New Book Alert: Cardinals by Ian Conner; Lesbian Vampires and God's Wife are Highlights of This Seductive Mesmerizing Dark Fantasy

 

New Book Alert: Cardinals by Ian Conner; Lesbian Vampires and God's Wife are Highlights of This Seductive Mesmerizing Dark Fantasy

By Julie Sara Porter

Bookworm Reviews 

Spoilers: "God's Wife is a Lesbian Vampire!" 

That sounds less like the plot of a good dark fantasy novel and more like one of those weird cheesy tabloid headlines that could be found in any supermarket in the 80's-90's. But actually that's what Cardinals by Ian Conner actually is. Uh not a cheesy tabloid headline but a compelling mesmerizing dark fantasy about a goddess cast out of Heaven and ready to seek vengeance on the deity who abandoned her and now insists that he is the only way to Salvation.

As he did with his previous novels, Dark Maiden and The Long Game (An Amy Radigan Mystery), Conner proves that no two Ian Conner novels are alike. He can jump from an eerie supernatural horror to a complex political thriller in no time at all. His latest, Cardinals, is a dark fantasy which takes some clever savage gut punches to religion. The only thing that these books have in common are that they all have LGBT characters, particularly lesbians, but even those characters vary in terms of personality and relationships. It's nicely refreshing when an author takes on various genres and writes them so well.

In Conner's book (and according to some theological scholars) God's wife's name is Asherah. She was an actual deity who was worshipped in Canaanite religion. She also appeared in Mesopotamian religion as Ishtar and Egyptian as Isis.

 In Cardinals, it is she and not Lucifer (as told in the Bible) who sparked the angelic rebellion and is cast out of Heaven. Yahweh is so threatened by her demands of equal status,  goal to be acknowledged as co-creator, and her dislike for the humanity that he created to worship him, that he orders her to not only be cast out but not to be referenced in the records that humans are transcribing. This explains therefore why she had scant reference in the Bible and why despite other myths and religions that feature a God and Goddess, the Abrahamaic religions are one of the few that have a solely male deity.

Asherah's story in Cardinals is similar to that of Lilith, Adam's reported first wife who was thrown out of Eden after she refused to take a subordinate position to Adam. Afterwards, Lilith was referred to as the mother of monsters and later metamorphosed in Hebrew myth and legend as a demon who takes the souls of men and children at night. Asherah's in this book story is also analogous to the many religions that began with a goddess as the creator of the universe in agrarian society only to have her fall in status in favor of the male gods. This archetypal story can be found in various myths such as the conflict between Gaia and Zeus in Greek mythology, the war between Tiamat and Marduk in Mesopotamian, and Isis' relinquishment of her duties to Horus, her son, in Egyptian. 

Similar to the female characters in many of these stories, particulary Lilith and Tiamat, Asherah is not only removed from Heaven and very existence is denied, but she becomes demonized. Once she arrives on Earth, she sports a pair of fangs and obtains an unquenchable thirst for blood. She uses her newfound abilities to attack Sharit, a woman who takes her in but becomes her first victim.

 Asherah is not alone however. Once they fell, her fellow angels transform into rubies. Later, Adam's son Seth and his son Enoch gather the rubies and create the Amulet of Cassiel which the prophet Elijah later uses to call the flaming chariot. The rubies are later separated so the Amulet could never be used again. Asherah resolves to get back the rubies, call the chariot, and return to Heaven to have more than a few words with God, even if it takes thousands of years. After all she has an abundance of time to get the job done.

Asherah is a fascinating character. She is seductive, alluring, manipulative, and hypnotic. She is a character that the Reader can't look away from. She is a cunning strategic planner, spending centuries creating a financial empire and entertaining herself with various lovers, mostly female.

She ends many of her encounters by biting other humans which probably is a lot of fun in later centuries. Some guy cuts her off in traffic? Just feed on him. She fights with someone over the latest dress at a sale? Just have Sangre ala Karen. Jehovah's Witnesses or MAGA fans won't leave her alone? Just eh-maybe not. Who wants to be stuck with them for Eternity?

 Asherah isn't likable, in that she often attacks and kills innocent people and cruelly uses others, particularly Amara, a girlfriend in the 21st century. However, her allure is unmistakable. She is one of those type of characters that is so memorable and so fascinating in her badness and single-minded pursuit that she steals every moment that she is in. You are drawn to her and almost, almost are rooting for her. So much so that the book is not quite the same when she isn't around and the plot shifts to the other characters.

However, the other characters are interesting as well, many of which are Asherah's former victims and are doing their best to thwart or aid in her attempts in putting back together the Amulet. There are: Lady Kellena Donnachaidh, a 14th noblewoman turned 21st century CEO who has a personal grudge against the former Mrs. Yahweh,  Suzette Allard, Kellena's loyal assistant and wife,  Yasmeen Obiad, Kellena's bodyguard and head of security who displays ruthless tactics to get the information that she needs,  Sharit Hagel, Asherah's first victim who is still around in the 21st cenury and seeking vengeance and Amara Korkolis, Asherah's current girlfriend who loves not wisely or well. 

Not to mention there various groups after Asherah such as:  The Cardinals , those who have been fed on by a vampire but not given vampire's blood in return (almost more like zombies), The Witches of Tenerife, a coven who are interested in not only Asherah but Amara as well, and the Roman Catholic Church particularly Cardinal DiScotti (the religious kind of Cardinal though she's a vampire too), the first female Cardinal and is on her way to becoming the first female Pope.

With all of these different characters and groups, sometimes it's hard to tell what are the character's real motives. Betrayal piles on top of betrayal and characters shift allegiances almost as fast as they change addresses. Sometimes it's a chore to go back and remember who is allied with whom and whether they are stopping or helping Asherah (or unintentionally helping her even when they think that they are stopping her). Sometimes the plot rubs away with itself.

There is also another flaw in the book. There is an earlier chapter that looks as though it will lead to something important but ends up having only a small impact in the final confrontation. If it had a larger importance and if the character featured in the chapter had actually become a part of the overall narrative, it may have made more sense to have it. Otherwise, it's just a baffling inclusion and seems to be only added to provoke and create controversy rather than exploring it to its fullest potential. 

Other than those flaws, Cardinals is a dark fantasy that like its lead character is impossible to ignore and hard to forget. In the vampire horror subgenre, it, and Asherah are goddesses among vampires.