Showing posts with label C.L. Rosario. Show all posts
Showing posts with label C.L. Rosario. Show all posts

Friday, September 11, 2026

Angel: Letters of Esther (The Romans Series Book 2) by C.L. Rosario; Female Centered Companion Book to Bromantic Contemporary Fantasy

Angel: Letters of Esther (The Romans Series Book 2) by C.L. Rosario; Female Centered Companion Book to Bromantic Contemporary Fantasy 

By Julie Sara Porter

Bookworm Reviews


This review is also on Reedsy Discovery.

Spoilers: C.L. Rosario’s previous book, And Then They Fell in Rome was a Magical Realism Contemporary Fantasy novel about a circle of male friends called The Troubadours who receive word from a mysterious stranger known only as La Bruja (“The Witch” or “The Stranger “) who tells them that they need to help Jean Luis Larose, one of their own, to find love before he dies. What followed was a lovely thought provoking meditative look at fate, synchronicity, coincidence, magic, romance, true love, and the importance of maintaining a good friendship. It was an excellent book that captured the male group of friends. I would describe it as not just a Romance novel but a Bromance novel.

Well if one focuses only on one party in a Romance novel, they are really telling only half of the story. In And Then They Fell in Rome, we are given insights about many of the female characters and are given as much depth and agency as their male counterparts so they aren't just shallow love interests. However, they are largely seen from the perspective of the male characters so compared to them, they are cyphers. Well written cyphers but cyphers none the less.

Rosario's next book, Angel: Letters of Esther more than makes up for that lack. In fact, I wouldn't even call it a sequel so much as it is a companion piece. It takes the same story and gives a largely female perspective. It focuses mostly on Esther Consuelos, Jan Luis’ potential love interest. We also get some solid insights into La Bruja who now has a name, Ariel, and some potential clues to her real identity.

This volume also provides a more streamlined narration that is easier to follow. It mostly focuses on Jan Luis and gives the rest of The Troubadours smaller, more supporting roles. It loses the complexity of the previous novel but since Jan Luis is the central Troubadour in both books, it makes sense that his story would wrap up in this volume.

Jan Luis and Esther meet at the Miami Grand Prix. The two click but a strange discovery about a shared coincidence from their paths suggest that there are higher powers at work bringing them together. An eventful weekend causes the couple to weigh their passions, faith, goals, intimacy, desires, standards, and the division between body, heart, and soul to find out what they really want in life and if they are compatible.

Both Jan Luis and Esther come across as fully developed characters. Since Jan Luis is the sole major Troubadour in this book, we are mostly exposed to his life and views. Technically, there isn't anything entirely new to Jan Luis that we didn't know before from his past. Even the strange previous connection between the two lovers was revealed in the previous book. We are familiar with Jan Luis’s past. This book is more interested in his present. 

As we remember in the previous book, he had yet to be paired off though his friends were. This book shows him moving from a hard edged cynic thinking that he is better off alone to a romantic who is open to the possibility of letting love into his life. It is a character trajectory that transforms him into the person that La Bruja and the Troubadours envisioned that he would become.

Jan Luis's strongest moments occur when he is alone and away from his initial peer group of The Troubadours. Since they are moved to the side and reduced to supporting characters, this book deals with what happens when friendships recede and characters grow up and move on.

The previous book was the be all and end all of their friendship at times even eclipsing their romantic relationships. It reveals the universal truth that sometimes friendships are more important than romance. This book shows the opposite.

 What happens when friends let other people and situations in their lives and phase out the original group. They don't do this out of meanness or because of fights but because of different circumstances, busy schedules, more people and commitments, and maturity. They have entered lives that are harder, more complicated, and busier. Sometimes early relationships fall away.

The Troubadours’s bond is still close and they still have some great reunions but they have evolved. Jan Luis can't rely on them as much as he used to. He spends most of his time in Rome with a new group of friends and has other interests, other goals, and other problems that have moved him far from his honorary brothers. It's a time where he has to figure out who he is without any help from his old friends.

 As I mentioned this is practically the female counterpart to And Then They Fell in Rome and it shows. Esther is by far the most developed character. She has many different facets to her character that reveals her complexities and depth.

