Showing posts with label Witch Trials. Show all posts
Showing posts with label Witch Trials. Show all posts

Monday, October 6, 2025

Life Into Death And Other Stories About The Two Gods Who Balance The Earth by E.S. Sibbald; The Hidden Raphael's Banker The Art and Finance Mystery Series Book 1 by Alessandra Oddi Baglioni; Labyrinth of Shadows (The Witch's Rebirth Part 1) by Michaela Riley

 Life Into Death And Other Stories About The Two Gods Who Balance The Earth by E.S. Sibbald; The Hidden Raphael's Banker (The Art and Finance Mystery Series Book 1) by Alessandra Oddi Baglioni; Labyrinth of Shadows (The Witch's Rebirth Part 1) by Michaela Riley 

By Julie Sara Porter 

Bookworm Reviews 


Spoilers:



Life Into Death And Other Stories About The Two Gods Who Balance The Earth by E.S. Sibbald

E.S. Sibbald’s Fantasy short novel, Life Into Death and Other Stories About Two Gods Who Balance the Earth is a lyrical, visceral, and powerful meditation on life and death. These two transitions are personified by a pair of gods who are on opposite sides, banter, vie, and love one another. 

They are present in the literal beginning. In the primordial sea, Life watches single celled organisms form and reproduce. Death appears when one stops moving. They are together at the end when after environmental and nuclear disasters have taken their toll, Life and Death stand in a global wide wasteland where nothing can ever be born or grow. If nothing can live, then nothing can ever die. So Life and Death just fade from existence. The book combines their first meeting, their last reunion, and many of the times in between to give us the full experience of this odd but loving immortal couple. 

Life and Death naturally are a study in contrasts. The first paragraphs of the book remind us that Life is in the bright places of the world while Death is in the shadows. Life exists in the birth of babies, the growth of plants, and in the forests, seas and skies. Death exists in street corners, graveyards, hospital beds, mausoleums, and in the dark corner of the human mind. Life is loved and praised while Death is feared and sometimes hated.

 Both are beautiful, powerful, awe inspiring, and are everywhere in everything and everybody. They are genderless and can take many forms, children, animals, soldiers, elderly people, men, women, married couples, single celled organisms but they always recognize each other. They are drawn together so it is no surprise that their coexistence transforms over the eons into a partnership, to a flirtation, to a friendship, to a romance, to an undying love for each other. It’s a union developed from years of observing each other watching the global experience. 

Many of the most compelling chapters occur as the duo observe mortals in many situations. They see soldiers on the battlefield killing one another, then sees soldiers on different sides calling for a Christmas Day truce during WWI (true story by the way). They participate in a Pride March when same-sex marriage becomes legal in the U.S. Death despairs over having to take a suicidal young woman and silently cheers when Life interferes giving her extra years. They see families sharing love, craftspeople and artists proud of their work, adventurers seeking another thrill, parents holding their children for the first time, and people closing their eyes for the last. 

Each experience leaves their marks on Life and Death and exposes their deeper emotions and vulnerabilities. It is no wonder that they express their love for each other as they see humans do the same. It would be impossible to dwell among mortals and not be emotionally affected by their transience and their desires to find meaning in the short time in which they are given. They try to find out who they are. Life and Death don’t have to.They just are. But that doesn’t mean that they can’t feel, can’t connect, and can’t love. 

In exploring the most important transitions of life and death, Life Into Death tells Readers about what happens at the beginning and the end. But it also tells us that what we do in between is what gives us meaning and existence. They make us alive. 



The Hidden Raphael's Banker (The Art and Finance Mystery Series Book 1) by Alessandra Oddi Baglioni;

Alessandra Oddi Baglioni’s The Hidden Raphael's Banker is a continuation to her Historical Fiction short novel, The Red Wedding. Instead of a family history about a Renaissance era family scheming and conniving against other families and each other, it's a modern Mystery Thriller with a wide conspiracy involving a painting once commissioned by said Renaissance era family.

