Showing posts with label Katherine of Aragon. Show all posts
Showing posts with label Katherine of Aragon. Show all posts

Saturday, October 19, 2019

Weekly Reader Philippa Gregory Edition: Three Sisters, Three Queens (The Plantagenet and Tudor Court Series Vol. VIII) by Philippa Gregory; Sisterly Competitiveness Reaches It's Zenith Between King Henry VIII's Wife and Sisters







Weekly Reader Philippa Gregory Edition: Three Sisters, Three Queens (The Plantagenet and Tudor Court Series Vol. VIII) by Philippa Gregory; Sisterly Competitiveness Reaches It's Zenith Between King Henry VIII's Wife and Sisters




By Julie Sara Porter

Bookworm Reviews




Spoilers: Many of the Plantagenet and Tudor Court Series books have an ongoing theme of sisterhood by blood or friendship, and for better or worse. Quite a few of the books deal with the jealousy and competitiveness that sisters share. When those sisters are members of a Royal family, that competitiveness can be very public, costly, and catastrophic.

The eighth volume of the series focuses on Margaret Tudor, second child of King Henry VII and Elizabeth of York and older sister of King Henry VIII. Her lot in life has always been to be the second and overlooked in any situation. She is not in the line of succession because she is a girl so she is not held in as high regard as her brothers, Princes Arthur and Henry. She is not thought of as a great beauty like her younger sister Princess Mary so she is not a serious contender for marriage. When Arthur marries Katherine of Aragon, all eyes and eventual power go to the new arrival from Spain so Margaret is overlooked in her own country.

It's no wonder that she looks forward to her arranged marriage to King James IV of Scotland. She may not know the country that well and it won't be a match made for love but at least she will be the most important woman in her own country.

When the book begins, Margaret is not a pleasant person. While many of the books in the series begin with the protagonists as children, they show a level of maturity that is to be expected of a preteen-teenager of that period. Here Margaret acts like a shrieking vain spoiled brat. She constantly judges Katherine for her clothes, piety, and accent even though she can't help but inwardly admire her composure and how she carries herself as a queen. She also constantly craves attention to the point of demanding it.
It is understandable, given her situation as the unfavorite in the family but it still is annoying to read.
After the difficulties that her predecessors suffer from political intrigue, child marriages, and warfare at young ages, Margaret Tudor is the first chronological Royal in the series that actually behaves like an Entitled Royal Pain.

Thankfully, she doesn't stay that way and the book is just as much about Margaret's path to maturity as it is about her carving her own destiny from underneath her sister's shadows.
After she marries James, she is bemused by his abrasive brusque nature and his freer sexuality. Part of that sexuality is to not only openly admit his various love affairs but to accept his illegitimate children into her household. While Margaret is aware of royal extramarital affairs and knows that male royals often have mistresses, she won't have that at her house. She orders James’ illegitimate children out of the castle and back with their mothers or other relatives. James grumbles but willingly accepts. Margaret for once is not content to play second fiddle to anyone and commands that at least as far as Scotland and her marriage bed are concerned, she comes first.

James and Margaret get through that first hurdle fairly well and settle into a fairly happy ultimately loving marriage in which they have two sons and one daughter. Though one son and the daughter die in infancy, Margaret's third son, James survives to become the heir. Just when Margaret and James are contemplating a bright future, King Henry VIII declares war on France and as part of the Auld Alliance, Scotland has to assist France. So James is called to lead the troops and Margaret is declared regent in front of a council of very suspicious old school male nobles who are none too keen about being led by a woman.

Remember how one of Philippa Gregory's strengths in this series is in telling multiple viewpoints of the same events? Well she brings that in full force in this book. What in The Constant Princess was a military triumph for Katherine of Aragon to show her strength and leadership becomes a moment of agony for Margaret Tudor. When English troops kill James, bury him in England, and send his bloody coat to Henry as proof, Margaret is in anguish and is filled with hatred at the smug English queen who caused this. Her rivalry with Katherine turns to grief and hatred.

It is fascinating how Katherine of Aragon transforms from a feisty spiritual warrior in her book to a bloodthirsty villain in Margaret's. That's the true talent in Gregory's book how a savior in one book turns into a terror in another.