She is a publicist for Formula One so she carries a very high class, fast living, public, athletic and energetic presence on the job. The kind that doesn't mind frequent travel and hobnobbing with classy elite individuals watching the races as well as managing the information on drivers and crews who work at them. It also breaks quite a few barriers to read about a woman involved in the still mostly male dominated world of auto racing. Her strong willed tough personality reveals herself as a woman who will not accept being sidelined or mansplained so of course she would excel in such a world.

There are also softer edges to Esther's character largely through her spiritual beliefs and questions about higher concepts. She is religious and considers herself as a “Christian but not that kind of Christian.” She is very accepting towards people and views that her religion is highly critical of. She uses it instead to aspire herself to live a decent charitable kind life. 

However, she has high standards mostly towards herself. She has specific views about sexuality, intimacy, love, and marriage. They are resolute but she is wavering. There are many times when Esther’s emotions and desires take over and she questions whether she has the views because of her faith in Christian doctrine or fear of being in a relationship. Is she putting off close relationships for her God or herself?

One of the most intriguing subplots is when Esther reunites with an ex. The potential for a rekindled romance is there even though she still loves Jan Luis and he is involved with a friend of hers. But more importantly than the romantic aspects are the deep conversations between them over quantum physics and higher consciousness. They open Esther to other possibilities and move her faith forward from the binary either or interpretation that she previously held. 

These conversations also bring awareness of the magical realism that surrounds the narrative. Through most of the book, the magical realism is more subdued as compared to its predecessor. Mostly it's reduced to revelations about what happened in the previous book and conversations about those topics. These conversations offer different theories about fate, coincidence, predestiny, and synchronicity. 

This volume posts different theories and analysis without fully committing to one or the other. The characters live in a potentially fantastic world and this book provides a potential key for them to understand it. It's almost like the first book showed the magic while the second book gives the realism, the answers to the previous book’s questions.

The magic returns as Ariel does to the narration. Now she has a name and a private life of people who know her and assist her in her endeavors. Before, there were possibilities that she didn't exist or wasn't even human. Now we know more about her and while she is still enigmatic and ethereal, she is more well rounded and more human in personality (though maybe not in reality).

There is an intriguing reveal about Ariel and a motivation over why it was so important for Jan Luis to fall in love. It won't be spoiled here and while somewhat arbitrary at first, in hindsight both books succinctly led to this twist. It becomes not a shocking twist but a natural resolution to two books where circumstances are never coincidence, where people are fated to meet in the right place, time, and right moment, where Higher Powers are watching and give signals for those who observe and listen, and where magic and realism exist side by side. Just like two lovers, they are destined to be together.







 

Wednesday, April 15, 2026

And Then They Fell in Rome by C.L. Rosario; Magical Realism Novel About Love, Coincidence, Fate, and The Power of a Great Bromance


 And Then They Fell in Rome by C.L. Rosario; Magical Realism Novel About Love, Coincidence, Fate, and The Power of a Great Bromance

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers: C.L. Rosario's novel And Then They Fell in Rome, is a powerful Magical Realism Contemporary Fantasy book that says a lot about love, romance, fate, coincidence, synchronicity, and maturity. Mostly it's a book about the importance of friendship between men. A novel that is largely concerned about romance is told primarily from the points of view of a group of male friends, a circular bromance if you will.

A group of friends called the Troubadours meet up in 2021. They are Freddy Bustamante, Juan Fernandez, Charlie Costa, Brian Verdugo, and Jan Luis Larose and are reuniting for the first time since their Senior year in college three years prior. In the middle of their drinks, laughter, and reminisces, a woman appears. She is called “La Bruja” (“The Witch”) or “The Stranger.” She says that she had been following them for some time, entered the minds, and took the forms of people that they met. 

La Bruja has a challenge for the guys. One of them, Jan Luis, was “compromised on a cosmic level” and is in danger of dying young. The only cure is love. The other Troubadours need to help him find love. To make things even more complicated, La Bruja removes the memories of their conversation from The Troubadours’s minds. So they know that they have to help Jan Luis but not how or why.

The book is rich with moments of magical realism with more emphasis on the realism than the magic with the exception of the appearance of La Bruja who comes straight from the latter. Her presence is reminiscent of Latin American novels that fit the magical realism subgenre. She is a mythical and legendary creature in a real world setting. The guys are talking about everyday things in a commonplace setting then BAM, she appears and moves things in a different direction. 

