Showing posts with label Princesses. Show all posts
Showing posts with label Princesses. Show all posts

Thursday, April 30, 2026

Runebound (The Last Rune of Rungardvik Book 1) by Alessa M. Norwen; Evocative Historical Fantasy About a Kingdom in the Crossroads of Great Spiritual Change

 

Runebound (The Last Rune of Rungardvik Book 1) by Alessa M. Norwen; Evocative Historical Fantasy About a Kingdom in the Crossroads of Great Spiritual Change

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers: Alessa M. Norwen’s evocative Historical Fantasy Runebound, the first book in her The Last Rune of Rungardvik series is about a kingdom caught in the crossroads of great change. Change in religion, change in alliances, change in expected gender and social roles, and a change in conflict and diplomatic relationships between separate kingdoms.

Milena, Princess of Mecklenburg, is arranged to marry Heinrich of Lundberg of the Saxon House of Welf to secure Mecklenburg's standing within the Holy Roman Empire. She is not happy about being sold and given away like a bargaining chip. 

Milena fights her own way. Despite the kingdom being Christian, Milena secretly studies the old Pagan religion and practices intuitive and clairvoyant abilities. She uses her secret practice to fight against this arrangement and to carve her own path.

Milena is a character who strives to find her own agency and independence despite this Christian upbringing which tells her that she should be submissive to male authority like her father, future husband, and the Church. It's a man's world and Milena is told that she has no choice but to accept it.

As previously mentioned Runebound features a kingdom that is on the crossroads of change. Mecklenburg in Pomerania was largely pagan and had several small enclaves with chieftains. Milena's mother, Woizlava was the descendant of pagan chieftains and still practices the old ways though she outwardly identifies as a Christian. 

Her husband, Milena's father Pribislav is a Christian and expects his family to follow suit. However though he holds the Church in high esteem, his conversion has less to do with spiritual reasons and more to do with pragmatism. The Holy Roman Empire is a formidable force that is expanding. Pribislav is simply backing the right horse and siding with the winner.

Milena also recognizes this division through two people in charge of her education: Bishop Anselm, head of the church and Pribislav’s spiritual advisor and Dobrawa, Woizlava’s midwife who trained her in the pagan arts in secret and is now doing the same to Milena. These two represent the clashing faiths that surround the story because unlike Melania’s parents who had to compromise who they were, Anselm and Dobrawa will not.

Bishop Anselm is a conniving manipulator who uses the fear of God as a weapon to maintain his authority. He is the type of person that would thrive in modern day as the living embodiment of the Christian hypocrisy that would ordering murder, rape, genocide on anyone and throw Biblical buzz words and Apocalyptic terms around to make it justifiable. Anselm uses threats, violence, intimidation, abuse, spies, and at one point arson to force his authority.

Anselm is a prominent advisor that keeps Milena at a distance. He knows that she is a threat to him with her intelligence, intuition, and strong will. He stresses the Biblical passages which state women should be subservient to men and that they are the bearers of original sin so Milena’s observation could be considered questionable even potentially Satanic. As long as she is packed away and married off, he is free to dominate Pribislav and rule Mecklenburg from behind the throne.

While Anselm uses Christian doctrine to diminish Milena’s presence, Dobrawa encourages her. Instead of dogmatism directed on behalf of a male God, she tells the princess stories about ancient gods, goddesses, heroes, and heroines from Slavic Mythology (Those who are interested in mythologies from around the world will like this beginner's introduction to figures like Perun, Veles, Rod, Mokosh, Morana, Chernabog, The Firebird, and Baba Yagga). 

Dobrawa guides Milena through visualizations where she displays precognitive abilities. Milena is gifted runes that serve as touchstones to communicate with the deities and spirits around her. Instead of telling her to be submissive, Dobrawa inspires her to maintain her own strength and leadership skills.

Milena is able to retain a willful presence despite attempts to censor or stifle her. She challenges an arranged marriage without her consent. Then when the situation becomes dire and marriage veers towards inevitable, she decides that even if she has to get married, she is going to give her future husband a hell of a time. He won't have even the slightest notion that he can control her.


