Saturday, August 30, 2025

The Lawless Legion MC by Patrick Klein; Motorcycle Club Thriller Revs and Sputters

 

The Lawless Legion MC by Patrick Klein; Motorcycle Club Thriller Revs and Sputters

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Patrick Klein’s The Lawless Legion MC is an intense thriller that revs when telling about the creation of an outlaw motorcycle club but it sputters by giving us characters who are too one dimensional to relate to or root for.

Sonny is going nowhere fast. He was just fired from his job at the local bar and has dwindling finances. His buddies Mike, Scott, and Johnny Boy have problems of their own. Sonny is hit with an idea. Since he and his friends have a passion for motorcycles why not form a motorcycle club of outlaws? The club called The Lawless Legion MC goes through various circumstances and capers to obtain new members, capital, and a word of mouth reputation that spreads fear.

The book has a strong beginning as it discusses how and why such clubs are formed usually from a desire to socially connect with others and a need to break out of poverty. Sonny and his buddies live in abject poverty, most of them in the same trailer park. Bills pile up, they owe more than they have, and everyone that they know is divorced, broke, homeless, drunk, addicted, unemployed or trapped in low paying jobs, and don’t see much of a future. It’s not hard to imagine why these guys would find crime a suitable means to escape the life that they have been handed since birth. 

The other thing that draws Sonny and the others into the idea of a motorcycle club is the camaraderie and fellowship that they share. They share a love of motorcycles that’s true but it goes beyond that. They call each other “brother” and treat one another like family. This is particularly true of Sonny, Mike, Scott, and Johnny Boy who have been friends since they were kids. 

Sonny wants to share the financial and influential benefits that this club can bring with those that he is closest to. Because of this strong bond among Sonny and his friends, it is a genuinely upsetting moment for him when one of his friends withdraws from the club when he grows concerned about their violent nature to the point of packing his things and leaving the trailer park without telling anyone. Partly out of concern for the direction that his friends are taking but also because if the Lawless Legion is as successful as they hope to be, he is afraid that they may attack him in retaliation.

While the book has a strong start by showing how a motorcycle club is formed and why members get into it, the interest fizzles the higher that the Lawless Legion climbs. Some of their plans to force competition out of town, get a cut of local drug money, and start a fight club are fun in a darkly comic sort of way. Sonny also shows genuine affection for a woman who is coming out of an abusive relationship. These are moments of good character insight but they don't last.

The Lawless Legion members had more depth when they started out but that depth crumbles as they become involved in a war against various enemies like a rival motorcycle club, an opportunistic police officer, and an acquaintance playing the various sides. 

Once they gain the power and influence that they crave, the members become one-dimensional and interchangeable. Some of the newer recruits are not as distinct as the original group and it can be hard to remember who did what. They also look for any reason or rationale to pick a fight, flash their muscles and attitude, and commit violence towards those that they perceive as an enemy. 

Even when a member of the Lawless Legion leaves, it isn’t looked on as an understanding that he made his choice. Instead it is looked on as a moral failing on his part as someone who betrayed them because he didn’t have the stomach to do what they did. As Sonny and the others are losing their humanity, they resent their former friend for still retaining his. 

Perhaps that’s the point, The Lawless Legion have become dehumanized. They have accepted that violent part of themselves and now there is nothing left, no empathy, no understanding, no real companionship even with each other. Just gain, just taking what they can and hurting anyone that gets in the way. Ironically, in their drive to get the money, power, and respect that they always wanted, they may lose the tight friendship and surrogate family that propelled them in the first place. They will lose their brothers. 

Friday, August 29, 2025

House of Grace by Patricia M. Osborne; Finding Grace and Strength Through Adversity and Change


 House of Grace by Patricia M. Osborne; Finding Grace and Strength Through Adversity and Change

By Julie Sara Porter 

Bookworm Reviews 


Spoilers: I will try to keep spoilers to a minimum in this review but I can't make any promises. Please read at your own discretion. 

One thing that can be said about the life of Grace Granville, the protagonist of Patricia M Osborne’s Historical Fiction novel, House of Grace is that it certainly wasn't dull and conflict free. This is a novel starring a captivating woman and is full of passion, ambition, change, economic rises and falls, love lost and won, triumph and tragedies, and deep emotional pain and joy. 

