Friday, September 11, 2020

Weekly Reader: The Adventures of George and Mabel: Based On An Almost (Kind of? Sort of? Could be?) True Story by Stefanie Hutcheson; Sweet and Funny Slice of Life About A Loving Middle Aged Couple


 Weekly Reader: The Adventures of George and Mabel: Based On An Almost (Kind of? Sort of? Could be?) True Story by Stefanie Hutcheson; Sweet and Funny Slice of Life About A Loving Middle Aged Couple

By Julie Sara Porter

Bookworm Reviews


Spoilers: It is apparent a book called The Adventures of George and Mabel: Based on an Almost (Kind of? Sort of? Could be?) True Story is not going to be a hard hitting drama about some particular social issue or a heavy psychological thriller about the dark side of human nature.

Instead, Stefanie Hutcheson's novel is what it is. A sweet humorous character study of a married couple. 


The book isn't long on plot and it doesn't have to be. Instead it is almost an anthology or a series of character sketches which explore the titular duo and their interests, families, friendships and most importantly their love for each other.


From the opening lines when the two of them go into the famous 

Pinky and The Brain "What are we going to do tonight/The same thing we do every night" dialogue, George and Mabel Harrison are instantly likeable. They are a quirky duo that take long road trips to visit extended family and  quote favorite song lyrics back and forth to each other when the situation calls for it. (When Mabel mentions a friend named Geraldine or Gerry, George sings the Four Seasons song, "Sherry Baby.") They are the type of couple that constantly have nicknames for each other like George's "Red" for Mabel and "Lula Mom" for Mabel's mother and share private jokes. These facets to their personality are explored in exquisite details.


A few chapters are  devoted to their background, such as Mabel's relationship with her religious minded sister and the couple's child free life, but close bond with their 9 nieces and nephews. Their colorful road trips to visit extended family are explored. We learn about their first meeting during the Summer of '78 when the two pre-teens kissed each other out of curiosity and separated, only to reunite and begin dating years later. This initial meeting and their relationship years later (as well as George's childhood crush on the "Little Red Haired Girl" from the Peanuts comics and cartoon specials and his ultimately fulfilled desire to be with his own version of her) suggest that the couple's lives are fated. 


A humorous chapter early on the book also provides a bit of fatalism. The duo takes a road trip and observe that a crate falls from an unmarked truck bed. Mabel's constant nagging suspicions about whether the truck contained drugs or humans being trafficked, actually proves useful when it turns out the truck actually did have kidnapped immigrant children, who were being sold to human traffickers. Unbeknownst to George and Mabel, the traffickers are arrested thanks to the Harrison's phone call. According to the introduction, this incident sprang from a real (though less dramatic)  situation in which Hutcheson observed a crate falling from a truck. 


This chapter is a slight stab at social commentary that doesn't quite fit the quirky humorous tone of the rest of the book. However, it fits the religious connotations that appear from Hutcheson's own Christian background that are elaborated upon in her introduction. It offers a little story of people doing good works and saving others, even if they are unaware of those actions. It also parallels how George and Mabel's lives are fated or directed by a beneficial and loving Higher Power.

Unlike many inspirational books, this one doesn't force a religious point. In fact, it is mostly understated. What governs are the goofy cute characters that surround the religious undertones.


In one of the worst years on record, The Adventures of George and Mabel cannot be reommended highly enough. They aren't deep or serious. George and Mabel are a genuinely sweet and loving couple in which it is nice to spend some time with.



Friday, September 4, 2020

New Book Alert: The Oscar Goes To by Rob Santana; I'ld Like To Thank The Academy For This Psychological Drama Of Fame, Mental Illness, and Addiction



 New Book Alert: The Oscar Goes To by Rob Santana; I'ld Like To Thank The Academy For This Psychological Drama Of Fame, Mental Illness, and Addiction

By Julie Sara Porter

Bookworm Reviews


Spoilers: After awhile movie awards ceremonies run together. The parade of celebrities dressed in the latest styles and wowing the red carpet. (Answering the cornball generic questions like "Who are you wearing today?" or "How does it feel to be nominated?") The host cracking jokes that are either genuinely funny, but mostly awkward. Nominees wait in anticipation as the winners are announced, either the odds on favorite or the underdog. Whoever it is usually will get criticized the next day by people swearing that they don't deserve it, even when the articles preceding the ceremony hailed that performance and film as the most deserving. Nothing kills a film's popularity or likeability faster than a win. It's an annoying paradox that happens every year.


 Sometimes it would be a terrifying, but memorable experience if something happened to make the ceremony different somehow, something that goes beyond the event of Awards Night. 

