Eyes Behind Belligerence by K.P. Kellenborn, How to Lose The Life You Love A Memoir of Conditioning Collapse and Sovereignty by Mike Karame, Barside Manner by Brian Baleno

Eyes Behind Belligerence By K.P. Kellenborn 

 Eyes Behind Belligerence is a powerful and highly relevant novel about racism, xenophobia, cultural identity, patriotism, and what it means to truly call oneself an American even when others won't define you as such.

The Japanese-American population of Bainbridge Island, Washington State felt the impact of the attack by the Japanese Imperial Army on Pearl Harbor. Suddenly, barely tolerated racist jokes and stereotypes become the norm. Members of the community are ostracized or treated with outright hostility by white neighbors, schoolmates, church members, and authority figures. They are forbidden from having possessions that might be used as weapons or short wave radios believing that they could be used for spying. Finally, they are sent to internment camps.

This is a heartbreaking novel about a shameful time in American history which unfortunately is still in practice today just with new names, faces, and targets for racist and xenophobic abuse. It's staggering how quickly certain groups are seen as enemies and how easily many can be swept up in paranoia and propaganda. 

The moments before and during the times in the camps feature dehumanizing practices used to isolate, divide, and internally destroy the people who are targeted. Some of the more insidious actions result in detainees not only trusting the white officers holding them but in their fellow inmates. Some act as inside informants. Others resort to random acts of vandalism and for mini gangs for survival.

 Sometimes division between Japanese born immigrants who came from Japan and settled in the US (issei) and those with Japanese ancestry but lived in the US their entire lives (nissei) is revealed. If they can be divided, it becomes easier for the American authority to break them.

The book is largely told from the points of view of teenage boys Goro/Russell Hamaguchi and Jimmu/Jim Yoshimura who are swept up in that generational divide within the camps and their own families and the racial and cultural divide from the government surrounding them. 

Both are Japanese-Americans whose parents fled to the US either before they were born or as children. They consider themselves more American than Japanese. They adopted American names, hardly understand their families’ first language, and have fully assimilated into the society around them. 

Russell in particular is fond of the country in which he lives. He mocks his parents’ traditional ways and scoffs at their ideals like honor and family loyalty ahead of individual liberty. He considers himself just as American as the white kids that he attends school with, maybe even more so.

Unfortunately that patriotism serves little use for him in a country that shows right away that it has no love for anyone who was born different. They don't see an American boy. To them Russell is Japanese and is treated like an enemy. Unfortunately his Japanese elders aren't any warmer either. Some like his siblings basically think that he sold out and question his loyalty. A fistfight with one of his closest friends reveals the buried resentment and lack of belonging simmering within him.

Jim also is torn between embracing his cultural heritage and assimilating into the world around him despite its rejection. Unlike Russell who treated assimilation like a calculated strategy for survival, Jim’s dismissal is fueled by personal trauma.

Jim’s journey is probably the most emotional even before the war begins because of his older brother's suicide. His grief over the death, his family's reaction to it, and the reasons for those actions lead him to question and defy his heritage. While many see community, Jim sees emotional abandonment and it takes a long time within the book for him to recover from the loss.

The two young men’s outlook changes inside the camps. Russell goes through periods of defiance such as defending himself from a racist guard, continuing correspondence with a Filipino-American girlfriend, and joining a gang of troublemakers in the camps. He ultimately tries to adapt, adjust, and find ways to ensure his friends and family's survival. 

Jim does the opposite. He starts out as a mostly pacifistic sensitive kid unwilling to fight alongside Russell and the other tougher kids. He tries not to do anything that would result in punishment and be the complacent dutiful detainee. 

Jim eventually tires of the mask of obedience that he is forced to wear because the officers don't care. He will always be considered an enemy and in moments of self-fulfilling prophecy, he becomes that defiant rebellious enemy. They could only push him so far enough by dehumanizing him before he pushes back. When he finally does, it's a moment of catharsis for himself and the reader.