Grace begins the book as a 16 year old schoolgirl at an affluent boarding school in Brighton. She loves it because she can escape from her abusive, domineering, entitled, and wealthy parents, hang out with her best friend Katy Gilmore, and design and create clothing as she aspires to be a fashion designer. While visiting Katy’s family, she is drawn to Katy's cousin, Jack, a coal miner. After she is unable to continue her education or pursue a career in fashion, Grace considers marrying Jack to her parent's protests, threats to cut her off, and forced courtship with a more prestigious suitable man. To get out of this situation, she makes a reckless decision that draws her away from her parents and into Jack’s arms and life.

The book is divided into two parts and the tone changes dramatically to reflect that shift. The first part is a romantic drama with some lighthearted moments as Grace demonstrates how out of her element that she sometimes is in a middle to working class environment. The second part is more of a family tragedy as Grace is faced with various struggles and heartbreak.

Grace goes through great changes that alter her mindset and test her will. For example, while visiting Katy and Jack’s family, she has a hard time getting used to servants and employers talking to each other on a friendly basis and using first names. She also recognizes some of her own snobbishness after she carelessly mocks Jack and his friend’s old clothing before they are introduced. She is never intentionally cruel but realizes that her sheltered insulated upbringing did not give her much of an opportunity to interact with different people or provide her with the tools to earn a living with little money. 

Grace sees something greater with Katy and Jack’s family than she had with her own. In her past, Grace had a family that withheld affection and parents who treated her and her sister like commodities to be educated and then married off. With the Gilmores, she sees a natural warmth and kindness, a family that she would like to be a part of instead of her own. This culminates in a dramatic moment when Grace is disowned and disinherited by her birth family and she is taken in by the Gilmores. She is now among people who might be inferior to her parents in class and social status, but are superior to them in love and kindness.

One of the strongest themes in this book is change and whether a person can adjust and adapt to them. Adaptability is one of Grace’s strongest gifts. She has to reinvent herself a number of times throughout the book and survive change and hardship. 

In the second half of the book, Grace is at her lowest point emotionally. She suffers a devastating loss that changes her circumstances forever and is faced with a cruel choice. It is a difficult time of intense grief made worse by this heart wrenching choice. However, Grace somehow manages to find her inner strength and resources to not only survive but thrive and succeed. 

House of Grace is the kind of novel that alternates between sadness and happiness. It can make a Reader cry on one page then make them applaud on the next. Like its main character, this book is truly a work of grace. 







Thursday, August 28, 2025

A Deadly Promise (A Dr. Margaret Demery Book) by Paula Harmon; Brilliant Protagonist Outshines Convoluted Plot

 

A Deadly Promise (A Dr. Margaret Demery Book) by Paula Harmon; Brilliant Protagonist Outshines Convoluted Plot

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Sometimes the plot is the best part of a mystery. Sometimes it's the murder victim, the suspect, or even the murderer. Other times, such as in the case with A Deadly Promise, a volume in Paula Harmon’s Dr. Margaret Demery series, it's the lead protagonist. In fact, the protagonist in this book is such a memorable character that she is easily the best part of an at times confusing and convoluted mystery.

In 1914, Amos Chalkley, a young man, dies shortly after pathologist Dr. Margaret Demery gives him directions to the War Office. It seems to be a robbery gone wrong, but Margaret doesn't think so especially after another man, Luther Byrd, dies close by in a similar manner. They both have similar symptoms of some unknown contagion. Margaret and her husband, intelligence operative, Inspector Fox Foxcroft investigate while there is talk of rebellion in Ireland and predictions of a great world war especially after Astro-Hungarian Archduke Franz Ferdinand and his wife, Sophie are assassinated.

Let's start with the good stuff. Dr. Margaret Demery is the type of independent strong willed female detective that occurs often in Historical Mysteries and with good reason. Not only are they often excellent detectives with adept observation skills, empathetic understanding of the people involved, and plucky persistent spirits that pursue justice to the end, but Readers get to see what life was like for women of that era.

