Sanity Test by K.E. Adamus and Fate's Last Melody by Vanessa Smith

 

Sanity Test by K.E. Adamus 

This review is a summary. The main review is on LitPick.

Sanity Test is a short but very disturbing look at two very troubled, conflicted, and potentially delusional men

This is a series of emails between Hubert Kawka and Wlodzimierz Pawski. Their emails reveal a great deal about their characters and perspectives through the emails. 

It appears that Kawka is a mentally ill patient in a psychiatric hospital and Pawski is his primary carer, but as the emails continue they become more frantic and questionable. The reader starts to wonder who is sane and who isn’t and who exactly these characters are in relation to each other.

Kawka straddles between childlike impulsivity and frightening sociopathic behavior. Through his emails, he describes a series of dramatic means to get Pawski's attention. He harbors an unhealthy fixation to an unhealthy obsessive degree and is gaslighting the other man. 

However, Pawski’s emails also raise concern. He is more emotional and threatening from the initial emails. This is definitely a potential sign that things are not what they seem and adds to the overall uncertainty that we can’t trust either of these men.

As Pawski becomes more unstable, Kawka becomes more reasonable which leaves the reader with questions about who is real, who is fictional, who is sane, who is insane, and who we can trust. The book gives us no real answers and leaves the reader to make their own conclusions to understand this strange and disturbing duo, 

Fate's Last Melody by Vanessa Smith 

This review is a summary. The main review is on LitPick.

Fate's Last Melody has a strong sense of setting and tone by depicting Hell with all of its overall darkness, graphic violence, scares, and ominous energy coming out from every corner. There is a sense of abandonment, hopelessness, and desolation that exists primarily throughout the book. 

Melody is a woman who is abducted during a night on the town with some friends and a potential boyfriend. Her abductor is not a human psychopath. He is a demon named Nyx who takes her to Hell, where she learns that she is the daughter of one of the Fates from Greek Mythology. Melody has to find her way through Hell and learn how to use her inherited powers of seeing and changing other's Destinies before she meets The King of Hell who has his own agenda involving Melody. 

Melody’s first view of Hell is a dark desolate place shrouded in shadows. The descriptions aggravate the senses and the landscape shapes itself to torture those suffering. Needless to say, it's not a pleasant experience.

Smith makes her version of Hell a composite of different mythologies most notably Abrahamic religions and Hellenic Mythology. Hell is led by The King of Hell who is so vaguely described that he could be either Lucifer or Hades, so it could go either way. The Judeo-Christian influence is shown primarily through the 7 Deadly Sins while the Greco-Roman aspects are revealed mostly through the presence of the Fates and the Titans.

There is an overall feeling of helplessness and abandonment until the end when Melody and other characters are inspired to fight against The King of Hell. But there are some potential questions about the actions that were taken to do this which suggests that Hell might end up with another dictator, one who will also torture others for eternity, inflict pain, and control others.

Hope in Paris (The Teddy Bear Chronicles Book 1) by Donnalyn Vjota; The Adventures of The We Really Care Bears

 

Hope in Paris (The Teddy Bear Chronicles Book 1) by Donnalyn Vjota; The Adventures of The We Really Care Bears

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: I am going to give a warning before I begin the review. Bear with me now.

Donnalyn Vjota’s book Hope in Paris: The Teddy Bear Chronicles is NOT a children’s book. Yes it is narrated by three plush teddy bears. Yes, it’s a cute concept and there are even some moments that could be considered adorable. But this is a book that is written for adults (maybe teens but adults are the central target audience.) Adult themes like domestic abuse, mental illness, sex, stalkers, mid-life crises, familial abandonment, addiction, and murder are important plot points. Now that's over, on with the review. 

The idea of an adult novel told from the point of view of stuffed animals has potential to be an overly cutesy saccharine fluff piece or a Contemporary Fantasy in which the humans interact with the toys ala Ted or the toys talk to each other ala Toy Story. But despite the odd premise, Vjota actually writes the book, Hope in Paris, as straight and as realistic as she can. With of course the added caveat that the narrators of the book are a trio of stuffed bears belonging to some damaged and helpless humans that need some assistance to make their difficult lives more bearable. 

The three bears are:

Fair Bear was won at the Illinois State Fair by Mark as a gift for his girlfriend, Haley. Haley left and now Fair Bear lives with Mark and his new girlfriend, Kelly. However, the relationship between Kelly and Mark is becoming toxic and abusive and Fair Bear has to be an eyewitness to various violent acts, particularly getting thrown around by this pair of angry humans.

Love Bear is owned by Richard, who is perpetually unlucky in love. He promised his deceased mother that he would settle down and marry the right woman but his ideas about romance are overwhelming. On the third date, he tried to give an expensive gift and Love Bear to them as a marriage proposal which they turn down leaving him alone with his plushy ursine friend.

Sleepy Time Bear is the companion of Ms. V, an American former actress turned drama teacher living in Paris and working at an orphanage. She has mental health difficulties and a mysterious past that gets revealed through the course of the book.

 The three bears and their humans are thrown together in Paris where they end up linked to each other in surprising ways that will give them and the Readers great paws.

One of the most interesting and endearing touches to the book are the bears themselves, their narrative voices, and their relationships with their human companions. It's particularly amusing how the humans take their bears everywhere they go to the store, to a cafe, on a date, on vacation, and just about everywhere else. Of course Vjota did this for narrative purposes so the bears could report on important plot points but there are deeper possibilities. It could be that they are that lonely and desperate for someone, anyone to talk to, confide in, and hold onto even if they can't move or talk back to them. 

The bears awaken those inner children who used their imaginations to find a temporary escape from their sadness and despair. Having a Bedtime Bear Care Bear on my bed who watches with Grogu, Sadness, Hilda The Plush Witch, and Trixy The Plush Black Cat as I work from home, get depressed, have panic attacks, stress about deadlines, get lost in a book, and ruminate about middle age, I completely understand the need to have those comfort objects when we just can't bear it any longer. 