We may have that this year as chances are the Coronavirus pandemic will cancel most ceremonies or only make them available online. Not to mention the pickings for qualified films might be extremely slim, since theaters have been closed most of the year leaving Academy members to search online options like Netflix, Amazon Prime, or Disney+ for candidates. They willl possibly even promote movies, like documentaries and comedies, that normally wouldn't have a chance to get some credible noms. This could be a year where Hamilton's live performance, that aired only on Disney+, could be a potential nominee and winner.


When something like that occurs, the people in the auditorium and watching at home become aware in the grander scheme of how big life is and how these awards don't really matter. Something terrible happened that night or in the world at large and the accolades of their peers aren't as important as this contact with the rest of the world. These events remind us that the world isn't divided into rich vs. poor, famous vs. non, people receiving awards vs. people at home. 

When that happens, we can be mindful of the fact that the famous are just like us, people who have been hurt and are suffering through some of the same issues that we are going through. The only difference is their problems are often out in the open in the often unforgiving glare of the spotlight that separates them from the rest of the world. 

The spotlight sends the false message to the people out there, that because they are rich, famous, talented, and beautiful that they must be impervious to pain and that their internal struggles are meaningless, even when we are going through the same thing only on a more private and less well-known scale.


These themes are addressed in Rob Santana's novel, The Oscar Goes To, a darkly comic but heavily psychological novel about the trappings of fame and how one can suffer, especially when they have vices before their fame begins. Vices like a troubled past, addiction, or mental illness. Vices become magnified when fame hits them and they aren't ready for it. That is the conflict that is faced by Valerie Tippet, a nominee for Best Actress and Vic Gomez, co-nominee for Best Documentary Short Subject.


We learn right away that something happened on Oscar Night and Valerie Tippet is dead. We aren't given the exact details except that her death occurred at the ceremony and it ended prematurely as a result with some of the awards unannounced. Val's death startles everyone, especially Vic, who was looking forward to using his win as a means of wooing potential backers for future prospects, a win that never happens as he lost previously that night. However, he happens to notice Val dropped her diary on her way to the stage. Vic picks up the diary and the book becomes two plots. One is Val's struggles before and during a meteoric film career and instant fame. The other is Vic's obsession with researching Val's life putting his friendships, career, and health in jeopardy as Val becomes more important than any of them.


The book chronicles two people who are obsessed with fame and are unprepared for the madness that comes with it and the changes that it brings to them. The most obvious victim is Val herself. As Vic reads her story, he discovers a woman who was beautiful, talented, but insecure and troubled.

We enter her diary during her star struck teen years when she retreats from her bickering parents into the world of Old Hollywood films and acting roles. She goes through the proverbial false starts and theater roles, before she meets Milton Milan, a sleaze who promises her roles in adult films. She eventually hits pay dirt with a film role as Mary Todd Lincoln that wins her critical acclaim and yes an Oscar nod.


Her story runs parallel with Vic's. On that ill fated Oscar night Vic and his buddy, Eli Ramirez were hoping to catch the light of fame from a win for their short documentary on the day before 9/11. Unfortunately, because of the excitement of Val's death, their fifteen minutes of fame end prematurely with a loss no one remembered. So the duo have to get fame the hard way. Eli makes the rounds befriending and sucking up to noted Hollywood big shots, while Vic becomes obssessed with reading Val's diary. Vic keeps the diary from everyone including Eli as if wanting to keep Val for himself. Unfortunately, some dangerous people from Val's past become aware that Vic has the diary and chase after him before he can make the information from the book public.


It becomes apparent that as he learns about Val's story, he finds a kindred spirit, even falling in love with her. They both have difficulties in dealing with acquiring fame and are too troubled to deal with it once they encounter it. Vic is addicted to Codeine which he at first uses to treat headaches but then become addicted. He is consumed by the drug and his obssesion with Val.

Val also retreats into drug addiction as the whirlwind of publicity, parties, gossip, and the spotlight become too much for her. As she becomes famous, Val longs to find someone who sees through the public shell and understand and accept the real woman underneath, even if that someone is just a guy who sat in the row behind her at the Academy Awards.

 

The Oscar Goes To tells  a tale that is found in several Hollywood stories and while Santana does not technically do anything new with it (except give it an extremely bloody and graphic ending), he makes the characters compelling as they search for a reality and acceptance that exists outside of a movie screen and a golden statue.





Weekly Reader: Everyone is a Moon: Strange Stories by Sawney Hatton; Comic and Disturbing Horror/Fantasy Anthology Looks At The Dark Side of Human Nature

 


Weekly Reader: Everyone is a Moon: Strange Stories by Sawney Hatton; Comic and Disturbing Horror/Fantasy Anthology Looks At The Dark Side of Human Nature

By Julie Sara Porter

Bookworm Reviews


Spoilers: In his book, Puddn'head Wilson, Mark Twain wrote, "Everyone is a moon and has a dark side which he never shows anybody." The more they hide that dark side, the more it eventually comes forward leading often to violence including suicide and homicide. 


