippolyta. Using his abilities of shape shifting and verbal by-play, the wily sprite not only solves the murder but discovers a closer connection between himself and the human world which Shakespeare did not dream.

The short stories allow the writers and the characters to address issues that were lacking in the original plays. For example the moving, “Henry V: The Death of Falstaff” by Darrell Schweitzer provides some long-awaited closure in the friendship between Falstaff and Prince Hal AKA Henry V.

Shakespeare himself takes center stage in the final two stories, particularly the clever “The Collaborators” by Rosemary Aitken in which two family members of Anne Boleyn, the mother of Queen Elizabeth, detect similarities between Shakespeare’s body of work and the death of their relation. This story presents interesting and symbolic parallels between Shakespeare’s fantasy world and the real political world of Renaissance England.



9. Othello (2001)

TV Movie; Director: Geoffrey Sax, Teleplay: Andrew Davies, William Shakespeare, Cast: Eammon Walker, Christopher Ecclestone, Keeley Hawes, Richard Coyle, Rachael Stirling, Joss Ackland, Bill Paterson, Christopher Fox, Allen Cutts, Patrick Meyers

Connection to Shakespeare: Othello


Many prefer the high school drama, O but, for me, the ultimate modern version of Shakespeare’s Othello is this version made for British television and aired on Masterpiece Theatre. It is a winning variation of Shakespeare’s play that uncomfortably reminds us that the themes Shakespeare wrote about like racism, domestic violence, scandal, and infidelity are all too real today.

In an attempt to promote racial solidarity amongst London minorities and the police force, the Home Secretary and Prime Minister choose John Othello (Eammon Walker) to be the next police Commissioner over the former Commissioner’s second-in-command, Ben Jago (Christopher Ecclestone). Jago vows to ruin Othello’s career on the police force by interfering with cases and Othello’s marriage to the wealthy and white, Dessie Barbant (Keeley Hawes) by implying that she is having an affair with Michael Cass, their colleague (Richard Coyle).

The script follows Shakespeare’s original play with a vengeance including all of the highlights such as Jago’s verbal manipulations of Othello (including Othello’s various claims that Jago is “the only friend (he) can trust.”). However, it uses modern technology to move the plot forward. Jago anonymously posts messages on a Neo-Nazi website to bash Othello’s promotion and his marriage to Dessie and also to create a stalker incident in which Dessie will need bodyguard protection from (and lots of alone time with) Cass. The modern version of the circumstantial evidence to reveal Dessie and Cass’ alleged affair involves Jago’s lying about DNA tests. The modern setting gives a wider avenue for Shakespeare’s themes to be explored and more tools at Jago’s disposal against Othello.

The performances are excellent particularly Ecclestone’s Jago. When he breaks the fourth wall,  Jago reveals his real motives for ruining Othello’s life wasn’t about race or politics, but love “simple as that” (giving a possible motive for Iago’s “motiveless malignancy.”)



8. Something Rotten: A Thursday Next Novel (2004)

Novel; Author: Jasper Fforde, Publisher: Viking Press

Connection to Shakespeare: Hamlet


Jasper Fforde’s Thursday Next series is filled with Shakespearean references. In the first book, The Eyre Affair, Thursday Next and her then-boyfriend, Landen Park-Laine go to a performance of Richard III that seems more like the Rocky Horror Picture Show. In the books, Lost in A Good Book and the Well of Lost Plots, Shakespearean characters like Falstaff inhabit Fforde’s Book World and interact with Next and various other literary characters such as Lewis Carroll’s The Red Queen, Charles Dickens’ Miss Havisham, and Harriet Beecher Stowe’s Simon Legree. But by far the volume in the series with the most Shakespearean allusions is Something Rotten, the fourth book in the series.

When Thursday decides to leave the insane Book World to return to her home in Swindon and to find her missing husband, Landen, she takes Hamlet with her. The princes’ motives for leaving his book are over concerns that he was being misrepresented as “a ditherer.”  Thursday narrates, “Hamlet would worry about having nothing to worry about and since he was the indisputable star of the Shakespeare canon and had lost the Most Troubled Romantic Lead to Heathcliff once again at this year’s BookWorld awards, the Council of Genres thought they should do something to appease him.”