Reading a book like this makes it easy to see the conflicts that are still relevant today so we can study them, read about them, learn from them, and maybe someday do better.

How to Lose a Life You Love A Memoir of Conditioning Collapse and Sovereignty by Mike Karame 

How to Lose a Life You Love: A Memoir of Conditioning, Collapse, and Sovereignty is a meaningful, moving, and inspirational memoir about having and losing it all, and what happens afterwards. Mostly it's about having the resilience to pick yourself up and seize a second life.

Author Mike Karame had a childhood and young adulthood of strife and conflict. His parents’ tense marriage was rocked by bouts of temper, arguments, accusations, and emotional breakdowns resulting in a divorce.

 Karame describes his childhood in war and battle analogies because the arguments felt like a disruption of the peace that he sought. He and his siblings had to navigate their home like a minefield waiting for the next explosion to occur from their father's angry tirades and their mother's tearful silence. 

Karame’s childhood in Beirut was also surrounded by outside wars as well. He describes life in Lebanon as a “simple brutal algorithm. Your religion determines your power. Your sect determines your identity.”

Karame recalled explosions occurring during innocuous moments of watching television or studying in class. Tanks rolling down the streets, soldiers marching in formation, and people sprinting for shelters were commonplace. With wars occurring both inside and outside Karame's home, it's no wonder that he wanted to escape any way possible.

Karame later entered a law career but eventually felt unfulfilled by it. His interest in caring for and riding horses led him to a different path: opening up a horse club. Even though his friends thought that he traded a life of luxury for training horses, he said that he wasn't trading down, “(He) traded up.” It gave him a chance to do something that he loved and gave him personal satisfaction. He loved teaching people to ride and connect with horses and added to his own pursuits by learning kitesurfing, paragliding, deep sea diving, and other outdoor adventures.

This would normally be the end of the story. Someone leaves the life that tied them down and made them miserable and finds the career and life path that makes them happy. In Karame's case however, this is the middle of his story which means there were a lot more changes for him to go through and far more experiences for him to learn from.

A series of problems including a failed romantic relationship, the deaths of his parents, separation from his twin brother, and financial struggles culminated in Karame having to sell the horse club and leaving Lebanon. He had to find the strength and courage to start over in a new country where he was virtually a stranger, Australia. 

Karame described his life in Australia as a “collapse” when he encountered dishonesty from colleagues, unpaid bills, and potential bankruptcy. Despite this he purchased and worked in a bar/restaurant and maintained a relationship with his companion, Kate. He referred to the end as a demolition because a demolition “when you finally stop fearing it, is the beginning of clean ground.”

Karame and Kate traveled by caravan through the Australian outback. The connection to nature, vastness of travel, and the quiet privacy gave the couple a much needed slower pace. They ended up traveling for almost two years heading nowhere in particular. This trip gave them the freedom that they needed.

The tour also helped Karame look at and listen to himself objectively. In the silence, he examined what went wrong in his life and what needed improvement. Sometimes one needs to remove all of the barriers and noise before they can discover who they really are. That is what this tour meant to Karame: an opportunity to find himself.

This book is a memoir that shows readers that a person might have many opportunities and live many lives. They just have to 

be ready to find them.

Barside Manner by Brian Baleno 

 A trend this year seems to be short anthologized slices of life Contemporary Fiction novels set in specific places, usually dining or music establishments, and around ordinary people. The works are short on major plots but long on setting and characterization. This year I reviewed Where The Wave Broke by Robert Rooks, The Travel Man and The Writing Writes, The Writer: Taking Kev to Sizzlin’ Meats and Salads by Kevin Cann. I might even throw in books from years past like Lunch Ladies by Jodi Thomson Carr, The Lindens by Barney Jeffries, Tales From Whiskey Tango From Misery Towers by James Aylott, and The Cabin Sessions by Isobel Blackthorn for sharing many similar qualities with these works.