 In many times, women were suppressed, marginalized, either treated as fragile objects or constant workhorses, and raised to be wives and mothers and that's it. These protagonists often counter these assumptions. Some have careers of their own or are independently wealthy. Even if they take traditional paths and don't earn a living as investigators, they are able to use those skills as amateurs. The approach that these authors take are often intentionally subversive, even Feminist, in how their protagonists are written.

That is especially noticeable with Dr. Margaret Demery. She is a respected pathologist in a time period when female doctors existed but were still held under intense scrutiny and suspicion. Pathology was not looked upon as a suitable field for women as it was believed that women were too fragile and vulnerable to look at and investigate a dead body but Margaret shows that she has the stomach for it. She also works with living patients as well and uses her studies in respiratory illnesses to deduce short and long term complications.

The book explores the rampant misogyny and sexism that is not only personally experienced by Margaret herself but by other women. One of the most intense chapters involves a suffrage march which quickly becomes violent. Even before the violence occurs, the marchers are insulted and mocked by men in the crowd. Some women say that they sneaked out or had to get their husband's permission to march. Even though Margaret is happily married to a man who is empathetic to their cause, her husband, Fox reads her the riot act for being involved in a potentially dangerous situation. His concern is duly noted but he can't resist infantilizing his wife and chastising her like a child incapable of her own agency.

A very important lead that occurs in the book is the institutionalization of Iris Byrd, the wife of Luther one of the murder victims. She was institutionalized by her husband before his death after a domestic dispute. It shows that many people in that time period could have someone committed to a mental hospital for the flimsiest reasons including arguing with family members. Some men, like Luther, and we later learn another character, did this to wives and female relatives as a display of dominance if they felt that they stepped out of line or defied authority. This is the kind of world which Margaret has to navigate through to learn the killer’s identity.

When the book focuses on Margaret's individual investigation in the central murders, the book succeeds. However, it falters when combining it with the larger international picture. There are various characters and situations thrown in that represent different topics of the time such as the Irish Rebellion and WWI, some of which only have a peripheral involvement in the actual murders. There is the reappearance of a former enemy of Fox’s whose involvement with this plot only makes things more confusing. Then there are the obligatory red herrings, false leads, and betrayals which only hinder the investigation and it becomes hard to remember who is who, what their motives were, and what they had to do with the central mystery. 

It seems as though Harmon had too many ideas for this volume. Instead of focusing on one specific plot angle, she threw them all in. The results are an overwhelming Mystery which contains far too many subjects to create a streamlined focused mystery. 

Sometimes that's a good approach to focus on both the political and personal struggles particularly in an important historical time period like the days before WWI, but they need to be evenly balanced instead of thrown together. It needs to deliver a case where this point and that point lead to a specific conclusion rather than create a situation where it is hard to remember who is who. 

A Deadly Promise is not a terrible historical mystery so much as one with great potential especially with its lead character. Margaret is definitely the brightest spot in this book that needs more focus.



Tuesday, August 26, 2025

Murder Makes Waves (Jack and Frances Mysteries) by Carmen Radtke; Charming Couple In Murder Mystery On The High Seas

 

Murder Makes Waves (Jack and Frances Mysteries) by Carmen Radtke; Charming Couple In  Murder Mystery On The High Seas

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Frances Palmer and Jack Sullivan are the current heirs to those crime solving duo of lovers of the past like Agatha Christie’s Tommy and Tuppence Beresford, The Thin Man’s Nick and Nora Charles, Moonlighting’s David Addison and Maddie Hayes, Hart to Hart’s Jonathan and Jennifer Hart, Bones’ Temperance Brennan and Seely Booth, Castle’s Richard Castle and Kate Beckett, and Miss Scarlet and The Duke’s Eliza Scarlet and William “Duke” Wellington (some have argued Sherlock Holmes and Dr. John Watson). Jack and Frances are the stars of Carmen Radtke’s Jack and Frances Mysteries and its current volume, Murder Makes Waves. 