Wednesday, January 19, 2022

Weekly Reader: The Thorn Princess (Iron Crown Faerie Tales Book 1) by Bekah Harris; Captivating World Building of Faerie Kingdom Rescues Average Chosen One YA Fantasy

 


Weekly Reader: The Thorn Princess (Iron Crown Faerie Tales Book 1) by Bekah Harris; Captivating World Building of Faerie Kingdom Rescues Average Chosen One YA Fantasy

By Julie Sara Porter

Bookworm Reviews


Spoilers: One thing to take away from The Thorn Princess, the first book in Bekah Harris' Iron Crown Faerie Tales Series is how beautiful and unique that she writes about the fairy kingdom, The Fae of the Winter Court. That is where her true writing talent lies.


It is at the Winter Court where Lyric the Fairy Queen is dying. Her magic strengthens the Court and now that she is ill, temperatures are rising and the court is left vulnerable. There are plenty of rivals that would love to take advantage of this obvious weakness, especially Lyric's sister, Alena, and the Unseelie King. Well the magic could be passed to Lyric's daughter, but there is one slight problem. Her child was kidnapped and exchanged for a human one. So her fairy daughter is out in the human world somewhere and Violet, the girl raised in the Fairy Court, is all too human.

Meanwhile, teenager Ivy Hawthorne has had some weird experiences lately. She feels that she is being followed by some sinister magical creatures like an owl who keeps following her even during the day. She also begins experiencing some strange abilities like seeing auras and demonstrating tremendous power and strength. Also, the cute new student, Bear, seems to have declared himself Ivy's new protector. Gee, I wonder why all of this is happening, don't you?


The world building of the Winter Court is dream-like with just the right touch of whimsy from fairy tales with the dark enchantment of early Celtic and Teutonic fairy lore. One of the loveliest aspects that the book in general and The Winter Court in particular reveals is of winter's beauty. 

Many of the works that show Fairy Kingdoms often portray the lands in perpetual spring or summer but Harris' writing shows that there can be a great appreciation found in winter as well. The book is filled with delightful scenes of snow drenched landscapes and winter flora like hawthorne and ivy. It is reminiscent of "The Waltz of the Flowers" sequence in Disney's 1940 animated film, Fantasia in which blue winter fairies use their magic to put frost on leaves, skate along a frozen pond, and pirouette with snowflakes. Winter has a natural beauty of its own and Harris recognizes it.


Harris also portrays the Winter Court rather well with excellent characterization and recognition of their unique structure. While powerful, fairies are all too mortal as seen with Lyric's declining health. While Fairies have individual powers of their own, the queen is the heart or center of the magic. When she is sick, like now, the court around her sickens. It's similar to the Fisher King in Arthurian legend. When there is disruption in the sociopolitical order, an interruption in the natural passing of ruler and heir, that leads to disruption in the natural world. She is also emblematic of the Goddess figure who is the Earth so when she goes, Earth goes with her. 

It could very well be that the dying Lyric and the melting Winter Court could be metaphors for climate change and Ivy represents the next generation who will have to live in it and strive to work through it, perhaps young environmentalists like Greta Thunberg. But I wouldn't go that far.


Lyric herself is a complex, often contradictory character. Concerned for her kingdom, but affecting a detached demeanor. Concerned about her sister's vile machinations but aching for a familial bond. Strong enough to lead the search for her daughter but aware of her diminishing strength. Wanting her daughter to take up the crown and sceptre at once, but fully aware that Ivy has a life that she must say goodbye to. Lyric is kind but icy, nurturer and dominator. 


Ivy has some of that complexity as well. She has known that she doesn't fit in. Her nagging fears manifest when she uses her discovered innate powers to fight off of a bully in a very frightening way. She also learns where the woman that she believed was her mother has been all these years. This strange news of her fairy origins explains a lot but still leaves her with a lot of confusion, discomfort, and questions especially when knowing that she has no choice. She has to ascend the throne or the Winter Court is gone.


Once Ivy arrives in The Winter Court is when the book really starts to develop. She becomes acquainted with the magical characters and the inner workings including the potentially antagonistic Unseelie King and Alena. Then there's Violet, Lyric's adopted human daughter. It's not hard to feel sorry for the girl who had been raised her whole life to believe that she had great power and would succeed her mother. But when the time came, she fell short. Violet doesn't say much in this volume but it's clear there will be some conflict between the birth and adopted daughters.


Thankfully, the parts in the Winter Court make up for the dull parts in the human world of which unfortunately this book has too much of. We have the typical Mean Girl Bully, the Quirky Best Friend, Stern Teacher. All of them repetitive, all of them we have seen before. Even Ivy's romance with Bear is typical for a YA Fantasy and unfortunately there are hints of the worst sin of YA Speculative Fiction, the bane of writing existence: An upcoming Love Triangle! Seriously, we're doing this here too? I shudder to think of it.


