Kim L. Brantley’s Science Fiction Romance, What Remains of Forever, is an uneven but fascinating Science Fiction Romance about a small group of immortals coming to terms with mortality and the investigator who is intrigued by them.
Richard Evans has been found dead by his friends, Lucien, Aurelia, Octavia, Valeria, and Cassian, a secretive and eccentric group that have known Richard for decades and each other for longer than that. They are immortal and this murder investigation gives them unwanted attention. Independent consultant Adrian Varro is drawn to the case and in particular to the beautiful and enigmatic Valeria who is pursuing her next step with fellow immortal Cassian.
What Remains of Forever has some interesting possibilities in world building and characterization.
The immortal characters are a pretty fascinating enigmatic bunch. Like many literary characters, they hint much about their true identity but leave a lot out so the readers are as curious about their story as those outside their circle in universe are. Adrian's search for answers echoes the reader's own ongoing curiosity with every page turn.
The immortal characters are masterful in navigating a changing world. They have witnessed various battles, trends, political situations, social changes, technological updates. If you have lived that long, you become quite savvy in predicting potential outcomes.
This works to their advantage because the group is particularly wealthy and has a corporation that consolidates various businesses. They not only observe goings on but use their money and connections wisely to implement beneficial changes for themselves and mortals who don't have the expected long life span that they do.
The characters are mostly well written. The stand out in the book is Valeria. She is a sharp, intelligent, enigma who enchants those around her with her appearance, allure, and mysterious demeanor. She is the CEO of their corporation and has a fine sense of business savviness honed from centuries of acquiring business acumen.
Valeria also has a pretty active love life. She had close relationships that ended because of the passage of time or by her partners’ withdrawal from sharing a life with a woman who could outlive him by several centuries. In the book proper, she becomes involved with Adrian and Cassian and has to weigh revealing her deepest secrets to the former or engaging in a long term relationship with the latter who lives those secrets as well.
While the book is well written there are tremendous flaws in writing, character, and plot. Valeria is a decent enough character but not all of the immortals are given the same amount of care. A couple of them are interchangeable and one even disappears from various chapters for no apparent reason except Brantley may have forgotten about them.
There are some stretches of credibility when some characters outside of their immediate circle are revealed to also be immortal as well and are in the convenient right place at the right time to help them.
Despite the murder of Richard Evans being the inciting incident, the resolution is anti-climactic, hand waved, and easy to guess. It is also revealed halfway through the book with more remaining chapters to go. Richard Evans’ death starts out as a important plot point but becomes an nonessential plot device used solely to introduce the characters’ and their conflicts.
There are huge mistakes in the writing process. One chapter is repeated word for word. It's an obvious error in formatting that wasn't discovered during the copy editing or proofreading stages.
The biggest technical error is the change in narration. The book begins in first person limited using Valeria as the point of view character with alternating third person chapters told from other characters’ perspectives primarily Adrian's. A few chapters into the book, Valeria's first person narration is entirely abandoned in favor of third person, again focusing primarily on Valeria and Adrian.
There is no artistic or stylistic reason for this change. Instead it looks like an immediate change in narrators but not in format to fix it. Like Brantley, changed her mind in writing the point of view but forgot to go back and fix it in the earlier chapters.
There is also a huge glaring problem towards the end when the characters' immortal origins are revealed. The story itself is intriguing but it is revealed in a long multi-chapter monologue turning what could be a fascinating backstory into one long tedious info dump of information. If I were the character receiving this information in this manner, I would have fallen asleep halfway through the telling. It might have been better for Brantley to write this backstory in story format as a series of flashbacks instead of an overwhelming slog of explanation.
What Remains of Forever has some intriguing aspects in character and plot. Unfortunately, the book is riddled with narrative errors and overly long and complicated exposition that prevent the book from being highly recommended. Instead it is a book with good ideas but needs improvement in implementing them.
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