Showing posts with label Extramarital Affairs. Show all posts
Showing posts with label Extramarital Affairs. Show all posts

Friday, November 25, 2022

New Book Alert: Dead Winner by Kevin G. Chapman; Suspenseful Murder Mystery Over a Winning Lottery Ticket Marred By Length and Too Many Plot Twists

 



New Book Alert: Dead Winner by Kevin G. Chapman; Suspenseful Murder Mystery Over a Winning Lottery Ticket Marred By Length and Too Many Plot Twists

By Julie Sara Porter

Bookworm Reviews


Spoilers: Winning the lottery brings with it a host of problems: taxes taken out, strangers pretending to be long lost relatives, gold diggers and fortune hunters, harassed by shady organizations, many threats, and sometimes death. That's enough to make one wish they never bought a ticket.


On its own that would be an interesting premise for a murder mystery in which a lottery winner is found dead shortly after their win but before it is made public. Unfortunately, Kevin G. Chapman's Dead Winner is not that book. It takes that premise and mar it with too many plot twists that are used to justify its length.


Tom Williams just won the lottery and he has only told his wife, Monica and his former schoolmate, Rory McEntyre, who is his financial advisor. Unfortunately, the day after he gives this news, Tom is found dead by Monica. Monica insists that Tom's death was suicide but there are some inconsistencies to that version. Not to mention, that Tom's former employers and assistant are involved in separate subplots involving him. Tom has his own secrets and Riley and Monica are harboring a not so secret infatuation for each other.


The lottery plot is interesting. There are moments when greed overtakes the characters along with the promise of new big money. There is a seriocomic sequence when Tom and Monica discover that the lottery ticket is missing and someone holds it for ransom.


There are some real truthful moments particularly as Riley reevaluates his friendship with Tom and interest in Monica. He realized that the more aggressive and choleric Tom always took the lead in their friendship, so Riley is realizing that he now has to take control. One of those means is being there for Monica and being more available for her more than Tom was.


However, the book has too many red herrings and subplots that the narrative runs away with itself. Some of the characters don't amount to very much and others become too involved with the action. This is one mystery that needs focus and to develop one potential plot at a time instead of over crowding the Reader.


The worst is saved for last. There is a final plot twist that I won't reveal but makes absolutely no sense based on the previous information that we have been given. The twist seems to have pulled out of thin air rather than the clues and mystery itself. It's not an ending to make you wonder or marvel so much as it's an ending to make you roll your eyes or throw the book down in disgust.


For me, Dead Winner is actually a Live Loser.



Monday, January 27, 2020

Weekly Reader Philippa Gregory Edition: The Virgin's Lover (The Plantagenet and Tudor Court Series Vol. XIII) by Philippa Gregory; Gregory's Look At The Early Years of Good Queen Bess, The Not-So-Virgin Queen



Weekly Reader Philippa Gregory Edition: The Virgin's Lover (The Plantagenet and Tudor Court Series Vol. XIII) by Philippa Gregory; Gregory's Look at the Early Years of Good Queen Bess, the Not-So-Virgin Queen




By Julie Sara Porter

Bookworm Reviews




PopSugar Reading Challenge: Fiction or Nonfiction Book About The Leader of a Country


Spoilers: Of the protagonists in Philippa Gregory's Plantagenet and Tudor Court Series, none probably had the biggest impact in British and World History more than Queen Elizabeth I. The third longest reigning monarch (only Queen Victoria and the current Queen Elizabeth II have had longer), Elizabeth so affected the era in which she ruled that it was called the Elizabethan Age. As Queen, Elizabeth managed to soothe the religious turmoil led by her sister, Mary I whose Catholic rule involved the arrest and execution of many Protestants and the uncertainty of her father, Henry VIII who switched religions depending on wives. She did this by creating the Church of England which bore many of the same rituals as Catholicism but was Protestant in most of its tenets and beliefs. As for conversion, she insisted that "the crown did not look into men's hearts" and that as long as they payed lip service to the new church, they could believe what they want. The compromise wasn't perfect and later generations still questioned and debated the religious practises but it was what was sorely needed at the time to create some much needed stability.