These characters’ emotions run the gamut between too hot, too cold, and just right.They alternate between childlike naivete and deep awareness. There are things that they don't completely understand about the human world that surrounds them. For example, Sleepy Time Bear confuses one of Ms. V's psychotic breaks with a play rehearsal. It just assumes that she's talking in character and playing a role when one of her alternate personalities or delusions take over.

This childlike innocence gives them an empathetic understanding towards their human friends. Sleepy Time is presented by Ms. V at night to orphans who can’t sleep. It is also there as a friend shaped shoulder to cry on when Ms. V is overwhelmed by her illness and estrangement from family members. Sleepy Time Bear is a silent observer that loves her and never judges her and instead opens its furry arms in comfort and acceptance.

Sometimes the bears are wiser than the humans. That is particularly true with Love Bear and its relationship with Richard. While it is a bear that represents romance, Love can be very sardonic and frequently snarks about the human friend. After observing Richard missing flirtatious cues from a woman named Rachel, Love Bear practically face-paws with embarrassment from inside its bag. “The man does not know flirting even when it's standing in front of him and named Rachel,” Love fumes. 

At times, Love practically acts as Richard’s wing man uh bear observing his companion’s dates and commenting on his failures and successes. However, Love is also aware that Richard is lonely and wants to love and be loved. He just doesn’t know how to pursue it and has overblown fantasies about what it should mean. Once he learns to slow down and let a relationship take its course, Richard is able to show himself to be the nice sweet slightly geeky but solid dependable guy that Love Bear knows him to be. The type of man who anyone would be interested in taking their relationship fur-ther.

The book gets incredibly dark particularly during Fair Bear’s chapters that focus on Kelly and Mark’s troubled relationship. There are moments of anguish when Fair observes Kelly getting beaten and threatened by her boyfriend. It wants to do more to help but knows that it is limited since it's just an inanimate object and unable to physically help her. It’s just an object for her to cuddle and pour her heart out to when she can't take it anymore.

However, a twist occurs in which Fair turns out to contribute more than just comfort for Kelly. In fact, it becomes an important clue that inspires Kelly to leave Mark and find evidence against him when she learns of his criminal history. She is grateful for Fair Bear’s unintentional assistance and when she finally departs, she takes the grateful bear with her. Kelly definitely chose the bear but this time the bear also chose her. 

The teddy bears in the book may be inanimate and unable to actually communicate with their human friends but they are also catalysts for them to change and improve their lives. To leave broken relationships and dead end jobs. To find real love. To rediscover their roots and reunite with people they thought were gone from their lives. To reinvent and rediscover themselves. To become self-actualized and authentic. They reached for the bears for companionship and to soothe aching hurts and instead changed their lives for the better. Thanks to their furever friends. 

Time Fixers (Miles in Time Book 2) by Lee Matthew Goldberg; Time Travel YA Continues with a Timeless Volume

 Time Fixers (Miles in Time Book 2) by Lee Matthew Goldberg; Time Travel YA Continues with a Timeless Volume 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Well The Hardy Boys are at it again. No, not those Hardy Boys. Simon and Miles Hardy, the time traveling brothers from Lee Matthew Goldberg’s 2-Part YA Science Fiction Time Travel series. The first volume, Miles in Time, involved the adventurous detective Miles going back in time to prevent his scientific technogeek older brother, Simon from being murdered by unidentified assailants. He saved his brother but made a mortal enemy in Omni, the secret sinister organization that put the initial target on Simon’s back. 

The second volume, Time Fixers is a stronger, more personal, and also more focused adventure that raises the conflicts. This time Simon is able to improve his time travel device to travel beyond the previous week. Instead it can send the traveler back to 1999. For the brothers, that means one important thing. In the present, their mentally ill mother is institutionalized. They can go back to when she was in high school and resolve the family trauma that led to her years of addiction and mental illness. The brothers are not alone. Miles told his girlfriend, Maisie about the previous time traveling adventures. She comes with, hoping to resolve a family conflict of her own with her missing mother. The trio become embroiled in not only their own family histories but the origins of Omni whose members might be all too familiar to them.

In the first book, the focus was on adventure with some family drama thrown in. This one reverses that by devoting more time on the family drama and minimizing the adventure but still making it an important part.

There is deep trauma that is explored particularly with Miles and Simon's mother, Patty. When they left her, she was addicted to pills, spoke in monosyllables and non sequiturs, and committed self-harm. The years of being broken and non-functional took their toll. She is lost to her family in the present so the brothers want to change her past.

Once they see Patty's family, Simon and Miles understand their mother more. Before they pitied and cared for her. Miles in particular often nursed her when his father, Kip could not. However, as much as they missed the loving and involved woman that she briefly was when they were small, she is now a remote cypher to them. They can't break through her precarious vulnerable exterior and have given up trying to communicate with her. She is less a mother to them and more of an object of pity, concern, and frustration.

In the past, they see their mother as a feisty multifaceted emotional girl who is hurt at home and trying different means to detach herself from that hurt. The brothers focus on the causes of what made their mother turn out the way that she did rather than the effects of what it created. Patty is a person who had her life ahead of her and could have lived it openly and creatively with plenty of love, acceptance, and support but was stopped by  abusive and narcissistic parents. The boys have to rescue their mother not only from her toxic home but from herself and the woman that she turns into.

Patty isn't the only person that the boys and Maisie try to help. They try to prevent a tragedy in Kip’s young life that left him withdrawn and falling into self-isolation. Maisie also recognizes her parents' struggles and insecurities so she doesn't end up alone. The teens are given insights into their parents as people, kids like them who were uncertain, confused, awkward, idealistic, intelligent, rebellious, immature, curious, surly, argumentative, cynical, and ready to challenge the world that their kids would later inherit. They are going through the same struggles about identity, acceptance, and belonging that their children are going through in the 2020’s.

There are  other aspects of the book that shine. There are  humorous moments when Simon, Miles, and Maisie go to the past and gape at the weird fashions, old fashioned technology, and the music. There are also clever references about the time period that border on nostalgic.

The adventure also goes through some fascinating twists, climaxes, and resolutions. The trio are stalked by enemies that use a variety of means like threats, manipulation, and feigning friendship to find their technology, divide, and destroy them.