We can add Brian Baleno’s Barside Manner to this oddly specific subgenre. Just like its predecessors, it captures the immediacy of a small setting and closed circle cast of characters. Despite the small space that confines this specific written universe, Barside Manner presents an intimate close up look that is rich in detail and purpose.

Freddy is the bartender at the local Pittsburgh bar where he greets his regular customers and the occasional new faces. He listens, advises, comforts, provides a sympathetic ear, and sometimes reveals his own personal struggles while his closest associates drink, laugh, joke, bemoan their fate, and engage in friendship and fellowship that are guaranteed until Last Call.

The book itself doesn't really have much of a plot. Mostly it's about characters debating getting rich quick schemes, figuring out the next steps in their lives, changing jobs, changing relationships, moving up, or moving down in life. Plot isn't as important as character and setting. 

We get to know the characters through their dialogue and conversations. They talk about politics, whether AI will take over the world, whether the Steelers have a shot at the playoffs, complain about their jobs or bad relationships, and just about everything else in between. They don't come to agreements but they sure love talking and arguing about it.

The bar is the type of place that is practically a character in and of itself. Freddy makes sure that it's clean and inviting for guests to enter. He knows the usual drink orders and greets both regulars and newcomers jovially. It's cozy, somewhat dim, kind of smoky, has a stench of alcohol but also has a charm and friendly atmosphere that invites characters and readers inside for a few hours.

We also get some insights into the characters that inhabit this confined space. Since there is alcohol involved, they are at their most vulnerable, open, loquacious, reckless, and honest. It is a place where they can forget their troubles for a few hours and someone, usually Freddy, will be there to lend an ear, offer a word, or at the very least fill up another glass.

There is Enzo whom Freddy describes as a “Pittsburgher’s Pittsburgher.” Tough, mouthy, loyal to his family and friends and particularly sports teams. He will be the first to insult the Steelers or the Pirates if they are losing but don't you make the mistake of criticizing them in earshot if you are from out of town. Not unless you have two hours to kill to sit through a lecture about the history of either team.

 There's also Spike, Enzo’s friend. He is a muscular surly man who might strike up a conversation, brandish a fist, or both sometimes during the same discussion. 

Edward LaRoche, AKA Fox Chapel is from a different background than Freddy and the others. His nickname comes from the more affluent area of town in which he lives, a life of wealth and privilege that only exists in his fellow patrons’ fantasies. 

Bob and Jan are a septuagenarian married couple who treat the patrons and Freddy like surrogate children. 

Then there's Freddy who has struggles of his own. At 29 years old, he knows that he has to make changes in his life but is uncertain how to pursue them. He wouldn't mind attending college to obtain a degree but thinks that he is too old.

 He and his girlfriend Lana, a doctoral student trying to get her PhD, have a loving but at times contentious relationship as they discuss their next steps: marriage, moving in together, or breaking up and moving on. As Freddy remarks by quoting U2: “(He) still hasn't found what (he) is looking for.”

There is a complacency that surrounds the characters. It says that things are okay for now. As long as they have a decent job, a roof over their heads, a place to go and destress, maybe some good friends or a loved one then everything is okay. Why aspire for anything better or different? Just stay in the same places, ordering the same drinks, have the same arguments, and remain comfortable.

Many of the situations in the characters' lives involve making changes. They seek money, love, better opportunities, innovation, something new and different. Their actions serve as a reminder to remove from their benign comfort zones to enter different possibilities that test their potential and deliver fulfillment beyond settling. They occur when the characters make changes so they aren't the same people that we met in the beginning.

This book reminds us that we can find pleasure in the ordinary everyday routine but we should also look for the changes that provide the breaks in that routine and challenge us to be different, better people. 