Sawney Hatton explores that side in his anthology, Everyone is a Moon: Strange Stories. He gathers twelve short stories that explore the darkness within human nature in ways that range from the black comedy and grotesque to the graphic and horrifying. They may puzzle but then frighten the Reader. Most of them have at least one ghastly moment that the Reader will find hard to get out of their mind.


The best stories in this anthology are:


"The Boy Who Cried Alien"-This story is a twist on the whole "kid sees weird things and no one believes" them plot. Jeremy, a young boy in the 1950's, seems to live in a postcard perfect town that is until he passes by his parent's bedroom and discover them in reptilian form. He becomes obssessed with the thought that they might be aliens.

What starts out as a nod to 1950's films like Invasion of the Body Snatchers, becomes much darker than the story leads on. 

The story never reveals whether Jeremy is hallucinating or really sees aliens. It presents two chilling scenarios neither of which are very good: that either aliens are real and they will continue overtaking the people in his neighborhood or they aren't real and the kid is languishing in a mental hospital, never able to come to terms with the reality that he committed murder. 


"In Memoriam The Ostrich"-We go from a scenario that springs from a 1950's science fiction alien film to a scenario that would be right at home in H.P. Lovecraft's Arkham County stories. Pastor Higgsby, an elderly pastor oversees the final request of the late Professor Thacker. Thacker leaves everything to the residents of Edessa Island with one slight caveat: that the Edessa citizens cook and eat Thacker's deceased body.

Higgsby is in fear of the community and disgusted by their actions. He rages at Thacker for making the request and is even angrier that the citizens are happily willing to go along with it, without any doubts. Higgsby is horrified at the monsters around them and thinks that he found a little bit of humanity. That hope is dashed quickly and Higgsby loses any faith in human nature and in his God.


"The Lord is My Rocket"-Hatton loves to poke fun at religion. Many of his stories in this collection like "The Good Touch" and "In Memoriam The Ostrich," involve the sinister urges inside so-called God-fearing people who commit destructive acts because of devotion to a Higher Power. This shows what happens when people take their religion to the extreme affecting the most innocent around them.

Ruth Foster, a caregiver at a home for developmentally disabled adults is ready to attend a religious service at the Monastery of the Celestial Christ and brings one of her charges, Floyd, with her.

Ruth clearly has a narrow minded view of Christianity which she derides her co-workers considering them not as pure as she is. She is the type that would die for her beliefs and force others to as well, including Floyd whom she seeks to convert.

When she attends the meeting, it becomes clear that something is off to say the least. Their constant talk about how they will shortly ascend into the Heavens on a spaceship is a pretty strong warning sign that Ruth and Floyd are in a cult. Ruth is willing to go along with it, even murdering people so she and Floyd can join the Spaceship Set. The climax is pretty clever, leading to what one could consider just retribution. This story shows that when religious fanatics and cult members become motivated by violence, the results are never good.


"Mr. Gregori"-This story brings a more Erotic twist to the "monster-in-the-closet" plot. Mr. Gregori, a sinister demonic character lusts after Emma, a woman who moves into the apartment in which he is haunting.

Mr. Gregori resembles a human stalker as he tracks Emma's every move. His creepy vigil terrifies her as she becomes aware that what she originally thinks is a draft is actually his breathing. This story could be a metaphor for an abusive relationship or sexual assault as Gregori vows that she will never leave.


"The Dark at the Deep End"-This story is a bit more subtle in the fear factor than the other stories, but is just as frightening or even more so because of how plausible the situation could be.

In the story, The Narrator and his friends play a series of pranks on unwitting victims. The pranks escalate as The Narrator's adrenal excitement is heightened. He begins to commit more violent acts to satisfy that excitement. By the time that the story ends, the Reader is aware that we just witnessed the birth of a serial killer.

What is particularly terrifying about this story is that it is the most plausible of them. The other situations are mostly so farcical and over the top to believed. We don't need to fear humans turning into aliens, cannibalistic villagers, spaceship based religions, or sex crazed demons, but sometimes we fear the thoughts of the person next to us. What would push someone to fall over the edge of laws, ethics, society, and morality and embrace a murderous nature? When someone exists only to satisfy some urge to destroy the source of their jealousy, hatred, greed, revenge or just to soothe their addictions for blood lust, that is probably the most terrifying scenario of all. 