She forged alliances with other countries but was bold enough to stand for battle with her soldiers when war was declared. One of Elizabeth's most famous moments is when she faced the Spanish Armada in full armor proudly declaring that she "may have the feeble body of a woman but had the heart and stomach of a king and a king of England."

She commissioned people like Sir Walter Raleigh and Sir Francis Drake to go on sea voyages and explore other countries, thereby opening better trade routes and making London an important thriving city in the world market. She was also a strong patron of the arts supporting artists and writers like Edmund Spencer, Christopher Marlowe, and William Shakespeare giving her era great cultural significance.

Elizabeth affected an air of intelligence, poise, and confidence that many admired and was called various names like "Gloriana," "Good Queen Bess," and "The Virgin Queen." She did all of this, ruled her country for over 40 years, without a husband.


However, the Elizabeth that we meet in The Virgin's Lover is not the bold confident epoch making leader from history. She isn't even the brazen flirtatious self-centered princess that was last encountered in The Queen's Fool. Instead, she is someone who projects an image of self assured leadership but inside is quaking with fear, uncertainty, and deep emotion.


From the moment the bells ring to announce Mary's death and Elizabeth's reign, Elizabeth knows that she has to prove herself. She has to add to a treasury that has been depleted by funds used by the vacated Prince Phillip for the disastrous War for Calais. She has to maintain broken alliances with not only other countries but within her own as Protestants and Catholics have turned against each other. She also has to lead the Privy Council who since the last female leader proved to be a huge disappointment are not too willing to be led by another woman. All Elizabeth sees are fears and challenges towards her right to ascend the throne.


Two other characters hear the bells and have their own emotional connections to them. Robert Dudley hears them and sees his chance for love and advancement. A childhood friend of Elizabeth's, Robert has grown to become Elizabeth's Master of the Horse, strongest confidant, and secret lover. He knows that Elizabeth would be overwhelmed by her new role and will need a shoulder to cry on. Robert's shoulder will be conveniently there when she needs it. The ever ambitious Dudley also sees a chance for his family to retrieve much of the wealth and prestige that they once had under King Edward but lost under Queen Mary. Robert longs for a chance to be accepted into Elizabeth's Privy Council as well as her bed and who knows maybe king.


Unfortunately, Robert has a very specific reason that prevents him from openly courting Elizabeth: his wife, Amy. Amy Dudley hears the bells announcing Elizabeth as Queen and reacts with loathing, disgust, and the certain fear that her husband will leave her. Unlike her husband who lives to be center stage, Amy is content to remain in the country of Norfolk at her estate and away from palace life. She wants Robert to remain with her. However, she knows that Robert is going off to be with Elizabeth and there is nothing that she can do about it but seethe with hatred towards the Queen.


Robert's influence on Elizabeth begins during her coronation. Despite the tight budget, Robert wants to make it a coronation to remember. He arranges the various details such as the gown Elizabeth will wear, the stops that she will make, and the alleged "spontaneous" outpourings of praise such as a peasant shouting for God to bless her. There has never been a more rehearsed bit of spontaneity.

From the coronation, it's clear that Robert wants to make Elizabeth the center of attention and in turn himself. He is in love with Elizabeth and they have some romantic moments together such as when they lie in bed and declare themselves husband and wife in God's eyes. But Robert is also arrogant, conceited, and always on the lookout in his own self interest. He creates rivalries within the Council, particularly with Elizabeth's chief advisor, William "Spirit" Cecil. Robert can't resist lording any victory over Cecil such as when Elizabeth gives him the Order of the Garter.

