Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Tuesday, June 23, 2026

The Dark Side of Dreams by Marjorie Kay Noble; What The Mirrors Knew by Linda Annas Ferguson

 The Dark Side of Dreams by Marjorie Kay Noble; What The Mirrors Knew by Linda Annas Ferguson 

By Julie Sara Porter 

Bookworm Reviews 



The Dark Side of Dreams by Marjorie Kay Noble

This review is a summary. The full review can be found on LitPick

Marjorie Kay Noble’s The Dark Side of Dreams is an astute, insightful, and vivid look at a future of simulated reality and corporate control. 

In the future where consciousness can be uploaded to a simulated afterlife called Shemathra’s Realm, Mira Patel uploads a digital copy of her grandfather Gunter Holden, protagonist of the book Babylon Dreams. She recruits her grandfather to help her fight the oppressive system controlling the real and virtual worlds. She also learns more about Gunter’s nefarious past which challenges her previous view of him.

The world that Mira lives in and Gunter saw the start of is one where gigantic corporations openly control everything and everybody from birth to beyond death. This is a sad situation that the current dictators created but Gunter also has to bear a lot of responsibility for what he openly caused and what he allowed to happen during his own climb to success. 

He is made to face many of the decisions that he made, the people that he hurt, the financial gain but emotional abandonment, and the corruption that occurred when he made the first choice but others took his ideas and made them worse. 

He has to make the choice to be the hero after death in simulated reality that he wasn't in life in the physical world.



 What The Mirrors Knew by Linda Annas Ferguson 

This is a summary. The full review is on Reader Views 

Linda Annas Ferguson’s What The Mirrors Knew is one of the best books of 2026 so far. It is a beautiful literary fiction novel with gorgeous prose and enchanting magical realism details.
Anna Grace O’Neil is depressed after some personal and professional losses. She decides to fill a long cherished dream to visit Ireland. While there, she encounters various strange moments that cause her to question love, loss, family, connectivity, and what home really means.

The writing is lyrical particularly with the setting and character. Ferguson captures Ireland's beauty, mythology, and history with great affection and understanding. Anna Grace is a fully developed character who is originally disconnected in her life but gains a new perspective.

This book is mostly set in the real world but there are some potentially fantastic elements which steer this book slightly into magical realism territory. Nothing is spelled out or seen as a definite physical manifestation of fantasy. Instead they are more experienced out of the corner of the eye or through speculation and guessing. 

 By far the biggest magical element is the presence of synchronicity and coincidence. Sometimes it stretches credibility but it also is indicative of how things fall into place when one is on the right path. 

Instead of exploring a more fantastic magical supernatural plot, this book shows the magic found in everyday situations. The greatest magic that Anna Grace found in her visit to Ireland was in restoring her sense of joy and will to live.





Tuesday, May 26, 2026

Tom Ryan's Shoes Legend of The Banshee Castle by T.A. Keenan, Sketch by Ros Hill, and Whispers of Blue Ridge by Nina Purtee

 

Tom Ryan's Shoes: Legend of The Banshee's Castle by T.A. Keenan

This review is also on Reedsy Discovery.

T.A. Keenan’s Tom Ryan's Shoes: Legend of The Banshee Castle is a gentle slice of life, a dramatic account of life at the beginning of the Irish Potato Famine, and an engaging folktale involving witches, curses, and finding true love. Most importantly, it is a masterful example of storytelling by Keenan writing the book the way someone would verbally relate their family history.

In 1933, brother and sister, Tommy and Molly find a steamer trunk full of papers that belonged to their mother, Lizzie. Most of them consist of Lizzie's handwritten accounts of their family history, stories that she told her children out loud. Molly’s thoughts wander to a specific story that Lizzie told in 1897.

Lizzie's story focuses on her father, Tommy and Molly's grandfather, Tom Ryan in 1846 during the Potato Famine. After being rejected by his girlfriend’s parents, Tom goes to work on his family farm, mostly walking the family pig to market. Along the way, he is accompanied by his cousin, Frank. During this day, the cousins encounter various people and situations. 