Like the rest of the series, Something Rotten is a buffet for bookworms and is filled with clever allusions and references. While in the real world (or the Outland as the fictional characters refer to our world), Hamlet reads and observes various versions of his story. He confesses to being a big fan of Mel Gibson (“Horatio is played by Danny Glover yes?”) and weighs which ones portray him as more of a man of action. Meanwhile back in BookWorld, Hamlet’s colleagues, still furious that Rosencrantz and Guildenstern had their own play, want to rewrite the story to reflect their own bias. (Polonius’ version is called “The Tragedy of the Very Witty and Not Remotely Boring Polonius, Father of the Noble Laertes, Who Avenges His Fair Sister, Ophelia Driven Mad the Callous, Murderous, and Outrageously Disrespectful Hamlet, Prince of Denmark”)

Above all Something Rotten, like the rest of the Thursday Next series pays tribute to interaction between the creator and the reader of a work. This is particularly important in the dialogue between Hamlet and Thursday in which Thursday remarks that every character the reader reads is an amalgam of people they’ve met, read, or seen before. “Because every reader’s experiences are different, each book is unique for each reader,” she said and says that the reason why people like Hamlet is “because to each their own Hamlet.”



7. “Judith Shakespeare” A Room of One’s Own (1929)

Essay; Author: Virginia Woolf, Publisher: Forum Magazine

Connection to Shakespeare: Shakespeare himself


In her series of lectures at Newnham and Girton Colleges, Virginia Woolf stated “that a woman must have money and a room of her own if she is to write fiction.” She wondered if women were free to produce works the quality of Shakespeare’s and addressed the limitations women faced such as societal responsibilities or restrictions towards education.

To illustrate her example, Woolf created a fictional sister of Shakespeare’s, Judith. In Woolf’s narration, Judith Shakespeare was as equally talented as her brother and had developed a gift of language. But because she was female, Judith was denied the same opportunities to go to school and to develop her craft for writing. “She was as adventurous, as imaginative, as agog to see the world as he was. But she was not sent to school,” Woolf said. Judith is often chastised by her parents for reading books when she should be at home doing the mending. Judith is then betrothed and objects by running away to join a theatre company but is rejected because of her sex. While Shakespeare becomes a legend, Judith is abandoned by a lover, becomes pregnant which makes a life of writing impossible, and kills herself in despair, becoming unrecognized.

In her fictional portrayal, Woolf illustrated how difficult it was for many female artists and authors to be accepted and encouraged and why so few were well-known by the time Woolf was being educated. Woolf explained why it was important to encourage women to explore creative talents so the next generation of Judith Shakespeares would not go unnoticed.

The concept and theme of Shakespeare’s imaginary sister has itself achieved popular and academic culture recognition. In her book Well-Behaved Women Seldom Make History, historian Laurel Thatcher Ulrich compares the fictional Judith Shakespeare with the real-life Renaissance female artists like Artemisia Gentileschi to show that some of the lucky ones achieved recognition. The title “Shakespeare’s Sister” has been used for various means such as a song by The Smiths and (minus the second “e” in Shakespeare) the pop/rock duo of Siobhan Fahey and Marcella Detroit.

Incidentally, Shakespeare did have a sister named Joan and a daughter named Judith, but there is no evidence that either had his gift of language and neither of them killed themselves. In fact they married and had many children before dying of natural causes.



6. “Once Upon A Time” The Prisoner (1968)

TV Series Episode;  Director: Patrick McGoohan, Teleplay: Patrick McGoohan, Cast: Patrick McGoohan, Leo McKern, Angelo Muscat, Peter Swanwick, John Cazabon

Connection to Shakespeare: As You Like It


Patrick McGoohan’s 1960’s TV series, The Prisoner is one of the most unique series ever. The protagonist (McGoohan), known only as Number Six, is sent to a Village where various leaders, called Number Two, try means of breaking him using different methods like mind control, hallucinogenic drugs, rigged elections, and rote education. The Numbers Two wants to know why Six resigned his job as a secret agent and Six wants to know who is controlling the Village (who is the Number One pulling the strings). In its 14 episodes, The Prisoner is filled with allusions, symbolism, and references so it's no surprise that the penultimate episode, “Once Upon A Time” is a tribute to one of Shakespeare’s most famous monologues: “The Sevan Ages of Man” (AKA “All the world is a stage…”) from As You Like It.

