Tuesday, March 24, 2026

Nostalgy by Miguel Vandenburgh; The Pleasure, Peculiarity, and Puzzle of the Past


 Nostalgy by Miguel Vandenburgh; The Pleasure, Peculiarity, and Puzzle of the Past

By Julie Sara Porter 

Bookworm Reviews 


This review can also be found on Reedsy Discovery.

Spoilers: Nostalgia is a difficult psychological trap to fall into. It captures memories with a positive filter. It emphasizes good times and down plays sadness. It ignores that those good times weren't shared by everyone. It changes pop culture touchstones from irritating fads and sources of cringe to gold standards beyond criticism. 

Nostalgia forces people to idealize and live in the past and ignore the present in front of them. It creates a false past that has more to do with pop culture and filtered memories than reality. This trap can be found in Miguel Vandenburgh’s novel, Nostalgy.

Alejandro is a businessman who emigrated from his native Spain to Los Angeles and is on a fast track to professional success and personal misery. He hates the commute, hates this overwhelmingly loud American city, and while he is good at his job, he lacks the passion or interest in it. His thoughts often drift to old friends, past loves, and youthful adventures to the point that he can barely function at work or at home. His boss notices his depressed behavior and grants him a sabbatical. Alejandro takes the opportunity to fly back to Spain and visit his childhood home, family, old friends, and lost loves. Maybe he can find the boy that he used to be.

Nostalgy is not concerned with what it's about or who it's about but it is concerned with how it feels. Alejandro’s journey captures the mind and emotions with thoughtful evocative passages and situations that challenge the concepts of memory and reality.

In Los Angeles, Alejandro is in a constant state of stasis and inertia. Alejandro lives in the present but his mind is elsewhere. He has a good job, lives in a nice neighborhood, has friends and romantic relationships but it's all surface. He contributes to the bare minimum of his job, commute, and current friendships and relationships. Everyone else moves in the present, while he is mentally standing still in the past.

 Everyone around him moves at great speed, lives in bright colors, and loudly proclaims their emotions. Alejandro lives in a world of muted grays, silence, lumbering movements, detachment, and no emotional connection.

When Alejandro returns to Spain is when he starts recognizing color and movement. He sees the blue skies and sun’s reflections, the other commuters and travelers, and the intense euphoria that one gets when they are beginning a quest. In Alejandro's case, it's a quest to come face to face with his past.

When Alejandro returns to his Spanish hometown, he sees that it has changed. He sees more people, different buildings, companies that have franchises there that didn't exist before. He is like many whose minds are captured by the hometown of their youth and expected it to remain the same.

 They expect the landscape photographs in their mind to be unaltered but a real place isn't like a photograph. It can't and won't stay in one place forever. People move in, businesses create jobs, houses are built. The world cannot and will not remain stagnant no matter how much we want it to.

This also applies to people. Alejandro has a lovely reunion with a boyhood friend, Felix. The two walk around old haunts, live recklessly, play pranks and share intimate secrets about their past. It is like a grand adventure that is reborn decades after the last one they went on. The reunion gives Alejandro a brief moment of unbridled joy but it is only temporary.

For Alejandro the reunion with Felix is part of the goal, the answer to find out why he is stuck and whether he can find happiness. Felix however looks on it as a vacation or temporary reprieve. It's a stress reliever from his life as a single parent. He has fun then he returns. 

It doesn't have the same emotional impact for him because life didn't stop for him. Felix worked, got with someone, fathered children, and now has adult responsibilities. Alejandro has them too but life stopped in his youth. He can't mentally separate the boy that he used to be from the man that he is. It's a sad existence for him to always look forward and not back.

He also finds that sadness in other places and people as well. His father, once a proud strong man, is now weakened and made vulnerable by the natural process of age. He reunites with an old girlfriend who is pleased to see him but sets him straight by asking what he expected when coming. Did he really think that she would stay the same age and have the same personality forever? She also corrects him on many of the details reminding him that his memories are imperfect and were less how they actually were than how he wanted to be.