The most fascinating person that the Ryan Cousins meet is the Bean Feasa or the Hag, a woman of knowledge, witch, healer, and midwife who crosses their path many times. As they are going about their business, she is going about hers blessing or cursing various people and requesting that they leave specific offerings as a reward, bribe, or a peace offering.

The story of the Ryan Cousins and the Bean Feasa conveys various situations that run the gamut from commonplace, humorous, romantic, tragic, disturbing, eerie, bizarre, uncanny, and magical. Keenan weaves the ordinary and mundane with the ethereal and otherworldly rather well. He depicts the voice of Ireland in a specific point and time by interacting the natural physical world with the unseen and invisible world.

Keenan captures the Irish milieu well by making each character unique. We see the peaceful farmlands, rolling hills, the recognizable accents and colloquialisms. Above all, there are the quirky characters.

 There is a crotchety taciturn neighbor who makes his opinions about everything known. A couple carry on an extramarital affair under the clueless husband's nose.There is a snobbish nun who can't believe that she is stuck in this backwater area. She is from France for crying out loud! Trouble making twins plan bullying shenanigans for the lulz.There is a lot of humor and charm in these looks at everyday life.

However this is not a book about fluffy nostalgia with only a postcard look at rural Ireland. All of the charm and humor is used as a front for the darker edges that appear because of the trying times of English oppression, crippling famine, and religious dominance. Sometimes the humorous moments are intertwined with the tragic. 

Tom and Frank see the various struggles that their friends, neighbors, and others are going through. Many characters are facing unemployment, starvation, and are considering leaving Ireland forever. While alcoholism is prevalent throughout, the historical context suggests that it is used for people to sedate their troubles away when they can't move up, out, or forward.

 There is an ongoing English presence of upper class land owners who look down on the locals with disdain and ownership that they can do whatever they want to these people and face no repercussions (at least until 1916 but that's another story entirely).

The cousins see lads and lasses kept from each other by income, religion, or their own personalities perhaps in desperate attempts to either move up a social status that doesn't include hunger and poverty or to hold onto a family legacy and culture before it's forced into extinction.

 A Magdalene Laundry is an important scene as we encounter young unwed isolated expectant mothers. A pharmacist sells abortifacients and other medicines on the side for those who don't want to bring children into such an uncertain world. A single mother is resorted to begging for food with her children. 

By far one of the most heartbreaking moments occurs when Tom and Frank see the bodies of an elderly couple floating down the river. It is implied that they committed suicide. Besides this image, the most disturbing aspect is the indifference displayed from Tom, Frank, and everyone else.

 Aside from the usual duties that come with fishing the corpses and planning for the burial, there's no grief, no mourning, no investigation. Just talk about whether the burial will be a church burial. It's a weariness that accepts that things are bad and are only going to get worse. 

Thankfully the darkness is only a part of the story and is tempered by the quirky charm mentioned earlier and the fantastic aspects. There is talk about ghosts and spirits in the atmosphere. A little man appears in various pages and dispenses uncanny advice and might be a leprechaun. A beautiful woman is compared to a leannain sidhe, a beautiful fairy that takes a human lover. There are references to a castle that might be haunted by the banshee, the wailing female spirits that predict the death.

By far the most enchanting character of the story is the Bean Feasa. She is able to see what people are really worth, recognizing their virtues and vices by sight and a few words of dialogue. She knows secrets that many hypocritical authority figures hide and calls them out on their promiscuity, crimes, corruption, and abuse of power. 

She acts as the words of vengeance, perhaps the voice of a people who have had enough. She curses them then offers to remove them in exchange for food and other items. She uses her own fierce reputation as leverage.

However, the Bean Feasa is not unkind. She also rewards good behavior and foreseeable fortune such as when she tells Tom that he will find true love. As before, she does this in exchange for food and other goods. While they probably are for her (even witches have to eat after all), we learn that there are more heartwarming reasons. They reveal that this stern, baffling, eccentric crone is probably the most moral ethical character in the entire cast and the real heart of the book.

This book uses the power of Lizzie’s storytelling to ensure that these people, their real world, their legends, their world will never be gone. Not as long as there is another generation to hear and read it.


Sketch by Ros Hill

This is a summary. The whole review is on LitPick.