Now Margaret has to rule by herself while privately mourning for the husband that she had grown to love. Her widowhood and rule is made more difficult by her council who challenge her every rule, don't care for how she tries to make peace between the feuding clans, and consider the official male regent the Earl of Albany a better potential ruler. However despite the stumbling blocks, Margaret is able to use her leadership skills and forceful nature to make things happen.

One development that occurs because of the war is the importance of Princess Mary’s love life. Suddenly the young unmarried English princess and the recently widowed Scottish queen are debating potential partners. Okay, the King of France Louis XII is old enough to be their grandfather but he has wealth, power, and whichever sister he marries will be in charge of one country or in Margaret's case two. Margaret's claim on Louis ends however when the King sets his interest on the younger more beautiful Mary.

While the title of the book is Three Sisters, Three Queens, Mary probably gets the least amount of development in this book. Most of her story is told through letters to Margaret.
In these letters and in Margaret's recollections, Mary is childish, vapid, and more concerned with fashionable gowns, romance, and looking pretty. As we saw earlier Margaret was the same way, but she goes through a lot of growth and development in her book. Mary however does not.

Mary marries Louis for the financial benefits and to be taken care of even though she has a lover, Charles Brandon waiting in the wings. She doesn't care about ruling, she just wants to be admired and appraised because of her appearance and sunny disposition. Mary's extreme vanity is made apparent after Louis dies and she immediately leaves for England with Charles Brandon and marries him. This sudden marriage incense Harry and Katherine to the point that they estrange from Mary and Charles. It takes a papal dispensation before they forgive the duo.

They are ultimately forgiven, and their money is restored. Charles is accepted into Henry's inner circle despite having no interest in politics, religion, or the monarchy. He is solely seen as merely a charming courtier and Mary is seen as a pretty ornament in the castle. They contribute nothing but good looks and amiable companionship and that is a-okay with them.

Mary's two marriages and her closeness with Katherine, the woman whom Margaret blames for her husband's death reignites her rivalry with them. This causes Margaret to make the most reckless decision of her rulership: to fall in love with and marry Archibald Douglas, the 6th Earl of Angus.

Douglas is at first a supportive courtier, listening to Margaret's troubles and opens up her passionate desires. The first sign that all is suspicious is at their wedding when Douglas tells her that he doesn't have a ring so she supplies him with one. This little moment establishes his character as a moocher and freeloader who abuses his wife's trust for his own benefit.

Douglas does show some positive characteristics however. When the Earl of Albany displaces Margaret and her son James in a coup, Douglas does some quick thinking such as feigning loyalty to her anatgonists to ensure her safety and survival. When Margaret complains about Mary and Katherine again, Douglas brutally sets her straight by reminding her that this fight isn't just about her rivalry with the two women, this is about their kingdoms and she just really needs to shut up about them.

However, Douglas's bad qualities outweigh his good and this becomes noticeable in their marriage. Douglas convinces Margaret to favor his family members causing the clan rivalries to come into focus again undoing the work that she and her late husband,James did to bring those rivalries to an end. Margaret is so blinded by her attraction to Douglas, that she gives him whatever he wants and he slowly gains power through his wife.

During the coup, Margaret is left isolated and dependent on Douglas, even removed from her son. She is forced to appeal to her brother for assistance. While she is in exile, Douglas seizes her throne and shacks up with a mistress that he was once betrothed to.

Historically, Margaret Tudor was the grandmother of Mary Queen of Scots and the parallels are evident. Both had an arranged first marriage that ended with the death of their husbands. Both had unwise second marriages to opportunists who used their marriages as platforms for their own gain. Both had third marriages but ended up exiled from Scotland and separated from the throne and their sons.

However, what separates grandmother and granddaughter is the end results of their exile. Mary Queen of Scots was imprisoned while in England and spent much of her time in captivity and becoming the center of various plots and conspiracies. Ultimately, Queen Elizabeth signed her death warrant and she was executed.

Margaret however takes a different tactic becoming a bolder character by taking control of her life. She divorces Douglas. Despite objections from Douglas, the council, and her family Margaret fully intends to see the divorce through. It becomes particularly hypocritical when Henry insists that “marriage is ordained by God” you know despite his various lovers and him wanting to separate from his own lawfully wedded wife. This hypocrisy makes Margaret even more determined to divorce Douglas. She declares that she will never again “believe that rules should be separate between men and women.”