Jack is a nightclub owner and WWI veteran in 1931, Adelaide, Australia. Frances is the assistant to her uncle, Salvatore “Sal” Bernardo, a magician and vaudevillian. The engaged couple and Uncle Sal are invited to visit Jack's mother in England via SS Empress of the Sea. What should be a peaceful voyage becomes fatal as one of the passengers, Lawrence Vaughn is murdered during a masquerade ball and Evie, a singer and dancer that the couple befriended, is accused of the crime. 

Jack and Frances are certainly the best part of the novel. They sparkle with wit, observation, persistence, and an old world charm that can be found in Historical Cozy Mysteries. They are the types who brilliantly counter each other in personality, temperament, and sleuthing style to make a great team.

Frances is the outgoing, spirited, vivacious one. Her natural charm and empathy allows her to bond instantly with strangers as she does with Evie and various other people on the boat. As a performer, she is able to play certain roles to glean information and ferret out the criminal. 

Frances is from a working class background so many of her observations are based on common sense wisdom and street savviness. She is the kind of woman who thrives in the 1920’s and ‘30’s, a time period that allows women to be free, independent, and outspoken.

Frances is the color flying around in circles, while Jack is the steady pole that keeps them anchored. His staid but paternal demeanor reveals the trust and loyalty that someone in trouble needs, such as when Merryweather, a young steward, is wrongfully accused of theft. His dry wit and observation allows him to notice details like another person's behavior or clues that other people miss. As a nightclub owner, his organizational and leadership skills allow him to put the details together to find a conclusion. 

Jack’s experience as a war veteran acquainted him with the darker aspects of human nature and survival instincts that desperate people form. While he is Conservative in some respects such as wanting marriage and a home, he is open minded enough to accept others points of view, especially in these modern times.

The rest of the characters are a pretty colorful cast. Uncle Sal is a delightful comic relief, a charming, bombastic ham who probably is looking for stage scenery to chew. His romance with Mildred, another passenger, is both humorous and heartwarming.

 While on the ocean liner, the trio meet a stunning array of wealthy dowagers, dim upperclassmen, devious debutantes, and sassy showgirls, characters who would be just as at home in a PG Wodehouse short story as they would in an Agatha Christie novel. 

In fact, Frances herself makes the comparison when she observes Mildred with her nephew Tom. However Mildred is not the shrieking harpy that is Wodehouse's Aunt Agatha. Instead she is a warm, earthy, cool aunt more like Bertie Wooster’s Aunt Dahlia. While Tom has his naive dizzy moments worthy of Wooster, he actually is also quiet and has his own moments of intelligence.

Other characters also have interesting moments. Lawrence starts out as a popular lady's man until his darker, more nefarious deeds are uncovered revealing a narcissistic sociopathic soul underneath. Evie plays the flighty effervescent vivacious flapper but she also shows great vulnerability about her predicament. Other characters have great moments which reveal much about their public personas and inner selves.

Murder Makes Waves is a worthy volume for lovers of Historical Fiction especially set in the 1920’s and 30’s, Cozy Mysteries, and any type of novel with a charming thrill seeking witty and highly romantic duo at the forefront.

The Bangkok Girl (A Lee Jenson Novel) by Sean O'Leary; One Crime in Bangkok Makes a Neo-Noir Rumble

 

The Bangkok Girl (A Lee Jenson Novel) by Sean O'Leary; One Crime in Bangkok Makes a Neo-Noir Rumble 

By Julie Sara Porter

Bookworm Reviews 


Spoilers: With apologies to Tim Rice, Bjorn Ulvaeus, and Benny Anderssen, I couldn’t resist the paraphrase of “One Night in Bangkok.” I also apologize for the earworm. I am suffering for it, believe me.

When it comes to settings in Mysteries and Thrillers, Bangkok is a likely one if the mystery involves the sex tourism industry. It’s like New Orleans for Supernatural Horror, or DC for political crimes, New York for organized crime, or LA involving celebrity crimes. There are just some places on Earth which are practically short hand tropes, almost cliches, for certain types of crimes and conflicts that the reader will encounter. Bangkok with its reputation for a decadent night life, loose enforcement, stigmatization, and ambiguous distinction of the definitions of sex crimes is just the right place if the crime involves sexual assault, human trafficking, and forced sex work. That’s what Lee Jenson, private investigator is faced with in Sean O’Leary’s The Bangkok Girl. It is a modern day Neo-Noir Crime novel with its seedy location, troubled detective, ineffective or corrupt authority, powerful dangerous men and women in suits, and innocents who get swept up in the night life that destroys them.