Most of the book focuses on situations that can be magical, mundane, coincidental, or from a more cynical perspective contrived. When the characters, except Jan Luis, go to Rome, a series of serendipitous moments lead them to the right people at the right time. After one relationship is threatened, one of the Troubadours encounters another woman who is connected to his previous lover.

Conversations and encounters are told through multiple perspectives so we don't realize that characters are supposed to meet and fall in love until it happens. Going down the right street, visiting the right cafe, and looking up at the right time leads to a meeting with the love of a lifetime. Even Jan Luis’s later trip to Rome seems to be fated to occur at that specific moment in time.

Similar to works like One Hundred Years of Solitude by Gabriel Garcia Marquez and The House of the Spirits by Isabel Allende, La Bruja 's presence is tied to the real world conflicts concerning the characters. However the two books merge magic with politics, war, colonization, authoritarianism, and other global issues. 

The focus of And Then They Fell in Rome is exclusively on personal friendships, romantic attachments, and the interactions between men and women. Romance in and of itself can be considered magical with people looking and acting like the best versions of themselves to attract and enchant someone else. Sexual and emotional attachments are often described in fantastic ways (“She enchanted me.” “He's so charming.” “I am drawn to your presence.”) 

Even the ideas of creating lasting relationships, finding compatibility, and finding that perfect partnership are actions that often resist being analyzed and quantified because there are always exceptions, variables, emotional experiences and situations leading to other potential outcomes. So this book just injects literal potential magic where figurative magic already existed to give a slight nudge to the characters.

Speaking of characters, this book has some well written multifaceted characters. While La Bruja is my personal favorite, the Troubadours and their love interests convey richness and complexity.

The Troubadours are a group that doesn't play on conventional male stereotypes when guys get together. They aren't looking to drink, party, have wild and crazy adventures, and score as many hot willing babes as possible. They are ready to enter the next stages of their lives, as professionals, committed boyfriends, potential husbands, and maybe someday fathers. They aren't looking for one night stands. They are looking for a lifetime.

The complexities of modern relationships are shown through the Troubadours’s romantic experiences as they look for their potential partners. Juan goes through three separate romances before he realizes that he let his jealous assumptions interfere with what could have been a great relationship. One woman leads him to face his regrets so he can change his future. 

Cinephile Brian keeps comparing his love life to favorite films and hopes to find the leading lady in his life. He is faced with the reality that real people don't act according to a script. They need to be recognized for their frailties, flaws, and insecurities, not his fantasy projections of them.

Former frat boy Freddy is caught between two women: Maddy who represents his lost wayward wild youth and Katelyn who offers a chance at adulthood, maturity, realization, and authenticity. He also has a previous close association with La Bruja and is the only one who remembers her conversation with them and sees the truth that no one else does. 

Charlie is tempted to cheat on his girlfriend with unexpected results. This encounter forces him to confront his own thoughts about fidelity, desires, commitment, and adulthood.

 What about Jan Luis, the central focus of these romantic journeys? His past of an unhappy childhood with separated parents and a previous break up of his own have made him reluctant to seek or accept love. He is in danger of closing himself off emotionally and achieving fulfillment only in dreams and fantasies.

The love interest characters are just as brilliantly written. These are characters with their own stories, identities, and agencies. They aren't there solely to fulfill the Troubadours’s romantic desires but are meant to stand toe to toe in equal footing with them. The relationships happen because the characters work on improving themselves as individuals before they become coupled. 

While the romance and magical realism are important aspects of the story, by far the central relationship is not between the Troubadours and their significant others. It is among the Troubadours themselves.

These are five friends, who are brothers in heart and spirit. The conflict of helping Jan Luis find love becomes a catalyst that leads to their own conflicts and questions. They would be unable to evolve without each other. It's easy to recognize that these men deserve romantic love when we see that they are capable of maintaining a filial love. They are there for each other through university, work, romance, and marriage. Chances are their future kids will have not only loving fathers but four honorary uncles that will protect them with their lives.

It's also a kind of brotherly love that inspires change in each other. They aren't afraid to give one another advice or criticism to say exactly what they did wrong and how they can be better people. It is among the best bromances that I have read in recent novels. They aren't just there for each other in good times but bad as well.

And Then They Fell in Rome is a book that is magical, realistic, romantic, and bromantic.