In The Red Wedding, we learn that Atalanta Baglioni commissioned Raphael to paint a portrait of Jesus’ Deposition as an act of contrition after family members were killed during the wedding of her cousin Astor Baglioni and his wife Lavinia Colonna Orsini. This book continues the story of what happened to that painting. 

Architect and art aficionado, George Lacroix is in Rome at the Borghese Museum. He sees the painting and becomes fascinated by its origins and history. While researching the history of the Baglioni Family, the painting, and its previous owners, George stumbles across a conspiracy that reveals other motives connected to the painting. 

This book is an intricate thriller in which art and history provide clues and hints leading to modern day events. What in The Red Wedding was a simple act of repentance and memorial to those lost, in this volume became symbolic of the institutions that hold real power through politics, finance, culture, business, philanthropy, and leadership. In a meta moment, George uses Baglioni’s own previous book, The Red Wedding, for research, complete with passages lifted from the book. 

 It sounds bizarre that this painting would lead to such a conspiracy. But the commission was made by a very influential Renaissance-era family that was involved in high circles including The Pope and had rivalries with other families like the Medicis and the Borgias. It makes sense that they would be involved with some secret inner circles. It also makes sense that these circles would have a ripple effect into modern day with despots in suits that prefer to do their power grabs by spreading money around and remaining hidden rather than poison or stab someone at a wedding.  

There are genuine moments of suspense during George’s investigation. He meets betrayal from people who he thought that he could trust. He becomes romantically involved or is enamored with a couple of women who have their own agendas. There are many global agents who want to keep this discovery hidden and aren’t above killing to get it done.

By far the most enigmatic character is Colomba. At first she appears to be a tour guide who gives George information about The Deposition then disappears. Her story becomes more complicated when George learns that there is nobody employed at the Borghese with her name and appearance. George also encounters her other times on the streets, inside museums, and other places. She acts as a guide or guardian angel who helps George.

 Sometimes Columba provides information, warns George of danger, or keeps him away from pursuers. It’s also interesting to note that there is a similar character in The Red Wedding who also provides a similar function. This suggests that the current Columba is a ghost of the former Columba and is atoning for the death and destruction that happened in the Renaissance by preventing it from happening again. 

The Hidden Raphael’s Banker is for those who like their adventure thrillers to be widespread with conspiracies that tie history with current events, are led by brilliant experts in their field, and excite readers while making them think.

Labyrinth of Shadows The Witch's Return Part 1 by Michaela Riley 

Michaela Riley’s Historical Fantasy Labyrinth of Shadows (The Witch's Rebirth) is a rich, enchanting, and complex novel about a witch that is reincarnated over the centuries.

The Witch is a very powerful being. While there are other witches, this specific figure, The Witch, is said to be the most powerful. She has been reborn countless times. In 1590 Copenhagen she is Anna facing a witch trial in which she is to be burned at the stake. In 478, she seduces young Prince Clovis of the Franks to tell him that he will lead his armies into victory. 

The majority of this book is set in the 5th Century when Mairead, a Druid High Priestess conducts a Samhain ritual to rid her tribe of Armaeus, the most feared Daemon in the entire realm. During the ritual, she discovers an abandoned baby and takes her in. The baby, named Merona, is the current incarnation of The Witch and is destined to fight and hopefully defeat Armaeus. She shows flashes of insight from her former lives but she also has to receive training. To do that Merona must be taught by Murdach, Mairead’s friend.

This book has an abundance of witch lore weaved into the narrative. Those who have an interest in folklore and legends of witches and their origins will be fascinated with the references. Mairead and her Druids follow ancient rites and rituals

Mairead’s authority was high during a time period which still respected Druids and the Ancient Celtic traditions that they represented even as they were also aware of the transition towards Christianity that was on its way. This is a society that is firmly holding onto the old ways, even as new ones are starting to gain influence. 

An interesting twist to this book is the appearance of Armaeus and his goal. Instead of being an instrument of Satan or dark magic, he is an instrument of the evil in humanity. He encourages the Witch Trials to attack women who could fight against him and fan the flames of human prejudice. It’s interesting that the Christians who claim to be fighting Satan end up serving someone just as powerful and dangerous. But hatred often clouds judgement. People can’t always tell who their enemies really are as long as they use the right words and hate who they hate. Merona certainly has her work cut out for her. 