Number Two (Leo McKern) uses the seven ages in a series of psychotherapy/role playing to learn Six’s secrets. In this bizarre technique, called “Degree Absolute,” the two are locked in one room for one week and replay various scenarios throughout Six’s life.

In each scenario, Two takes the form of an authority figure such as Six’s father, headmaster, judge, or employer and questions Six taking the form of himself as a small child, schoolboy, reckless driver, and employee. All are used for the intention of learning

why Six resigned. This episode gives great visuals to the famous monologue such as McGoohan literally becoming the “whining schoolboy with his satchel/And shining morning face, creeping like snail/unwillingly to school.”

The interrogation techniques becomes more dramatic as Two becomes a military jailer to Six’s prisoner of war. The two men exchange a battle of wits that gets more frantic as Two collapses from the strain while quoting the final age: "second childishness and mere oblivion/Sans teeth, sans eyes, sans taste, sans everything.” He later concedes victory to Six and collapses from exhaustion while a screechy voice counts down and yells “Die, Six die!”

Six’s “reward” for surviving “Degree Absolute” is the arrival of a smug Supervisor (Peter Swanwick) who asks Six what he wants. Six’s answer is a short “Number One.”

“I’ll take you to him,” the Supervisor replies leading The Prisoner to its memorable and ambiguous finale, “Fall Out.”



 

5. “The Bard” The Twilight Zone (1963)

TV Series Episode; Director: David Butler, Teleplay: Rod Serling

Cast: Rod Serling, Jack Weston, John Williams, Burt Reynolds, Henry Lascoe, John McGiver, Howard McNear, Judy Strangis, Marge Redmond, Doro Merande, William Lanteau, Clegg Hoyt, Paul Dobov, John Newton, Diane Sayer, Jason Wingreen

Connection to Shakespeare: Shakespeare himself


This episode is one of the funniest ones in Twilight Zones’ repertoire. A hack screenwriter, Julius K. Moomer (Jack Weston) needs to find a good script. Moomer finds a book of black magic and uses it to summon William Shakespeare (John Williams) from the dead to write a screenplay for television with Moomer writing additional dialogue.

The episode is memorably hilarious as Shakespeare peppers his dialogue with quotes from his own plays, complete with trumpet fanfare. Williams’ portrayal of the playwright is also clever and sarcastic particularly in his scenes with Weston’s bombastic Moomer. When Moomer begs Shakespeare to continue writing with him insisting that he will be a household name again, the famous playwright dryly counters, “With all due modesty, Mr. Moomer the name ‘William Shakespeare’ has survived the test of time without the assistance of Julius K. Moomer.”

Aside from the Shakespearean references, the episode is also a not-too-subtle jab at television based on Serling’s own issues writing for the medium. When Shakespeare attends a rehearsal of his script, he is furious at the changes that the sponsor wants to make, such as deleting a suicide, omitting much of the dialogue, and limiting

the script to an hour. (In reference to Zone’s fourth season episodes moving from 30 minutes to a 60 minutes time slot much to Serling’s chagrin.)  Serling’s script also tore

into Method actors in the character of Rocky Rhodes, humorously played by Burt Reynolds, an obvious parody of Marlon Brando complete with  previous experience starring in Tennessee Williams’ A Streetcar Named Desire, mumbling speech, and constant asking what his motivation is.

Furious, at the changes and the attitudes of the sponsors, Moomer, and Rhodes, Shakespeare punches Rhodes and walks off declaring “to you Julius Moomer….lots a’ luck!” Undaunted, Moomer receives a request to write a screenplay on American History and once again uses the book of black magic, this time to call on Robert E. Lee, Ulysses S. Grant, George Washington, Abraham Lincoln, Daniel Boone, Pocahontas, Benjamin Franklin, and Theodore Roosevelt.