Sketch is on the surface a witty meta fictional satire about superheroes and the comic industry but underneath it is a deep nuanced clever work about creativity, free will, and finding one's own purpose and agency.

In 1967, Charles, an illustrator, while on a trip to Egypt received a bottle of magic ink. Heba, the mysterious seller, suggests that with all of the problems in the world, he should draw a superhero. He does and creates Sketch who comes to life and is given powers through Charles' drawings. However, where there are superheroes, there are always supervillains and Sketch is no exception. His archenemy is the Finger Gunman who knows about the ink and wants to use it for his own destructive means. This rivalry ends in grief and tragedy.
40 years later Sketch finds Sid, a young man with a connection to all of the goings on from the past and needs him to confront his former enemy once more for their final battle.

There is some brilliant commentary about superheroes and comic book culture such as Sketch and The Finger Gunman playing their expected roles to the hilt particularly the end when The Finger Gunman has Sketch and Sid captive in his lair and monologues because of course.

Despite the humorous references, there are some interesting questions raised about the creative process, maturity, and choosing one's path.
In their first few minutes of creation, Sketch and The Finger Gunman only possess the knowledge their creators gave them. They know names and goals but don't have the ability to understand why or how to act towards them. In both cases, they have to make the choice to be a hero or a villain.

This shows that a creator, or a parent, gives the tools but they have to decide what to do for them. Charles may have drawn and wrote Sketch's powers, but he had to choose to use them and take the path of a hero. The Finger Gunman was created for the same purpose, but he chose the alternative. 





Whispers of Blue Ridge by Nina Purtee 

This is a summary. The whole review is on Reader's Views 

Nina Purtee’s novel Whispers of Blue Ridge has a beautiful rural Southern small town setting. It has a charming romance between a couple that goes from meet cute and flirtation, to making love, to making long term plans, to potential soulmates. It's a nice trajectory but underneath all of the light surface sweetness, there is a dark undercurrent of actions that are results of secrets, affairs, the failures of maintaining perfection, and death.

Vintner Savannah Gray runs Graystone Winery in Blue Ridge, Georgia after the deaths of her parents and grandmother. The upcoming wine tasting festival is an important event and coincides with the arrival of rodeo champion Jake Rollins who is looking for sponsorship from Graystone. Jake’s arrival opens family rivalries and long buried secrets that resulted in a serious car accident that took lives and left many physically and emotionally destroyed. The memories force Jake, Savannah, and other characters to come to terms with the revelations that could change their lives forever.

Jake and Savannah are a fairly decent couple. Savannah struggles to hold onto her family business and care for her aging grandfather. She also has her own personal goals that put her in conflict with her family responsibilities. She is torn between her loyalty to her family and pursuing her own happiness. 

Jake fits the rugged outdoorsy cowboy and love interest without much depth beyond that type of character. He doesn't come into his own until he reveals that he was involved in the accident that left him scarred, traumatized, and amnesiac.

The accident forces the characters to come to terms with the difference between the reality and the image that they tried to convey. The setting of Blue Ridge is one of those idyllic small towns that live off of maintaining an image of beauty and perfection. . It is a small town where status quo must be maintained at all costs and serious issues are brushed aside unless forced to face them.

When the true events that led to the accident and the subsequent aftermath are revealed, the characters have to weigh the consequences of earlier lies and secrets. Jake, Savannah, and the others have to confront the truth of what happened and how the subsequent years of artifice, pretense, and maintaining a perfect idyllic facade contributed to this catastrophe. 


Thursday, April 4, 2024

The Peacock’s Heritage: A Victorian Tale of Love, Loss, and Resilience by Sasha Stephens; An All-Encompassing Historical Fiction Novel of An Irish-American Woman’s Eventful Life


 The Peacock’s Heritage: A Victorian Tale of Love, Loss, and Resilience by Sasha Stephens; An All-Encompassing Historical Fiction Novel of An Irish-American Woman’s Eventful Life

By Julie Sara Porter

Bookworm Reviews 


This review is also on Reedsy Discovery.


Spoilers:   Sasha Stephen’s The Peacock’s Heritage A Victorian Tale of Love, Loss, and Resilience is one of those Historical Fiction Novels in which you follow the protagonist through several important events and various stages of their lives. 