Only when the setting takes place in The Winter Court does the book really shine with originality and pulls the book from the average to the above average pile. In fact, since the later books appear to be set entirely in the Faerie Kingdom, the series should greatly improve despite the (shudder) upcoming love triangle. 





Thursday, October 28, 2021

Weekly Reader: The Circle of Ceridwen (The Circle of Ceridwen Saga Book 1) by Octavia Randolph; A Strong Feminist Start Cannot Save Over Long Historical Epic Romance

 


Weekly Reader: The Circle of Ceridwen (The Circle of Ceridwen Saga Book 1) by Octavia Randolph; A Strong Feminist Start Cannot Save Over Long Historical Epic Romance

By Julie Sara Porter

Bookworm Reviews


Spoilers: There is nothing worse than a book that begins so promising that falters towards the middle and disappoints so much by the end. It's worse than a book that is bad all the way through, because there was such high hopes in the beginning that are deflated by an underwhelming end. The Reader can feel hurt and betrayed.


Such is the case with The Circle of Ceridwen, Octavia Randolph's historical epic novel. It begins very well with two strong female leads and carries a powerful theme on how similar enemies at war really are and only property lines and country names keep us from realizing it. Then it changes into a generic romance and threatens to become a standard good army vs. bad army conflict. It could have been so much more.


Ceridwen is the daughter of of a deceased warlord of Mercia. She has been raised in an abbey to read, write, and fight if need be.  At the age of 15, she is supposed to take the veil and become a nun. However, she doesn't feel the calling and has no prospects for marriage. With the abbot's blessing, she goes out in the world to seek her own path. 

Significantly, this is usually the start of a man's journey to seek their fortune. That a woman is doing this shows how slightly subversive the writing can be within certain tropes.

While stopping, Ceridwen encounters a procession that is carrying Lady Aelfwyn of Wessex who is heading for Lindisse, an area controlled by the Danes. Aelfwyn is arranged to marry Yrling, a Danish lord in an act of conquest and to bring about peace. Ceridwen and Aelfwyn bond so much that Aelfwyn instantly makes the younger woman her companion and the two become best friends.


The book develops Ceridwen and Aelfwyn very well. Ceridwen is more self assured and bolder than her friend while Aelfwyn is nervous and uncertain about her new role as Lady of the Danes. She is upset with being used as a prize and that she had to leave the man that she really loved, Gyric son of Godwulf of Kilton in the Kingdom of Wessex. Ceridwen reminds her that she can do much 

good for the people and become a shining beacon for those in war. She subtly reminds Aelfwyn that since she will be in a position of power, that there are more people involved than just her and she needs to put her hurt emotions aside because she has a job to do. 


One of the strongest moments of what this book could be is when Ceridwen and Aelfwyn visit the people of Lindisse and see many widows, orphans, and disfigured veterans. Aelfwyn is touched particularly, by the status of the women who live without choice and are under the thumb of societal standards and dominating husbands. She finally understands what her role is and she and Ceridwen talk about changing things in Lindisse. 


There is a lot of change in the beginning, especially towards Ceridwen and Aelfwyn. Before they, especially Aelfwyn, saw the Danes as an ignorant enemy that they didn't want to know. Yrling is gruff and set in his ways, but Aelfwyn comes to care for him to the point of worrying when he goes into battle. Ceridwen becomes the center of attention between two of Yrling's nephews. One, Toki, repulses Ceridwen with his aggressive sardonic behavior but Sidroc and Ceridwen develop a mutual understanding and friendship as they share stories as children of war.

One of the moments that show real understanding is how Ceridwen alters her spiritual path. At first, she was raised in a Christian abbey. While she didn't necessarily fit in with the life of a nun, she had preconceived notions of pagans because of her influence. She and Aelfwyn saw them as barbaric and backwards. 

However, Ceridwen begins to see the freedom that the pagan path offers for women. It's a nice departure from Christianity which insists that all women are vessels of sin because of Eve. It gets to the point that Ceridwen has a religious experience where she speaks to a figure that might be Ceridwen, the Goddess and her namesake. 