4. West Side Story (1960)

Theatre/Film Musical; Director: Robert Wise, Jerome Robbins, Music and Lyrics: Leonard Bernstein and Stephen Sondheim, Book: Arthur Laruents

Cast: Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris, Russ Tamblyn,

Connection to Shakespeare: Romeo and Juliet


While Romeo and Juliet has never been a favorite Shakespeare play of mine, this classic  Leonard Bernstein-Stephen Sondheim musical based on Shakespeare’s play of star crossed lovers is one of the best. The musical transplants the play to 1950’s New York in which Romeo is replaced by Tony (Richard Beymer), a former leader of the Jets, a street gang of second-generation European immigrants and Juliet is replaced by Maria (Natalie Wood), the sister of the leader of the Sharks, a gang of Puerto Rican immigrants.

West Side Story copies many of Shakespeare’s motifs and builds on them. By portraying the feuding Montague and Capulet families as rival street gangs, the musical gives the play more immediate connotations that touch on bigger issues such as racism, immigration, street violence, and the problems and ambitions of the American Dream.

Many of the scenes and characters from the play are mirrored in the musical such as the events of the musical beginning with two minor members of the Jets getting beaten echoing how the events of Shakespeare’s play begin with two Montague servants getting beaten. The comical scene in which Romeo and his friends harass Juliet’s Nurse becomes darker and more sinister when the Jets attempt to rape Maria’s sister-in-law, Anita (Rita Moreno) who declares that if any of the Jets were bleeding, she would spit on them.

The balcony scene from Romeo and Juliet becomes instead a song on a fire escape in which Tony and Maria declare their love in the stirring duet, “Tonight.” Instead of a real wedding, the two lovers stage a mock wedding with mannequins in the song, “One Hand, One Heart” which starts out playful as Tony and Maria pretend the mannequins are their parents, friends, and family members. The scene becomes serious when the two lovers contemplate their love and the violence and hatred around them which leads to an unhappy conclusion for all involved.

3. House of Cards Series (UK) (House of Cards, To Play the King, The Final Cut) (1990-1995)

TV Series; Director: Paul Seed, Teleplay: Andrew Davies, Michael Dobbs

Cast: Ian Richardson, Diane Fletcher, Susannah Harker, David Lyon, Miles Anderson, Alphonsia Emmanuel, Malcolm Tierny, Nicholas Selby, Damien Thomas, Colin Jeavons, William Chubb, Michael Kitchen, Kitty Aldridge, Nicholas Farrell, Rowena King, Jack Fortune, Bernice Stegers, Erika Hoffman, Nick Brimble, Isla Blair, Paul Freeman, Nickolas Grace, Yolanda Vazquez

Connection to Shakespeare: Richard III, Macbeth

Instead of Kevin Spacey and Robin Wright, go with the original. The  American House of Cards pales in comparison to the original UK version based on Michael Dobbs’ novel, starring Ian Richardson as Prime Minister Francis Urquhart and was inspired by Shakespeare’s Richard III and Macbeth.

When Urquhart, Parliament’s Chief Whip, is passed over for a key position, he schemes to take the place of the current Prime Minister Hal Collingridge (David Lyon). Urquhart then uses a scandal involving Collingridge’s alcoholic brother and some stock shares as well as Urquhart’s affair with a bright but unstable journalist, Mattie Storin (Susannah Harker) to force Collingridge’s removal.

As shown with his modern adaptation of Othello, screenwriter Andrew Davies knows how to move Shakespeare to modern day and he does it brilliantly. In the three episodes of the series, Urquhart gets rid of political rivals, the King of England (Michael Kitchen),

and various former lovers and colleagues that stand in his way. Urquhart uses scandals, wiretapping, computer files, blackmail and murder to achieve his means. He addresses the sinister rumors to his character by using the catchphrase that has taken on a life of its own in British politics: “You may think that if you like, I can’t possibly comment.”

Urquhart is assisted in his ambitions by his scheming wife, Elizabeth (Diane Fletcher), who creates gossip, sets her husband up with different lovers, and arranges assassinations just as surely as her husband does. It is sort of like what would have happened if Richard III and Lady Macbeth combined their forces to fight their common enemies.

