Showing posts with label Circuses. Show all posts
Showing posts with label Circuses. Show all posts

Monday, January 20, 2025

The Colonel and The Bee by Patrick Canning; Fun Charming Victorian Adventure That Ascends to Great Heights

The Colonel and The Bee by Patrick Canning; Fun Charming Victorian Adventure That Ascends to Great Heights 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Patrick Canning’s The Colonel and The Bee is a throwback to an earlier time of a 19th century Adventure Novel. Pastiches of Victorian Adventures are not unfamiliar with this blog. I reviewed Jon Stephen Jones’ Victorian Adventure Stories and B,G, Hilton’s Champagne Charlie and The Amazing Gladys. Where Jones used familiarity with the Victorian tropes to write stories that echoed them perfectly and Hilton used those tropes to write a novel that brimmed with quirky originality and bizarre goofiness, Canning walks a middle ground. He wrote a novel that presents a fantastic Victorian Adventure with a postmodern darker edge. 

The book is narrated by The Amazing Beatrix, a former acrobat, who instead of running away to join the circus is instead running away from the circus to join something, anything else. She resents the abusive treatment from the circus ringmaster, Ziro so during a private performance for a nobleman, Beatrix makes a dramatic escape to the protection of Colonel James Bacchus, an eccentric treasure hunter with a reputation of daring adventures and romantic escapades. The Colonel takes her into Ox, The Oxford Starladder his floating house (no seriously it’s a four story wicker house attached to a red hot air balloon). She befriends his colleagues, the Newlyweds, obtains a nickname, “Bee” and joins them on their latest hunt for The Blue Star Sphinx. Unfortunately, some dangerous characters are also looking for the Sphinx and the Colonel including an intrepid law enforcement officer and two feuding criminal families. 

The Colonel and The Bee walks a fine and interesting line between the fantastic situations of the past and the rich character development of the present. Canning captures both expertly by giving us realistic characters in a fantastic setting.

What stands out at first is the fantasy, the adventure, the outlandish fantastic tropes of the past. We know realistically that a hot air balloon can’t carry a four story house, but that doesn’t matter. In this book, it does. We know that buried treasure isn’t really found by searching for intricate clues and x doesn’t always mark the spot, but who cares? That’s part of the fun. The Colonel and The Bee opens up those childlike parts of ourselves that read comic books or old adventure novels and imagine ourselves as the characters. Characters like Indiana Jones, The Doctor, Jules Verne’s Phileas Fogg, Sherlock Holmes, Professor Challenger, James Bond, Nancy Drew, every superhero ever. Characters that we imagine wake up every morning wondering what adventure they will get into today. 

Canning captures that childlike wonder that these stories convey. The adventure is solid with many twists and turns. There are written clues that provide context to the Sphinx and its backstory. We are treated to various locations such as Switzerland, Belgium, Spain, Gibraltar, Britain, and The Sahara where The Colonel, Bee, and their allies encounter dangers that require cunning, intelligence, stealth, strength, and daring to survive. It's an adventure that moves at a brisk pace but contains enough plot threads to go into different directions and hold the Reader's interest.This is a light hearted fun adventure for the most part.

While the majority of the book is fun and light, the way that most of these quaint Historical adventures are, there is some depth and attention to character psychology that give this book a postmodern edge. The Colonel and Bee reveal themselves as more than the flashy outlandish exterior that we see at first. 

Bee left behind a lifetime of abuse and degradation at the circus. The maltreatment takes its toll on Bee as despite trusting The Colonel enough to rescue her, she is incredibly cynical and suspicious towards his actions. She had been exploited and used so this is what she expects from people. She for a time is unable to trust The Colonel and suspects the worst from him, particularly because of his history with women. She is looking for an escape out of her situation, maybe some money, but nothing else. 

As she travels with The Colonel and his friends, Bee begins to relate to and bond with them. She sees their vulnerabilities, kindness, and acceptance towards her. Her agility is useful for getting them out of tough situations and her earthy nature provides a nice contrast to The Colonel’s flightiness. As she uses her skills to become a member of the group, she opens up to her new found friends. She also begins to let go of her earlier trauma from her time at the circus even to the point where she even bonds with some of her former colleagues when she recognizes their suffering as well.