It's such a good book in the beginning that it is extremely upsetting that it changes during the halfway point. Ceridwen volunteers to free Aelfwyn's imprisoned former lover, Gyric. The two go on the run to Gyric's kingdom of Wessex. Along the way,they become lovers.

On paper, it's not a bad idea. Ceridwen shows a lot of strength and determination and takes the lead in their adventure. Gyric had been blinded and wounded from his imprisonment and needs Ceridwen to guide him home.


However, the plot really devolves. Among the reasons that the second half isn't as good as the first is the departure of Aelfwyn and the decline of the friendship between her and Ceridwen. 

The book seemed to be more about a friendship between the two female friends. They could have been lovers, but more importantly they were best friends who brought out the best of each other. It was a feminist stance that two women can lead and bring about such change.


Unfortunately, since Aelfwyn disappears the second half of the friendship is gone, relying on the standard male-female romance to propel the narrative.  I apologize, but it is nowhere near as compelling as the friendship that preceded it. One of the reasons is that while Ceridwen and Aelfwyn are dynamic characters that change because of their friendship, Gyric is the same static character throughout. Of course, he has been wounded and tortured and is suffering through PTSD, but that could have easily been a separate book. In fact, his and Ceridwen's subplot could have easily been a separate book and not tacked on to this one.

Ceridwen's story has been told and she has gone through great dramatic change, so that her and Gyric's story is unnecessary that it seems like filler. The plot just drags on and on when it would have had a better ending.


The Circle of Ceridwen is like a circle that starts with a strong beginning and just goes on and on instead of having a real ending. This is one circle that needs to be a lot smaller.

 

Saturday, May 1, 2021

Weekly Reader: Gol (Legend of Ansu Book 1) by J.W. Webb; Brilliant and Dark Epic Fantasy With Great Characters, Themes, Narration, Plot, and Suspense

 


Weekly Reader: Gol (Legend of Ansu Book 1) by J.W. Webb; Brilliant and Dark Epic Fantasy With Great Characters , Narration, Themes, Plot p, and Suspense

By Julie Sara Porter

Bookworm Reviews


Spoilers: No joke, I am in the process of reading or reviewing five Epic Fantasies this month, one of the most popular genres for independent authors. I have often weighed the reasons why this genre is so popular for authors and I believe because it calls for the highest amount of creativity to not only develop a plot and put believable characters in it but to create the world around them including the history, geography, mythology, socio political environment, flora, fauna, and magical creatures as well as the rules that magic users follow so that they don't seem too powerful or too invincible. It also helps that many authors are echoing the favorite books of their youth like The Lord of the Rings, Chronicles of Narnia, A Song of Ice and Fire, The Wheel of Time, The Sword of Truth, The Harry Potter series, His Dark Materials, The Mortal Instruments, and so on. People who are raised as fantasy geeks write books for fantasy geeks and let's be proud of it. 

It's a fun experience for Authors and Readers alike to fall into a new magical world and embrace that fantasy from within. If the first book of these Epic Fantasies, Gol (The Legend of Ansu) is any indication, then it shall be quite a ride. I am warning future authors, J.W. Webb has set the bar pretty high already so they will have to be something to catch up. Gol is a brilliant and dark Epic Fantasy that is filled with terrific characters and thrilling plot and suspense as the characters prepare for what amounts to the end of the world.


What is particularly engaging about Gol is that it is written in the style of ancient historical documents like the narrator is gathering together legends and myths that they have heard in their childhood and putting them together in written form. This shows in some moments when the Third Person Omniscient Narrator suddenly becomes intrusive. 

For example, one character is trained on an island to become a warrior. The Narrator skips over the training session saying that this section was incomplete and that they do not possess the research to reveal anything more about his education. 

From an author's standpoint it allows Webb to write future short stories and novellas to tie up those loose ends. On a storytelling standpoint it puts the Narrator and the Reader on the same level so that the Reader experiences the world of Gol as the Narrator is describing it. The Omniscient Narrator isn't a god who sees everyone and everything. They are more like a bard, a historian, or a storyteller who reveal the important points but leave enough interest for the Reader to listen and want to hear more.


The cast of characters are a well written group. While there are some cliches and tropes (The Heroic Paladin, The Wise Magical Mentor, The Corrupt Sorcerer, The Star Crossed Lovers), Webb does some brilliant unique things with them that make them three dimensional and stand out from their archetypal origins.