In a clever touch worthy of Shakespeare himself, Davies allows Urquhart to  break the fourth wall and address the audience proving that the soliloquy is alive and well. During a confrontation with the kind-hearted, King, Urquhart asks the viewer “I think it’s gloves off time at the Palace don’t you?” These monologues not only allows Urquhart to draw the viewer in to his confidence but makes them complicit even an ally in his schemes. When he throws Storin off the Parliament roof to her death in the first series, Urquhart dares the camera and the viewer to judge him by repeating his catchphrase sharply that we may think what we like, “(he) can’t possibly comment.”



2. The Shakespearean Fantasy Series (Ill Met by Moonlight, All Night Awake, Any Man So Daring) (2001-2003)

Book Series; Author: Sarah A. Hoyt, Publisher: Berkley Press

Connection to Shakespeare: Shakespeare himself and various plays including A Midsummer Night’s Dream, Hamlet, Romeo and Juliet, The Tempest, King Lear et al


Shakespeare and fairies make a perfect union and no one explores that union better than fantasy author, Sarah A. Hoyt in her Shakespearean Fantasy series beginning with Ill Met by Moonlight. In the first book in the series, Shakespeare’s wife, Anne and daughter, Susannah are kidnapped by the Fairy King, Sylvanus. The future playwright, then a petty schoolteacher, joins forces with Prince Quicksilver, seeking vengeance against Sylvanus for the murder of their parents and his dethroning.

The series is beautifully written as Hoyt creates a lovely world that the fairies inhabit.

There are beautiful details to the Fairy culture such as when noble fairies watch the behavior of mortals through dew drops. The Faerie World is filled with unique characters such as The Hunter, a creepy character of fairy legends which gains prominence in the final book.

The characters are winning as well, particularly Shakespeare, who is not yet the literary legend. Instead, he is a self-doubting insecure character who is concerned about his talent and his family. Quicksilver is also fascinating as he can transform from a male to a female form (and seduces many like Shakespeare in those forms).

Above all, the books are filled with references and allusions to Shakespeare’s works. After his parents’ deaths, Quicksilver is accused of wearing black and moping (like a certain melancholy Dane). There is a character named Ariel, bearing more than a passing resemblance to the character in The Tempest. As a character is dying, he chants “A plague on both of your houses,” a line that is later echoed in Romeo and Juliet. In his female persona, Quicksilver gives a potential identity to the unknown mysterious Dark Lady of Shakespeare’s sonnets.


 
1.”The Mirror”/“City of Stone” Gargoyles (1995)

TV Animated Series Episodes; Director: (“The Mirror”) Frank Paur, (“City of Stone”) Michael Reaves, Teleplay: (“The Mirror”) Lydia Marano, (“City of Stone”) Brynne Chandler-Reaves, Lydia Marano, Cast: Keith David, Salli Richardson, Marina Sirtis, Jeff Bennett, Ed Asner, Thom Adcox Hernandez, Bill Faggerbake, Frank Welker (both), Brent Spiner (“The Mirror-“only), Jonathan Frakes, John Rhys-Davies, Kath Souci,

Neil Dickson, Emma Samms, Ed Gilbert (“City of Stone”-only)

Connection to Shakespeare: A Midsummer Night’s Dream, Macbeth


There is a personal reason that I chose this as Number One: While I read Romeo and Juliet, Julius Caesar, and Macbeth in high school, these episodes made me love Shakespeare’s works. I adored “The Mirror” and a day after “City of Stone” aired, I borrowed a book on Shakespeare’s plays from the library and instantly became hooked.

Anyone who grew up in the ‘90s remembers this brilliantly written and amazingly animated Disney TV series about gargoyles that turn to stone during the day and arise at night to protect Manhattan’s residents from villains. The series was quite intelligent bringing in characters from Shakespeare like Macbeth, Puck, and the Weird Sisters (the latter two are members of “The Third Race, The Children of Oberon, fairies” introduced in the series’ second season) into the mix giving the animated series a literary dimension not seen in many other cartoons before or since. The best episodes in the series, “The Mirror” and “City of Stone” develops the regular Gargoyles characters but also Shakespeare’s as well.