Margaret manages to divorce Douglas and get him exiled. She falls in love for a third time with Henry Stewart, 1st Earl of Methvan whom she marries. The books ends things on a happy third marriage though in reality, Margaret's third marriage was just as stressful and she separated from him as well.

However, Margaret does create a lasting legacy for her son when King James V is settled into his throne. Margaret becomes instrumental in restoring peace between England and Scotland and arranges her son’s marriage to the French princess, Marie of Guise.

Margaret reaches the end of her book sympathizing with Katherine who is cast aside for Anne Boleyn and Mary who is estranged from her brother when she supports Katherine. Mary also reveals in her final letter to her sister that her looks have faded, and that she is ill and dying.

Margaret realizes that in the three-way competition between the three sisters, Margaret's the only one that came out on top. However, it's a hollow victory as she sincerely mourns how low her sisters have fallen and that instead of enemies and rivals, they could have been friends.

Three Sisters, Three Queens develops Margaret Tudor into a memorable character that can be spoiled, jealous, headstrong, but also forceful, determined, and independent. She goes from a jealous princess into a great queen.

Weekly Reader Philippa Gregory Edition: The King's Curse (The Plantagenet and Tudor Court Series Vol. VII) by Philippa Gregory; Dark End to the Plantagenet Family Focuses on Survival in Drastically Changing Times






Weekly Reader Philippa Gregory Edition: The King's Curse (The Plantagenet and Tudor Court Series Vol. VII) by Philippa Gregory; Dark End to the Plantagenet Family Focuses on Survival in Drastically Changing Times

By Julie Sara Porter

Bookworm Reviews

Spoilers: Historians know Lady Margaret Pole, the Countess of Salisbury for how she left the world rather than her involvement in it. The oldest of King Henry VIII's victims, she was executed in the Tower of London at age 67. When she was ordered to lower her head on the execution block, she refused and ran shrieking through the Tower. The executioner finally caught up to her and killed her on the spot. Ghost hunters, paranormal investigators, and believers of the supernatural have reported hearing, and sometimes seeing, her ghost haunting the Tower and reenacting her grisly death.

Philippa Gregory gives Lady Margaret great significance to her life than just her death. Instead she is the last remnant of the old guard: the final member of the Plantagenet immediate family that was directly involved in the War of the Roses (some descendants still remain to this day.) who sees the world that she once knew slowly dying around her, making way for a world she doesn't recognize.

In the previous books, Margaret was a supporting player in other's stories. She started out in the White Queen as the daughter of George Duke of Clarence, younger brother of King Edward IV. She was very young when her father was embroiled in an attempt to seize the throne and was executed by drowning in a vat of malmsy wine. In the White Princess, she was the friend and companion of Elizabeth of York as her brother became the center of a conspiracy to take the throne from Henry VII. She was then forced to watch as history repeated itself and her slow-witted brother was executed. Finally, in The Constant Princess, Margaret is older and charged with guarding the newlyweds Prince Arthur and Princess Katherine of Aragon forming a strong bond of friendship with them though they are the son and daughter-in-law of the king that executed her brother. In her old age, she learned to forgive.

Because that part of the story is well documented in the other books and doesn't offer anything new in the way of her friendships with Elizabeth of York and Katherine of Aragon, Margaret's chapters with the royals are probably the least interesting aspects of the book with one notable exception which I will get to later.
The more interesting parts to this book are the chapters in which Margaret is away from the Royal family and is involved in conflicts within her own family and the people on her lands.

Similar to Jacquetta of Luxembourg, the protagonist of Lady of the Rivers, Margaret spends a great deal of time helping her children receive advantageous positions and marriages. She is also in despair after the death of her husband, Sir Richard leaves her destitute. She appeals to King Henry VIII for help. In exchange, he appoints her oldest son, Henry 1st Baron Montague to become his friend and confidante and her second son, Reginald to Oxford to become a scholar for the king. These positions become useful after the king's noted marital troubles become public and Henry decides to declare his marriage to Katherine no longer valid. Montague becomes Margaret's palace insider letting her know the situation with the royals and Reginald gives her the official opinion from the Catholic Church.


Much of the book deals with the conflict of staying silent or speaking out. Margaret lies when she is asked whether Katherine and Arthur consummated their marriage. She tells the court that it was never consummated so Katherine can be cleared to marry Henry, even though she knows full well that it was.