In the center of this cast are lovers, Erun Cade and Lissane Barola. They are the lovers from opposite sides of the economic scale. He is the son of a blacksmith and she is the daughter of a wealthy baron. Her corrupt father, Baron Eon Barola has arranged her marriage to Prince Varentin Gallante. While plotting their escape, Erun runs afoul of Lissane's brothers. They kill his father and kidnap him while Lissane is forced into marriage to the not so Gallante Varentin.

Meanwhile an evil wizard, Ozymandeus is possessed by a fire demon called Ashmali destroying everything in their path. Armies, lords, kings, and an emperor are torn between fighting or siding with this unstoppable force. The plots between Erun, Lissane, and Ozymandeus cover various characters, plots, and situations only to unite in a very violent and destructive end that gives only two options: fight an unstoppable force or flee to new worlds.


One of the interesting aspects to the book are the separate paths that Erun and Lissane take. Erun befriends outlaws and warriors like Red Torrig, a rough mannered Prince and a strange cranky but experienced old man, Irulan.

Some of the more intriguing chapters are when he is trained by the giantess, Scaffa. Scaffa is the type of mentor who challenges not only with tasks but gives him instructions that are purposely unclear but leaving him to figure them out on his own. In a way she is reminiscent of Scatheach, the druidess who trained Cuchulain in Irish mythology (In fact many times in Irish history and lore, boys were trained by women and girls by men.).

Scaffa also leads Erun in his most dangerous tasks to capture the other three elemental spirits of Earth, Air, and Water to fight against Ashmali. They are very dangerous and clearly play on Erin's fears and desires so these are difficult feats, but he realizes that they are tests so Scaffa can observe  his interaction with them. Through her instruction and guidance, Scaffa becomes one of the more intriguing characters that Erun and Lissane encounter, fiercely independent and wise, willing to make a fighter out of this young man or see him die in the attempt. It pays off in the end. Erun becomes a scarred fierce skilled warrior named Kell. 


While Erun takes a warrior's path, Lissane is thrown directly into palace intrigue, that of a queen. Varentin is a sociopath who has affairs and hangs on his mother's every word. Speaking of which Varentin's mother, Sophistra openly flaunts her lover and when her husband dies under not so mysterious circumstances, her lover Torlock becomes king in all but name. The dangerous couple conspire against and do away with multiple enemies. Living with such maniacs, Lissane learns survival skills and to bury her deeper feelings up to a point.

Finding no love from her alcoholic backstabbing father and or her scheming sadistic in-laws, Lissane looks for love elsewhere. She finds it in Estorian Sarfe, a charming but kind hearted baron's son. She eventually runs away with Estorian and is accepted by his family. Through the Sarfes, Lissane is finally accepted and learns to use her power to protect those close to her.

One of the strangest bonds that Lissane develops is with Morwella, Sophistra's younger daughter. Morwella is a mentally ill girl who lives in her own world where she imagines violent scenes and declares herself Queen of Cats. In fact the people of Gallante often call Lissane, Lady of Light and Morwella, Lady of Darkness. They complete each other in a strange way like Jane Eyre and Bertha Rochester, where Morwella serves as Lissane's dark shadow self acting on the impulses that Lissane buries. It makes sense that after Morwella finally does commit murder, Lissane takes a protective sisterly role in her life. Morwella is another interesting colorful character in this cast.


What makes Erun and Lissane's path so memorable is how their feelings for each other mature. They still care for each other and cite one another as catalysts for their desires for revenge and survival, but they realize that their feelings for each other were immature and brought on by childish emotion. In fact there is a moment where after they have been through so many struggles and have learned and changed so much that when they see each other again, they don't recognize one another. In a fantasy novel, it is nice to have this true to life scenario in which lovers do grow and change when they are separated. Their feelings aren't going to be the same and their situations are going to change accordingly.



Another interesting feat is how Webb handles Ashmali and what the characters do to fight against him. It is graphic to read about Ozymandeus being eaten from within by fire and him knowing it too. Even though he's egocentric and ambitious, it's not hard to feel sorry for him as he is being tortured and eaten alive.

 What is particularly compelling is that Ashmali is literally unstoppable. Yes, the other Elementals are destined to fight against him and blah blah blah. The Elemental battles are exciting and well worth the build up. However, there is a realization that Ashmali leaves so much destruction behind him as a fire demon that he is still destroying the world. 

