Showing posts with label Killer Couples. Show all posts
Showing posts with label Killer Couples. Show all posts

Sunday, September 13, 2026

Then Finished (Gutted, Dissolved, and Then Finished Book 3) by Anna Madorsky; Thrilling Conclusion to Psychologically Disturbing Trilogy

Then Finished (Gutted, Dissolved, and Then Finished Book 3) by Anna Madorsky; Thrilling Conclusion to Psychologically Disturbing Trilogy

By Julie Sara Porter 

Bookworm Reviews

Spoilers: Since this is the final book in a trilogy, I recommend that you read my reviews on the previous volumes, Gutted and Dissolved and be forewarned that this review will contain MAJOR SPOILERS!!! for the entire series. Please, read at your own discretion.

In The Gutted, Dissolved, and Then Finished Trilogy, Anna Madorsky introduced us to killer couple Elliot and Jason. In the first book. Gutted, Jason meets an insomniac Elliot in a late night cafe where they share dark Nihilistic thoughts and complete isolation. They become lovers and eventually husband and wife. Jason reveals the worst aspects of his character and admits that he has killed someone before and has urges to do so again. Elliot alternates between appalled and fascinated and helps him kill again by the end of the book.

 In the second volume, Dissolved, Elliot and Jason are now divorced. To separate herself from the violence and Jason's dark urges, Elliot moves to Portland, makes many new friends, reunites with family members, and falls in love with Max, another man. She makes plans to live a better, more positive life. But she can't get Jason out of her mind and when he returns, she can't help but submit to his desires.

Now we have Volume 3: Then Finished, the final volume, the end, the resolution to Jason and Elliot’s troubled relationship and murderous plans. This volume takes the dark hints from the previous books and gives them their inevitable, destructive, graphic, and bloody conclusion. 

It lives up to its name by ending the series not with a period but an exclamation point! Book 3 revels in the darkness that is central to the narration whereas before it was hovering on the edge in Book 1 and moving ever closer in Book 2.

Now Elliot is romantically involved with Max who was introduced in Dissolved. He has finally defrosted her previously icy nature and she is beginning to open herself up to having another long term relationship. However, Jason is still there and still a part of her life. The two ex spouses rekindle their romance and with this romance comes dead bodies. It isn't too long before the duo are ready to kill again but now the relationship has shifted in surprising ways.

Gutted involved Jason introducing Elliot to her darker nature and murderous impulses. Dissolved showed her trying to get away from them. Then Finished counters the previous books by saying that no matter how far Elliot tries to run and escape, she can't hide who she is. The creature existed within her but needed Jason to bring it forward. 

In the previous books, Elliot fights against her darker nature. In this book, she accepts and embraces that darker nature. The conflict in Dissolved involved her finding better friends that bring out a better lighter nature within her. Here, Max does not represent a brighter path for her but a barrier towards what she now sees as her true self.

She sees the encouraging kindness that she once depended on with Max as restrictive, confining, and weak willed. She questions his motives and shoves her affair with Jason into his face, probably to close that final link to a lawful steady society. She made her choice so in rejecting Max, she rejects society.

A strange thing occurs throughout the book. It's clear that Elliot learned from Jason to embrace a darker and violent nature but she learned it too well. She used to be on the sidelines, making suggestions, driving the get away car, providing the alibi, and sometimes assisting in the graphic details. But here she is a stronger forceful presence and takes the lead.

Many of Elliot and Jason’s arguments consist of Elliot pushing her ex into doing something and he resists, which is the complete inversion of their former relationship. She has become more aggressive, darker tempered, and more open to causing great harm.

It's also highly significant that this is the only book in the trilogy where Elliot commits murder on her own. She has been open to the possibility of taking blood and now she can master and own it. She surpassed Jason in rage and violence and now he has to live with the monster that he created.

It's also significant that as Elliot strengthens, Jason weakens. He is now the withdrawn quiet one suggesting from the sides. He stews in a rage that is burning down into weariness and lethargy. The rage that fueled him has been given to Elliot with none left for him. Without it, he has nothing to live for.

Elliot has seen a better life but blatantly rejects it. Jason has no other frame of reference so cannot function when the chain of command is ruptured. His pain that he blamed as being the catalyst for murder is now all-consuming when he doesn't have an outlet to satiate it. He used to be angry, now he's just sad.

As with all murderers, Elliot and Jason’s crime spree comes to an end. It is an inevitable conclusion to a toxic relationship that was foretold the moment that an intense mysterious stranger saw an insomniac woman in a cafe and enveloped her into his private darkness.