The Arts Council by Dolly Gray Landon; The Writing Writes The Writer Taking Kev to Sizzlin' Meats and Salads by Kevin Cann

The Arts Council by Dolly Gray Landon 

 The Arts Council by Dolly Gray Landon is a bizarre book. It can't really be said to be highly recommended. It can't even be considered particularly good or well written. Instead it is a messy, loud, disturbing, darkly comic, vulgar, inappropriate, immature, witty, bizarre, trippy, unforgettable, sharp, and ruthless satire. You don't go into a book like this to like anyone or anything. You read it to cringe, laugh bitterly, compare it to real life, maybe think, and more than likely wonder “What the heck did I just read?”

The plot mainly involves Honoree Oinkbladder and Modesty Greedance, two high school artists who are constantly trying to one-up each other. It also concerns the Pimpleton Regional Arts Council who determines whose artwork is praised and promoted but are often swayed by famous family names, bribery, and other more nefarious means in selecting pieces. There are also various other subplots that involve cheating spouses, hook ups, break ups, murders, public humiliation, illicit lobotomies, and feral attack therapy dogs.

The Arts Council walks that strange line between being a very intelligent satire and an immature joke. There are savage takedowns everywhere from aggravating political figures, to pretentious artists and art experts, to judicial corruption, to inept intellectuals, to kangaroo courts, to depraved socialites, to obnoxious teenagers, and especially to a society which pays lip service to hard work and merit but lets money and names lead to success.

The attacks especially on the art industry are spot on. Landon skillfully dissects an industry which talks a big game about artistic integrity and free expression but only promotes art that is deemed acceptable when it is financially beneficial for collectors, council members, and gallery owners. 

They determine what is considered fine art and will try to assign an arbitrary meaning to make it more valuable. For example, a painting of Honoree’s that was defaced in the most horrible way during a bullying incident is considered a worthy piece. Honoree then displays it, despite its rancid odor and disgusting visuals. She periodically makes some slight additions and changes to make it look like an entirely new piece each time to the delight of her prestigious and unaware fans.

The intellectual satire is augmented by more childish humor making the book a bizarre concoction of humor. Various characters have double entendres and dad jokes for names such as Dweebaldo Van Boofus, Poppin’ Jay Godandy, and Ian Tickleman. The two protagonists named Honoree and Modesty suggest virtue but are conniving manipulative young women who have multiple sexual relationships.

There are moments that over emphasize scatological function and humor. Readers might be torn between sardonically smirking at the satire or rolling their eyes at an obvious dirty joke, sometimes doing both in the same paragraph.

There are many things that prevent this from being a highly recommended book or even a great work of satire and parody. The characters are off putting in that exaggerated way that is found often in satire where everyone is written to an obnoxious extreme and no one is particularly likeable. Some plot points go nowhere or are arbitrarily resolved. It's hard to care about anyone in a cast of shrill annoying caricatures who do stupid obnoxious things as plot devices.

That is probably the point but the incomprehensible plot and one dimensional characters also cause the book to run far too long. Readers might say, “We got the joke the first time. Can we move on please?” It's a book that is not well constructed but also revels in how ill constructed that it is. Technically that makes the book a potential work of genius.

Trigger warnings but there are also moments that are incredibly disturbing. A few characters get publicly humiliated in sexually and physically abusive ways that are treated as graphic and disturbing jokes. One could say that is the point and comedy is subjective. In a world that is becoming increasingly satiric on its own, those who point out society's flaws in arts and entertainment need to be more graphic, more satiric, and crazier to get their points across.

However, these are chapters that go to an extreme that is beyond humor. The excessive nature of these passages turn dark satire into psychological horror. The characters don't just suffer but others stand around, watch it happen, and take part in the humiliations. Once read, the reader can't unsee them and has a hard time focusing on the rest of the book. Because of them, the book could be considered recommended but with extreme reservations that it is definitely not for everyone. It is for people who like bizarre satire, dark humor, sexual innuendo, and have strong stomachs.

The Writing Writes The Writer Taking Kev to Sizzlin' Meats and Salads by Kevin Cann 

This review is also on Reedsy Discovery.

Spoilers: Some books capture large moments. Characters dealing with politics, life transitions like birth and death, trauma, and sweeping changes. Some capture little moments concerning friendships, couples, and daily life. 