It's also interesting to see Omni in its earlier form as a small organization with few employees but nefarious goals before its 2020's incarnation as a widespread conspiracy with various members, outlets, and schemes. We also see how the agents got involved with this organization, why they joined, and why they stayed when conscience should have told them otherwise. Similar to their parents, the kids see their adversaries as people who had reasons for what they did and could have lived different lives. Instead they chose a path that led to financial gain, corruption, violence and self-destruction.

Time Fixers is a brilliant book about how choice and trauma shaped our past and created our present. It also happens to be a great thrilling adventure to spend time with. 

Redemption The Last Order by Anirudh Vaishya; A Broken Reflection by Shelly M. Patel

 

Redemption: The Last Order by Anirudh Vaishya 

Redemption: The Last Order is a screenplay that is both cerebral and thrilling. It is equally a mental challenge and adrenaline rush. It would be interesting to see how it resonates as a film for moviegoers who like action military movies and those who like psychological and political thrillers. 

On his first mission PFC John Brandt is the only survivor in a strategic fiasco that ended with the deaths of his crew, a base destroyed in a nuclear standoff, and injuries that put him in a coma for five years. When he awakens, he is informed that he was in a simulation and the memory was one of his lieutenant’s. He’s awake but the rest of his team are still in their comas and his CO has died. His superiors are very interested in how he broke from the simulation and woke up as though his brain is somehow immune to the computer interface that his teammates are still in. Meanwhile, his journalist girlfriend, Amanda, is missing while covering a high profile story in China and war between the US and North Korea seems inevitable because of interference from Su Hyang, a former US ally/informer turned traitor. Weapons threaten to rain down on both sides and one location hits a bit too close to home for Brandt, literally. 

This is a very effective Thriller. The opening is tense as Brandt is faced in a worst case scenario that is meant to have no positive resolution. Every decision is calculated for him to lose which puts him out of his element. It’s an overwhelming and traumatizing experience that plays on many of the fears and anxieties of being in a warzone and knowing that every decision that one makes could be their last. 

That this is a simulation offers no comfort. In a way, it is very similar to The Manchurian Candidate or other films that play on the plan of brainwashing military personnel. They study the fears and anxieties and don’t have any considerations about what it might do to the participants. It is a microcosm of the concept of war itself in which people in the higher echelons send those in the lower to fight and die, testing their resolve, physical endurance, intellect, adaptability, strategy, and survival instincts. They send them to die and consider the results either unfortunate mistakes, acceptable losses, or satisfactory when more on the other side are killed.

Brandt’s relationship with other characters flesh out his personality. While there are many characters such as his mother, friends, and colleagues who awaken Brandt’s protective nature, there are two in particular that serve as counterpoints to Brandt’s journey. The first is Amanda. Sometimes romances are a distraction or an unnecessary subplot in the genre but in this specific case and context it works. 

Amanda is just as dedicated to her journalism career as Brandt is to his military career. Their encounters are not a passionate romance between lovers but a partnership of equals who use their different talents to report the truth and protect the people doing so. Their relationship is a realistic coupling of people in high risk stressful situations. They gravitate towards each other as an emotional release so when things are settled, they have a hard time functioning with the day to day dilemmas and conflicts like where are they going to live or what their future plans are. 

The other emotional counterpoint is Brandt’s father, Charles. He seems like a quiet unassuming guy but we later learn that he is more involved than he lets on. In an extended flashback, one of the highlights of the script, we learn Charles’ backstory and his close connection to the current events. We see him as a young inexperienced brilliant student and his allyship with another character. We also see how these past decisions shaped his son’s future and those of other key players. The tragedy is human error caused this situation. Things were done and said at the wrong time,place, and circumstances. Decisions were made that only peripherally involved the lead characters but led to distrust, suspicion, and a lifetime of rage, despair, revenge, and compliance. 

Redemption: The Last Order is the kind of screenplay that keeps you at the edge of your seat but makes you think about what you just observed. It says a lot about patriotism, free will, mind control, domination, propaganda, and what it really means to fight, die, and live for your country.

A Broken Reflection by Shelly M. Patel 

This is a shorter adaptation of this review, the full review can be seen on LitPick. 

A Broken Reflection presents an absorbing investigation with multiple viewpoints and leads but ends with a resolution that is disappointing, overdone, and does very little to make this variation unique or stand out from others.

Claire and Stephen seem to have an idyllic affluent married suburban life but it's all surface. There are cracks in their home life that are becoming more evident. Stephen has had many extramarital affairs and Claire is being seen by many colleagues and acquaintances as unstable and temperamental. Stephen’s infidelities and Claire's characteristics become more evident when a woman known to the couple has been found murdered. Claire is seen as a primary suspect especially when it turns out that the deceased woman was Stephen’s mistress. As bodies pile up, evidence gathers, and Claire and Stephen become more suspicious towards each other, Claire conducts her own investigation to clear her name. Meanwhile a very devious pair observe the events with their own agendas. Jessica has a dangerous fixation for Stephen and Cole is stalking the object of his affection: Claire.

There are some engaging bits, particularly as the characters are introduced and the investigation consumes them. Since the book is told from multiple viewpoints starting with Claire's, we already see the imperfections but not outright. Our sympathies move back and forth between Claire and Stephen depicting one another as abuser and victim, innocent and guilty. This causes the Reader discomfort and suspicion as we search for the real answers.

We peer into the points of view from various characters and we experience quite a few obsessions and potential motives. No one in this book comes off particularly well or likable. When the murders occur, it's not necessarily a question of whodunnit and is more who wouldn't do it?

By far the two most intriguing characters are Jessica and Cole. It says something in a cast of unstable dangerous people, that these two are the worst. Jessica is conniving and manipulative in her approach while Cole is more immature, having an almost adolescent crush on Claire. They take different pursuits towards the objects of their affections. These two are not a mentally well duo.