“The Mirror” is one of the funniest and the best episode of the series. After being defeated many times by the protagonists, Demona (Marina Sirtis) one of the show’s primary antagonists uses a magic mirror to summon Puck (Brent Spiner) and binds him in iron to obey her commands. She commands Puck to get rid of Elisa Maza (Salli

Richardson), the Gargoyles’ human friend and potential love interest for lead gargoyle, Goliath (Keith David). Puck turns Elisa into a gargoyle which Demona (who hasn’t seen the results of Puck’s transformation) tells him to do the same to the rest of Manhattan. When she sees an island filled with humans-transformed-into-gargoyles, an incensed Demona demands that he turn the gargoyles back into humans, which he does-to Goliath and his clan.

This episode is filled Shakespearean comedy concepts of mistaken identity and confusion, such as when they are under a spell Elisa and the Gargoyles believe that they have always been a gargoyle or human. There is also the idea of transformation that is so paramount in Shakespeare’s comedies. A scene that illustrates this is when

when the bemused Gargoyles first see the island filled with gargoyles wearing clothes, shopping, and riding subways (including a trio of pretty female gargoyles giving the younger clan members the eye). “It’s kind of weird, neat but weird,” says Lexington (Thomas Adcox-Hernandez). Of course the episode pays tribute to Shakespeare’s romances in a scene in which Goliath looks at Elisa’s gargoyle form and says that “(he) never noticed how beautiful (she) was.” “You mean I was ugly before?” Elisa teases.

Above all, the scene stealer in the episode is Spiner’s Puck who is clearly having a good time throughout playing on Demona, Elisa, and the Gargoyles. In the end, he emerges the victor, as he gives Demona a parting shot that changes her throughout the rest of the series.

If “The Mirror” is a winning tribute to Shakespeare’s comedies then the four-part story arc, “City of Stone” is a memorable tribute to Shakespeare’s tragedies using Macbeth

(John Rhys-Davies) as a centerpiece. Demona is once again planning on using magic to attack the humanity of Manhattan, this time by turning them into stone at night by chanting a spell on television. The Gargoyles are determined to stop her, teaming up with multimillionaire/antagonist, David Xanatos (Jonathan Frakes). Meanwhile Macbeth and The Weird Sisters (eerily played by Kath Souci) are observing the situation with their own private agendas.

While the modern story is solid and suspenseful, the highlight is the flashback storyline which details the backstory between Demona and Macbeth. The show’s writer's reference

Shakespeare’s portrayal of the Scottish king by surrounding the storyline with the magic, fatalism, and sinister aspects of the play, such as when The Weird Sisters (here fairies instead of human witches), prophesize that both Macbeth and his cousin, Duncan will become kings and fathers of kings.

The writers also acknowledge the historic Macbeth, by revealing the king as a wise and just ruler and Lady Macbeth as a loving wife who are undone by the brutish Lord Gilcomgaine and the scheming Duncan whom Macbeth wants to seek revenge against for murdering his father and attempting to murder him.

 Demona also is involved in the life of Macbeth by aiding Macbeth in attacking his enemies for her own benefits waging war against humanity for the betrayal and murder of her clan-a betrayal that she helped arrange. The two become further linked in a pact with the Weird Sisters that makes them immortal until one destroys the other. In writing the backstory of Demona and Macbeth as figures who seek vengeance and justice ultimately bringing about their own ends, the writers of Gargoyles play on one of Shakespeare’s tragic themes of characters that bring destruction to themselves by their own behavior and choices.

Honorable Mention: Master Hal and The Boys by Athol Fugard, A Thousand Acres by Jane Smiley, Rosencrantz and Guildenstern Are Dead by Tom Stoppard,  "Ill Met By Moonlight"/"The Gathering", Gargoyles, Lion King II: Simba's Pride, Romeo's Ex: Rosaline's Story by Lisa Fiedler, I, Iago by Nicole Galland, "Taming of The Shrew," Moonlighting, "St. Crispin's Day"/"Romeo's Troubles," Studio C, and 10 Things I Hate About You