She also claims to not know anything about whether Elizabeth Woodville and her daughter, Elizabeth of York cursed the Tudor family as the murderers of the Princes in Tower. She says this despite Elizabeth of York confessing to her about the curse.

Margaret has to make a difficult choice when everyone in England is forced to swear an oath that Henry's marriage to Katherine was invalid so he can marry Anne Boleyn. Margaret swears the oath and feels guilty because of her friendship with Katherine. However, she does this to protect her family.

She also questions when family members become more vocal against Henry. Her cousin, Edward Stafford is executed for treason and her son, Reginald becomes an outspoken critic against Henry when the king declares himself Supreme Head of the Church in England putting him in direct conflict with the Pope. The events with Stafford and Reginald put Margaret's family under suspicion and both times she reluctantly distances herself from them. Margaret's despair is particularly felt when she mourns her estrangement from Reginald who was her quiet serious boy that she can no longer associate with.

It makes sense that Margaret is not willing to lose any more family members after the loss of her parents and brother. Her strong familial relationship propels her to sacrifice the truth, honesty, her friendship with Katherine, when the former queen is exiled and her relationship with her cousin and one of her sons for the rest of the family. For Margaret survival of her family is first, last, and always the most important goal.
Margaret's despair and loss throughout her long life and her nostalgia for days that will never return make The King's Curse one of the darkest books in the Plantagenet and Tudor Court Series.
Margaret holds onto the ideal that she is from an old royal family of the Plantagenets, so she bears a lot of animosity towards the young upstarts like Anne Boleyn. There is a real strong sense of the old generation dying and forced to make way for the young ones.

While the other books speak of horrible things like war, infanticide, spousal and child abuse, most of them carry a sense of hope and pride, particularly in the ambitions of the characters. Most of these ladies are not content to wait for better days. They take charge and make them happen. But with Margaret, there seems to be little that she can do, thereby increasing the hopelessness that someone in her position feels as the world changes without her involvement or input.

This helplessness increases the darkness in this book as we see the world not from the throne but the people on the outside.
Since Margaret is a Countess not a Queen, we get to view the people dwelling in her lands and learn how the instability in the Royal household affects them. Priests refuse to compromise their beliefs despite threats. Tenants worry when crops decrease and prices go up. Family members argue and break ties with each other over the oath.
All Margaret can do is help her people as much as she can.

Besides the outsider perspective, this book fills another need, one that Philippa Gregory omitted. Gregory never wrote a book from the perspective of Jane Seymour, feeling that her story had been told in The Other Boleyn Girl. Unfortunately, we get very little sense of her as a person in that book.

We finally get that much needed portrayal as Margaret gets to know Henry's third wife. As compared to the firy Katherine and the conniving Anne, Jane Seymour is depicted as a shy mousy girl who is kind but terrified of her new role and with good reason after one wife was exiled and another beheaded. Margaret is very protective towards her like a surrogate daughter that she feels is in over her head particularly when she asks for pardons for the participants in the Pilgrimage of Grace, a Catholic uprising against Henry. Jane also gives Henry, the long awaited legitimate son, Prince Edward before dying of childbirth.

Among the darkest aspects of the book is the repetition of the family tree. In most books in the series, a family tree is only in the frontispiece. But in The King's Curse, it is present throughout the book with roses colored in black to represent Plantagenet family members that die. As various members die either from illness, execution or other means another rose is darkened. When Margaret's youngest son, Geoffrey is arrested for treason, (it becomes punishable by death to speak against the king), he implicates his brother, Montague and other family members based on various conversations. All but Geoffrey are executed and the black roses continue.

Finally, Margaret is arrested, stripped of her title and land, and held in the Tower to meet her grisly final end. It is no surprise that the final page is the Plantagenet family tree filled with black roses as if sounding the death knell for the family.

The title the King's Curse is fitting not just for the curse that Elizabeth Woodville and Elizabeth of York give the Tudors that their oldest son and grandson will die young (Prince Arthur and King Edward VI) and end with a barren girl (Queen Elizabeth I). But the curse is also within King Henry VIII and how he curses his own people and himself. Lady Margaret Pole, Countess of Salisbury certainly saw that.