Nostalgy is similar to the Twilight Zone episode “Walking Distance.” In it, a burned out executive (Gig Young) returns to his childhood home exactly as it was. He has traveled backwards in time and sees his younger self and his parents. When his younger self, he mournfully tells the boy that there won't be any cotton candy, merry go rounds, nor band concerts and no pleasant memories in adulthood. His father realizes that he is in the presence of his son as an adult. He tells him to go back to his old home and his real time. “There is only one summer per customer,” and to let his younger self have his. The most important crucial information that he tells him is to look around when he gets home. He might find cotton candy, merry go rounds, and band concerts. He just hasn't been looking hard enough.

When people live inside their nostalgia, they only recall the days of their youth with optimism and pleasure. They deify the music, shows, books, fashion, news, and movies of their past without really living within them. Mentally and emotionally they are frozen in that space. 

Nostalgy suggests that there is nothing wrong with those memories or those items. They made us who we are and they serve as temporary time machines. However, we can become trapped in our past and close the present and future around us. That is what Alejandro shows, someone who can't move forward because he is frozen by facing backwards. 

Living only in our youth causes us to miss the beauty and wonder around us now. A beautiful sunset. A song that speaks to us. A fictional character that says what we are thinking. A job that encourages our talent. Finding the perfect partner. The birth of a child. Our forever home and sacred space. The advances that have been made allow us to learn, live, and enjoy life on a larger scale. The voices are finally heard and listened to when they used to be forced to recede somewhere in the background. Even when things are at their hardest, there is always something to learn, enjoy, take pride in, experience, and love.

You can't go home to the past again but you can experience the world around you and find your own cotton candy, merry go rounds, and band concerts. It takes some time but Alejandro finds his.









Monday, March 9, 2026

A Matter of Time (The Bridge Through Time Series Book 4) by Jennae Vale; Enchanting Romantic Fantasy Has Questions


 A Matter of Time (The Bridge Through Time Series Book 4) by Jennae Vale; Enchanting Romantic Fantasy Has Questions 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: A Matter of Time is the fourth book in Jennae Vale’s The Bridge Through Time Series so that probably explains the confusion and questions about the overall series and ongoing story arcs especially since it is the first in the series that I have read. When it settles down and focuses on the specific Romantic Fantasy, it's charming, funny, heartwarming, and enchanting.

Womanizing nobleman and apparently antagonist in previous books, Sir Richard Jeffords is sent from 16th Scotland into the future by witch Edna Campbell to learn a lesson on how to treat women. He finds himself in modern day San Francisco where he meets Angelina Lawson, a modern woman with an interest in medieval martial arts and an unhappy love life. The two become attracted to one another and become closer even though they come from different centuries. Meanwhile an antiques dealer, Malcolm Granger, is obsessed with finding a sword from Richard's time and he will do anything to get it even go backwards in time with him.

There are two distinct aspects to the book and one works better than the other. The good news is when the book acts like a Romantic Fantasy, it's predictable but fun in its own way. 

Richard and Angelina’s romance goes down smoothly because they are perfectly compatible. There are indications from other characters that Richard was a villain in previous books so he is a harder cynical character because of this and a bit uncertain when it comes to a reciprocal love.

Angelina has also had her share of heartbreak and is the typical modern day jaded female Romance protagonist. She is less certain about love than Richard is. These are the types of characters who are perfect for each other. 

They may trade witty barbs, mock their deliriously in love friends, and deny their attraction while simultaneously becoming more and more intimate. It's a fun and interesting romance between two characters who like disagreeing with each other almost as much as they like making love.

The time travel aspects are a bit different from other books in the subgenre. Richard has been to the present in a previous volume, so this second trip is nothing new. He is unfamiliar with being in San Francisco however and gets lost easily. It's less like someone in a separate time period and more like a regular person visiting a new city on vacation.

It also helps that Richard is not alone. In fact, while in modern San Francisco, he encounters Nick, a friend of Angelina’s who is also a friend of his from Scotland. Nick is a charming comic relief character who is also close to Angelina.

 The Reader braces themselves for a love triangle. Thankfully, we get a reprieve. Instead, Nick treats Richard and Angelina like his favorite siblings. It also clears the path for him to find a love interest in the next book.

Another interesting character is the creator of this time travel escapade, Edna Campbell. She is an older wise woman with the gift of foresight. She is often quick with a magic spell, an herbal remedy, and a sardonic comment for those around her.