Unfortunately as interesting as the investigation is, the resolution is every bit as disappointing. Because of spoilers, it won't be revealed but let's just say that it's a cliche that is often found in soap operas and Psychological Thriller.There is a final twist that salvages the reveal somewhat, but it undermines what had been revealed so far and could have done with it. 

The ending of A Broken Reflection shatters what would have been a clear image of a good suspense novel into pieces.

Debunked by Beth Perry, Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Your Ancestors by Barry D. McCollough, French Turquoise Echoes by Carola Schmidt

 Debunked by Beth Perry, Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Your Ancestors by Barry Douglass McCollough, French Turquoise Echoes by Carola Schmidt 

Debunked by Beth Perry 

This is a brief review. The longer version can be found at LitPick.

Debunked is an engaging Supernatural Thriller/Occult Mystery about possessing intuitive abilities and using them as well as releasing long buried guilt. It is a fascinating conflict between skeptics and intuitives that has a lot of parallels with real life.

Craig Herbert is the executive field producer of The Debunkers Challenge, a top rated reality program that exposes fraudulent psychics. The twist is the show will offer money if they can prove their abilities in front of the skeptics.

Craig visits Tennessee upon the advice of a colleague’s relative to visit Betty Ann Crawford, a clairvoyant with an uncanny success rate. The more Craig interviews the woman, the more bemused and mystified he is. Either she is an excellent con artist or she really is psychic.

The Debunkers Challenge is clearly based on the challenge created by James Randi.

Betty Ann is probably not based on one specific person but probably an amalgam of different famous psychics and mediums such as Dorothy Allison, Sylvia Browne, Tyler Henry, Allison Dubois, and Uri Geller. Readers will love the inside references and the themes of science vs. superstition, skepticism vs. belief, the physical world vs. the supernatural world. 

This is also a very tight efficient Occult Mystery which plays all of the right notes within the subgenre. Craig has a tragic past with his own brush with death and unsolved crimes. His encounters with Betty Ann build on those memories as he receives horrific visions and flashbacks connected with his past. 

The final chapters taking place during the filming of the episode in which Betty Ann is the spine tingling climax. Betty Ann makes some chilling revelations that are genuine plot twists that were properly built up but enough of a surprise once they were finally told. 

Debunked is a brilliant chilling Occult Mystery that challenges the Readers with what they believe in and what it would take to question those beliefs.

Discover Your Natural Gifts: Connect With Your Natural Genius, Discover Your Niche, and Transform Your Life Using Gifts From Our Ancestors by Barry Douglass McCollough

Barry D. McCullough’s Discover Your Natural Gifts is a brilliant inspirational book that encourages Readers to discover and build on natural talents in Leadership, Management, Math, Art, and Science.

Each chapter follows the same formula. It explains the origins of the gifts and how they evolved through time. They then cite examples of famous people who exhibited those traits as well as many of the others. They then discuss strengths, limitations, and keywords of those gifts and how the others balance them out.

Among the most interesting sections are the ones that describe specific people who exemplify those gifts and how they used them to help create a better world around them. Mohandas K. Gandhi was an example of a Natural Leader by creating a specific vision and inspiring large groups of people with his words and calls to action. He led many to embrace his ideals of nonviolence and civil disobedience and became a symbol of India’s fight for independence from Great Britain.

Another fascinating section is one which describes the gifts in great detail, particularly their keywords. A Natural Manager for example would be adept in observation, analysis, organization, planning, discipline, calculation, restraint, utilizing, making decisions, allocation, and assigning and delegating responsibility. They falter in gaining control, manipulation, judgment, accepting and rejecting certain people and views, being too commanding, and sometimes practicing discrimination. 

They show that every gift has positive and negative attributes and how important it is to balance them with the other gifts so the person doesn't become too rigid and short-sighted in their roles and views.

Discover Your Natural Gifts is an interesting way to explore and nurture one's abilities and maybe gain some new ones.

French Turquoise Echoes by Carola Schmidt 

Carola Schmidt’s short work “French Turquoise Echoes” could be seen as a modern day adaptation of Charlotte Perkins Gilman’s “The Yellow Wallpaper.” Like its predecessor, it explores the fine line between sanity and insanity. It also asks some really tough uncomfortable questions about the real reasons behind this psychotic break, the person experiencing it, and the world surrounding them before and during this episode.

Janet Danvers is a retired psychologist/youth volunteer.spends her days staring at her French turquoise wallpaper which is decorated with a floral pattern. Throughout her days, she interacts with a variety of characters who could be either products of an overactive imagination, repressed memories of people in her life, or visual and auditory hallucinations. As her conversations with them become more intense. Janet is forced to come to terms with various past traumas that may have manifested themselves into the forms of her companions.

“French Turquoise Echoes” is reminiscent of those classic Gothic short stories which take place in a small enclosure and where every object is filled with meaning and metaphor. The wallpaper for example could stand for Janet’s fractured mindset. Flowers normally symbolize life, youth, peace, and growth but in case they mean something different. The flowers on the wallpaper seem to be metaphors of death and hidden truths. Instead of reminding her of good pleasant times, they are covered in her blood as she strips away the paper. They force her to peer into her subconscious and come to terms with things that she mentally concealed.

Her companions are deceptively written to be engaging and a welcome presence.. Such characters as the curious Margaret, the calm Antonio, the sardonic Robert, the elegant Lilac comment on and become almost as multifaceted as Janet herself. Even some characters like Gwen, Janet’s daughter, and Otto, a young boy put in Janet’s care, have an air of mystery to them. It is purposely left ambiguous whether they are actually real or a part of this gang. 

At first, they appear to be a sort of protection from the real world, a means for Janet to express herself in a creative manner. They represent facets of her personality and allow her to examine those traits inwardly. They also could just be someone that she can talk to on a daily basis. However, as the story continues they become more forceful, manipulative, and possess violent and self-destructive impulses. On the one hand, they want Janet to learn the truth but they don’t mind hurting her to make her see it.

As I mentioned before, “French Turquoise Echoes” is a post-modern adaptation of “The Yellow Wallpaper.” Both are commentaries on the line between sanity and madness and how society treats the people involved. Gilman’s story was a criticism of the treatment of women in a patriarchal society. Women who had depression and other illnesses were prescribed rest cures, were deprived of outside stimulation, and reduced to an infantile state. 