Even if he loses and is defeated, there is so much destruction that he in effect has already won. While the characters prepare to fight, they are also preparing to leave the subcontinent of Gol to another world. They need to start over somewhere else. Again that is a very unique touch that sometimes the bad guys win and all you can do is move on, regroup, and start over somewhere else.


With it's brilliant cast of characters, dark themes, tight suspense, brilliant narration, and wide reaching plot, Gol could stand to be a future classic in the world of Epic Fantasy.




Saturday, May 25, 2019

New Book Alert: The Unseen Blossom by Zlaikha Y. Samad and L’mere Younossi; Beautiful Magical Allegorical Modern Fairy Tale About Empathy and Love






New Book Alert: The Unseen Blossom by Zlaikha Y. Samad and L’mere Younossi; Beautiful Magical Allegorical Modern Fairy Tale About Empathy and Love




By Julie Sara Porter

Bookworm Reviews

Spoilers: The Unseen Blossom reads almost like a fairy tale. Once Upon a Time, a princess meets a handsome commoner. They are given a task to go on a journey to retrieve a magical object. Along the way, they encounter other creatures that either help or hinder their progress giving them side quests that add to their journey. After much struggle, they reach their goal and fall in love.

Cut and dry, The Unseen Blossom would be no different from “Cinderella” or “Aladdin and His Wonderful Lamp,” but the authors, Zlaikha Y. Samad and L'mere Younossi made their fairytale much deeper than the usual clichés. Instead The Unseen Blossom is a beautiful allegorical tale about love and empathy that has plenty of romance and magic that the best fairy tales share. It is for all ages and people of all faiths.

Princess Zuli, an Afghan princess, visits her favorite fig tree in her garden but while caring for the tree she is pushed onto the path of Lamar, a shoemaker's son. The two encounter a rock creature that tells them that Afghanistan is a country torn apart by war, bloodshed, and inequality. What can help save it is a fig blossom. The two are destined to work together to find it and bring it to Kabul.

This will be an odd quest. (After all, who has ever seen a fig tree blossom?) But journey they do through a landscape of fairies, royal fish, flying horses, talking birds and many strange landscapes with such names as The Garden of Tulips, The Garden of Lily Ponds, and The Garden of Roses to reach their goal.

It's kind of strange to say this about a book that has no illustrations, but The Unseen Blossom is a visually beautiful book. Samad and Younossi's writing creates evocative word pictures that are vibrant almost hallucinatory. The secret is in the little details such as their description of a waterfall in which the “water pounded onto the rocks below, creating an enticing silvery pool. Under the moon's gaze, the waterfall looked like a wall of shimmering silver and gold coins.”

Some of the most beautiful sections are in the Garden of Tulips and the Garden of Roses. The former features the characters traveling through a garden of different colored flowers that are so delicately described that the fragrances leaps off the pages.

The flora in the Garden of Roses is a somewhat disappointing follow up consisting solely of white roses, but the bird life more than makes up for that. Not only are they different types, but they are so dense that there are moments where the bird's wings look like something else; crows resemble a night sky, doves take the form of wings, multicolored plumages resemble tiaras and gowns. These details and descriptions give off the impression that the Reader is walking into someone else's dream.

Besides the dream like setting, Samad and Younossi give us compelling characters to take this fairy tale journey. Zuli is hardly a damsel in distress. She is aware of the situations outside the palace walls because she often dressed as a commoner to sneak out. She is very adventurous and sometimes haughty. (She engages in a few quarrels with Lamar along the way.) However she is also skilled in diplomacy such as when she negotiates with a tyrannical fish queen who surprisingly acquiesces to her suggestion with little argument. Zuli has what it takes to be a good ruler especially in a male dominated society.

Lamar is also a developed character. While not a prince, he is extremely charming as he shows in a letter he composes to Zuli revealing his deep feeling for her. He is quite intelligent as he is able to recognize signs and portents. He is also very protective of Zuli as we learn that he used to follow her on her excursions out of the palace. Throughout the book, Zuli and Lamar show that they are more than their titles of princess and commoner and that is the point of their journey.

As Zuli and Lamar travel, they probe into their inner consciousness and become self-actualized. Some characters appear that had previous connections to them through dreams and stories, implying that they are spirit guides to help them on their path.

Part of this self-actualization is empathy. Every time they help other characters or each other, they understand their predicament and do all they can to change that. They know that to help heal a country that has been torn apart by war, people need to empathize with each other and see others as people and not enemies incapable of understanding.