Edna is happily married and is surrounded by friends and family so she is the opposite of the usual lonely witch found in these works. In fact, if she were ever arrested and charged with witchcraft, she would have plenty of loyal allies who would have her back.

Things get incredibly confusing in later chapters which I admit are partly because I haven't read the earlier volumes. We meet more friends of Angelina and Richard's that have traveled back and forth in time which is highly questionable. 

Are these the only time periods that allow time travel? Is there some sort of cosmic link to 21st century California and 16th century Scotland? Can characters from the past go further back or from the present go to the future? How do we account for the implausibility that all of the time travelers all knew each other before their adventures? Does all of this time tripping affect the time stream or the space time continuum? Aren't there people in either time period missing someone? Is there anyone left in modern San Francisco or Scotland who hasn't been bitten by the time travel bug?

There are also other parts that don't work so well. Malcolm is an incredibly cheesy antagonist and his subplot is written without much depth or subtly. He wants a specific sword that belongs to Richard's family and he puts his and Angelina’s lives in danger. It's a pretty transparent attempt to create more conflict that doesn't always work.

Also again this is because I didn't read the previous books. In some of the last few chapters, we are told about some of Richard's more nefarious deeds in the previous volumes. It causes one to think differently of him. 

It's not that he reformed and found love that is the problem. Many characters go through redemptive story arcs and emerge on the other side as friends of the heroes. But the way his villainy is described as almost hand waved.

A character with the history that Richard has would have more guilt in his next relationship. There should be more flashbacks and remorse connected with his past. For it to be dismissed and info dropped in the final chapters seems almost dishonest. Like Vale was trying to rewrite or gloss over the history of one of her own characters.

Still despite the flaws, this is a fine book for fans of Time Travel Romance Fantasies. It's probably much better to look at its own merits than part of a series or do what most normal people do and read the series in numerical order.

Sunday, March 8, 2026

March-April Reading's List

 

March-April Reading's List 

The Imperfect Hand of Fate by Wade Monk/Balance of Evil by Kim Rozdeba/Obsession with Change: A Look at the Future From the Beginning by Cecil W. Lee

Intervention (The Galactic Milieu Series Book 1) by Julian May 

Cambridge Street by Steven Decker

The Wedding Shroud by Elizabeth Storrs

Nostalgy by Miguel Vandenburgh 

By The Sword by Alison Stuart

Gutted by Anna Madorsky

Dissolved by Anna Madorsky 

Delusional Madness by Kimberly K. Taylor

The School for Optimal Futures by Annie Flint*

Threads of Fate by Aminah Hobbes 

A Collection of Tiny Stories by C.K. Sobey*

We Spread by Iain Reid

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Email: juliesaraporter@gmail.com 

Prices are as follows (subjected to change depending on size and scope of the project):

Beta Read: $50.00-75.00

Review: $50-100.00**

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*These are books reviewed for LitPick or Reader's Views and will only feature a summary and a few paragraphs with links to the full reviews on their sites. Some may not be featured at all.

**Exceptions are books provided by Henry Roi PR, LitPick, Reedsy Discovery, Hidden Gems, Voracious Readers, Reader's Views, and DP Books. Payments of short Nonfiction reviews are already facilitated through Real Book Review, Read & Review, Amazon Book Groups, Michael Cheng, Five Stars Books, and Book Square Publishing. 

Payments can be made to my PayPal and CashApp accounts at juliesaraporter@gmail.com

Well that's it. Thanks and as always, Happy Reading.















































































































































































































































The Imperfect Hand of Fate by Wade Monk; The Balance of Evil by Kim Rozdeba, and Obsessed with Change: A Look at the Future From the Beginning by Cecil W. Lee

 The Imperfect Hand of Fate by Wade Monk; The Balance of Evil by Kim Rozdeba, and Obsessed with Change: A Look at the Future From the Beginning by Cecil W. Lee

By Julie Sara Porter 

Bookworm Reviews 

The Imperfect Hand of Fate by Wade Monk 

This review is a summary. The longer version is on LitPick

Wade Monk crafts an effective Suspense Thriller with The Imperfect Hand of Fate. He uses the dual narratives to their fullest exploring an elaborate spy game from the point of view of someone in the exact center and someone on the outside but becomes greatly affected.

