New Book Alert: The Lady on the Billboard by Stefanie Hutcheson; Soap Like Contemporary Fiction Connects Various Characters

 

New Book Alert: The Lady on the Billboard by Stefanie Hutcheson; Soap Like Contemporary Fiction Connects Various Characters

By Julie Sara Porter

Bookworm Reviews 

Spoilers: Stefanie Hutcheson knows how to write about relationships with humor and sadness. In her The Adventures of George and Mabel: Based on an Almost (Kind of? Sort of? Could be?) True Story trilogy, a happily married couple  share a history of road trips and inside jokes only to reveal in the final book that there is a deep searing grief that is buried underneath their happiness. Her novella, Left, is about a couple dealing with the decline of their marriage after the wife abandons her husband at a convenience store. In these works, Hutcheson had a firm grip on characterization as she takes little incidents and nuances in the characters’ lives to provide commentary on them. 

Her latest book, a KindleVella called The Lady on the Billboard, takes her talents of writing characterization and humor, capturing little moments, and discovering emotional truth to new heights. She doesn’t just capture one couple and their intimate circle of friends and family. Instead she uses those gifts to capture a whole town in what is her most ambitious and probably best work yet.

The conflicts begin when Dr. Elizabeth Perkins, high school principal, gets her face posted on a billboard celebrating her achievement as “Administrator of the Year.” She is flattered but embarrassed, but that’s not all. The billboard becomes a catalyst for the large cast to open their secrets whether they are affairs, familial ties, or obsessions. Many of them involve Elizabeth and poke some holes into her reputation as a prime educator, happily married wife and mother, and proper pillar of the community.

The Kindle version of this book is available on KindleVella which means the Reader can read a chapter at a time as they are released instead of at once which actually fits the style of the book. The many characters’ relationships and various subplots seem almost reminiscent of a soap opera or episodes of a long running sitcom so the book’s format is perfect to lend itself to serialization. Sometimes the chapters get repetitive like an episode that is created to catch the audience up to speed on the various situations. The serialization format also allows the individual characters to gain focus and get their point of view across in what would be a large convoluted story otherwise. 

However, Vella has a points system in which the Reader has to pay money for a certain amount of points to read the chapters. It is very irritating especially if one doesn’t have a lot of money on hand and already has a Kindle Unlimited account. I suggest caution for Readers who have never tried Kindle Vella to be wary of the extra cost. 

Okay now the story. This is going to be fun to summarize but here goes (deep breath):

Elizabeth is unhappily married to Jason, an attorney and is the mother of twin girls, Laney and Lucy. She tries to put on a facade of a happy family but can barely stand her condescending husband. She worked hard to get to her position as principal but sometimes doubts herself and whether she is making any meaningful connections with her students or their parents. She also has nightmares of a past that she barely remembers but her memories are faint and troubling.

Her husband Jason is having an affair with Rebekah, his administrative assistant, who has enough brain to run the firm herself. Elizabeth’s old high school boyfriend, Josh, is still around reliving his glory days before an injury ended his dreams of a football scholarship and his romance with the girl he once called “Liza Jane” after the Vince Gill country song. He still reminisces about Elizabeth, the one who got away and what might have been.

Elizabeth has some other men who also fantasize about her. Brad, a college professor, hosts open poetry slams at the local coffee shop and visualizes the principal as some muse or poetic inspiration. Derrick, a barista at the coffee shop, also fancies her but his interest in Elizabeth is more of the sexual and lustful variety.

Elizabeth has some close female friends as well. Madison, a bubbly teacher, has an active love life and is more outgoing than her serious friend. However, she is suspicious of Elizabeth’s friendship with Brandi, another teacher, who has a very violent past. 

Henry, a high school senior and football star, has some unanswered questions about his past and he is unaware that the answers are all around him. Annie, a newcomer in town, is fleeing an abusive marriage with her young son. She discovers a link to her past as does a private investigator, Abby Stevenson, who has been searching for family members for years. 

Got all that? Good, I hope so.

Like I said the plot or rather subplots are numerous. Sometimes, it’s very hard to keep track. Luckily, Hutcheson has a good handle on her wide cast of characters. Sometimes they resort to archetypes (the fighting married  couple, the dogged suitor, the teen with big dreams, the dedicated detective with the important information and so on), but in this type of work, that can sometimes be expected. 

What makes them stand out are the little subtle nuances and touches. Things such as Madison's nickname for Elizabeth, "Bitsy," Josh's love of '90's Country music, and Brad's constant repetition of definitions of words make these characters fully recognized. Just like she did with George and Mabel, Hutcheson gives characters details and idiosyncrasies to make them stand out.

Those idiosyncrasies provide much of the book's humor partly because we know these characters. We understand them. They could be reminiscent of a friend, teacher, family member, or ourselves. It's a gentle humor that comes from personality and identification rather than topical jokes and snarky one liners.

There is also some drama with the character's situations. This book has a definite edge which is present throughout. Subjects like teen pregnancy, adoption, identity, parental abandonment, death, mental health, addiction, and various others come forward. Because the characters are so relatable, the darker aspects are more emotional and moving. You don't want to see them suffer because you don't want to see a close friend suffer. These troubled times could strengthen or weaken the characters. 

Of course, the nucleus and center of this entire book is Dr. Elizabeth Perkins. It is highly significant that these complications begin when her billboard appears. It reflects her image, the figure that she tries to convey. It's all surface. Administrator of the Year. Principal. Wife. Mother. Community Leader. She spends so much time maintaining this surface image that it is exhausting.

Throughout the book, she is faced with different complications and revelations that create cracks in this facade. Elizabeth questions her identity, where she came from, what pushed her forward, what truths she has to confront, and what she really wants and needs. 