Tuesday, September 24, 2019

Weekly Reader Philippa Gregory Edition: The Constant Princess (The Plantagenet and Tudor Court Series Vol. VI) by Philippa Gregory; Tudor Portion Begins With Strong-Willed Warrior Katherine of Aragon



Weekly Reader Philippa Gregory Edition: The Constant Princess (The Plantagenet and Tudor Court Series Vol. VI) by Philippa Gregory; Tudor Portion Begins With Strong-Willed Warrior Katherine of Aragon

By Julie Sara Porter

Bookworm Reviews




Spoilers: So this is it.

We enter the Tudor portion of the series, the part of history that even non-history buffs will know: the story of King Henry VIII and his six wives: Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard, and Kathryn Parr.

The trick with writing such a well-written portion of history is how to make your version different. What makes your account stand out from other versions? Philippa Gregory accomplishes by personalizing each wife of Ol’ Henry. As she did with the various sides of the War of the Roses, she makes each wife stand out in their goals, relationship with Henry, and their personalities.
She starts the series off right with giving us Katherine of Aragon, daughter of King Ferdinand and Queen Isabella and turning her into a fiery, strong-willed, deeply religious warrior devoted to her God, her family in Spain, and her destiny as Queen of England.

The book begins by giving us insights into Katherine's upbringing in Spain as the daughter of King Ferdinand of Aragon and Queen Isabella of Castile. With the two acting as co-rulers, she sees that a female head of state can wield as much power as a man, sometimes more so because of her dominant nature that gives her the final say in all matters. We also see that Isabella is a formidable leader in battle as well when she commandeers a secret mission to take the Muslim palace Alhambra in Granada. This mission turns the tide for the Christian forces in their holy war against the Moors. Katherine admires the militant firebrand that is her mother and strives to be like her.

Katherine is greatly inspired by her parents’ devotion to their religion. They are devoted Catholics and authorize the Inquisition. Many times, they do horrible things to their Muslim and Jewish enemies, such as refusing to honor pacts that allow them to practice their religions and instead either force them to convert, be tortured, or leave the country. Katherine justifies all of this by saying that the Catholic religion is the only true one and all others are false.

Katherine also comes from a very passionate emotional family whose members often become obsessive in their romantic relationships. While Ferdinand had the occasional mistress that Isabella tolerated barely, he always returned to Isabella considering her his one true love in which she reciprocated to the point of an almost slavish devotion.

The “Of Aragon and Castile” Family obsession with their love lives takes on creepier tones with Katherine's siblings who have unhappy marriages. Her sister, Juana for example threatened and tried to poison any potential rivals for her husband's affections. Then when he died, Juana was so grief stricken that she succumbed to a mental breakdown, causing her father and other relatives to put her in seclusion. This unfortunate turn of events gave her the sobriquet Juana the Mad.

These incidents towards Katherine’s early life help shape her to become the staunchly religious, passionately married, strong-willed queen and fighter that she becomes in her marriage and subsequent leadership as Princess of Wales and Queen of England.

Something that makes this telling of Katherine of Aragon’s story unique is the emphasis on her first marriage to Prince Arthur, the oldest son of King Henry VII and Queen Elizabeth of York. In most versions of the wives of King Henry VIII, Arthur is reduced to a mere footnote and is barely mentioned at all, beyond giving Henry a lame excuse for saying that his first marriage is not valid because he married his brother's widow.

Here not only is Arthur an important presence to the story, but he comes across as a better character than Henry. When he and Katherine are first wed, they go through the usual troubles of an arranged marriage. He brags after his wedding night that he spent it “in Spain” much to her irritation. She underestimates the cold English air and nearly freezes. But once they get past the initial nervousness and arguments, they become a compatible loving couple.

Arthur here is written as a quiet scholar, less active than his feisty wife but is a more strategic and detailed thinker. Some of the highlights in the book are when Katherine tells him idyllic fairy-tale like stories of her childhood in Spain including a beautiful description of Alhambra. They spend many nights making love and taking notes and describing their version of a perfect kingdom that outdoes Camelot. They are such a charming and idealistic couple that this Reader wanted history to rewrite itself so that Arthur would survive to adulthood and become King of England with Queen Katherine by his side and Henry become a mere footnote.

Unfortunately, history does not rewrite itself and Arthur dies, but not before he makes Katherine vow to marry Henry and swear that her marriage to Arthur was not consummated thereby ending any impediments to their marriage. Katherine agrees and promises her late husband that she will mentally still love him even while she physically marries his brother.