That is the case with The Writing Writes The Writer: Taking Kev to Sizzlin' Meats and Salads by Kevin Cann. There isn't much in the way of plot but it's heavy in characterization.

The book mostly focuses on Kev and his best friends, married couple Jeb and Mae. Kev is legally blind and Jeb and Mae often drive him around. One of their favorite places to go is Sizzlin' Meats and Salads, the local eatery. It's just a few weeks of their lives punctuated with trips to Sizzlin.’

The three characters and setting are relatable and identifiable. Those who live in small towns will understand the comfortable routine found in a town like Peculiar, California. It presents a history of the town and how it got its, well, peculiar name. It's the type of story that townspeople know by heart and retell. Maybe celebrate it in historical reenactments and guided tours. 

There is also recognition of the important locations that give the town character. In this case Sizzlin' Meats and Salads. It's a local mom and pop place where people arrive every week, order their favorite expected meals so often that sometimes even the servers memorize it before they order, and recognize co-workers, classmates, neighbors, or just the regular gang of diners. It's so beautiful because it's so familiar and comforting.

The three protagonists are the type of characters who depend on daily lives and routines. This is especially vital to Kev. An intellectual and writer, Kev hates being dependent on his friends but still relies on them to be his contact with the world outside his house. 

He is such a devotee to this routine that he looks forward to it like a kid waiting for a trip to a theme park. When things get in the way like car trouble or a family issue, Kev makes them swear that they will go the following week and it's non-negotiable. Of course unlike most people, he doesn't have the luxury of going some other day because of his lack of transportation. It's just as aggravating for him as it is for them and the frustration is easily understood.

We also see Jeb and Mae as a couple that are comfortable with each other. They compliment each other with different personalities but a yin yang dynamic that recognizes each other's strengths and vulnerabilities. 

They have shared memories, inside jokes, unfinished sentences that they answer. They know each other so well and treat Kev like another family member that's welcome in their lives and not an unwanted third wheel. It's a power trio that relies on warmth, familiarity, and connections as their strongest assets.

The Writing Writes The Writer is a simple book. But sometimes the simple books tell the strongest truths.

14 Hours of Saturn by Mike J. Kizman; Antonio's Odyssey by Mike Pagone; They Know When The Killer Will Strike by Michael J. Bowler

14 Hours of Saturn by Mike J. Kizman; Antonio's Odyssey by Mike Pagone; They Know When The Killer Will Strike by Michael J. Bowler 

By Julie Sara Porter 

Bookworm Reviews 

14 Hours of Saturn by Mike J. Kizman 

This is a summary. The entire review is on LitPick.

14 Hours of Saturn is mostly a great character study of a young woman looking back on the trajectory of her life while embarking on her next step. Saturn's life doesn't by any means contain a lot of adventure or dramatic tense moments, but she is an interesting average person that we explore various moments throughout her young life. However, towards the end, the book loses character by forcing a repetitive and overbearing sermon that slows the book down. 

Saturn O Sayres is unpacking in her new apartment and exploring her new surroundings. She flashes back to memories of her family, particularly her love-hate relationship with her sister Venus, her education, artistic talents, friendships, romantic relationships, and spiritual concerns. 

Most of the book focuses on Saturn's tempestuous relationship with her fashionista logical sister, Venus. The two sisters argued over interests, romances, parent's attention, acting more like school rivals than related by blood. It's a very relatable relationship as anyone who has siblings can understand. 

Although Saturn and Venus's relationship is frosty and tempestuous most of the time, they occasionally show genuine love and support to the point that when the girls are separated by college, marriage, and life plans they miss each other more than either will admit.

14 Hours of Saturn could be a brilliant book about a woman who creates bridges with her conflicted relationships with others, particularly Venus or finds personal and financial success in her chosen professional field. Some of that is present. However, it is hidden by an overemphasis towards religion that overpowers the final chapters.