In this case, said protagonist is Brigid Power McGrath Hayes Lansdowne. The book sees her through poverty, English Rule over the Irish, the Potato Famine, the creation of the Fenian Brotherhood, immigration to England, United States, and the Caribbean, political rebellion, women’s rights, her careers as an accountant, writer, and philanthropist, three marriages, three children, four grandchildren, many close friendships, deaths of friends and family members, and a change in status from poverty to wealth.


We first meet Brigid in the 1830’s as a tenant farmer’s daughter. She endures life with an abusive father, a gentle vulnerable mother, and five noisy siblings. She already shows a resourceful and independent nature. When her father abandons the family, originally periodically and then permanently, Brigid takes care of the household and joins her brothers in gathering peat. She also shows a keen mathematical analytical mind when she manages the family budget (a skillset that proves to be useful in her later career as an accountant and bookkeeper).


Some of the emotionally hardest passages to read are those concerning the Potato Famine and the impact that it has on Ireland, particularly on Brigid’s family. She and her siblings reveal all of the physical and psychological pain that comes from starvation including emaciated bodies, inaction, fever, hallucinations, and weakened immune systems. In one particularly scary moment, one of Brigid’s brothers succumbs to fever while he hallucinates demons attacking him. It is nightmarish as families are forced to eat dirt from the ground, what remains of animals, and fight one another for the few meager scraps that they can get. It takes a strong person to survive such an ordeal but fortunately Brigid is that kind of person.


Brigid’s independence and bad temper shine through when she calls a priest out on his platitudes that speak of lofty thoughts but little practical assistance. She also rails against her father over 

 his relationship with his mistress whom he eventually lives with. Brigid is someone who certainly knows her own mind and isn’t content in taking a submissive subordinate role to anyone.This resourcefulness and independence come in handy when her father arranges a marriage with a much older farmer and she runs away to Dublin where she carves out a life of her own.


In Dublin Brigid begins a bookkeeping career and makes many friends including an interfaith couple, Irish rebels, and various other citizens. One of the most important is Niall McGrath, a banker who is part of the Saor-Eire (Free Ireland) Movement. It is Niall that inspires Brigid to become part of a group that wants Ireland to break free from English rule and become an independent country. For someone who is as independent minded as Brigid, the thought of a life without English rule is quite appealing, especially since she personally saw how wealthy landowners treated people like her family and many of the English laws and backhanded assistance that prolonged the Famine. 


Brigid’s marriages symbolize her ascension and stages in life. Her marriage to Niall is youthful and passionate and is shared between two people who are looking forward to starting their lives. They are in the early stages of their careers and jump headlong into the Rebellion cause by attending protests and demonstrations, eventually moving to England to take an even more active part. They are in a higher place than Brigid was previously, though not yet wealthy. There is almost a careless giddy demeanor that carries over into their marriage as Brigid and Niall become part of the larger world and try to define what concepts like “freedom,” “love,” “sacrifice,” and “independence” really mean. 


Brigid’s second marriage comes from a different place. It is to Finnbar Hayes, a college professor and  leader of Saor-Eire then the Fenian Brotherhood, which is more drawn to violent actions against English oppressors. By the time that she and Finn begin courting, Brigid has experienced loss and is trying to rebuild her life with two small children. Though young, she is more aware of loss and pain and is desperate to hold onto those she loves knowing that she could lose them. There is less recklessness and more caution in her feelings towards Finn. Finn being a leader of the Movement rather than a member like Niall shows awareness of responsibility and larger stakes in his actions. If Niall went down, the Brotherhood would lose a dedicated member but if Finn went down, an entire Movement would fall along with all of the member’s friends, families and sympathetic allies. This involvement widens Brigid’s circle of friends as she empathizes with their plight.


Brigid’s marriage to Finn also changes her status as well. When they emigrate to the United States, Brigid and Finn pursue careers that bring security and respectability. For the first time, Brigid is in a financially secure position and is not only able to care for herself and her family but others as well. Finn obtains a professorship and remains involved with politics and the Fenians while Brigid helps various people by donations and volunteer work such as tutoring and mentoring. She also writes various articles and books that illustrate her views. Both she and Finn now become leaders and spokespeople of their communities as they embrace mid-life. 