But every victory makes Robert greedy for another. While Robert loves Elizabeth, it is also clear that he also loves power. If Elizabeth were just a peasant woman or a minor courtier, Robert would quickly bed and then discard her. He loves Elizabeth's beauty, intelligence, and personality, but he also loves her crown. And it is entirely possible that it's the crown he loves more.


Robert's hold on Elizabeth is great, partly because of her own uncertainty in her role. Elizabeth's nervousness makes sense when we take her upbringing into consideration. She was the third choice for the role and sometimes not even that. Once her brother was born, she was dismissed for being a girl and once her sister was restored to the family line, dismissed for being the second girl. She had been bastardized and many questioned her paternity. She lost her mother at three and was distant from her stepmothers except Kateryn Parr, her last one. She did not have the royal training nor the assumption that she would ascend the throne until Mary did not produce heirs. She barely lived at the palace, a fact made painfully clear when she enters for the first time, unsure about where to go. Whereas Robert who had lived there expertly guides her as though he already sees himself as king consort.

Every major test seems to show Elizabeth looking around and asking, "How am I doing?"


When she was princess everyone thought that Elizabeth's most important duty would be to have an advantageous marriage, something that she doesn't mind playing as Queen. Several times she offers her hand to Europe's Most Eligible Royal Bachelors in acceptance for alliances. Many of her advisers especially Cecil pester her about which man she should marry believing that Elizabeth could never possibly lead on her own.

On the contrary, the debacle about her marriage ends up being the moment that Elizabeth is able to come into her own as a leader. She courts various royals such as Prince Erik of Sweden, the Earl of Arran of Scotland, and even her former brother-in-law, Prince Phillip of Spain. She claims to consider marriage just long enough for an alliance to form, but then withdraws it once the alliance is officially secured. It becomes a clever force of diplomacy that Elizabeth grows into.


Meanwhile, Robert hypocritically stews in jealousy over Elizabeth's various marriage proposals conveniently forgetting about his wife nestled in the country. To her credit while Gregory writes Amy as sometimes a clingy jealous bitch, she also makes her sympathetic partly because Robert is such an arrogant piece of work. Instead of placing blame entirely with either one, it becomes clear that their marriage is one of complete incompatibility. This is evident in the passages when Amy looks for a country home and believes that Robert's interests match her own. She selects a small home in the heart of the country far away from palace life. Not surprising to anyone but Amy, Robert dismisses the house as a hovel and doesn't even stay a day.


Amy and Robert are so different that it's hard to understand why they got married in the first place. We are told that they were in love when they were wed and Amy still continues to be obsessed with him, putting friendships, her relationship with her bitter stepmother, and her own health at risk. Perhaps their marriage is a good reason for Elizabeth not to marry. She doesn't want to be that dependent on a man. Elizabeth sees who she could be if she married not just Robert but anyone else.

Amy clings to her Catholic faith as a balm to soothe her ache from her loveless marriage but also because the priest tells her what she wants to hear. He agrees with her opinion that Elizabeth is a whore and that Robert can never divorce her. When Robert tells Amy that he wants a divorce, she refused citing the Catholic prohibition against it. The Dudley marriage is one that has made both miserable and cannot end, as many observe, until one or the other is dead.

As she did with the Princes in the Tower, Gregory offers another potential solution to History's Mysteries. This one is "Who Killed Amy Dudley?" What is known is that Amy Dudley tumbled down a flight of steps, breaking her neck and killing her instantly. What is also known is that despite the opportunity, Robert Dudley did not marry Elizabeth. Instead their relationship cooled and Robert ultimately married Elizabeth's second cousin, Lettice Knolleys who bore a strong resemblance to the Queen. Elizabeth had other lovers including Robert's stepson, the Earl of Essex but when she died she had her last letter from Robert by her side.

The Virgin's Lover offers a possible answer to this mystery that also answers why the pair broke up. It takes into consideration Robert's ambitious interest in the throne and Elizabeth's unwillingness to surrender her hard won leadership over to anyone especially to someone who shows signs of making decisions on his own without consulting her though she is Queen. Robert wants the throne and for Elizabeth to give up her independence. Those are things that she cannot and will not surrender even for him. This leads to not only Amy's death but the inevitable end of their relationship.