Weekly Reader: The Patchwork Prince: Stumbling Stoned by Andre Van Wyck; Bizarre and Intriguing Journey Into The Mind of An Amnesiac Mentally Ill Patient

 

Weekly Reader: The Patchwork Prince: Stumbling Stoned by Andre Van Wyck; Bizarre and Intriguing Journey Into The Mind of An Amnesiac Mentally Ill Patient

By Julie Sara Porter

Bookworm Reviews


Spoilers: In the book and movie to Shutter Island, former psychiatrist turned escaped patient, Rachel Solando explains to U.S. Marshal, Teddy Daniels, the difficulties that someone who is severely mentally ill has in making people believe them, even when they are telling the truth . "Once you are declared insane, then every thing you do is considered part of that insanity," she says. "Reasonable protests become denial. Valid fears become paranoia. Survival instincts become defense mechanisms." Because of this dilemma, it is sometimes hard to get inside the mind of a mentally ill person, making the one on the outside wonder if they are telling the truth or are caught up in their delusions.

That problem is especially evident when one is reading a book narrated by someone who has such an illness. The plot is often intentionally confusing and quite bizarre, so the Reader can't be certain if what they are reading is real or not. Is the person hallucinating this whole episode? Is it really happening? What drives the character to do such things? Do their motives and methods make any sense? Even if they are suffering from delusions, is there some truth to what the character is experiencing on a thematic level? 


Andre Van Wyck's novel, The Patchwork Prince: Stumbling Stoned is such a book. It is an intriguing book with a fascinating premise and even more fascinating narrator. 

Jean Dupont has been a patient in a French psychiatric hospital for the past four years. He has no memories of his life outside the hospital. All he knows is the daily routines of bathing, eating insitutional food, attending therapy sessions, and being given drugs to numb his system. 

Dupont is a complete blank slate. He does not know anything about his past, his job, his family or even if he has a family. He doesn't even know his real name. ("Jean Dupont" is the French equivalent of "John Doe.") That's what makes Dupont a fascinating narrator. He has so many questions and his total amnesia is a barrier to him finding the answers. 


What Dupont discovers throughout the course of the book is a search for his identity that piles one weird situation after another to the point where the Reader isn't sure what is real and what is in Dupont's mind. 

The first step in this odd trip is Dupont's discovery of his psychiatrist and an unknown man in the closet of his room. His psychiatrist is tied up, but alive which is more than can be said about the man. He is lying dead in a pool of blood and has completely black eyes, no pupils, or irises just pure blackness. Dupont can't remember how they got in that condition.

Well this horror show is more than enough reason for Dupont to check out of the hospital. He escapes through several missteps and a vague attempt at taking a hostage but eventually he escapes from the hospital. Eventually, his mad escape leads Dupont right in the path of mobsters, human traffickers, and dangerous assasins. If that wasn't bad enough, things take an even more bizarre turn when Dupont encounters evil sorcerors, a curvaceous witch, and sinister creatures called darklings. It's enough for Dupont (and the Reader) to wonder, "Just WTF is going on?"


Stumbling Stoned does just what the title suggests. It stumbles from plot point to plot point as the book gets progressively weirder. The storyline runs wild as Dupont leaps from one bizarre situation to another and is able to get through them. He mostly uses his abilities that he never had before like super strength, a strong street smart knowledge, and survival instinct that would come from working constantly with underworld figures. 


Many of Dupont's situations often lead to further complications. For example, he rescues, Natalie, a young woman from a human trafficking ring only to discover, oops, her father is the head of the French criminal underworld. Dupont then becomes caught in the middle of a war between crime families with Natalie and, by proxy, himself bounced around as hostages between various characters. 


We also learn some possibilities towards his identity. He drops hints of various pop culture touchstones but forgets where he knew them. (Once he mentions J.K. Rowling's name but then a few paragraphs later says that he doesn't know who "he" is.) His slang terms like "candy floss" for cotton candy suggests that he is an Englishman, but speaks and understands French fluently suggesting that he has lived in France for a long time. (Further compounding the confusion is that French children often learn British English, so he could be a native Frenchman who is familiar with English idioms and expressions.) 


We never learn the full story to his identity but are dropped hints. He hires a private investigator to learn about who he is, but due to unfortunate complications never finds out anything useful from the investigator before he finds him murdered. Characters taunt with him two potential scenarios which purposely contradict each other, so he is unaware if they are telling the truth or lying. After all if someone has no memories and no identity, how easy it for other people to manipulate him into becoming the person that they want him to become?


Once the plot hits supernatural overtones, it loses all coherence and that may possibly be the point. To his credit, Dupont is genre savvy enough to question reality himself. He considers whether his escape from the hospital is real or a hallucination. After all, he reasons no one in reality can possibly push a moving car, or survive a jump from a high rise, or possibly rip a man apart with his bare hands. There are moments when Dupont is knocked out and the Reader expects him to wake up back in the hospital and the experience proves to all be a hallucination. (Considering all that he goes through, there are probably times when Dupont wishes that would happen.)