Since Bee is the first person narrator, we see her various layers but it takes some time to see The Colonel’s. He lives a seemingly enviable life from land to land, adventure to adventure, and lover to lover. He has a charming flirtatious enthusiastic demeanor. He seems less drawn to search for the Sphinx because of wealth than he is for the thrill and excitement. As the book continues, The Colonel is revealed to have a past and troubles of his own that he hides under his gregarious devil may care personality.

The Colonel reveals that he comes from a very dysfunctional family and this adventure is not just a treasure hunt but a search for some family members. Now, his adventures are seen as means to fill the empty voids in his life. They give him some purpose and significance. He was made to feel like he didn't belong anywhere so he became a citizen of the world. His only real family and friends are those that travel with him on The Ox or aid him on his journeys from the ground. 

The Colonel and Bee move from flashy adventurers looking for treasure, to two lost individuals looking for familial connections. Through their journey, they find both.




 

Sunday, September 30, 2018

Forgotten Favorites: Very Special People: The Struggles, Loves, and Triumphs of Human Oddities by Frederick Drimmer; An Amazing Biography of Some Very Special People Indeed




Forgotten Favorites: Very Special People: The Struggles, Loves, and Triumphs of Human Oddities by Frederick Drimmer; An Amazing Biography of Some Very Special People Indeed


By Julie Sara Porter


Bookworm Reviews





In the 2017 musical biopic of P.T. Barnum, The Greatest Showman, the sideshow performers such as Charles “General Tom Thumb” Stratton, a little person, Chang and Eng, conjoined twins, and Lettie Lutz, a bearded lady crash a swank party that they have been denied entry by the party goers and Barnum himself. They sing the triumphant Oscar nominated song, “This Is Me” where they admit that yes they are different, but they will persevere despite the derision of others. It's a stirring unforgettable moment.


Fans of movies of the Golden Age of Hollywood may be familiar with the 1931 film, Freaks which deals with a conniving trapeze artist and her strong man lover who conspire to murder her husband, Hans, a little person, for his fortune. Most of the movie’s cast includes various real life sideshow performers including Violet and Daisy Hilton, a pair of conjoined twins (whose characters get engaged during the movie), Lady Olga, a bearded lady (who in the movie gives birth to a daughter fathered by Pete Robinson, a human skeleton), Johnny Eck, a legless man, Frances O’Connor, an armless woman, Prince Randion, who was born with neither arms or legs (but in the movie shows he is capable of lighting and smoking a cigarette), and Harry and Daisy Doll, a brother and sister team of little people who play the main character, Hans, and his female friend, Freida. (The DVD/Blu-ray of the movie includes a documentary in which each performer’s lives are described before and after Freak’s release.)





Even though they were made 87 years apart, both The Greatest Showman and Freaks show the struggles faced by people who were once called “Freaks”, or “Human Oddities.” People who look different because they are too short, too tall, are conjoined, have white albino skin, are missing arms and legs, are bearded women and many others. Their stories were stories of constant struggles of being accepted by society including families who constantly worried about them, smothered, or abandoned them, finding work (most of which ended up working in sideshows), and finding acceptance or love. Author, Frederick Drimmer gathered their stories in his 1976 book, Very Special People: The Struggles, Loves, and Triumphs of Human Oddities. Many of these people may not be well-known to modern Readers, but they are unforgettable in their strengths, determination, and willingness to make a life for themselves. Each story seems to say, (to quote the song): “ I am brave/I am bruised/I am who I’m meant to be/This is me.”





The stories are divided into eight parts and 34 chapters which explore various people sorted by their abnormalities. They are moving, heartwarming, honest, and even at times humorous (when asked if she would March in the Easter Parade, the bearded Lady Olga said “Absolutely not, someone may mistake (her) for a Supreme Court Justice.”) Above all, they are inspirational. Not many Readers would forget the story of Hermann Carl Unthan, a man born without arms who became an accomplished violinist and also learned to swim, ride horseback, and target shoot with his legs.