“French Turquoise Echoes” is a meditation on loneliness and the plight of the elderly. Janet once felt useful, a large part of a thriving community. She had a successful career to look back on with pride,loyal friends, and a loving family. Now, she lives a solitary life detached from the world around her. She is forgotten by the society around her, so she retreats within herself inside her own head. Is it any wonder that she has such an active fantasy life when her reality is so disappointing? 

Unfortunately. Janet used her fantasy life as a deflection and a shield from her traumas. However, the more she tried to hide from them the more they appeared until she couldn’t hide any longer. Her fantasy and reality, once separate world are forced to become one.

American Odyssey The Devil's Hand by B.F. Hess; Gripping Modern Day Faustian Supernatural Horror ..Or Is It?

 American Odyssey The Devil's Hand by B.F. Hess; Gripping Modern Day Faustian Supernatural Horror ..Or Is It?

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: I guess there's no time like the present to read a modern day adaptation of the Faust story like B.F. Hess’ American Odyssey: The Devil's Hand. It has many of the usual tropes found in the adaptations: cocky ambitious protagonist, creepy and charming demonic figure, deal with the devil, naive troubled love interest, many good times of untold wealth and fame, terrifying supernatural moments, and the climax when it all goes horribly wrong and the devil comes to collect. What makes American Odyssey different is the blurred lines between fantasy and reality, sanity and madness, delusion and truth. 

Uriel Jacob Sullinger, the latest patient at the Clay County Home for the Mentally Ill, has an interesting story to tell his psychiatrist, Dr. Kessler. Jacob was once a rich, powerful, influential lawyer. During a case, Jacob receives an unusual offer from a friend to strike a deal with a M. Diabolus. When Jacob meets Diabolus, he can't help but notice that there is something mesmerizing but sinister about him. Dare we even say potentially demonic? 

American Odyssey is an interesting send up to the Faustian Legend. The modernized touches make the legend relevant and relatable to Readers. Instead of a demonic figure magically popping in and out from nowhere, Diabolus is dressed in fine tailored suits and has clandestine meetings in penthouses and limos. Instead of signing contracts written in blood, Diabolus like most businessmen rely on third parties and legal loopholes to get his souls.

It's similar to the movie, The Devil's Advocate which also depicts Satan (played by a deliciously diabolical Al Pacino) as a modern day businessman who uses the contemporary world to his advantage. 

There are some other touches that build on familiar tropes. Jacob was raised by an eccentric great uncle, who had a very loose definition of what is considered legal, and served as Jacob’s Wise Old Mentor. There's Fran, a married older woman who is ruined by her association with Jacob. There's Angelica, a sweet restaurateur who helps Jacob when he hits rock bottom and takes him to get the resources that he needs. Her name and personality might not be the only things angelic about her. Jacob is tormented by nightmares and visions of demons, fire, and torture that cause him to question his sanity and require medication to control.

Speaking of questions of sanity and requiring medication, there is another subtle more subversive element to this book that makes it more than a postmodern “Deal with the Devil.” There's an ongoing theme of mental health and the decline of it. The novel begins in a psychiatric hospital and Jacob recounts his story to his psychiatrist. Jacob spends the first few chapters detailing his upbringing by his great uncle and there are definite signs of inherited mental illness. Kessler even admits that he considers Jacob's great uncle a friend because of their time as philanthropist and beneficiary but also as doctor and patient. There are also revelations towards the end that Jacob is the latest in a long line of family members that have had psychological disorders and let's just say did not express them in the healthiest of ways. 

This background information casts the Reader in the role of a dubious skeptic wondering how much of the book is true in a literal sense, a figurative sense, or just a series of visual and auditory hallucinations. This question is never answered and leaves room for alternative possibilities and theories. 

Looking at his story from a more detached analytical perspective, it's possible that this is not the adventures of a man making a deal with the devil but the story of a man who is fighting a losing battle against his own sanity. His nightmares may not be supernatural but hallucinations. Seeing religious significance in real people like Diabolus and Angelica could be symptoms of paranoid delusions and they are neither diabolical nor divine messengers. His biggest battle might not be good vs. evil but instead madness vs. sanity.

If he's not damned by Satan, then Jacob is damned by his own mind. One can confront the Prince of Darkness, but can they ever really confront the darkness within themselves if they don't recognize it?

A Dream Called Marilyn by Mercedes King; Wistful Introspective Historical Fiction Of Marilyn Monroe and the Golden Age of Hollywood

A Dream Called Marilyn by 

Mercedes King; Wistful Introspective Historical Fiction Of Marilyn Monroe and the Golden Age of Hollywood 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Mercedes King’s A Dream Called Marilyn is the third book in two years, after Isaac Thorne’s Hell Spring and Lee Matthew Goldberg’s Immoral Origins that I read that features Marilyn Monroe. But it is the only one which stars Monroe herself and not a demon or con artist/assassin that looks like her. Here, she is a complex vulnerable and troubled woman and the highlight of this book.

Monroe comes to the attention of Dr. Charles Campbell, psychiatrist to the stars. Monroe has just been fired from what would be her final film, Something's Got to Give and is considered an addict and deeply paranoid. The more Charles talks to her, the more drawn he is to the real woman underneath the glamorous facade. But her sessions begin to reveal some darker secrets about a certain President of the United States, one John F. Kennedy. Charles finds himself the target of some sinister people who want Monroe to keep those secrets to the grave.

By far the most intriguing aspect of the book is Marilyn herself. She embodies the persona of someone who is surrounded by people, is the center of attention, and is still very much alone. She gives off the image of a beautiful bubbly kittenish unattainable goddess-figure but she is more complex and nuanced than her surface shows. The world doesn’t see a woman packed with fragility and insecurities egged on by the pressure of looking glamorous and making appearances. It doesn’t see a once lonely little girl abandoned by her mentally ill mother, deprived of love and security, and looking for them in every bad relationship that comes around. 