Lee is a private investigator exiled from his native country, Australia and has settled in Thailand. He enjoys the roguish atmosphere and he gets plenty of assignments so he’s never bored. He receives a call from a potential client who is looking for his missing daughter. It seems Zoe Burgess, the young woman, worked as a jazz singer in various clubs around Sydney, Singapore, Bangkok, and Tokyo. However, she is missing and her parents are determined to find her. While Lee investigates Zoe’s trail with the help of his assistant/photographer/martial artist, Kanika, Lee learns that the poor girl did more than play special song requests. She was kidnapped, trafficked, drugged, and forced into sex work. Now Lee has to find her while facing the Yakuza, who have very powerful connections that have spread through various cities and countries and don’t like this detective nosing in on their business. 

There is definitely a sense of the old hard boiled detective noir books in The Bangkok Girl. It’s a subgenre that reminds Readers that the world is a dark cynical place and is full of soulless people who will corrupt, destroy, dominate, and murder others for money, position, or just for the Hell of it. There are places and people that practically thrive on that environment and rely on it to survive.

The settings in the book, particularly Bangkok, are shaped by that dark cynicism in O’Leary’s world. Lee goes through various nightclubs, encounters many unsavory characters sometimes using bribery and force to get information. In fact, the first few pages feature a fight between Lee and two enforcers that have nothing to do with the main case. Instead, the conflict is looked on as another day on the job in Bangkok. 

Along with crime, xenophobia and ethnocentrism is a presence throughout O’Leary’s book. As Lee investigates Zoe’s disappearance, he learns that there are clubs in which he is forbidden to enter because he is looked upon as a foreigner. In a homogenous Asian country whose residents consider one ethnicity or country of origin to be superior to others, someone like Lee is looked on as the minority. 

Keep in mind, this is the type of environment in which organized crime thrives. People with big ideas, fancy suits, and a charismatic style that draws law abiding citizens who are suspicious of local authority and The System. (Remember the opening scene in The Godfather with Bonasara, the undertaker’s “I Believe in America” speech? It’s like that). These people claim to be the spokesperson of their particular ethnic group playing on their fears, insecurities, and paranoia of those that are different from them against a status quo that often struck back and minimized them first. 

So of course The Yakuza would have a hand in this with their control with money, influence, threats, intimidation, and abuse. The Yakuza members, particularly one Hiro Kawasaki, have such a presence in the book. He is magnetic and cutthroat, the type that may invite you to his fancy private rooms but leaves his target uncertain whether he is going to sleep with them, shoot them, or both. The people surrounding him are both drawn to and are in fear of him so he is able to get away with a lot.

 Hiro has plenty of influence that allows him to practice his criminal acts and plenty of informers, like one who befriends women so they can then traffic them. Hiro has so much power and authority that there really is only one way to remove him. Even that won’t work, because there will always be another Hiro waiting to take his place.

Besides the crime element, that bitter cynicism can also be found within its protagonist. Lee has his own issues to work out. His exile from Australia is dubious and only hinted at but suggests that he committed some violent acts, suffered personal and professional trauma, and may have earned the ire of more than a few in charge. 

Lee is the right person to travel into such dark corners because he is as dark as they are, sometimes darker. He often has to rely on the assistance of others like Kanika, who is a sardonic but observant aide, to go inside places that he, a white man, can’t always enter. But he has the mindset to put those connections and clues together to make a whole picture.

Lee knows this world because he has to live it, not just because of his job but because it’s in his body and mind. He is Schizophrenic and relies on meds to keep his hallucinations and delusions at bay. At times this makes him vulnerable in certain situations. 

In some very eerie chapters, Lee is kidnapped by the Yakuza and is deprived of his medications. Surrounded by the enemies that he is supposed to face for Zoe’s life, he is consumed by the enemies in his mind that threatens to destroy and annihilate him from within.


