Showing posts with label 1930's. Show all posts
Showing posts with label 1930's. Show all posts

Monday, December 28, 2020

New Book Alert: Murder Under A Black Moon (Mona Moon Mysteries) by Abigail Keam; Magnificent Murder Mystery Starring Mona Moon, The Kentucky Derby, and Alice Roosevelt Longworth

 


New Book Alert: Murder Under A Black Moon (Mona Moon Mysteries) by Abigail Keam; Magnificent Murder Mystery Starring Mona Moon, The Kentucky Derby, and Alice Roosevelt Longworth

By Julie Sara Porter

Bookworm Reviews


Spoilers: Alice Roosevelt Longworth is among the most colorful and interesting of the Presidential children. The daughter of Teddy Roosevelt, she was known for her sense of style and outspoken nature. She was a fashionista of her day, even popularizing the color Alice Blue. Most importantly, she supported various causes like women's suffrage and assisting the poor. She had a particularly wild reputation to the point where her Dad said that he could manage the country or Alice, but not both. 

Even as she grew, she remained involved as a prominent power broker and Washington insider. Her sauciness created many soundbites like "If you can't say anything nice, come sit next to me."

Alice Roosevelt Longworth was such an interesting figure in history that if she appears in historical fiction, she could overshadow other characters. 



Well, Abigail Keam did the smart thing when she inserted her into her Mona Moon Mysteries. She pitted the historical Roosevelt with the fictional, Mona, cartographer, businesswoman, and amateur detective. In Mona, Alice Roosevelt Longworth has met her match. In Keam's Murder Under A Black Moon, the two are intelligent, wry, observant, and live for getting the last word. They are divas of the highest order who command every presence and room they are in. 


Mona and Alice meet each other at the Kentucky Derby. Mona is at the Derby with her friends Willie and Dexter Deatherage, her snobbish aunt Melanie, a pair of new money Texans called Jeannie and Zeke Duff, horse trainer Rusty Thompson, and Mona's fiancee, Lord Robert Farley (who Alice is his special guest.)  A very public and exciting race ends in murder when Rusty Thompson is found dead with a woman's hat pin stuck in his eyes. Unfortunately, it's Willie's hat pin and she is arrested for the murder!


With both Alice and Mona as important characters, Keam is able to provide her leads with some great zingers. When Mona's ruthless aunt Melanie says she is not interested in politics, Ms. Roosevelt Longworth responds " Politics is a bloodsport and you seem to be pretty good at bloodsports." When a detective questions members of Mona's party, Mona remarks that he sounds like a character from a bad Dashiell Hammett novel.

Alice and Mona are independent strong-willed women in the respective worlds of politics and business. So, they are aware that they have to speak up and make themselves heard otherwise the make population in charge would ignore or minimize them.


Their barbs aren't the only things that they have in common. Both are ardently political, though on opposite sides of the spectrum. Alice, like her late father, is a Republican and takes potshots at cousin Franklin. Mona however is a staunch Democrat and supporter of the New Deal. So the two get into political disagreements among their discovery of clues and dead bodies. 

Naturally, their divalicious attitudes get onto each other's skin such as when Alice's bluntness does little to comfort a distraught and intoxicated Willie. Witnessing her best friend emotionally chopped down by the Roosevelt woman, Mona thinks that Alice can't hop on the next train fast enough.


Mona and Alice's mere presence causes much of the rest of the book to take second fiddle even the murder investigation. The scandalous world of horse doping and horse ownership isn't near as interesting as the other worlds that Mona peers into in other books, such as the world of Egyptian archaeology in the previous book Murder Under A Wolf Moon. If you don't follow horse racing, as I do not, you can get lost in the terminology and details.

Also, Mona's romance with Robert isn't near as interesting as it was in the previous volume. Last time, Mona was torn between her independence and accepting his proposal. In this book, now that she has accepted there is very little to do but wait for approval from his father and possibly go to England. So, their romance is simply just stalling, talking, and waiting.


However, the details of the murder itself are compelling enough. In the opposite of a locked room mystery, this murder occurs right out in the open, during one of the most famous races and surrounded by hundreds of spectators. Meaning there are more than enough suspects. One does not envy the job that neither the police nor Mona have in investigating this particular case.

The book also offers some interesting subplots, particularly in the conflict between Mona and her aunt Melanie. In most cozy mysteries, the supporting cast are usually above suspicion. They are the best friends, loving relatives, baffled police officers, and regular townspeople. It is assumed that these regulars remain in the protagonist's life and usually are neither victims nor murderers. Note, I said usually.

Mona and Melanie's relationship in this volume, while not good to begin with, is severely fractured and borders on violent. It is not too much of a stretch to assume in this or a future volume that Melanie herself could be under suspicion of murder (and it may not be a surprise to learn that she did it.)