The final third of the book is almost taken over by religion. Saturn's overbearing college roommate quotes Christian platitudes and tries to convert Saturn which ultimately works.

It's not that the book is Christian Fiction that is the problem. It is that the book was so secretive about it. There was barely any mention of religion through most of the book until towards the end. It's like a Trojan Horse hiding religious meaning in a slice of life novel about two bickering sisters.

 Perhaps, it might have come across better if religious concepts were generously sprinkled throughout the book and that Saturn came into it on her own instead of through her roommate pestering her.

14 Hours of Saturn is a book that turns into a sermon, but at least has an interesting, spirited, creative, intelligent protagonist as the focus. 

 

Antonio's Odyssey by Mike Pagone 

Antonio's Odyssey by Mike Pagone is a charming slice of life novel about the life and loves of a man named Antonio or Tony from his 1940’s childhood to late in life contentment. 

Tony's life is described through various anecdotes and incidents which combine humor and emotion. His childhood is filled with memories of his relatives particularly his lively ebullient grandfather. He also writes about other youthful experiences like shining shoes for a living, joining a street gang, his interests in music and pigeons, and an early interracial romance with a Black girl named Rosetta. 

Antonio moved to Las Vegas to play piano with a band in 1954. This was when Vegas was just beginning its reputation as an entertainment destination during the jazz and Rat Pack Era. At the time, it was a flourishing thriving scene just perfect for a young musician to get his start. 

Unfortunately it's also a place where one could  get extremely close to organized crime as Tony does in a chilling chapter. His interactions with criminals costs Tony his job, his then girlfriend Laura, and ultimately his Vegas residence as he is forced to go on the run.

Antonio describes various people in his life through witty observation and self-deprecating humor. For example, his first wife Kelly had an IQ that was “like one hundred and forty-nine while (his) was probably zero, well maybe ten, but anyway she never used her intelligence to trick or fool (him).”  Another love interest, “Spur-Of-The-Moment” Linda led Tony on many strange antics to teach him to embrace life.

There are also moments of emotional anguish such as the decline of Linda’s friend, Julie, who suffered from addiction and potential psychosis. There is also genuine tenderness such as when Linda and Tony bond with Heather, a young girl from a troubled background. 

Tony, and Pagone, described these events with such earnestness and sincerity that the Reader feels like they really know Tony and his inner circle even if he wasn't a real person.

They Know When The Killer Will Strike (A Film Milieu Thriller) by Michael J. Bowler

This is a summary. The entire review is on LitPick.

Normally reading a later volume without reading a previous one can be a confusing chore because readers get lost. But They Know When The Killer Will Strike by Michael J. Bowler benefits from reading out of order because all is explained through a movie-within-a-book.

Leo Cantrell discovers that his previous adventure (told in the first volume I Know When You Are Going to Die), is going to turn into a movie produced by his ambitious pushy mother. Leo and his friends JC, Chet, and Laura get to experience the making of a film and befriend the actors who will play them. Leo however receives psychic visions of gruesome attacks on set suggesting that a killer is on the loose and has their eyes set on the cast and crew. While this is going on Leo has to weigh his sexuality and feelings for Asher, the actor/model playing him.

Using the device of a film made out of the previous book, readers are given information about characters’s back stories, important plot points, and the occasional spoiler without having read the first book. It's a very unique way of catching up late coming readers while also telling a great story in its own right. Film buffs will enjoy the behind the scenes look on how a film adaptation is made..

They Know When The Killer Will Strike is gripping thriller with a fun satirical edge as it looks at murder on the set of a Hollywood film. 

Weekly Reader: All Aunt Hagar's Children by Edward P. Jones; Anthology is Filled With Memorable Slice of Life Stories and Characters

Weekly Reader: All Aunt Hagar's Children by Edward P. Jones; Anthology is Filled With Memorable Slice of Life Stories and Characters

By Julie Sara Porter

Bookworm Reviews




Spoilers: Edward P. Jones knows a lot about writing stories about African Americans in Washington DC. He grew up in D.C. and was familiar with the various ethnic groups and income levels of people who lived there. His book All Aunt Hagar's Children is an anthology filled with excellent stories about African Americans in the nation's capital. The title comes from an expression that his grandmother used to say that African Americans are the “children of Aunt Hagar” (the concubine of Abraham the biblical character.)