The Virgin's Lover gives us an inside look at the early years of one of the most famous female monarchs in history to show us the woman underneath that reputation as well as the love that shaped her and the actions that led to the making of a great Queen.

Friday, April 26, 2019

Classics Corner: Fear of Flying by Erica Jong; Frank and Funny Feminist Novel from the 1970’s about Liberation, Sexual and Otherwise



Classics Corner: Fear of Flying by Erica Jong; Frank and Funny Feminist Novel from the 1970’s about Liberation, Sexual and Otherwise

By Julie Sara Porter

Bookworm Reviews

Spoilers: I would like to give an advanced warning that this review will contain strong language which may be offensive to some Readers. Normally, I try to avoid such words but it's difficult with this book considering how prominent the terms are. Read at your own discretion.

It's difficult to imagine now how much of an impact that Erica Jong's Fear of Flying had on the public consciousness when it was first published in 1973. Based on Jong's experiences with her first two marriages, the book was published during the Second Wave of American Feminism and was loathed and lauded by critics and readers alike. Many found it vulgar and offensive and criticized its stance on marriage. Others found it refreshing that a woman could write so honestly about marriage and sexuality. It's legacy was assisted by prominent authors like John Updike and Henry Miller writing essays praising Jolng's work. Miller even compared Fear of Flying to his own landmark work calling it the female version of Tropic of Cancer.

After 46 years, Fear of Flying deserves that praise and more. It's a frank and funny book that is brutally honest and biting about a woman's marriage and her desire to break free from it.

Isadora Wing, the novel's protagonist, is accompanying her husband Bennett to a psychoanalyst's convention in Vienna. Observing that the flight includes Bennett's fellow convention goers, Isadora wittily realizes that she had been treated by most of the analysts including the one she is married to.

Isadora appears happy or at least settled in her second marriage and considering her first marriage was to an unstable man who was under the delusion that he was Jesus Christ at least her marriage to Bennett is uneventful. But inside, Isadora is unfulfilled and bored.

Isadora longs for what she terms “the zipless fuck.” A “zipless fuck” is an affair based on sex and nothing else. You're in and out quickly. There are no strings attached and no remorse. It is simply a means to relieve hidden lust, sexual frustration, and desires.

While at the convention, she finds her potential “zipless fuck” in another psychoanalyst, Adrian Goodlove. Unfortunately as the two begin to fancy each other, Isadora realizes the reality of her fantasy is not at all zipless. The affair goes on longer than she expected and she joins Adrian on a road trip through Europe at the cost of her marriage, a marriage that she is not sure that she wants.

Isadora's narration is filled with dry sarcastic remarks and one-liners turning her into the Dorothy Parker of the Me Decade. She has a rejoinder about everything even the darkest subjects. She lived in Heidelberg, Germany with Bennett for a time and felt out of place as an American Jewish woman living in Germany less than 20 years after WWII ended. (“Germany was like a stepmother: utterly familiar, utterly despised. More despised in fact for being so familiar.”) Isadora is constantly at odds with her mother, Jude, who blames her marriage and giving birth to four daughters for ending her artistic career and warns Isadora that she has to choose to either be an artist or have children. (“With a name like Isadora Zelda it was clear what I was supposed to choose: everything my mother had been offered and given.up.”) Isadora studies English Literature earning a fellowship but finds it unable to hold her interest particularly as she reads the various analyses of Tom Jones. (“I had gone to graduate school because I love literature, but in graduate school you were not supposed to study literature. You were supposed to study criticism.”)