Once Dupont encounters an immortal sorceror posing as CEO and a witch acting as his Executive Administration Assistant and then ends up in a graveyard having conversations with a resurrected corpse and a talking cat, the Reader is left with two options: Search for signs of a coherent plot and get more frustrated when they can't find one or just sit back and enjoy the ride. Luckily, Van Wyck makes it easy to enjoy the trajectory that the book takes us on. We can enjoy the weirdness even if we don't have all the answers. In fact the questions and weirdness are what makes the trip surprisingly enjoyable.

Unlike say Eddie Smyth's Revenge of the Stoned Rats which tries to be a family drama and a bizarre hallucinatory journey and doesn't succeed at either.


The Patchwork Prince: Stumbling Stoned just lets go of any semblance of reality and in some ways that's a comfort to the Reader. Instead of expecting the book to make sense, the Reader can take knowledge that it never did and doesn't have to. It gets to the point where any answer would ruin the weirdness of the rest of the book.


The Patchwork Prince: Stumbling Stoned is a strange journey that goes off into some bizarre places. But it is one that is addictive, despite or rather because of the insanity that surrounds that journey.

Sunday, August 30, 2020

New Book Alert: VanWest: The Present (The VanWest Series Book 2) by Kenneth Thomas; Science Fiction Series Soars To New and Better Heights on Mars and An Earthling Underground City

 


New Book Alert: VanWest: The Present (The VanWest Series Book 2) by Kenneth Thomas; Science Fiction Series Soars To New and Better Heights on Mars and An Earthling Underground City

By Julie Sara Porter

Bookworm Reviews


Spoilers: Previously on VanWest: The Past, VanWest, the ultimate super soldier and Universal Games champion, traveled back in time to stop a resistance group called The Utopians from changing the past by halting Earth's environmental destruction and the Universal Council's stranglehold on the 30th century. 

After VanWest infiltrated the Utopians, he was drawn by their philosophies and became enamored with his former childhood friend, Iris VonHelmann, daughter of the Utopian leader Prof. VonHelman, AKA "Mad Newton". He also learned that he was the clone of the last Martian President and his psychic abilities foretold that his former allies will slaughter his new ones. 

VanWest,once the pride of the Universal Council Elite Enforcers, joined the Utopians and became involved in their attempt to assasinate the ruthless UC leader, Dr. King. The assasination attempt and trip to the past ended badly. However, the Utopians made new allies with Van West's former squadron, the Enforcers.

 Now, Iris, VanWest, and computer hacker, LeSouris are in New Jersey's underground trying to obtain a ship to Mars while VonHelman seeks to recruit new allies to join the resistance against the Universal Council.


Kenneth Thomas's VanWest The Present is a teriffic follow up to the previous book, The Past. It is not as complex as the previous volume with the various scenes of time travel and double crosses that further confuses the plot. The Present's plot is pretty straightforward, separating into mostly two distinct storylines and emerges the better for it. Besides the major settings between two very intriguing locations of Mars and the Underground Cities in New Jersey are well-written and described.


A group of New Jerseyans settled in the abandoned tunnels in the Garden State, forming their own underground societies in which the cities are connected via an intricate network. Because they have been underground for so long, the New Jerseyans have evolved to adapt to their surroundings, such as enhanced eyesight, resistance to radiation, and gills. They also have unusual speech patterns such as removing some verbs such as "am," "is", and "are." ("Them two on news wire all the time! This brings heat to my casino!")

New Jersey's income largely depends on the literal underworld. It is filled with underground casinos and Papini traders. (Papini is an addictive drug that promises relief from radiation poisoning). The underground underworld is led by several warlords, one of whom is Method A.


Method A is a flamboyant character that calls to mind Aunty Entity, Tina Turner's character in Mad Max Beyond The Thunderdome. She shamelessly flaunts her wealth from gambling and narcotics, but rules her people with firmness and protectiveness. When VanWest, Iris, and LeSouris arrive in Jersey to try to get a transport to Mars, Method A is naturally concerned that their presence will bring Super Soldiers to her tunnels. However, the promise of moolah (money) and VanWest's prescient warning of their arrival changes her mind. Once an antihero looking out for Number One, Method A becomes a card carrying member of the Resistance and this Reader's favorite character in the series.

The nice thing that Thomas does in this book is expand the POV from VanWest and Iris to other characters. Method A in particular benefits from this. While VanWest, Iris, and La Souris are in Mars, Readers return to Method A's doings as she and her people fight the Super Soldiers and broker alliances with other warlords with clever names like Rulez Haah and Gangs Hater. During the Universal Council's attack on Jersey's underground, Method A shows true leadership abilities as she guides her people to safety while fighting the soldiers and negotiating with the other warlords. 


Meanwhile VanWest's exploration of his past on Mars is moving and heartfelt. This journey has a great setting for him to explore it. Mars proves to be a contrast to the dying Earth. Instead the Red Planet is brimming with life and beauty. 