There are two stories being told in this novel, set primarily in 1960’s Georgia. The first is that of Haskell Hand, a teenager, who sees a mysterious man acting strangely at the library where he volunteers. Every week at the same time, the man reads copies of The Constitution, the local newspaper, and the same copies of the same books and leaves after a few seconds of searching. Haskell’s curiosity about the man, dubbed Mr. Constitution, is a relief from Haskell's personal stress and boredom with small town life in De Soto, Georgia. 

The second story is that of Daryl Timmons, the aforementioned Mr. Constitution, a former American GI who was imprisoned by the Soviets during his time in the Korean War. He is forced to spy against his country for the safety of his wife and daughter. The spy games are greatly detailed as he is surrounded by betrayal and dividing loyalties.

In many ways, Haskell and Daryl are foils for each other. They are at different stages in life as a teenager and adult respectively but feel trapped by circumstances. Daryl’s trap however is a literal one while Haskell's is figurative. Haskell is trapped by poverty. He is the subject of derision because of a prank that he caused. Financial constraints keep him from pursuing higher education.

He also has familial pressure. His mother died and he doesn't get along with the surviving family members particularly his disabled brother, Elliot. His prank appears not to be a cry for attention but a cry from a boy who is under pressure and is on the verge of cracking. The Mystery of Mr. Constitution distracts him because it requires an answer.

Daryl is someone that is also surrounded by physical and psychological stress. He was graphically tortured during the Korean War. He is retrained to be a double agent in a Soviet program imitating a typical American town and whose agents assume American identities to infiltrate the United States. 

Daryl marries in Russia and fathers a daughter. His handlers force him to return to his home country as a spy and saboteur. He has become embittered and only cares about his family’s safety. He will betray his country to keep his family safe. 

Haskell and Daryl's stories parallel in many ways but unfortunately, never fully connect. However, they are connected thematically as two men trapped in circumstances beyond their control and are trying to find some sense in a world that has deprived them of their free will and ability to fully change those circumstances.





Balance of Evil by Kim Rozdeba

This review is a summary. The longer version is on Reader Views.

Kim Rozdeba’s novel Balance of Evil is a compelling political thriller that combines the intricate details of a wide-spread conspiracy and the intimate poignancy of a family drama.

Retired businessman Scott Barton stumbles upon a USB flash drive with contents that reveal a sophisticated and secret weapons program between the USA and Russia for decades called FIST. After opening it, Scott and his wife, Colleen, are followed by sinister figures in black helicopters and unmarked cars. 
Scott is naturally terrified of this situation of going from mild mannered executive to fugitive on the run from government agents trying to kill him. He is frightened but confused, particularly about his wife who seems to know more about this situation than she is letting on.

The way the FIST conspiracy is depicted makes for very engaging reading. Scott's discovery of the flash drive seems arbitrary but once we are given the full situation, it makes more sense. Scott, his family, and their allies are aware that they are laser focused mostly on one specific organization and one leader. This organization is simply one part of the decades of hidden agenda, secrets, underhanded deals, and tyranny. Getting rid of one leader can only do so much.

By far the most heartfelt aspect of the book is the family drama that is equal to and sometimes more prominent to the conspiracy aspects. Scott is a naive noob thrown into an unknown world but surprisingly adapts well to it. This experience opens Scott’s eyes towards Colleen who is a seasoned pro at espionage situations. Scott is at first confused about his wife's separate life and upset by her deception in covering it. But as he is pulled further into her world, he begins to admire the strength and resilience that she had in living within it. It makes him love her even more.

Scott and Colleen are forced to recognize their real selves that are behind the disguises of a normal exterior life and live solely within the reality of a duplicitous interior life. Questions of whether the family unit can remain intact under these discoveries and the subsequent actions abound. 







Obsession With Change: A Look at the Future From The Beginning by Cecil W. Lee

Cecil W. Lee’s short Science Fiction novel/coffee table book, Obsession With Change: A Look at the Future From the Beginning effectively combines both AI and the human element. Lee collaborated with an AI entity named Lahneer to write the book and the illustrations are human originated by Lee who gave instructions to AI. The combination of styles gives a striking combination of human and AI creativity. 