While Murder Under A Black Moon is not as good as Murder Under A Wolf Moon, the relationship between Mona Moon and Alice Roosevelt Longworth make it shine with wit and cleverness between two fascinating women: one real and one fictional.


Friday, June 14, 2019

New Book Alert: The Last Collection: A Novel of Elsa Schiaparelli and Coco Chanel by Jeanne Mackin; Fun, Juicy, Stylish Novel Explores The Rivalry Between Two Fashion Icons







New Book Alert: The Last Collection: A Novel of Elsa Schiaparelli and Coco Chanel by Jeanne Mackin; Fun, Juicy, Stylish Novel Explores The Rivalry Between Two Fashion Icons




By Julie Sara Porter

Bookworm Reviews


Spoilers: The fashion world in the 1930’s was largely ruled by two women: Elsa Schiaparelli and Coco Chanel. The two were different in style, politics, private lives, and temperament. So naturally the two hated one another and fought both verbally and physically. However, Schiaparelli and Chanel were two stylish, grandiose, larger-than-life figures who dominated everyone they came near. When they were together, it was a guarantee that sparks would fly. Jeanne Mackin explores the rivalry between the two fashion mavens in her novel The Last Collection, which is a fun novel that is drenched in juicy gossip, catty bitchiness, and elegant style.

In some ways, The Last Collection reminds me of Feud: Bette and Joan, the miniseries which explored the rivalry between Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon) and how the two divas argued on the set of Whatever Happened to Baby Jane and off the set. In both, the rivalry between two colorful figures are explored as we learn they are more alike than they realize. What was true for Crawford and Davis is also true of Schiaparelli and Chanel at least through Mackin's writing.

Schiaparelli and Chanel are explored as a study in contrasts in the novel. Schiaparelli, called Schiap by her friends, is a warm, charming, eccentric figure. Chanel is more regal, polished, and standoffish. Schiaparelli favors a more whimsical fashion style using bold colors, embellishments such as animal and musical notes on her clothing, and hats shaped like shoes. Chanel’s look is more formal and sedate with dark colored early-era power suits and elegant gowns. Schiaparelli had one bad marriage and dotes on her sometimes exasperated daughter, Gogo. Chanel has no husband or child but plenty of lovers. Schiaparelli is a liberal socialist who loses clients because she refuses to serve people with Nazi ties. Chanel is more conservative and doesn't mind cozying up to German officials sometimes horizontally.

Despite their apparent differences, the two designers are also similar in many respects. They are both flashy characters who walk into a room as though they own everything and everybody inside. They are both strong-willed women of immense creative talent and business sense. They also share the aesthetic ideal that fashion is more than just pretty clothes and accessories. They see fashion as being indicative of someone's personal style that tells the world who that person is. They are also hot-tempered cutthroats who will do just about anything to get the better of each other.


With their extreme egos, overbearing flashiness, and penchant for drama, the two fashion designers go through extreme lengths in their rivalry. Schiaparelli takes great delight in stealing a high priced client from Chanel. Chanel retaliates by greeting Schiaparelli at a formal event with an embrace. Oh yeah and Schiaparelli is in front of some candles and Chanel can't resist leaning her rival ever so slightly closer to them. Well you can guess what happens next. (Reportedly, this incident was true to life.)

They also take verbal swipes at each other particularly after Chanel starts seeing a man with Nazi ties and Schiaparelli accuses her of being a collaborator. When the Designer Duo are together, one has the urge to call a lion tamer or a boxing match referee to force the two back into their corners until the next round.


Chanel and Schiaparelli are two bombastic larger-than-life personalities that dominate the novel so much that they overpower the other characters. To Mackin's credit, she wrote some interesting characters that contrast with them. Lily Sutter, the narrator, is a mousy recent widow visiting her wayward brother, Charlie, in Paris and gets swept up into the duo's fashion world by working for Schiaparelli as a window display designer, companion for Gogo, and a spy between the two fashion houses. In the process, Lily befriends both designers finding tenderness and vulnerabilities behind their facades.


Lily and her friends are well-rounded characters. Charlie is particularly charming as is his mistress, the elegant and married Ania. Lily also has some sweet moments with Otto, a German musician-turned-driver who is the farthest thing from a Nazi. In working closely with Schiaparelli and Chanel and becoming involved with Charlie's love life as well as her own, Lily learns to let go of her grief towards her husband's death and move on. In another novel, these characters would stand out and be the most memorable aspects. However, Chanel and Schiaparelli leave such a bold presence that everything else without them seems like filler. Heck, Willy Wonka would have a hard time standing out among these two.

The Last Collection is a fun stylish tour de force inside the world of fashion in pre-WWII France. Like an elegant gown, it stands out and just asks to be admired.