There is a volcanic plain which spews eye-catching vivid red and yellow plumes of lava. Ornate murals that reveal Martian history surround a chamber.  The "Face on Mars" mountain makes an appearance and still seems to form a human face (and has become a tourist attraction). There are many spaceports filled with wide varieties of visitors from miners to drug dealers.


 The more VanWest, Iris, and LaSouris travel through this alien landscape, the more VanWest gets flashes of the life of Dederic Vander Westhuizen, the last Martian President and the man from whom VanWest was cloned. He sees his wife and family. He sees his battles and arguments with the Universal Council. VanWest is haunted by the ghost of Vander Westhuizen's daughter who points him in the right direction to learn about his own history and that of his predecessor.

VanWest also recalls his life and early training as a clone forced to follow the UC's lead and given no other options in life. An eerie passage occurs when VanWest finds himself inside a lab and comes face to face with other clones of Vander Westhuizen. They are similar to VanWest in appearance, characteristics, and abilities including psychic abilities. VanWest is able to use that to his advantage as he mentally communicates with his fellow clones so they can fight the Council and the soldiers.


The final chapters feature extensive battles in Mars and Jersey. These chapters shine with action, suspense, and betrayal. Alliances are formed and some are permanently broken. People question the motives of an important character who has been around since the previous book to the point that it is possible that the character may emerge as an antagonist in the next volume.

 The final pages reveal promise for a better future, one of cooperation and community over conquest and violence. However, there might be trouble on the horizon, trouble that will no doubt be the focus of the next volume, VanWest: The Future.


If The Future is anything like the previous volumes of The Past and Present, it should be a bright future indeed.


New Book Alert: Memoirs of a Witness Tree: Poems by Randal A. Burd Jr.; Concrete Descriptive Poems About Life ,Love, and Family

 


New Book Alert: Memoirs of a Witness Tree: Poems by Randal A. Burd Jr.; Concrete Descriptive Poems About Life ,Love, and Family

By Julie Sara Porter

Bookworm Reviews



Some poets prefer to write in metaphor and hide poetry's real meaning by abstract description, allusion, and imagery that only hints at the real meaning. Others prefer to be more concrete. The meaning is conveyed through the simple description with no hidden theme. With his book of poems, Memoirs of a Witness Tree, Randal A. Burd Jr. is the latter.


Burd's poems paint verbal pictures through words and form. He captures various subjects such as youth, love, friendship, emotion, aging, and death in ways that even Readers who aren't regular poetry lovers will read and understand. These are experiences that many can relate to and follow.


Burd is fond of using the sonnet form. Various poems in this book are sonnets. The first poem, "Humblest Apologies" hilariously warns the Reader about the "archaic paradigm." The Speaker is afraid that the Readers may think that he is boastful or cliched by retreating to the popular form used by Shakespeare and Spenser. The Speaker however prefers to write his poems his own way and hilariously warns the Reader "And thus with ample warning, pray begin/To reassess conventionality."


While Burd often uses the sonnet form, the emotions captured in the poems are so great that the Reader is unaware of the form that is used. The description and imagery take hold. In "Prematurely Blessed", this is particularly noticeable. In this poem, the Speaker is delighted about the birth of his daughter, but anguished about her premature birth and frail body. "Untimely from her mother's womb was hurled/Our premature and sickly sacred prize/Who, we would later come to realize/Became the star 'round which our planet whirled/Her sickliness received intensive care/Pneumonia left her lungs and let her thrive/So lucky and blessed to be alive/Our lives were changed forever then and there." Through his words, Burd captured the bittersweetness when a child is born, but is ill and may not live long.


Many of Burd's poems are filled with nostalgia and a longing for the past. The poem "Overthrown," features the Speaker driving through his hometown and seeing the woods where he and his friends used to play Robin Hood and other games. Burd wrote, "The paths we have made have long since overgrown/Our wooden forts became the forest floor/Adventures don't occur here anymore-/Our sacred places have been overthrown." The Speaker believes that urban encroachment, environmental change, and even the passage of time has violated his sacred space.


Some of the strongest emotions in the book are often the saddest. In his poem, "Grief", Burd reveals what happens to a person when another person close to them is going through a death. The Speaker's neighbor has suffered a death. The Speaker gives as much empathy as he can, but knows that he cannot feel what his friend feels. He is consumed by his friend's sadness and tries to put himself in the other's shoes. Burd wrote, "Those most involved can't simply walk away/Their lives have changed forever from now on-/Those who remain defined by who is gone/Those gone defined by who is forced to stay/They greet the ones who come to say goodbye/And smile when all they want to do is cry/Their well of anguish can never run dry/Replenished by the next in line to die." Being an observer to the grief and not actually in the family going through the loss, the Speaker feels separated from his friend by emotions to which he doesn't have full access.