The book is actually a series of short concepts, stories, and fictionalized interviews with figures from the future talking about their daily lives and conflicts. Each chapter also features illustrations that explore the concepts within the text. 

The book describes character’s experiences with futuristic body art, CRISPR genetic engineering, holographic sex, robot artists and musicians, body modifications, AI performed surgery, augmentation, interstellar travel, cybernetic replacements, cryopreservation, neuroplasticity, synthetic mind, and autonomy protocol. 

The book gives short accounts of characters living in the future and how they experience this world around them. Among them are Elara Masaki who goes through a CRISPR procedure to have a pair of wings inserted on her back, KX-91 a robot artist who is gaining attention from the critics, and Solar Callaway a hoverboard champion who is drafted into receiving cyberbiotic augmentation and going on an interstellar mission to explore a distant planet. 

Unlike many anthologies, it’s really difficult to discern which I would consider favorites in this book. These aren’t completed short stories so much as they are snippets or sketches of what could potentially be larger stories in one continuous shared universe. 

The book is intriguing both in text and images. The text being told through a series of articles, interviews, and short essays gives the work a meta style and makes one feel that they are not reading a fictional work but perhaps a dry fact based account from the year 2091 catching Readers up to the latest news. In its own way, that approach can be immersive. 

These are all potentially interesting ideas and it would be nice if Lee explored them further in longer stories and novels. The snippets only offer a glimpse of this futuristic world that is so distant chronologically but at the time seems so familiar because we are in the early stages.
Perhaps we can get more insight into why Elara wants a pair of wings, what Solar experiences in his travels, and who influences and inspires KX-91’s art.

The illustrations are AI style and while many shun AI art for very good reason, this is a book where it kind of works. Since the writing style acts like it is set in the future, there is no reason to assume the illustrations wouldn’t be either. KX-91’s story in particular benefits from this as we see the art produced by a futuristic fictional robot but actually created by a present AI program and originated by a human author. They are both eerie with that uncanny valley feel that modern AI art produces but also evocative in capturing emotions from a being that shouldn't have any.




Tracey's Calling by Rob Santana; The Mantis Continuum (The Mantis Gland Series Book 4) by Adam Andrews Johnson and Where The Wave Broke by Robert Rooks, The Travel Man


Tracey's Calling by Rob Santana, The Mantis Continuum (The Mantis Gland Series Book 4) by Adam Andrews Johnson and Where The Wave Broke by Robert Rooks, The Travel Man 

By Julie Sara Porter
Bookworm Reviews 

Tracey's Calling by Rob Santana 


Tracey's Calling by Rob Santana is a tense psychological suspense short novel about trauma and its chilling aftermath on two people, the victim and the perpetrator.

Tracey is left traumatized after being sexually assaulted by Phil, a married husband and father. She is angry and filled with vengeance but she doesn't want to just have him arrested or kill him. She has a more long-term goal. She manipulates her way into his home, befriends his wife, Patsy and daughter, Joy, and blackmails Phil into financially providing her escape from her abusive family.

This book is essentially a two-person story between Phil and Tracey, the abuser and his sexual victim, the blackmailer and her financial victim. They both have plenty of depth and layers in their one-on-one combat.

 Tracey is very methodical in planning and executing her revenge. She decides to become a haunting presence in Phil’s life instead of taking the easy way out and killing him. It's a way of disarming Phil and leaving him as vulnerable and uncertain as he was. She may have been physically underneath him then but she is figuratively on top of him now.

Phil is also an interesting albeit antagonistic character. His memories of that night are filled with the graphic violence that he inflicted and his weak attempts at justifying it. He is not understandable at all here.

However, there are points where the safety of his family is compromised and the Reader's thoughts shift to Patsy and Joy's welfare and how Phil will be affected by their losses. It allows Readers to understand and even be concerned about the husband and father without defending or condoning the violent actions that he did.

Also, Patsy and Joy’s subplots are handled well. Patsy sometimes acts as the comic relief by rehearsing weather girl monologues and being preoccupied with an upcoming job interview at a news TV station. However, she also shows awareness with Tracey’s presence and the circumstances of her arrival by going from empathy, to suspicion towards her, then distrust towards Phil.