 



Sunday, August 17, 2025

Time Fixers (Miles in Time Book 2) by Lee Matthew Goldberg; Time Travel YA Continues with a Timeless Volume


 Time Fixers (Miles in Time Book 2) by Lee Matthew Goldberg; Time Travel YA Continues with a Timeless Volume 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Well The Hardy Boys are at it again. No, not those Hardy Boys. Simon and Miles Hardy, the time traveling brothers from Lee Matthew Goldberg’s 2-Part YA Science Fiction Time Travel series. The first volume, Miles in Time, involved the adventurous detective Miles going back in time to prevent his scientific technogeek older brother, Simon from being murdered by unidentified assailants. He saved his brother but made a mortal enemy in Omni, the secret sinister organization that put the initial target on Simon’s back. 

The second volume, Time Fixers is a stronger, more personal, and also more focused adventure that raises the conflicts. This time Simon is able to improve his time travel device to travel beyond the previous week. Instead it can send the traveler back to 1999. For the brothers, that means one important thing. In the present, their mentally ill mother is institutionalized. They can go back to when she was in high school and resolve the family trauma that led to her years of addiction and mental illness. The brothers are not alone. Miles told his girlfriend, Maisie about the previous time traveling adventures. She comes with, hoping to resolve a family conflict of her own with her missing mother. The trio become embroiled in not only their own family histories but the origins of Omni whose members might be all too familiar to them.

In the first book, the focus was on adventure with some family drama thrown in. This one reverses that by devoting more time on the family drama and minimizing the adventure but still making it an important part.

There is deep trauma that is explored particularly with Miles and Simon's mother, Patty. When they left her, she was addicted to pills, spoke in monosyllables and non sequiturs, and committed self-harm. The years of being broken and non-functional took their toll. She is lost to her family in the present so the brothers want to change her past.

Once they see Patty's family, Simon and Miles understand their mother more. Before they pitied and cared for her. Miles in particular often nursed her when his father, Kip could not. However, as much as they missed the loving and involved woman that she briefly was when they were small, she is now a remote cypher to them. They can't break through her precarious vulnerable exterior and have given up trying to communicate with her. She is less a mother to them and more of an object of pity, concern, and frustration.

In the past, they see their mother as a feisty multifaceted emotional girl who is hurt at home and trying different means to detach herself from that hurt. The brothers focus on the causes of what made their mother turn out the way that she did rather than the effects of what it created. Patty is a person who had her life ahead of her and could have lived it openly and creatively with plenty of love, acceptance, and support but was stopped by  abusive and narcissistic parents. The boys have to rescue their mother not only from her toxic home but from herself and the woman that she turns into.

Patty isn't the only person that the boys and Maisie try to help. They try to prevent a tragedy in Kip’s young life that left him withdrawn and falling into self-isolation. Maisie also recognizes her parents' struggles and insecurities so she doesn't end up alone. The teens are given insights into their parents as people, kids like them who were uncertain, confused, awkward, idealistic, intelligent, rebellious, immature, curious, surly, argumentative, cynical, and ready to challenge the world that their kids would later inherit. They are going through the same struggles about identity, acceptance, and belonging that their children are going through in the 2020’s.

There are  other aspects of the book that shine. There are  humorous moments when Simon, Miles, and Maisie go to the past and gape at the weird fashions, old fashioned technology, and the music. There are also clever references about the time period that border on nostalgic.

The adventure also goes through some fascinating twists, climaxes, and resolutions. The trio are stalked by enemies that use a variety of means like threats, manipulation, and feigning friendship to find their technology, divide, and destroy them.

It's also interesting to see Omni in its earlier form as a small organization with few employees but nefarious goals before its 2020's incarnation as a widespread conspiracy with various members, outlets, and schemes. We also see how the agents got involved with this organization, why they joined, and why they stayed when conscience should have told them otherwise. Similar to their parents, the kids see their adversaries as people who had reasons for what they did and could have lived different lives. Instead they chose a path that led to financial gain, corruption, violence and self-destruction.

Time Fixers is a brilliant book about how choice and trauma shaped our past and created our present. It also happens to be a great thrilling adventure to spend time with. 


