By The Sword (Guardians of The Crown) by Alison Stuart; English Civil War Backdrops Engaging Romance and Fun Predictable Adventure
By Julie Sara Porter
Bookworm Reviews
Spoilers: The focus of Alison Stuart’s Historical Fiction novel By The Sword part of her Guardians of The Crown is not the English Civil War. That's just the historical backdrop. It's not really even a Woman's Fiction about a woman living with and challenging her role similar to The Wedding Shroud by Elizabeth Storrs. Those are parts of it but the main focus is the romance between the main characters.
The novel is formulaic, runs on far too long, and some of the dialogue and plot points seem to survive on a charcuterie platter consisting solely of Velveeta cheese products. But the characters are winning, their trajectories hold the reader’s interest, and despite being predictable and formulaic, there are charming moments that make you root for these likeable characters.
In 1650 England recently widowed Kate Ashley and her son Tom were facing genteel poverty when they received word from their dying grandfather-in-law. In absence of any male heirs, he designates Tom to inherit the Thornton Family estate. Since he is only a boy, his mother Kate cares for it until he comes of age. She must restore the estate to its former glory and fend off greedy neighbors.
Jonathan Thornton, grandnephew, cousin of Kate's late husband, and exiled because of his loyalty to King Charles, now wants to garner support for the king. He meets the young widow and helps her with the inheritance and defending her new homestead. However, the two become attracted to one another despite avenging armies, a menacing rival of Jonathan's, and Kate's complicated feelings and loyalty to her late husband's family, particularly his handsome cousin.
The novel centers around an appealing couple that carry the book together or separately. Kate is an older character than the usual one that leads Historical Fiction. She is a widow approaching middle age and is already used to being an experienced leader in her household. This is less about a young woman discovering her agency than it is about an older woman maintaining her agency during great change and turmoil.
Kate is uncertain about being around her late husband's estranged family as anyone would be coming to a house of strangers. But she quickly accepts this change and settles into the family. She befriends many of the locals like Jonathan's sister and becomes an indispensable member of the household. It's likely that when Tom comes of age, the Thornton Family estate will be in good hands.
Jonathan also carries a world weariness that comes with age and experience. He is on the side of the Royalists, even fights alongside King Charles whom he considers a friend. His war time experiences enable him to think fast on his feet which comes in handy when getting himself and Kate out of trouble. He is used to violence and tough situations.
However, we also see someone who probably realizes that he is past his prime as a soldier. The passages where he acts as a father figure to Tom and as a love interest to Kate reveals him as someone who wouldn't mind settling down and has found the right family to do so.
Kate and Jonathan’s romance works pretty well even through the predictable formula. There are plenty of moments where Kate, Jonathan, or both are in a tight spot and need to use fighting prowess, intelligence, or medical know-how to get them out of it.
There are one dimensional antagonists that are no match to the heroes. One has an understandable grudge against Jonathan but is written so broad and reprehensible that their somewhat justifiable reason disappears underneath the veneer of melodramatic boos and hisses.
It's like those old adventure movies and novels where you shake your head amused, know the good guys will survive, but enjoy the cliff hanging excitement and the romance. It's fun but predictable. But remember, predictable can sometimes be fun.

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