The world doesn’t see a hopeless romantic who is so enamored with the fantasies that she sells onscreen that she genuinely believes that Kennedy will divorce Jackie and marry her so they will live happily ever after. Charles sees all of that and so does the Reader. She is depicted as a lonely troubled misunderstood soul who needs someone to love her for herself and not the image that she conveys. She stands out in her therapy sessions with Charles to the point of stealing every moment that she is in the book.

She almost takes the spotlight from Charles but he proves to be an intriguing character in his own right. He has plenty of issues that suggest that he could use a few therapy sessions himself. He has a Hero Savior Complex that often pairs him with troubled women: Marilyn and his wife, who has her own mental health issues and a careless attitude towards their children. His fantasies about Marilyn increase the more that he gets to know her and definitely violate the doctor-patient relationship.

As Marilyn needs to be cared for, Charles has a need to do the caring despite his marriage, job, and the difficulties that come with being with a public figure. Their relationship puts Charles in some dangerous territory and increases his and Marilyn’s dependence on each other. It is not a healthy relationship and is made even worse by the scrutiny and danger.

If there is one complaint with the characterization it is that it is at the expense of the plot, at least the type of plot that King puts them in. There is a strong implication that Marilyn’s troublemaking persona is manufactured by a studio wary of publicity and she really is the target of potential assassins. That is an interesting angle but King wrote Marilyn with so many personal issues that it becomes hard to believe that her problems stem solely from outside forces and not within herself.

Perhaps King could have written Marilyn as more self assured and stronger, the type of person that would make one think, “Maybe, someone is after her.” Of course sometimes you can be paranoid but actually have someone after you at the same time. Certainly the stress that Marilyn is under would trouble even the hardest of hearts. But in this case, Marilyn seems like someone who may be worried about being poisoned but could just as easily reach for the bottle herself.

The strongest overall tone in this book is wistful and introspective. There is a realization that this represents the end of an era and it does. Charles is looking back on his life as an older man who has seen the Vietnam War, the Millennium, terrorist attacks, economic insecurity, and the inevitable decay of the American Dream. His time with Marilyn marks the last of his golden years and those of the country, a world where Presidential scandals are hidden and assassination is not a by word. Marilyn represents a time gone by as well, the end of the studio system where movie stars were unattainable and where films reflected our dreams more than our reality. Of course this is nostalgia and nostalgia wasn’t freely handed out to everyone. For people like Charles and Marilyn, this was a happy time. For many other people, it wasn’t. 

However, Charles and Marilyn are involved within the field that produces manufactured dreams so people can live idyllic fantastic lives every time they enter a cinema, the field that often contributes to if not outright creates the nostalgia. It is the lie that they sell and they have to, no matter how much it costs them personally. The reality is hidden but the fantasy and the nostalgia remains. 

 

What Happened At The Abbey (The Straithbairn Trilogy) Book One by Isobel Blackthorn; Blackthorn Goes Gothic in Engaging Historical Murder Mystery

 

What Happened At The Abbey (The Straithbairn Trilogy) Book One by Isobel Blackthorn; Blackthorn Goes Gothic in Engaging Historical Murder Mystery 

By Julie Sara Porter

Bookworm Reviews

Spoilers: Isobel Blackthorn is a favorite author of the blog. She is one of the best recent mystery/suspense authors. Her attention to setting and character brings new light to the Cozy Mystery, Locked Room Case, and other subgenres. Her books, The Cabin Sessions and Emma's Tapestry were favorites on the Best of the Best Year End Lists of 2021 and 2022 respectively. So when I say that What Happened At The Abbey, the first in Blackthorn's The Straithbairn Trilogy is the best of Blackthorn's work, I mean that it is the best of quite an impressive collection indeed.

What Happened at the Abbey is a loving tribute to the Gothic Mystery with an innocent female protagonist hired to work at a creepy wealthy estate for an eccentric family and unearths a secret that the family or their antecedents are trying to hide. It is a wonderful subgenre already and a personal favorite but Blackthorn's attention to tone and character make this a great addition to the genre and a stellar work in its own right.

Ingrid Barker is escaping an abusive marriage with her daughter, Susan. She had to leave her upper middle class lifestyle behind and travel North to Scotland to accept the position of housekeeper at Straithbairn Abbey. As she adjusts to her new surroundings and life as a single mother, Ingrid gets to know her employers, the McLeod Family particularly the argumentative daughter, Gertrude and the feckless secretive son, Miles. Miles in particular arouses suspicion with his cryptic words, his habit of sneaking around outside at night, and family's apparent dislike of him. It becomes clear that something is creepy in the estate of Straithbairn. Meanwhile, Ingrid is receiving threats of her own as she learns that her abusive ex husband is hot on her trail.

The atmosphere is one of stern judgment and deep ominous potentially demonic energy. Ingrid personifies Straithbairn as a “house that seems to frown down on all who behold it.” It's described with rugged countryside, omnipresent sharp craggy stones, a dour facade, and no softness. It is cold, imposing, and already unloving. 

The people who dwell inside Straithbairn are just as dysfunctional as the location that surrounds them. The McCleods are people who share a last name but harbor no illusions that they love each other or consider themselves family. Charles, their father, has a tight psychological grip on his children. Gertrude cares more about the estate than she does for the people who live inside it. Blake loses himself in alcohol and defeatism.

Then there's Miles whose arrival instantly brings derision and anger from the rest of his family. He is the McLeod Family Outsider. He appears at Straithbairn to collect moss for an academic study. But his first person narrative (which he alternates with Ingrid’s point of view) reveals more about him than he tells others. 

Miles is haunted by his family history and is searching for some answers to questions that have dogged him for years. His narration suggests him as someone who is teetering on the edge of sanity. He alternates between trying to retain rational thought and drifting towards paranoid delusions and fantasies. With the potentially supernatural atmosphere that charges the air, there are moments where it is uncertain if Miles is going insane or actually possessed by demons. What is apparent is that Miles is a man who is inwardly suffering and has no support from the people around him leading to further suffering.