Suspense plays a large part of Brigid’s life during her first two marriages. There are many secret meetings between characters that have code names. There are demonstrations and revolutionary acts which result in violence and prison sentences. While Brigid is in England, a young boy becomes her eyes and ears giving her warnings about raids or betrayal. These exchanges remind the Reader that lives hang in the balance and it takes a lot of courage and resilience to take action against an authority that thrives off of economic divide, rigid class distinctions, and imperial ambitions.

Brigid’s early marriages are filled with the tension of people who are caught up in causes that are greater than themselves. Sometimes that involvement requires them to sacrifice much: the chance of marital serenity, time with loved ones, trust of others, and even a long life with the one whom they love.


Brigid’s final marriage to John Lansdowne, a retired sea captain, is borne from loneliness and a desire not for passion or respectability, but for companionship. John is sympathetic to various causes but is not politically involved which is probably a relief for her. Since Brigid had been politically active in her youth and marriages, she is more than willing to embrace the serenity that comes with age. She has the finances to care for herself and those that she is close to and does not have to live with the political tension and financial insecurity that hounded her younger years. 


In response to that security, many of the conflicts in Brigid’s life are more personal particularly when she and John settle in Barbados. She discovers some things about herself and uses that information to continue helping others. She becomes personally involved in the lives of friends and family members by helping them move forward in their paths in life. It becomes just as much their journeys as it is Brigid’s. She is helping them in their early steps when she was forced to navigate hers in Dublin by herself. She wants to be the mother, mentor, and friend that was unavailable to her. 


 In some ways. The Peacock’s Heritage is reminiscent of Captains and the Kings by Taylor Caldwell, which was also about the Irish immigrant experience in the United States and covers an extensive historical period from the Irish Potato Famine to the early 20th Century, however the presentations couldn’t be more different. Captains and the Kings was about a man who claws and connives his way to the top, becomes embittered by his wealth, faltering relationships, and deceitful colleagues, and ends up surrounded by the trappings of his riches but utterly alone. The Peacock’s Heritage is about a woman who is also an Irish immigrant who climbs to the top of high society but instead is enriched by her widening circle of friends and family and becomes more involved with her community that carries over into four countries. It reminds us that true wealth is remembering where you came from and lending a helping hand to those who are going through the same struggles and haven’t reached that point yet. 


Reading a book like The Peacock’s Heritage is a dizzying and at times overwhelming experience. When the book is closed, the Reader is exhausted as they felt that they lived a whole life with Brigid, but they are also glad that they got to know such a fascinating dynamic character during such interesting times.

Monday, December 13, 2021

Weekly Reader: Murder By The Coven (A Belfast Murder Mystery Book 3) by Brian O'Hare; Supernatural Unnecessarily Brought In For Otherwise Thrilling Police Procedural Murder Mystery




 Weekly Reader: Murder By The Coven(A Belfast Murder Mystery Book 3) by Brian O'Hare; Supernatural Unnecessarily Brought In For Otherwise Thrilling Police Procedural Murder Mystery

By Julie Sara Porter

Bookworm Reviews 


Spoilers: Granted, I have only read two books in Brian O'Hare's the Belfast Murder Mystery Series, so it's hard to tell which is the weird one: Murder by The Coven for openly involving the supernatural or Murder on the Dark Web which is a police procedural which does not. Judging by the description of the other three books in the series, Murder by The Coven is the most likely outlier. Because of that, it is nowhere near as powerful and graphic as Murder on the Dark Web.

Now don't get me wrong, I love supernatural mysteries. I love when the protagonist has psychic abilities along with massive powers of deduction in their arsenal. I love when "murder by dark magic" could logically be considered as a means for murder. I don't even mind when genres mix. However, in a long term series it has to do it from the beginning. To throw supernatural demonic influences on a mystery series which was fine being a typical police procedural with human murderers and pedophiles is jarring at best and sends mixed messages at worst.