Burd also captures humor in his work. In his poem "Lost," the Speaker is lost driving down a logging road with a less-than-helpful GPS. The Speaker is anxiously imagining the worst possibilities. "My compact car was never meant for this/How soon until they locate my remains?/My legacy will be my lack of brains/And absence in the lives of those I'll miss." However, the Speaker finds his way out of the woods "just before the fear sets in for good." The Speaker realizes that the imagined fear is often worse than the real situation.


Sometimes the poems give meaning to an object. In "The Suitcase", an abandoned suitcase lies on the ground, a testament to its former owner's travels and lifestyles. When the original owner died, the suitcase was left behind. "What irony! A suitcase left behind/Speaks more about the trip it never made/Found useless for the task it was designed/When owner passed from substance into shade" When that owner took their final trip into the Afterlife, it left the suitcase behind. Burd wrote, "Things that matter now won't matter then/The cycle only ends to start again."


Burd describes nature settings in a lyrical manner capturing the various senses. The poem, "Blue Spacious Skies" does this. Burd wrote "Blue spacious skies meet greener pastures' hue/Where sleepy woodland creatures rendezvous/The fragrances of lilac and of fir/Are pungent in the air and would confer/A feeling of tranquility on you." Burd uses this beautiful image to remind the Reader that when they feel disappointment, that there is still great beauty in the world.


The final poems in the book reflect on death and loss. The final poem, "Forgotten" takes place in a cemetery. The Speaker sees an abandoned gravestone that is cracked and not cared for. He contrasts this headstone with the others, more recently tended for ones. He realizes that all people will end up the same way. Burd wrote "Few living souls know whose remains are there/Not even their descendants really care." Eventually, the people in the deceased's lives will die and the headstones will be all that is left.


Memoirs of a Witness Tree features poems that create word pictures of many of the most beautiful, emotional, important, and meaningful life experiences.





Thursday, August 20, 2020

Classics Corner: The Heart is a Lonely Hunter by Carson McCullers; McCullers's Insightful Classic on Loneliness and Isolation in 1930's Georgia


Classics Corner: The Heart is a Lonely Hunter by Carson McCullers; McCullers's Insightful Classic on Loneliness and Isolation in 1930's Georgia

By Julie Sara Porter

Bookworm Reviews


PopSugar Reading Challenge: A book by an author in their twenties (23)


Spoilers: By far the most interesting and enigmatic character in Carson McCullers' debut novel, The Heart is a Lonely Hunter is John Singer.

Singer is a deaf-mute transient who arrives in an isolated unnamed small town in 1930's Georgia. He rents a room at the Kelly Family's boarding house and hangs out, like nearly everyone else in town does, at Biff Brannon's cafe. No one knows where he comes from or anything about his past and he arouses everybody's curiosity. 


Singer seems to the other characters to be a man without a story. However, we the Readers learn his story. Out of the characters who feel lonely, he is the loneliest because he lost his only source of human contact. 

McCullers wrote, "In the town there were always two deaf-mutes, and they were always together." 

Spiro Antonapoulos was Singer's best friend, only family, life partner and, while the book never outright states but hints at this, potential soulmate. The two communicated with sign language and understood each other's conversation, thoughts, and emotions. Antonapoulos and Singer were able to communicate on each other's level. They didn't see each other as far off or remote. They saw each other as equals, friends, and family. Unfortunately, Antonapoulos was institutionalized by his cousin, with Singer having no official say in what happened to his friend. 

While Singer appears mysterious to others, Singer now only lives a half-life. "Nothing seemed real except the ten years with Antonapoulos," McCullers wrote "In his half-dream he saw his friend very vividly, and when he awakened a great loneliness would be great in him...and so in the months passed in this empty, dreaming way." 

While others begin to confide in Singer, his thoughts are elsewhere. His usual thoughts are with his friend, in that hospital, and wishing that Antonapoulos could be out with him or that he could join him.


Now that Singer is alone and in a new town, he arouses other's curiosity. Some are intimidated by his silence.

However, some are not curious about him or intimidated by his silence, but find a sympathetic soul to confide in, one who won't interrupt or judge them. Singer is someone who listens to their problems, or at least sits in silence while others talk about them.

For four people in town, Singer acts for them as an oracle or a priest in confession. They talk to him because they are lonely, feel isolated, and have no one else to confide in. Their one-sided conversations are their ways of searching for answers in a dark world that seems to be without them and thrives off the characters's loneliness, isolation, and despair.


One of those characters is the second most interesting character in the book and probably a stand-in for the young McCullers herself. Mick Kelly, is the daughter of the family who owns the boarding house in which Singer is staying. She feels isolated because of her gender and socioeconomic status. 

Mick is an androgynous tomboy who is tough, active, and creative. She fights to defend herself and her effeminate younger brother. She also fights for time for herself. She is a budding musician and composer who vents out her frustrations into her music. She longs for the day when she can leave town and her limited role as a young adolescent poor white trash girl in a male dominated society. She wants to become a famous musician and achieve art and beauty through her music.