The tension is also experienced by Ingrid. For someone who survived a physically and emotionally abusive marriage, Ingrid no doubt personifies her own experience with the setting around her. Her Anxiety and PTSD is paramount as well as her desire to get away from her previous situation. Straithbairn reminds her of her marriage: intimidating, isolated, domineering, confining, and loveless.

Ingrid is also someone whose own nerves are naturally at an all-time high. She shows a tremendous amount of strength of character by pulling herself and Susan out of a bad situation and  starting over in another country by telling people that she is a widow. However, she shows obvious signs of PTSD and Generalized Anxiety Disorder. She is suspicious of the bond that develops between Susan and Ethel, the cook. She finds a newcomer, Hamish, to be alternatively attractive and mysterious. Then there is the news of Edward's return which causes her to fear the world inside and outside the estate.

The tension in the air consumes Ingrid and it becomes clear that something terrifying is hiding in the fringes or under the surface and is about to happen. 

It breaks when Ingrid and Miles come face to face with their own fears, anxieties, insecurities, and paranoia and those that cause them. 

 

New Book Alert: A Festive Juxtaposition by Paul R. Stanton; The Devil Takes a Holiday (So Do Formatting and Editing)

 New Book Alert: A Festive Juxtaposition by Paul R. Stanton; The Devil Takes a Holiday (So Do Formatting and Editing)

By Julie Sara Porter

Bookworm Reviews

Spoilers: Come on, even Satan can’t be the Odious Spinner of Lies, Prince of the Power of the Air, Leader of All That is Evil, Tempter, Ruler of Hell, and King of the Bottomless Pit forever. Every once in a while the Dude from Down Under (not Australia) needs to take a break and why not during the Christmas season?  In Paul R. Stanton’s dark comedic satire, A Festive Juxtaposition, that is exactly what he does. This book is a brilliant concept and idea that is mostly carried out rather well, but is unfortunately hampered by bad formatting and some technical issues that could have been resolved with better editing and proofreading. 

The Devil materializes out of thin air at 6:27 PM Greenwich Mean Time at Charing Cross Station. He forgoes the usual pitchfork, cape, horns, red skin, cloven hoofs, and scent of sulfur effect. Instead he takes the name Nick and opts to dress like a normal  Londoner: nice suit, quiet demeanor, unassuming behavior, the guy you might say hello to but then forget about a few minutes later. Since this is his time off, he just intends to enjoy a holiday stroll while actually (gasp) doing good for some desperate Londerners and punishing a few bad ones.  He gets involved in the lives of those that he calls “The Dispossessed” and changes their lives in many ways. It’s sort of like Touched By A Devil (minus the unfortunate implications of the title). 

Stanton has a gift for darkly comic writing that questions the Reader’s assumptions about religion, God, the Devil, and the concepts of good and evil. In some ways, A Festive Juxtaposition is very similar to Good Omens by Neil Gaiman and Terry Pratchett with its all too human demonic protagonist and its biting commentary on religion. The Devil is written very similarly to Crowley, the demon from Good Omens. He is a very slick sardonic figure who has grown to like humanity to the point of actually wanting to help them out of the messes in which they are in. In fact, he even challenges the remoteness of God by wondering how a seemingly loving deity can be standoffish towards the people that he created and not doing anything to help them on Earth. After all, the Devil may be (incredibly and completely) flawed but at least he’s there. He sees the suffering and tries his best (and admittedly worst) to provide some form of aid and comfort. 

The Dispossessed are the usual grab bag of city dwellers from all walks of life and all in need of some help or a sympathetic ear towards their problems: addicts, the lovelorn, mentally ill, the suicidal, career criminals, people who are doubting their faiths and beliefs. These are people who are in need of help right away and help comes from the strangest of sources. 

The formula from each story is the saame. A human is in some kind of trouble or desperately needs something. They meet a strange man who seems to know more about themselves than they do. He assists or offers them advice on their particular predicament, sometimes providing the means for the solution. The person is left trying to decide whether to take that offer. The epilogue then catches up to that person to say whether they  took the initiative and how it changed their lives for better or worse. 

There's Nigel, a young stubborn runaway whom the Devil has to use some tough love and all caps to get him to go home to his parents and make him realize that whatever disagreement that he has with his pater and mater familias can't be as bad as sleeping on the streets and dying from hypothermia. 

Nick also helps May, another young runaway, by posing as a private detective who had been hired by May’s parents. He even presents letters from her mother and stepfather to complete the effect.

There's Old Meg, a former prostitute who has lost her looks and charisma. She also seems to recognize “Nick” but it is purposely open for debate whether she knows that he's the Devil, thinks he's a former client, or doesn't really recognize him at all and just thinks that she does. Either way, Nick is enough of a gentleman to send her to better surroundings.

The Professor is a former academic whose career was ruined by a sex scandal and has fallen into the bottle ever since. He gets into an intellectual debate with the Horned One over the existence of God and source of Creation before he receives a potential answer to his crisis.

Nick isn't there just to help others. He's also there to mete out punishment to those with evil intent and do not have the excuse of saying “the Devil made them do it.” People like Ed, Barry, and Razors, a trio that like to rob and harm others just for the lulz. They realize too late that robbing the Devil is not a good idea. In one of the darkest and most humorous dialogues in the book, after the trio ask who the Devil Nick is, he gives a sinister grin and tells them to turn their question into a declaration, reverse “are” and “you,”  put them at the head of the sentence, drop “who,” and then they will have their answer.

Next on Nick's Nice List are Lucy and Dominic, a pair of addicts who desperately need to get Dominic to a hospital. Nick helps them while putting Laz, a soulless career criminal with a penchant for hallucinogens and taking advantage of the troubled couple, on his Naughty List.

Miriam is a domestic abuse survivor who is in the process of getting herself and her beloved dog Tigger evicted. Maybe, that mysterious slightly demonic representative from her husband's law firm can help. Unfortunately, the news is not what Miriam suspected and may only make her life worse.