Joy is an effective foil to Tracey. She was a sheltered girl thrown into violent catastrophic circumstances which Tracey knew about practically since birth. She acts like a spoiled brat at times, but is also a very realistic teenager with emotions, hormones, and irritation at everyone else around her. She follows Tracey into some dangerous circumstances without thinking of the consequences.

This is a cold calculated tale of revenge in which much is lost and there are very few victors.

 


The Mantis Continuum (The Mantis Gland Series Book 4) by Adam Andrews Johnson 

No matter how an ongoing book series, not every volume is going to be a winner. The first three books of Adam Andrews Johnson’s The Mantis Gland Series told a captivating series about a world where some people called Shits have mutations because of a gland called the Mantis Gland. These people develop extraordinary abilities like flight, telekinesis, elemental control, super strength, impervious skin, or remote viewing.

 The Shifts are targeted by the Messiahs, a religious cult that has a great deal of power and influence. They perform ritualistic murder on the Shifts so they can swallow and absorb the glands. In each volume, the Shifts gather together in Teshon City where they form a resistance aided by a Demifae,a person who studies magic, called The Mystic and others who fight against the Messiah’s influence. The first three volumes tell a streamlined story and introduce new characters with the goal of bringing them together. They have a definite beginning, middle, and end. 

The fourth volume in The Mantis Gland Series, The Mantis Continuum is by far the weakest book in the series. It has some interesting passages of character development that push some forward into new relationships, abilities, positions, and self-awareness. However, there are too many characters and subplots to tell a comprehensible or compelling story. It’s a case of doing way too much at once.

Some of the new characters and subplots aren’t bad. After the murder of their mother, twins Thech and Jzuna flee to Teshon City with an entertainer named Bivon. A trio, Kosephaji, Relliduna, and Pelipi have to escape via boat after Relliduna becomes seriously injured. Meanwhile a group of former Messiahs whose bodies have completely altered into monstrosities by consuming too many Mantis Glands are heading straight for Teshon and they are hungry.

When the book slows down, it captures some pretty decent moments. Thech and Jzuna have a loving sibling relationship. The sweet but dim Thech is the more physical one while the bright eloquent Jzuna provides the brainpower. Jzuna is a maternal influence on her brother’s life while Thecha brings out her more empathetic side. 

Another winning relationship is that of Kosephjai and Relliduna. As their lives are in danger, they evolve from best friends to lovers. With the constant threats to their lives and feeling out of focus because of the suspicion towards Shifts, there are very few people that they and Pelipi can rely on. These stressful situations bring out their most vulnerable emotions, cause them to evaluate their feelings towards each other, and move their relationship forward. 

The problems occur when the action moves to Teshon City where the new characters meet the old ones. There are way too many characters to focus on and it’s hard to remember who is whom, what their significance is, which book they debuted in, or even their powers. 

If you notice in my previous paragraphs, I mentioned some of the character developments that I liked but not their powers, it's because I don't remember them. There wasn't anything that made their abilities stand out or differentiate from the older characters.

There are times when the chapters read like one giant roll call by showing brief scenes of characters in their current setting but don’t do anything important with them. It was almost like Johnson said, “See this character? Yeah they are still alive. Move along.” With that many introductions or reintroductions, it takes a long time for them to actually do anything.

Even an interesting plot point that was introduced in the previous book of Messiahs whose bodies have become distorted by their addictive consumption of the Mantis Gland, isn't as compelling as it was in the previous book. They leave a creepy disturbing presence, enter Teshon City with unending appetites, kill a few Shifts, and anticlimactically meet their end. They were much more intimidating as a cult.

Perhaps Johnson should have ended the series at Book Three or, as much as I like the new characters, just developed the original ones instead of inserting new ones. This book shows that there is a time to write and build on a new series but there is also a time that it should end. There is a fifth book, The Mantis Synchronicity. Here's hoping that it's better.


Where The Wave Broke by Robert Rooks, The Travel Man 


This review is also on Reedsy Discovery.

Where The Wave Broke by Robert Rooks is a short novel about a touring music group that is long on atmosphere but not on plot or thankfully music group cliches.