The middle half of the book kind of drags as Katherine's title of Princess of Wales is stripped, leaving her alone and penniless with very few companions except her Spanish advisors and Lady Margaret Pole, whose brother Edward was executed after making a try for the throne. Despite the awkwardness between them in that Ferdinand and Isabella would not consent to their daughter's marriage while Edward was alive (so he was executed so Katherine and Arthur could marry), Margaret is very forgiving and she and Katherine form a friendship that is embellished upon in the next volume, The King's Curse.

This section in the book involving Katherine's widowhood emphasizes her solitude when she is left without funds or her parent’s support. Her mother dies and her father withdraws any support for her because he is caught up in issues of his own in Spain.

Katherine is left in England under the watch of King Henry VII who hasn't gotten any better since our last encounter with him in The White Princess. In fact, the lecherous sovereign openly lusts after Katherine while she is married and pursues her after his wife dies. Only his death saves Katherine from being assaulted by her father-in-law.

Henry's death paves the way for Katherine's marriage to King Henry VIII and for her to fulfill her destiny as Queen of England. Henry is not yet the abuser, serial adulterer, and tyrant he would later become but there are already hints of trouble brewing ahead with the young king. He repeatedly puts himself in the spotlight demanding attention when it is given to someone else, such as at Katherine and Arthur's wedding when he does a complicated dance with his sister, Margaret. He is spoiled endlessly by his grandmother, Margaret Beaufort and is not denied very much.

He also has a strong libido that does not let a little thing like marriage vows get in the way of his sexual pleasures. When Katherine is confined during her first pregnancy which results in a miscarriage, she learns that Henry spent most of that time dallying with one of her lady's in waiting. Already, Henry's character doesn't amount to much and he gets worse as the series goes along.

Katherine however improves as she matures in The Constant Princess. One of the ways that she improves is by stepping out from her parent's shadows and forming her own beliefs. During her miscarriage and second pregnancy, she relies on the advice and medicine provided by a Muslim physician. This assistance from the only doctor that wasn't afraid to be honest with her causes Katherine to rethink the beliefs from her parents. She realizes that they were wrong to throw the Muslim and Jewish people out. She sees her parents not as superhumans who could do no wrong. Instead she sees them as people who made mistakes.

Katherine also gets the chance to become a strong leader in her own right. When Henry declares war on France, Katherine is declared regent in his place and has to defend the north from the Scottish forces led by King James IV, Henry’s brother-in-law and husband to his sister, Margaret. When James is killed in battle, Katherine triumphantly has his body buried in London and his blood stained coat delivered to Henry as proof. This and the birth of her daughter, Mary give a high note to the young queen.

The Constant Princess while great in capturing Katherine of Aragon is very flawed mostly because it is too short. In fact, it is one of the shortest books in the series. The book mostly ends with Katherine's victory against Scotland and it time jumps into the future when Katherine interrupts the Privy Council meeting to challenge Henry's divorce throwing her over for Anne Boleyn.

Major parts to this story are missing. How did Katherine feel about Anne? We have a brief mention of her when her mother is Katherine's lady in waiting, but nothing of her as a character. Since it is established in this canon that Katherine did consummate her marriage to Arthur and that she still loved him, how did that affect her feelings towards the separation? Did she manage to stay true to her vow even after she was left alone? What were her thoughts during her isolation and her separation from her daughter, Mary? Was she glad to die so she could be with Arthur? A couple hundred more pages could have really helped.

While yes Anne Boleyn had been covered before and Gregory dwells on these events in The King's Curse, Three Sisters, Three Queens, and The Other Boleyn Girl. She didn't shy away from covering multiple views of the same events in her Plantagenet Series.
In fact the multiple viewpoints in different books makes the series interesting. They show that there are no good guys and bad guys in history and there is more than one voice that can tell a story.

The exclusion of the conflict with Anne Boleyn is egregious and makes the book rushed and almost empty like there is nowhere else to go. But the Reader knows that is not the case. Instead they have to wait until the next volume of the series for the story to continue.

Despite the rushed book, Philippa Gregory writes Katherine of Aragon as an excellent character: strong, feisty, clever, spiritual, faithful and a woman who was always true to herself, her beliefs, her family, and her loves.