Dr. Benedict Mady Copeland is another interesting character who confides in Singer. He is isolated from the society around him because of his race.He is a black man in the South. Like Ralph Ellison's Narrator, he too is an invisible Man to white society. 

In the segregated black community, Copeland is an esteemed doctor and philosopher. He once was an activist, so much so that he named his son Karl Marx Copeland. 

Now,  Copeland is embittered and just tries to be accomodating despite the racist societal standards that view him and his friends and family as less than human. He tries to maintain his humanity and dignity despite adversity. However, when members of his family are attacked, Copeland's inner rage and desire for action emerge. He plans to organize a thousand African-American people to march on Washington.


Jake Blount is similar to Copeland, because he too is a former activist who is now bitter. He was once a Socialist and union member who has fallen on hard times. He is isolated because of his illness and habits. 

Jake is an alcoholic who has seen much suffering and despair and it has consumed him. Now he just drunkenly rants and raves about his philosophies. He has lost the desire for action and now is a source of mockery.


Biff Brannon would seem to be the most visible member of this group. He represents the middle class white men who are important figures in town. His cafe is where the townspeople congregate and normally he would be the one who everyone would talk to. However, it becomes clear that this ideal model of society has his own problems. 

Biff has all the trappings of what his middle class society should have: a home, a standing in the community, wife, children. He should be satisfied, but he isn't. He alienates his wife and family and appears to have no real contact with the people around him. He is isolated because of his inner misery.


To Mick, Dr. Copeland, Jake, and Biff, Singer almost represents a god-like figure, one that they could pray to but never gain full access to. Of course, we know that Singer is just a lost lonely individual. Even though they talk to him, they don't understand his problems or emotions. They only see in Singer what they want to see, someone who must be on a higher plane of existence than they are and has the answers in which they seek.

Singer tolerates their presence, though sometimes finds them rude. Perhaps, in absence of his only friend he is desperate for anyone to provide warmth and human contact for him. They long for that as well. They only want someone to understand them. Instead of telling their troubles to family members or each other, they tell Singer. This fact reveals how alone the characters feel that they acquiesce to this one-sided conversation rather than reaching out to other people around them, people who mistrust them since they all exist on the outer fringes of society. It's an almost symbiotic existence as Singer and the other four characters serve each other's needs, but don't exist on a personal or emotional level.


This symbiotic relationship with Singer and the four others comes crashing down. When Singer goes to the hospital to visit Antonapoulos, he is stunned to learn that his friend died. Singer is driven to despair after losing the man with whom he shared a life. Singer return to the Kelly home and shoots himself. He does not want to live a life of loneliness with him being privy to other people's thoughts and troubles and no one privy to his.


Singer's death exacerbates the lonely existance of the other characters, leaving their dreams unmet and their lives even more isolated than before. Rather than have his planned March on Washington, Dr. Copeland is sent to a home for people with tuberculosis, cut off from the black community that he tried so valiantly to uphold. Jake works at a carnival, now living as a figure of amusement and no longer someone who has the ability to change the world. Biff is stuck in his middle class lifestyle, emotionally cut off from those around him. Mick surrenders to the life of a typical female of her society. Gone are the boyish clothes, tough attitude, and music. Instead she wears feminine clothes, behaves in a passive obedient manner, and works at Woolworths. They have lost the ability to fight and now just live.


While the book ends in despair, there are possibilities that things will not remain badly for the four characters, particularly Dr. Copeland and Mick. Ways in which McCullers never dreamt when the book was published in 1940. As mentioned in my review for A People's History of the United States, black people rebelled in many ways in the 1920's-'40's, rebellions that would later continue on a wider scale during the Civil Rights Movement. (It's hard not to read about Dr. Copeland's aborted March on Washington without thinking of Martin Luther King Jr.'s real life later March.) The seeds that Copeland sows in his activism would later grow in history. Perhaps, subsequent generations take up Copeland's mantle and follow his dream to its inevitable conclusion.

Another possibility is raised in the dichotomy between an author and her character. As mentioned before, Mick is a stand in for Carson McCullers herself. Like Mick she wore boyish clothes and had a tremendous talent in which she put to good use. In fact The Heart is a Lonely Hunter was published when she was 23. 

Perhaps, Mick would be another McCullers, able to use her talent for music to describe the sufferings around her and become as recognizable as her creator.

Jake and Biff may also see their dreams and lives changed in meaningful ways as well. Perhaps Biff will realize how important his family means to him. Maybe, Jake will find his causes have new meaning with others.

Their dreams may not be gone forever, just postponed until they are ready for them.  The four characters may yet find some meaning and purpose in their lives and break from these cycles of !oneliness and isolation.