Two years after they break up, the band Borrowed Light has re-formed to go on a tour of several European cities. Drummer Giada, bassist Julian, and the guitarist Narrator endure long days going from one place to another, long nights of performing, playing at various clubs, and facing fans, owners, executives, on and on.

Let's explain what this book doesn't have. No love triangles though they had some romantic entanglements in the past. No drug addiction fights or onstage meltdowns. No slow climb to success followed by a rapid fall thanks to personnel disputes and the soulless music industry. No internal conflict between the member who is full of themselves and the others. Not much of the usual music tropes, which actually makes this a great short novel.

The biggest strength in the book is the atmosphere. The opening describes the trio’s travels as “The map matters only because sound behaves differently from where you stand. Amsterdam’s wood, Paris’ velvet, Brussels’ take, Montreux’s morning light, Valencia’s warm air, Stockholm’s clean edge, those spaces shaped our tempos more than adrenaline ever could.” 

The book is a constant stream of wearying movement, travel, faces running together, frustration with last minute changes and bookings, the exhilaration of a performing high, and the languid exhaustion afterwards. 

The clubs are filled with smoky air, tight compacted space, argumentative organizers and club owners, and customers either enraptured by the music or bored with life. Only faces and names change. The music draws the band, their listeners, and club employees for one moment before it ends and they trudge along to their separate lives.

The tone explains perfectly why this book doesn’t go into the usual tropes and cliches about music groups, It tells the truth about that kind of life. Julian, Giada, and The Narrator don’t fall into those typical hijinks because realistically they don’t have time to. They travel to different places, check into hotels, inspect the clubs, negotiate with owners and executives, put up their instruments, sound check, play a few sets, close, thank everybody, pack up, maybe have a few drinks or talk to customers, stagger off to bed, sleep, wake up the next day, check out, and then go on to the next city. 

Any conflicts that occur between them is not because of rock star ego. It’s because they are tired and snippy from constant travel and are getting on one another’s nerves, 

There is a simplicity within these characters and how they accept the music and travel lifestyle as just a part of their lives. They leave complicated love lives, conflicts with family members, and their own insecurities and self-esteem issues behind to play. Also their personalities mesh well with Giada’s no nonsense leadership and organization skills, Julian’s flash and outgoing personality, and The Narrator’s rationality and poetic observation. 

The band gives them a chance to use their musical talents and personality traits to good use by contributing to their chosen art, openly and honestly expressing their emotions, seeing different places and meeting different people, and despite the hardships having a good time, and making exciting memories to look back on.

In fact their tour isn’t really seen as a means to become discovered and sign on with a bigtime record company. It’s just something that they get to do once in a while as friends and musicians and then return to normal life afterwards. . 





Thursday, March 5, 2026

The Neon City (In The Gutter Looking At The Stars Book 1) by Sean O'Leary; Female Led Hard Boiled Neo Noir is Among O’Leary’s Best

 

The Neon City (In The Gutter Looking At The Stars Book 1) by Sean O'Leary; Female Led Hard Boiled Neo Noir is Among O’Leary’s Best

By Julie Sara Porter 

Bookworm Reviews

Spoilers: Last year, I became acquainted with the Mystery novels of Sean O’Leary through the novel, The Bangkok Girl. It was a modern hard-boiled noir novel with all of the usual trappings of the subgenre: a dark sinister urban setting, cynical detective, innocent victims, organized crime, inept or corrupt officials, and just a genuinely pessimistic feeling overall. It was a throwback to an old genre but it also had the psychological depth of current postmodern literature. 

Now, O’Leary is at it again with his latest series, In The Gutter Looking At the Stars (such a poetic name) and its first volume, The Neon City. Similar to its predecessor, it takes a postmodern attempt at a familiar and deeply respected subgenre. 

O’Leary excels at that. In The Bangkok Girl, his lead detective, Lee Jensen had all of the usual traits associated with such a protagonist: hardened outlook, teeth-grinding mist trust and grudging respect with local law enforcement, empathy for the victims, and hatred for the people who get rich and profit out of others’ misery and a system that allows this exploitation of misery to continue. However what set Lee apart from his literary ancestors was his health. Lee had Schizophrenia and required medication. The book reveals this dark cynical urban world seen through the perspective of a disabled character and how his condition limits and aids him in his investigations.