Another fascinating story is that of Violet and Daisy Hilton, the conjoined twins who appeared not only in the film, Freaks but in another movie called Chained For Life. The two were abused by their guardian and her husband until they came of legal age and took their guardians to court. The Hilton Sisters had short-lived marriages but played the saxophone in vaudeville and befriended such performers as Bob Hope (who taught them how to dance) and Harry Houdini (who taught them to mentally block each other out when they wanted alone time.).





There is also the chapter about Julia Pastrana, a Mexican woman with hair on her face, arms, and legs. She also captivated audiences with her graceful dancing and singing in both English and her native Spanish.





One of the most well known stories was that of Joseph Carey Merrick AKA, The Elephant Man, an Englishman with neurofibromatosis, a skin condition which causes lesions and tumors all over the body. Merrick was the subject of the play and movie, The Elephant Man, the latter of which was directed by David Lynch and starred Anthony Hopkins and John Hurt as Merrick. Told by Merrick’s friend and mentor, Sir Frederick Treves, The Elephant Man’s chapter is about a man frequently shunned, abused, and put on display by a cold and uncaring public only to be permitted to permanently reside at the London Hospital and became a celebrity because of his kind amiable personality and childlike nature. Merrick made use of a dressing kit, even though he couldn't use its contents, by imagining that he was a dandy man-about-town. After he attended a pantomime of Puss in Boots with Treves (hidden behind a boxed seat curtain), Merrick spoke about the play as though it was a real event asking questions like “Do you suppose that poor man is still in the dungeon?”





One of the most fascinating aspects of the book is how it goes to extremes from people with too many limbs to those who don't have enough and from people who are below and above average height. Robert Pershing Wadlow, who was dubbed the Alton Giant because of his vast height, was one such example. By the time he began school, he wore clothes that fit a 17 year old and by the time he was eight, he passed his hand-me-downs to his father. The chapter is filled with moments where Wadlow held silverware that seemed doll house-like in his hands, where he had to lay hotel beds side to side so he could get a good night's sleep, and above all where a slight fracture could lead to debilitating problems later. Wadlow’s excessive height caused the calcium in his bones to be weakened and he died at the young age of 27 when he was 8 ft 11.1 inches tall. Nonetheless he made good money as the spokesperson for a St. Louis based shoe company that offered him free shoes as a bonus. (Something he desperately needed since he outgrew shoes almost as soon as he received them.)





From the problems of the very tall to those experienced by the very small and Drimmer shows that in the section describing little people, one of whom was Charles Sherwood Stratton who went under the stage name “General Tom Thumb Jr..” Drimmer writes that Stratton could not reach doorknobs without help, was often unable to get out of beds that were high off the ground, and was unable to do many of the physical tasks in his small town of mostly farmers and whalers. After he was introduced to P.T. Barnum, Stratton became a consummate performer who sang, danced, and did imitations of people like Napoleon. In his years of show business, Stratton met many notables like Queen Victoria and Abraham Lincoln (who hosted Stratton's White House wedding to fellow little person, Lavinia Warren.)





While many people look down on sideshows today saying they were exploitative, Drummer's writing reveals that in the time period in which many of these human oddities lived, there weren't too many other opportunities for employment or acceptance for people with extreme physical abnormalities. Sideshows not only hired them but the performers often found love and friendship among others who were equally physically different. (That closeness even spread during the off-season when many human oddities settled in Gibsonton, Florida, a small town outside of Sarasota. According to Drimmer’s book, so-called normal residents of Gibsonton were so used to the human oddity population that they treated them like any other local as fellow citizens, schoolmates, church goers, and PTA members.)





Very Special People shows that despite the exterior, the human spirit can triumph within individuals. It also shows that anyone at anytime could be an outcast. This idea is best demonstrated in the introduction in which Drimmer's daughter dreamed that her arms disappeared and she was mocked and jeered at by the people around her. “Stop looking at me like that,” she screamed. “What if I am physically different from you? I am still a human being! Treat me like one! I have the same-exactly the same feelings as you! I am you!”