 

Wednesday, April 1, 2026

Gutted (Gutted, Dissolved, and Then Finished Trilogy Book 1) by Anna Madorsky; Troubling Relationship Turns Destructive and Toxic

 

Gutted (Gutted, Dissolved, and Then Finished Trilogy Book 1) by Anna Madorsky; Troubling Relationship Turns Destructive and Toxic

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Even if the introduction of Anna Madorsky’s book, Gutted, the first book in her Gutted, Dissolved, and Then Finished Trilogy, doesn’t outright spell out what happens to the central couple the first few chapters alone carry an initial feeling of unease that this couple is not going to be a happy one. This feeling only grows long before we learn about the violent history that haunts them in the past and the impulses that still rule their lives.

Elliot, a frequent insomniac, heads for a cafe in the rain in a desperate attempt to find something to soothe her. On the way there, she meets Jason, a mesmerizing stranger who asks probing and philosophical questions and understands the dark aspects luring inside her subconscious. The two become close and more intimate while Jason hints at some disturbing impulses and mannerisms.

 Finally, in a candid moment, Jason reveals his history of violence, darker urges and impulses which consume him, and that he still has those urges even now. Elliot is left with a moral quandary. Should she turn a blind eye to his behavior, help him no matter how far his urges take him, or leave him, inform the police, and regain her life?

The overall tone of this book is bleak. Both Elliot and Jason are disturbing characters caught in their own shadow natures and emotions particularly trauma, depression, anger, violence, hatred, and depersonalization. 

This is a couple that is practically destined to be a killer couple long before the first victim is identified and the body is laid out. Separately, they are miserable and insulated. Together, they are destructive towards others and themselves.

Their first encounter in hindsight is a lesson in subtle manipulation, control, and dominance. Elliot’s thought process is incredibly askew because of her insomnia and her early traumatic home life which causes her to withdraw into herself. She is very susceptible to Jason’s influence which he later revealed was among the reasons that he purposely sought her out.

Jason captivates her by echoing many of her own thoughts about the world around her. He offers his own Nihilistic views which she resonates with. She sees a partner in their mutual dark views of the world around them and who turns those thoughts into a distorted logic. If they have been hurt by a cruel and unfeeling world around them, can anyone blame them for seeing nothingness everywhere they go and thinking that life is completely pointless?

 If life is pointless, then there is no reason to honor laws, ethics, morals and other barriers. Jason rewords and reframes these views so Elliot thinks that she thought of them herself. She then thinks that Jason is a kindred spirit when all he is is a pathway to further isolation.

Elliot feels detached from everyone except for Jason. A chapter that illustrates this is when she and Jason have dinner with her close friends. Elliot’s friends’ marriage is happy. They are well adjusted with their house, careers, and dog. These are goals many aspire towards, but Elliot cannot help but think that it’s a phony surface. 

Elliot is shut out from achieving such a life, so she doesn’t bother to hope for them. Instead of wanting what she can’t have, she finds the flaws within and magnifies them until they turn into the whole picture. Instead of trying to move beyond her status, she remains detached, depersonalized, and immobile. Miserably unhappy but unable or unwilling to act upon it until Jason enters her orbit.

While Elliot simmers in her thoughts and unhappiness, Jason is the one who brings them to the surface. He is the agent of chaos that does the things that Elliot dreams of doing but is hampered by her own inertia. 

Jason reveals a dark past in which he was forced to respond to violence with violence. Instead of feeling remorse or justification, the violence became an obsession and fixation. It is an itch that he can't scratch so satisfies it by hurting others.

Jason likens his violent actions to an urge that when he sees someone that angers him, he needs to satiate that obsession with blood and murder. For someone who speaks so well about philosophy and metaphysical concepts, he cannot articulate his murderous impulses until Elliot rationalizes them.

 As he reframed her dark thoughts, she reframes his random acts and urges into a means of self-protection and defense. As Elliot is controlled by Jason, Jason is controlled by these urges. Elliot’s own inert thoughts are given movement by Jason and Jason’s acts of violence are given rationale by Elliot.

The violent acts occur in the final chapters and are almost cathartic after the build up provided by these two disturbed individuals. It is bloody, brutal, and purposely grotesque. For all of the depth in characterization that is given to the two lead characters, when we see them acting out their violent fantasies their mystique and control disappear.

 They no longer see each other as mutual lost souls drifting along in an uncaring world. They see partners and instigators in escalating the chaos and violence that contributed to that uncaring world.