Maybe I am particularly hard on Murder By The Coven because I loved reading Dark Web Murders so much. In fact it was one of my favorite mysteries that I read this year so the follow up was bound to be lacking in comparison. Murder on the Dark Web subverted the ideas of heroes and villains, good and bad, by making the murder victims reprehensible and guilty of crimes in which they were never caught nor charged because of their wealth and power. The murderer was victimized by these horrible people and seeks vengeance the only that they can. However, the fact that they take it too far and harm innocent people makes the murderer a bit hard to root for though understandable. The subversion is ever present and was what made The Dark Web Murders so great.


Murder by the Coven also has some of those same themes. When it explores that theme, it is very exciting and thrilling.

The prologue is set in 1995 and takes place during a terrifying ritual. A woman is brutally murdered in a sacrifice by a Satanic cult. The cult members are hooded and unidentified. Twenty one years later, an older couple is murdered. Meanwhile, Sheehan and his team investigate the skeleton of a woman that has been dead for over 20 years. After some investigating, the team learns that there is a connection among the skeleton, the couple's murders, and the Satanic coven which is alive and well.


Murder by the Coven is similar to Murder on the Dark Web which the rich and powerful's crimes are buried because of names and connections. Many people are left suffering in their wake and one seeks vengeance because of a lifetime of suffering from actions that have gone unpunished. Some of the murderer's actions are unconscionable and their overall personality is very different from the previous murderer of the Murder on the Dark Web. Many times they are just as cold blooded and methodical as the coven of Satanists. The Satanists created the circumstances in which the murderer acts and the murderer takes it to a higher level. The Satanists are the cause and the murderer is the effect.

There is some heart stopping suspense and a nice subplot involving coroner, Andrew Jones and Selena Carrington, a young woman involved in the investigation. When Murder by the Coven is set in the procedural world, it works.


That is how this book should be, unfortunately it isn't always like that. In the last book (and from reading the descriptions of the other books), faith is a strong theme throughout the series. Sheehan is a die-hard Catholic and in Belfast, the struggles between Catholics and Protestants are still present. In fact, the book is set against the backdrop of The Twelfth, an important day in Ulster history honoring William of Orange, the Protestant King of England. The Twelfth is still a day of contention between the Christian denominations in Northern Ireland. Sheehan and his team put their own religious divide and personal animosity to keep the peace. Faith and spirituality is important to the series but it has always been in the background until Murder by the Coven.


What doesn't work is that the book takes a hard left into the paranormal. One of the coven members invokes a demon to curse Sheehan and his crew. Suddenly,this awesome police force and their loved ones act like bickering and whining children accusing each other of infidelity, police corruption, and sloppy investigation tactics. If these were presented as legitimate concerns that the characters have had over the years that manifested itself into internal suspicion, petty bickering, or even joking asides or disagreements, it could be symptomatic of buried resentments now coming into focus because of a stressful case. But no, instead one minute they are acting as a team and the next they can't stand to be in the same room together. It takes the work of an exorcist to break the curse.

This subplot could have worked as a maybe magic maybe mundane situation where coincidences or hidden circumstances that could be attributed to otherworldly forces but it is so blatant here and seems to come from The Exorcist rather than a realistic crime drama.


This passage almost sends the book to an unnecessary detour into the supernatural. The Sheehan series seemed to exist in a regular real world where human beings sometimes did despicable hateful

things to other human beings. They didn't need demonic influences to act. Sometimes the darkest hearts can be with humanity itself and they get justly punished for their actions. Inserting paranormal forces into a series that didn't occur before is like throwing a dragon into Ed McBain's 87th Precinct series. It may shake things up and it was probably O'Hare's intention to do something different with this book. But it comes across as awkward and in this case contradicts messages from the other books.


Murder by the Coven seems to imply that the coven got where they were: rich, powerful, and corrupt because of their pact with Satan. It's the old "Devil Made Me Do It" defense that demonic influence, not human behavior, is the real enemy. So in this world if the Devil influences characters, does that work for the rest of the series? (I hope not. That club in Murder on the Dark Web are complete human a$#@_&es who definitely didn't deserve such an out.) Putting demons in a series that previously didn't have it removes the thought that ultimately humans are responsible for their actions for good or bad.