Even the men in her life are no match for Isadora's sharp wit. After the difficulties of her first marriage, Isadora is drawn to Bennet's silent steadiness which proves to be a burden. (“At what point had I started to pretend that Bennett was somebody else? Somewhere around the end of the third year of our marriage. And why? Nobody had been able to tell me that.”) When doodling variations of her name with Adrian's such as Isadora Wing-Goodlove, M.B.E. she cheekily tries to make her vision of a third marriage different from her previous one, even if it is to another analyst. She begins a facetious invitation to a housewarming party but adds at the bottom “bring your own hallucinogens.”

These one-liners and wit while funny are also seen as a defense mechanism. They are Isadora's way of understanding the tangled relationships around her and help her make sense of the world.

As Isadora plunges headlong into her journey with Adrian, she alternates between having sex with him, trying to avoid difficult conversations about the future, and recalling events from her past. The flashback chapters are key as we understand how they shaped Isadora to the choices that she made. Besides her depressed mother, Isadora also has strained relationships with her three sisters each of whom made seemingly rebellious choices for husbands: Randy the oldest marries Pierre, a Lebanese businessman and gives birth to nine children. Lalah, her younger sister marries Robert, an African-American doctor and gives birth to quintuplets. Chloe, the youngest, marries Abel, an Israeli businessman and gives birth to one child. Isadora watches bemused as each of her sisters once unconventional settle into conformist marriages and motherhood and keep badgering her to give up her poetic ambitions and have children. (“Why must marriage always include children?” Isadora wonders)

Isadora gets a close up taste of her sister's brands of married life when she, Lalah, and Chloe visit Randy and Pierre at their home in Beirut. Pierre then attempts to rape Isadora who is disgusted by the thought of committing incest with her brother-in-law and is even more startled by Lalah and Chloe giggling about the whole thing. This moment opens her eyes about the hypocrisy with married couples particularly her sisters who live contented lives on the outside but are depraved and hypocritical on the inside.

Isadora's first marriage also provides necessary explanation for why she is so miserable in the present. Brian Stollerman is at first a brilliant eloquent man who is knowledgeable in everything from Medieval literature, Shakespeare's plays, to old gangster films. Isadora admits that “(they) blew it by getting married” as he pressured her to marry him or he would leave her. Brian's terrifying delusions begin to take hold as he keeps Isadora up all night with disconnected ramblings and questions about her religious beliefs and the Second Coming. When he believes that he is Jesus Christ, Isadora is so beaten down by his mental illness that she is unable to fight his abuse towards her. She surrenders custody of him to his parents with whom she does not get along and his institutionalization. It's no wonder that she then settles into the quiet of her marriage to Bennett Wing, considering an analyst a safe release after a mentally ill man.

Even Isadora's marriage to Bennett and her affair with Adrian are not without their struggles. While Bennett is not a cruel man, he does not fully understand or appreciate Isadora behaving less like a husband and equal and more like a mentor or father figure. He treats Isadora like a project always trying to analyze and place her in a little confined box. What was once a reprieve from the conformity of her family and the insanity of her first marriage, becomes suffocating as Isadora is afraid of losing herself to the ennui of married life.

Instead of Adrian being the release that she hoped for, he turns out to be more of the same. He claims to be a Nihilist but is actually using his beliefs as an excuse to be a controlling manipulator. He nags Isadora to leave Bennett and live freely with him yet does not cut himself off from his wife and children. When they finally end their relationship, Adrian abandons her in Paris. Instead of being zipless, Isadora just gets fucked.

However, when she's alone, Isadora finally comes to terms with what she has wanted all along. She wasn't looking for a casual sexual affair, or a third marriage. She was looking for a way to be herself. She was trying to liberate and free herself from the expectations set by her family, husbands, and Adrian and she does it.

The title comes from the opening chapter when Isadora admits that she has aviophobia, which is a fear of flying in airplanes. As the book continues, it is apparent that Isadora is afraid of flying away from the standards that she had placed on herself. Though she always questioned and ridiculed those standards, she never had the courage to separate herself from them. The book ends when she finally finds the courage to be herself and fly.