Icy Heart, Empty Chest by Holly Lee and The Hat Man by Greg Marchand

Icy Heart, Empty Chest by Holly Lee 

This review is also on Reedsy Discovery.

Icy Heart, Empty Chest by Holly Lee is great at world building by creating a modern society of fairies, nymphs, elves, kelpies, and other magical creatures. It has a fascinating albeit gruesome plot and characters with potential. However, it is a slow paced book that gets repetitive very quickly.

In an alternate universe in which magical creatures live their daily modern lives, Cora is a barista, bounty hunter, smuggler, and art thief. Her client Finneas gives her a new assignment to retrieve a kelpie’s heart from the witch who stole it and give it to a potential buyer. While investigating Filla, the witch who took the heart, she learns that the heart belongs to Damien, a kelpie who is also her ex. He is alive but is growing weaker without his heart. Cora must choose between duty of following her assignment and a love that never really ended.

The strongest aspect of this book is the world building. It does not pull the old standard “Fairylands are stuck in a pastoral arcane Medieval like society" trope. If human society changes, there is no reason to assume that Fairy Worlds wouldn’t. They live in a society where magic and technology combine to create a world that is both fantastic and identifiable. 

This is a world where nymphs and sprites live next door to each other in suburban homes. Where an elf runs the local cafe. Where a doctor might treat your illness or injuries or you might get a witch to do it. Lee clearly had a lot of fun with treating magical characters like people that we might see every day. They just happen to have powers to create storms, curse people, heal with their hands, or teleport from one place to another. 

Some might have large ears, fur on their whole bodies, wings, sharp fangs, or look more animal than human. But they are just like you and me. They go to work or school, go shopping, run errands, hang out with friends, spend money, relax at home, and live mundane lives while having awesome powers and fascinating physical characteristics. 

The book has a promising character and its plot is alright for the most part. Cora isn’t a smuggler simply for money. She steals because she loves and appreciates art. Her love of art is inherited from her late father. In a way, her career keeps her memory of him alive even if her pursuits aren't exactly legal.

Cora’s love for her father also is evident in her conflicts with Damien. In fact, their fathers had a violent confrontation. As children who are close to their parents will do, Cora and Damien defended their old men and ended their relationship in a battle of words. While Cora rejects what she lost, she recognizes that Damien doesn’t deserve to have his heart taken out and doesn’t want his death on her conscience. No matter how their relationship ended, she does not want to be the one to give him a death sentence. 

The most serious drawback in the book is its pacing and it drags what would be an interesting plot. The heart assignment is well executed and there is genuine suspense in Cora’s search and retrieval of the heart. It could be a thrilling cat and mouse game that happens to have a living macguffin and lucky for Damien, a patient that is actually alive to take part in the search.

However the slowest moments occur during Cora and Damien’s reunions. There are several chapters devoted to them discussing their conflicts before they are resolved. A few are fine because this is a couple with a lot of serious baggage but those chapters repeat themselves. Cora and Damien spend a lot of talking in circles over the same topics and discussions without coming to any resolution or clarity. 

The pacing drags down what could be an interesting book with a fascinating premise and characters and makes it tedious and even boring. Their conversations could have been shorter, or came to the main points quicker. Also instead of talking about their issues and telling each other how they feel, they could show each other. What is overly verbose could have more action showing the two coming closer together emotionally on this heart stopping, pun not intended adventure. 


The Hat Man by Greg Marchand 

A supernatural creature that has gained popular culture relevance is The Hat Man. a mysterious tall figure with no facial features and dressed in a black suit, coat, and fedora appears from out of the shadows and stands over an unwilling victim usually in their bedrooms, in an abandoned street, or the woods, somewhere they are alone. It doesn’t touch them or talk to them mostly. It just stands there as a frightening silent presence. The Hat Man is most commonly associated with sleep paralysis as humans have largely reported seeing it in their bedrooms and over their beds before approaching REM sleep. There are urban legends of Benadryl users taking large quantities of the antihistamine to purposely encounter the figure. 