In a different book, the supernatural might have been an interesting addition to a crime drama series, but not in this one which operates and depends so much on real world issues and real world laws. Perhaps instead O'Hare could do a supernatural based series which directly involves such diabolic vs. angelic conflicts but not in a 

police procedural series and, volume in particular, which worked just as well without it.




Sunday, August 8, 2021

New Book Alert: The Titanic Sisters by Patricia Falvey; Fascinating But Misleading Historical Fiction About Two Sisters On Divergent Paths

 


New Book Alert: The Titanic Sisters by Patricia Falvey; Fascinating But Misleading Historical Fiction About Two Sisters On Divergent Paths 

By Julie Sara Porter

Bookworm Reviews 


Spoilers: Somebody should remind either Patricia Falvey or the people at Kensington Books that it's not 1997 and just because something has the Titanic in it doesn't mean that it's the most important feature in that work. That if a book only has the ill fated voyage for the first third, all of 60 pages, then it's not necessary to call the book, The Titanic Sisters. The Sisters are the most important parts of the book, not the Titanic and the title should reflect that. Falvey has written other historical fiction with simple titles like The Yellow House, The Linen Queen, and The Girls of Ennismore. 

The Titanic Sisters is about Irish sisters, Delia and Nora Sweeney as they emigrate to America and find love, independence, self actualization, and a way out of the roles that had been programmed into them. Okay, The Sweeney Sisters might call to mind the SNL sketch starring Nora Dunn and Jan Hooks, but the Irish Sisters, The Donegal Sisters (where they originated), or The Irish Roses of Texas (where they end up) would make good alternate titles.


Well misleading title aside, it's actually a very good book and the protagonists are a great attraction of opposites and their individual journeys. When the book begins, Nora and Delia have a long running case of sibling rivalry. While most parents should never choose a favorite child, no one apparently told Ma and Da Sweeney that. Mrs. Sweeney belittles and verbally abuses the bookish Delia and favors the beautiful Nora who she believes will fulfill her dream of marrying in wealth and living in luxury. Mr. Sweeney ignores Nora and confides in his older, more active daughter who assists him on the farm. The Sweeney parents' preference for one daughter over another spills into the sister's interactions with each other and shapes them into the women who they became. Nora is a vain social climber who wants a way into wealth and high society while Delia is a surly rebel who just yearns for a way out.


A way out arrives in the form of an invitation for Nora to become a governess in the home of rich American widower, Aidan O'Hanlon. Mr. Sweeney pulls some strings and manages to get Delia a housekeeping job in New York provided that she and Nora travel together. Both sisters are hopeful about their future prospects but not looking forward to traveling together. Nora is particularly beligerant insisting that "it's (her) turn." Reluctantly, the duo travel together on a certain White Star ocean liner on its maiden voyage. 

The Titanic of course sinks and the sisters are separated. A misunderstanding causes Delia to be mistaken for Nora and she takes the governess job at the O'Hanlon's. Meanwhile Nora ends up with amnesia and recuperates in the home of Felicity Barrett Shaw, a wealthy suffragist.


The different paths that the two sisters go on are some of the most interesting parts in the book and reflect the characters of who they were and who they grow to become. Delia bonds with Lily O'Hanlon who has been mute since the death of her mother. One of the most heartfelt moments is when after Aiden finds out that Delia isn't the promised Nora, Lily speaks defending the kind woman with whom she has become close.

Aiden and Delia go through the typical poor governess and rich employer romance that has been seen since Jane Eyre had eyes for Edward Rochester. It's predictable but they share some sweet moments especially concerning their love for Lily.

Delia's story picks up when she, Aiden, and Lily move to Texas. Delia adapts well to the wide open spaces and western lifestyle, no doubt putting her farming experience to good use. She also befriends several eccentric characters like Hans and Mayflower Humboldt, an easygoing German immigrant and his tough talking American wife. Some of the most memorable parts of Delia's story are when she visits Shotgun City, an area outside of Dallas that lives up to its name.

 In Texas, Delia finds a society free from the constraints that she has lived with previously. She feels acceptance in a world where everyone is able to move forward in life. She shares her love of Texas with her author, Falvey, who also emigrated from Ireland and moved to the Lone Star State. In the desert dry wide state of Texas, Delia finds the acceptance that she has longed for.