Ultimately, Lady on the Billboard is a humorous and moving character study about a woman confronting her image, her place in the world, and her own self identity and worth.

Classics Corner: The Great Gatsby by F. Scott Fitzgerald; Welcome to the Public Domain, Old Sport

 

Classics Corner: The Great Gatsby by F. Scott Fitzgerald; Welcome to the Public Domain, Old Sport

By Julie Sara Porter

Bookworm Reviews

Spoilers: Jay Gatsby has achieved a feat achieved by many before him such as King Arthur, Robin Hood, Don Quixote, Cinderella, Hamlet, Jane Eyre, Mr. Darcy, Oliver Twist, Ebenezer Scrooge, Sherlock Holmes,  Alice, Dracula, Huckleberry Finn, The Wizard of OZ (book form not MGM movie form) have received. He,Daisy and Tom Buchanan, Nick Caraway and the "whole rotten crowd" have entered the public domain. That means that F. Scott Fitzgerald's classic gets all that comes with it: academic interests, adaptation, remakes, alternate points of view, parodies, merchandise and the rest. (A zombie version is reportedly in the works.)

Many take The Great Gatsby at face value. They think it reveals the glamor of the Roaring Twenties, the parties, drinking, and what the hell fun before reality hit with the Crash of '29. It's a lot deeper than that.

The Great Gatsby is about the illusion of fame and celebrity and how the rich and famous look to the people underneath them. To them, they look attractive, carefree, and cannot possibly have anything wrong with their lives. The countless suicides, public meltdowns, and o.d’s of celebrities have shown otherwise. Inside every celebrity is a frightened suffering person that has to hide that suffering under the spotlight

Jay Gatsby, the eponymous protagonist Fitzgerald’s novel is someone who has an illusion of a rich and famous life but suffers a lonely existence. He is a wealthy mysterious man who throws the wildest parties that are attended by the best and brightest of the Roaring Twenties: gangsters, politicians, actors, producers, and scores of flappers.

The people drink, dance and have a great time and wonder about their mysterious host who throws the parties but is rarely seen at them. Is he a bootlegger? Is he a distant cousin of Kaiser Wilhelm? Did he kill a man? No one knows, but still they go to his parties. All they know is he is the  man who seems to have everything, wealth, splendor, fame, and the masses can’t help but enjoy themselves.

To them Gatsby is the embodiment of the Jazz Age: Live free, live rich, live large, and have fun. In this liberated freedom of the Jazz Age, many people felt free to experiment. Women in particular were free from corsets, wore short skirts, smoked in public, and were allowed to embrace their sexuality and that often involved having affairs. Fitzgerald captured that carefree and sexually liberated milieu that surrounds Gatsby perfectly.

Gatsby’s life is recounted by Nick Carraway, the naive narrator and Gatsby’s next-door neighbor. At first, Nick watches bemused at all the people who attend Gatsby’s parties. He watches the events next door with a detached admiration and perhaps some slight envy at his neighbor’s carefree seemingly easy adventurous lifestyle (some think maybe with lust for Gatsby). Until he realizes that he has a closer connection to Gatsby than he was previously aware. This connection comes in the form of Daisy Buchanan, Nick’s second cousin and her husband, Tom, an old friend of Nick’s.

While getting reacquainted with the Buchanans and their friend, Jordan Baker whom Daisy wants to “fling together” with Nick, Nick learns that Tom has a mistress in the city and that Daisy and Gatsby are former lovers. Nick becomes a go-between as Daisy and Gatsby are reunited and rekindle their love affair.

By far the most intriguing character in the book is Gatsby, whom Nick describes as “worth the whole damn bunch put together.” At the very least, he is a much better character than the narcissistic Daisy and the bad-tempered Tom whom Nick describes as “careless people. They smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they made.”

 As Nick gets to know his wealthy friend, he begins to piece together the events in his life that shaped him. He learns about Gatsby’s impoverished background and his drive to improve himself and his situation. Nick also learns how Gatsby obtained his wealth through his military service and making good connections with wealthy, sometimes shady characters. In learning about Gatsby’s backstory, Nick saw a man who was constantly trying to look upwards and always trying to achieve happiness.

Even when he has found wealth, success, and is surrounded by the “Bright Young Things,” Gatsby still isn’t happy. He purposely chose the mansion on West Egg, Long Island, because it overlooks the lake surrounding the East Egg where Daisy lives.  Jordan confides to Nick that the only reason that Gatsby began the parties in the first place was so by chance that Daisy would wander into them. It’s no surprise that once Daisy is back in Gatsby’s arms that the parties cease. Through all of his wealth, connections, and fame, Gatsby still yearns for his lost love, “The One That Got Away.”

What makes Gatsby’s story sadder is that Daisy is not really worth the attention Gatsby gives her. He is still caught up in his romantic juvenile fantasies of the young innocent girl that he remembers, not the vapid flirt that she has become. She is less interested in loving Gatsby than she is fascinated by his big house and shiny things and wants to get even with her husband and his mistress, Myrtle Wilson. Even when Gatsby forces Daisy’s hand by confronting Tom with their affair, she still can’t summon the courage to decide between them playing both men at once. Even after a violent occurrence which puts all matters upfront, Daisy avoids Gatsby entirely and poor Gatsby still believes that somehow, someway Daisy will come rushing into his arms.

Like the real-life celebrities who have come to violent ends, Jay Gatsby’s life is sadder and lonelier than anyone realizes. This is shown particularly in the final crushing scenes when despite all of the countless people that attended his parties, despite the love he held for Daisy, the only people in attendance at Gatsby’s funeral are a permanent house guest, Gatsby’s estranged father, and Nick, who is revealed to be Gatsby’s best, truest, and only real friend.