Some of the most fascinating chapters occur during Murdach’s training of Merona that increases her knowledge and abilities. The flashes of intuition from other lives become stronger and more concrete as she explores past lives. She also explores future lives like her time as Anna, to give herself foresight and precognition and begins to recognize patterns of people and situations that keep reoccurring. She recognizes that she, Murdach, and Armaeus have a history that stretches through time. 

Meronia also has to expand her magical abilities. Murdoch takes her on a series of tests to train her in elemental magic. She faces trials of earth, air, fire, and water to channel her abilities and control the elements. The training takes several years and many revelations before Merona is considered powerful enough to fight Armaeus.

The final test is for Merona to go to the Labyrinth of Shadows where she has to encounter her fears, face her biggest challenges, and discover her inner power. It is a challenging trial, the kind in which one could emerge as an insane threat or an extremely potent witch. 


Thursday, September 18, 2025

The Healer's Daughter by Myriana Merkovic; Bewitching Historical Fiction About A 17th Century Healer and Witch


 The Healer's Daughter by Myriana Merkovic; Bewitching Historical Fiction About A 17th Century Healer and Witch

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: The Healer's Daughter by Myriana Merkovic casts a spell on its Reader. It is a bewitching Historical Fiction novel about a healer and witch in 17th century North America.

In 1692, Naida Galene and her mother, Zephyr, had to flee Andover, Massachusetts when accusers from the Salem Witch Trials went witch hunting. They escape to Charles Town, South Carolina to start a new life. After Zephyr dies en route, Naida takes to the woods to live in solitude around nature. Her reputation as a healer is spread through word of mouth and she receives many loyal customers, particularly women, who visit her in secret. She also gets into a relationship with Ambrose Neville, a botanist and scientist. Unfortunately, she also meets with animosity from Sable, a local witch who doesn't like this new upstart and Lord Harrington, a nobleman who is suspicious of and lustful towards the young healer.

The Healer's Daughter is a brilliant character study of a woman who lives in the outer fringes of society and survives and even thrives because of her inner power. 

Naida comes from a long line of healers and witches who taught her everything she knows. Her family is a matrilineal line where power is inherited and taught from mother to daughter. Naida  not only remembers her mother, Zephyr, but her grandmother, Vesta, and other ancestors. She has inherited ancestral memories where she recalls their own experiences with different herbs and potions or the lessons that they taught their daughters.

 Some of their interactions consist of Naida remembering them and others are actual conversations with their spirits, especially Zephyr and Vesta. While she respects their authority and her lineage, Naida isn't afraid to call them out for their lifestyle choices and that they expect her to carry on the tradition even if it's emotionally difficult for her. Among those choices are to live completely alone and only have sex for procreation. If the child is a daughter, they must raise them by themselves in isolation (the son is returned to his father). 

When Naida weighs a romantic relationship with Ambrose, she wants to break the tradition to find a way to use her abilities while being happily married and openly involved with the community. She is someone who isn't afraid to question society and tradition, even when they are hers.

There are plenty of moments where Naida and her family help people with their healing experiences. She recalls many women going to Grandma Vesta for help with insomnia, pregnancy, or keeping their abusive drunk husbands away from them. She also bitterly remembers that these same women would either turn a blind eye or actively take part in the trials that would send her grandmother to her death and then run Naida and Zephyr out of town. 

Naida herself uses her hedge witch abilities to help others. She treats Ambrose's injury which attracts him but also makes him suspicious where she learned her healing skills. She also helps soothe a pregnant woman’s physical and mental health. 

One of the more traumatic moments occurs when a woman asks Naida for an abortifacient because she has several young children and an abusive husband. Naida has her own internal conflict with the request. She knows that this procedure could result in her arrest and the woman could get hurt or even murdered by her husband. But the woman's health becomes the most important deciding factor and she respects her choice, so she helps her.