Even though it is set in D.C., the stories are free of politics. Civil rights receive some mention and some characters trace their lineage back to slavery.

The majority are slice of life tales involving relationships between lovers, parents and children, family members, and friends. They are filled with rich characters caught up in situations that cause them to question the world around them.

The stories are very well written but the ones that stand out are:


"In The Blink of God's Eye"- Aubrey and Ruth, a married couple in the early 20th century have problems in their marriage.
Aubrey suffers from the memories of his childhood when his philandering mother left his father. His wife, Ruth becomes attached to an abandoned baby that she cut down from a tree.Aubrey's past traumas with his mother make it very difficult for him to bond with the baby to the point that he isolates himself from Ruth.

"Old Boys, Old Girls"-The life of a convict during and after his imprisonment for second degree murder. Caesar, the protagonist, is never wholly unrepentant. He is portrayed as someone who has grown comfortable with the daily routines in prison and his rivalries with his fellow convicts but stumbles when his time out of the slammer is through.

Caesar's culture shock is felt as he tries to reconnect with estranged family members and an old flame who has her own issues. Caesar's reunion with his ex takes a very Gothic turn that causes him to isolate himself further.

"All Aunt Hagar's Children"- A Korean War vet investigates the murder of his cousin before he leaves for a new life in Alaska. The narrative is clever as it plays on hard boiled detective stories and gives a character who is dry, witty, and uses that dry wit to discern the truth.

When his aunt weeps how they killed her son, Ike, the narrator muses that Ike “was only one of sixty-six people who were murdered the year I was away.” The story not only plays on the detective genre but also reveals the changing nature of family ties as the Narrator interrogates various family members and is forced to reveal secrets about his cousin that they wished he hadn't.

"Root Worker"-While many of Robinson's stories are set in the real world, he takes a dip into fantasy and magical realism on occasion. “Root Worker” and the following two stories have a more fantastic bent but still retain Jones’s rich writing and excellent characterization offering people caught up in difficult situations with the people around them.

“Root Worker” is a strange metaphysical story about a young medical student caught between the worlds of modern medicine and voodoo. She studies medicine but still has a toe in the folk medicine of the past. The descriptions of the spiritual aspects are memorable as one patient feels like “witches are all over her.”

Jones neither condemns nor favors magic or science. Both paths are treated with respect and neither are any better or worse than the other. The medical student ultimately respects both paths as different means of achieving the same purpose.


"The Devil Swims Across the Anacostia River"-A dark comic tale is a modern day send up of the Faust tale.
A woman is tempted to sell her soul to someone who might be the Devil. This story offers a few clever twists to this old legend in which the Devil appears in a fancy suit, purple tie, and expensive shoes. He is less the Prince of Darkness and more like the CEO of Slightly Dim Lighting.
The Devil's dialogue with his victim is clever as he tries to verbally trick her into the contract but she outwits him.

"Tapestry"-Another Jones story about an unhappily married couple but with a more fantastic bent. The two are at an emotional crossroads and are contemplating separation.
While the two have real world issues, the story is filled with paragraphs that suggested an alternate fate for the characters suggesting that if they had gone one way instead of another, their lives would have been different. For example the female protagonist takes a train and the narration says if she missed the train, she would have met and married another man, gave birth to his children, and died after a long and happy marriage. Unfortunately, the narration then says she met a baggage handler on the train and the two entered an unhappy marriage. This is the perfect story for Readers who are obsessed with turning points in their lives and wondering how their lives would be different.

Even though his stories are short, Edward P. Jones give us some brilliant characters in brilliant situations whether real or fantasy as their lives and relationships change.