While Nick spends much time with the impoverished, even the more economically advantaged need diabolical intervention. His latest mortal is Michael Asquith, a well dressed man caught up in a conundrum. He is engaged but during a night of drunkenness, he had an affair and now is debating whether to tell his fiancee and end the engagement or live a lie. All of this is figured out by the Devil’s talent for deductive reasoning. (Sherlock Holmes had to learn it from somebody. Why not the Prince of well not Darkness but slightly Charcoal Gray?)

To prove that the Devil can be a good sport, he even lends a claw to a member of the Rival team by helping Rev. Adrian Noble. Noble’s church has been closed, left desolate, and is in the process of renovation. His church is low on funding and parishioners and Noble is hovering towards despair and doubts in his faith. Even the Devil is willing to forego an ancient rivalry to help a truly good man.

After messing with time travel and getting the better of a DoomSayer on the street, Nick encounters the final Dispossessed: Peggy, an anxious sad woman. Posing as a police officer, Nick questions her about her possible involvement in the death of a young woman. Peggy is confused and frightened about this line of questioning, but it becomes clear that this conversation is more personal than she thought.

14 lost souls. 14 lonely people in dire need of help and some lessons that they need to learn. Help comes in the form of a devil of an aid. 

This book is a wonderful concept and weaves the various diverse characters with the Devil making the book a fascinating ensemble. However, what could be a perfect work is seriously hampered by poor editing and formatting. Words are spelled differently sometimes within a few paragraphs. Passive voice is used over active voice and creates too many filler words (“had seen” instead of “saw.”) 

The worst issue is the formatting. The text is pushed upwards right underneath the cover, putting the pages out of order from the table of contents. There are little sprigs of holly that were probably intended to be paragraph breaks but some of them are inserted in the middle of sentences and even words. This makes the narrative visually confusing and deters from an otherwise potentially great story.

A Festive Juxtaposition is mechanically flawed, but the concept and themes are brilliant and challenges what we think that we know about God, The Devil, Good, Evil, and Mankind.

Weekly Reader: Malibu Burns by Mark Richardson; Science Fiction Novel is Aflame With Psychic Powers and Internal Conflict

Weekly Reader: Malibu Burns by Mark Richardson; Science Fiction Novel is Aflame With Psychic Powers and Internal Conflict 

By Julie Sara Porter

Bookworm Reviews

Spoilers: Sometimes with a Science Fiction novel, the fact that it's set in the future is merely incidental. That is the case with Malibu Burns by Mark Richardson.

Richardson's previous books were more about world building. The Sun Casts No Shadow takes place in a futuristic world that has fantasy creatures like nymphs, dwarves, and anthropomorphic animals. The Hunt for the Troll is set primarily in the world of cyberspace where characters are hunting an Internet troll who might also be a magic troll from legends. These books are intrinsic in their setting and world building, what goes on outside affects those within.

That is not necessarily the case for Malibu Burns. 

There are some tropes that are evident to reveal the tech heavy world of 2040s San Francisco in this novel. No one owns a personal vehicle and all drivers are AI. Police officers are paired in human-android teams. The Internet is outlawed. Sea levels have risen to astronomical heights and environmental changes are present. Historic landmarks such as Alcatraz have become casinos. 

Most of the external is less important than the internal, of what goes inside the head of its lead protagonist, Malibu Makimura.

Malibu is psychic and empathic, able to read thoughts and emotions. She works as a caricaturist in a nightclub. While working, she meets a mysterious man named Max. He says that Luciana, the very wealthy woman that he works for, would like to meet her. Malibu is then sent to Luciana's Presidio Heights mansion. The wealthy seductive eccentric wants to hire Malibu to burn down old cottages and Malibu gets to pick them. It's illegal but Luciana points out that the cops won't care. Malibu will be well paid and if she suffers any guilt, don't worry about it. Some places want to die.

This book focuses less on plot and larger questions than it does on character and excels at that. Malibu is a great lead with a rich interior life that Richardson explores.

Malibu's past was not an easy one and helped shape her into the troubled woman that she is. Her father was obsessed with expanding his mind through LSD and then testing Malibu's abilities to the point of sharing thoughts with her. Then he abandons his family for another woman, leaving his wife to commit suicide and his daughter to be institutionalized.

Malibu's institutionalization isolates and infantilizes Malibu but it is instrumental in her artistic pursuits. She makes an abstract portrait of a fellow inmate, capturing his soul instead of his face. Upon her release, she continues painting caricatures of people's souls such as a seemingly quiet pleasant woman holding a knife. (She says it looks just fine.) Because of her time in her own mind and the intrusive thoughts that Malibu hears in her own head, she is more interested in what's inside other's minds and souls than their appearances.

 That's why her caricature portraits are abstracts. It's her own way of continuing the experiments on her of exploring someone else's consciousness. It is an outlet to channel her confusion, depression, and frustration with the world around her and the abilities that isolate her.

Another safety net is her love of movies, particularly from the Golden Age of Hollywood. Many of the situations in which Malibu finds herself in parallel her situations in this life. She watches Eternal Sunshine of the Spotless Mind and later she is caught in memories and thoughts that she isn't sure whether they are real or created outside of her. She sees Vertigo and has an affair with a woman, whom she is passionately in love with but can't trust. She compares Max to Max Von Mayerling, Erich Von Stroheim in the movie, Sunset Boulevard because of his physical similarity to the butler in the film and also because he works for a wealthy eccentric. No points in guessing who his employer Luciana is similar to in Sunset Boulevard.

In fact, Malibu's fondness for movies could be less of an escape than it is another sign of a troubled mind. Many of the situations that she finds herself in are so close to her favorite movies that it could be coincidences, hallucinations of a troubled mind struggling with their sanity, or evidence that Malibu is somehow controlling the world around her.

The longer Malibu remains working for Luciana, the weaker her grip is on reality. When she finds the cottages, she hears voices telling her that they are in pain and want to die. With each cottage that gets burned, Malibu loses parts of herself becoming someone who craves danger and hurting others. Her darker impulses takes over until she becomes someone lost in her own insanity.

While many Science Fiction novels take their Readers through the outside world to see how it affects their characters. In Malibu Burns' case, we are taken inside a character's mind and perception to show she affects her world.