There are strong conflicts between Naida and the society that surrounds her. Anytime that Naida interacts with Sable, the sardonic and potentially psychopathic town outsider who has her own bad reputation, Naida faces suspicions that she's in a witch's coven. Whenever she gets into an argument with Ambrose using her natural personally trained healing magic against his scientific education and training, the information points towards training in witchcraft. Above all Lord Harrington has his own vested interest in accusing the young woman, so he gathers his own evidence.

Naida knows that she is going to arouse curiosity and accusations no matter what she does, then she might as well be herself. She might as well do what she is trained to do. If they call her a witch, then a witch is who she will be. This self-awareness is what strengthens her as she faces accusers, her family legacy, and has to decide how to live her life.

The Healer's Daughter is a compelling outlook at what life was like for independent women in the 17th century and how they often became outsiders and accused witches. That this woman is actually a witch is neither here nor there. 

Naida is using her abilities to heal people, create medicines and remedies, consult and advise others. 

There are some implications that the male government establishment is threatened by her knowledge. She is a woman outside the community box and they can't place her or fit her inside. As with many women throughout history, if they can't place her and can't force her to conform, then they will do everything they can to silence her. But Naida is a woman who resists being categorized and won't be silenced. She is from a family legacy of strength, independence, mindfulness, talent, and spirit.

 Naida is a truly bewitching presence throughout her fictional world and to the Reader.









Wednesday, July 21, 2021

Weekly Reader: Mother: A Mother Gothel Tale (Witches of Grimm Book One) by C.M. Adler; Rapunzel Revisited Into A Tale of Feminist Solidarity

 


Weekly Reader: Mother: A Mother Gothel Tale (Witches of Grimm Book One) by C.M. Adler; Rapunzel Revisited Into A Tale of Feminist Solidarity

By Julie Sara Porter

Bookworm Reviews


Spoilers: Similar to Liz Butcher's Never Never, C.M. Adler's Mother takes a familiar story and turns it around to subvert our notions of heroism and villainy. This time the story that gets a facelift is Rapunzel. The central focus in this version is that of a loving mother and a loyal daughter.

Cerelia is on the run with an infant baby in tow. She is a witch and is running from judgemental villagers. She escapes into a forest and builds a cottage with a vast magical garden in which she grows herbs and flowers which are not only used for healing, food, and lotions but also to appease the fairies that hang around.

Meanwhile, Maia, a young servant girl, is pregnant and imprisoned. The weak willed father of her child goes along with his family as they accuse her of witchcraft. Longing for escape, Maia appeals to a spirit named Rumple, to help free her. Rumple Six, the goblin, says that she will be freed and have blood for blood in exchange for her unborn baby. Desperate, Maia agrees so she manages to escape into the forest right into Cerelia's garden.


Mother not only changes the perspective of Rapunzel but gives us a fantasy novella with two strong female leads that carry the theme of the solidarity of women. Cerelia lives an independent life caring for her garden and her familiars like the feisty spider, Xee, and leaves food and other gifts for the fairies that help her magically protect her home. She performs various magic like merging her soul with the forest and having second sight. Both abilities prove helpful to aid Maia.

Maia's involvement in magic is by pure accident to escape from her jailers. She stumbles onto a power that she doesn't comprehend and gets figuratively burned by it. Cerelia is able to show Maia a better way of channeling that magic into something more focused and less self destructive. Cerelia becomes a guide to help Maia find her inner personal power as they become a coven of two.


Besides helping each other in witchcraft, Cerelia and Maia form a familial bond which is emphasized by Maia's name for her: Gothel (German for godmother.) Maia explains that she never felt a close connection with any of the women in the village. Cerelia lost her child and feels that ache despite her independence. She wants someone to share that life with and she has that in Maia. They are mother and daughter, teacher and student, mentor and protegee, best friends. As for Rapunzel, well the young lady with the extra long hair does arrive and is welcomed into this charmed circle.


Mother does a lot to improve the witch characters in The Brothers Grimm's fairy tales. It will be interesting to see what Adler does with the other witch characters.