The Hat Men inspired the look of various characters like Freddy Krueger in the Nightmare on Elm Street franchise, The Babadook, and Creepypasta’s Slenderman. He has also appeared in the horror films, Shadow People and The Shadow Man, the documentaries The Nightmare and The Hat Man: Cases of Pure Evil, the games LSD: Dream Emulator and Deep Sleep, the Jason Pargin novel, John Dies At the End, and The Twilight Zone episode, “The Shadow Man.” The Twilight Zone episode in particular builds on the legend by depicting The Shadow Man as attacking people except “the one under whose bed (they) lay.” Unfortunately, the young protagonist finds himself the prey of a Shadow Man from under someone else’s bed!

The most recent portrayal of this enigmatic eerie and otherworldly figure can be found in Greg Marchand’s horror novel, The Hat Man. Similar to The Twilight Zone episode, it shows a Hat Man who isn't just terrifying because of its mere presence. It isn’t above using violence to make a point. 

This version of the Hat Man appears after a couple excavate trees for their gum. Instead of the expected sap from a slash pine, blood emerges and the two stumble upon an abandoned grave. They then see a terrifying figure dressed in a fedora who attacks the couple. Once unleashed, The Hat Man attacks various characters in violent ways. Two brothers searching for the monster are separated then murdered with great efficiency by The Hat Man. It falls to Sadie Burrows and Colton Garrett, who lose loved ones to the Hat Man, to investigate the mystery of this strange specter, its origins, and hopefully how to stop it. 

This book embellishes The Hat Man mythos by giving it more agency, character traits, and even a backstory. Instead of being a silent detached observer, it is an aggressive creature of action and rage. He uses his sharp claws, ice cold death breath, and superhuman strength to overpower then kill its victims. The action removes the more ominous ambiguous presence from the legend but makes sense from a storytelling point of view in this context. 

In some ways, Marchand combines the behavior of The Hat Man with more malevolent spirits like the dybbuk, which possesses and torments the living and the revenant which returns from the dead to inflict harm or terror. 

The behavior of the Hat Man becomes more understandable once we learn about its backstory before its death. It was once a person that was involved in horrible things and died graphically and violently. It is trying to seek the vengeance and justice in death that was denied in life. It’s not a particularly understandable or sympathetic character in the past or present, but knowing that it was once human gives it more of a relatable edge.

 There are many people filled with such hatred in their hearts that they make life miserable for those around them. Their words, actions, and very presence stirs negative emotions within people and they almost delight in that persona. They could fly into violent rages or play cold sociopathic mind games, but no matter their means they bring cruelty and inspire fear, despair, dependance, self-blame, guilt, submission, anger, fury, trauma, depression, anxiety, complacency, and apathy. Now picture a person like that coming back to life after their death and having supernatural abilities. It’s very easy to see why The Hat Man leaves such an impression on those he encounters.

This presence is also augmented by the personal suffering inflicted by the human characters. Sadie is coming off of an abusive relationship in which her ex hurt her dog, Buddy, who would later be killed by The Hat Man. A vet assistant and animal lover, Sadie’s strongest emotional core was her dog and the Hat Man destroys it. 
Colton’s family is extremely dysfunctional, particularly his troubled, addicted younger brother, Trevor, whom Colton has always taken a paternal role towards. He also greatly admires his older steadier brother, Bill, who is also the Sheriff. Both are murdered by The Hat Man. In killing them, The Hat Man also deprives Colton of his strongest emotional touchstones. 

It’s not enough for The Hat Man to kill someone physically, he destroys them emotionally by removing those they love the most and leaving them completely vulnerable and helpless when he comes after them.

That is the atmosphere that surrounds the book. It is a cruel world obsessed with death and violence that is reflected by an even crueler afterworld where the violence doesn’t end. Instead it increases. One of the more disturbing passages occurs when Sadie, Colton, and their friends hunt for The Hat Man during a Mardi Gras parade and stare befuddled and shaken at a float from The Hat Man Krewe, a float that not only honors the terrifying spirit that ruined their lives, but turns him into an attraction. It is one thing to become victimized by a disturbing person or presence but it is another thing to see that same presence glamorized into a figure of fun, sexuality, or worse admiration. 

The Hat Man book reveals a lot about a supernatural creature but it also reveals a lot more about the humans who talk about it.