As interesting as Delia's story is, Nora's is even more so. There is some romance involved with a rich man and again with a fellow emigre, but what stands out the most is Nora's relationship with Mrs. Shaw. 

 Mrs. Shaw lets Nora recuperate in her home and the young woman develops a friendship with her. She is baffled by the older woman's characteristics like driving her car fast but she becomes interested in her commitment to causes like women's suffrage and labor unions. Through Mrs. Shaw's influence, Nora sees a world beyond her small corner of it. She becomes just as dedicated as her friend to help others. She also compares Mrs. Shaw to her vain and superficial mother and realized that the American woman is more understanding and supportive than her mother ever was. Mrs. Sweeney saw her daughter as an extension of herself, one who can fulfill her deferred ambitions. Instead Mrs. Shaw sees Nora as an extension of Nora, one who has plenty of potential but hasn't had the opportunity to show it. Nora finally finds that opportunity thanks to her older friend and mentor.

Nora's character changes particularly when she is hired by an unscrupulous businessman to spy on other characters for his benefit. While Nora takes the job specifically to get some long delayed questions answered, she sees her new employer as a avaricious and vengeful crook. She realizes that the old Nora wouldn't have cared as long as he was rich. She now has more scruples and self respect than to sell herself for money.


The Titanic Sisters gives us two brilliant protagonists who grow into better, more independent women. It's about a lot more than a sinking ship.



Tuesday, March 30, 2021

Weekly Reader: 7 Days in Hell: A Halloween Adventure to Wake The Dead by Iseult Murphy; The Literal Vacation from Hell

 


Weekly Reader: 7 Days in Hell: A Halloween Adventure to Wake The Dead by Iseult Murphy; The Literal Vacation from Hell

By Julie Sara Porter

Bookworm Reviews


Spoilers: Iseult Murphy's horror novel, 7 Days in Hell: A Halloween Adventure to Wake The Dead delivers on its title. It is indeed a vacation from Hell and a very terrifying reading experience.


Dublin twin sisters, Vicki and Irene Murtaugh are on vacation in the country with Irene's dog, Ronnie. They stop at Boss Cottage in the rural isolated village of Basard. They don't question the strange family that owns the cottage and pop in and out of the fog. They don't question the oddly chirpy American family also staying there. It's at night that things start to get….weird.

First the sky seems to become a strange luminous color even at night. Then  there are those strange sounds at night that sound like cheering. Whenever, the twins ask the locals about the nocturnal weirdness, their nonanswer amounts to "none of your business." When they tell a priest where they are staying, his "God be with you," is less polite chatter and more "Get out while you still can." Not to mention their car breaks down and the local mechanic is in no hurry to fix it like they want them to stick around for awhile. 

Then on Halloween night, their curiosity gets the better of them and they observe hundreds of robed and masked figures engage in a terrifying ritual.


This is an unforgettable horror novel because it is nightmarish at times. The ritual that the twins find themselves in includes many horrifying images of cannibalism, infanticide, dismemberment, and feasting on human blood. This is a chapter that is not for the strong of stomach.

Afterwards,paranoia filters in as Irene and Vicki don't know who to trust, believing that anyone in the village could have taken part in the ritual and could be sizing up the sisters for their next sacrifice. There is even a point when the twins are separated and reunited that the Reader's suspicions turn towards one of the twins.


7 Days in Hell is quite strong in character as well as terror. Irene and Vicki are the typical good twin/bad twin dichotomy but the two are excellent protagonists in their differences. Vicki is the more action oriented of the two, preferring to run or at least fight. She is quick to guess ulterior motives and is able to use her suspicions to try to get away or stand up to her antagonists.

Irene is the quieter, more spiritual minded of the two. When Sunday comes, she makes sure that she and Vicki attend mass even though they are on vacation. She is more fearful of the ritual and when she and Vicki are separated, she heads for the priest's house to request his help. She has a strong sense of faith and is a deep thinker and these qualities get her through this terrifying week.


7 Days in Hell is a terrific horror adventure akin to Rosemary's Baby, the original Wicker Man, or The Exorcist. It is definitely one hell of a book.