The Neon City also gives a fresh perspective but not on ability. The perspective is one of gender and sexual orientation. This book features two memorable female lead characters: a sharp cynical PI and a damaged trafficked young woman forced into sex work.

Candy Wong is a Hong Kong based PI who is hired to look for Maye, a girl who disappeared after accepting a suspicious housekeeping position. We get the story from both Candy's and Maye’s points of view, from the detective and the victim.

The dual narration is the strongest highlight of this book. O’Leary captures the deuteragonists’ individual voices, experiences, attitudes, personalities, and behaviors. They have very few moments together, so their individual stories are separated by proximity but are equal in impact and storytelling. 

Candy is both a tough talker and nervous newcomer. She isn't above mouthing off to supervisors, clients, or colleagues. (When she is first introduced to the case by her boss and mentor, her first questions are “Who's paying me and how much?”). Her insatiable curiosity, rapid fire sharp tongue, and athletic energy give her the mental and physical advantage to excel at her job.

 She is similar to the wisecracking heroines from Old Hollywood films usually played by the likes of Barbara Stanwyck, Eve Arden, Rosalind Russell, or Katharine Hepburn. She is the tough talking gal who can outsmart those around her and still display some vulnerability.

Candy’s vulnerability manifests itself into her romantic life and uncertainty about her profession. Candy is a lesbian and has an on-off relationship with her girlfriend, Odesa. During the case, the two have a passionate mostly sexual relationship which they contemplate taking further.

It's interesting to feature a queer character whose sexuality is not the main focus of the book. It is a subplot like other Mystery novels where the detective has to juggle professional and personal conflicts. Candy and Odesa’s relationship could move forward but it could also end rather abruptly. The subplot doesn't overpower the book, but allows Candy the freedom and breathing space to reveal her more emotional moments.

 Another moment that reveals Candy's vulnerability is when she admits her own deficiencies in investigation. When she hits a stumbling block, she hits social media and chats with the experts: her fellow private investigators. 

One of them is our old friend Lee Jensen. The siblings from another father/author compare notes about recent investigations and provide advice about present cases. 

Even though I only read The Bangkok Girl previously, I do know that this is O’Leary’s 14th book. So I wonder if the other characters are also protagonists in O’Leary's books. If so, that's a humorous prospect imagining all of the main characters gathering together to mention their confusion about the plot holes or narrative blocks that take the form of investigation conflicts. It would be hilarious to also picture them talking smack about that weird guy that keeps writing about everything that they do and say. 

The other point of view character in the book is Maye. Her trajectory is by far the most emotional and intense in the book. She begins as a terrified and frightened girl then transforms into a traumatized hardened woman.

When we are first introduced to Maye, she is running from the housekeeping position when she realizes that it is a front for a human trafficking ring. Her tension is palpable as she tries to enter a safe space only to encounter rejection and betrayal that returns her to where she started.

This lesson reveals a hard bitter truth that the world can be cruel and doesn't care about what happens to her. Now in captivity and forced into sex work, Maye is left with nothing. She moves and works physically alive but figuratively dead, playing the part of a beautiful object of desire while her independence, self-reliance, and emotional strength are crushed from within.

The traffickers use various means to control. They drug Maye to lower her inhibitions and change her name and appearance. This is a tactic that is often used on trafficking victims. It is their captors’ way of saying, “We own you. You are whoever we say you are. Your old self is dead now.” It has a psychological effect on Maye as she falls into and wearily accepts the identity that they give her. 

However, Maye is not completely helpless. She tries to survive and even thrive in her new surroundings. She cultivates alliances with some of her captors and her clients. It is a survival instinct but it also creates conflict among her assailants so their ties are weakened. 

If they want her to be the helpless victim, she will be the helpless victim. If they want her to be the seductive siren, well place her in water and point her to the sailor's direction. Because she is ready to pleasure, ready to seduce, and ready to fight by submission.

Maye does what her captors want and plays on their expectations. She can use their weaknesses against them so she can either escape or failing that ascend within the organization to a position where she is no longer the injured victim.

With Candy and Maye, this is a strong female led mystery novel. It tells an engaging case from the victim and their potential rescuer and makes them both fascinating characters surviving in the intense hardened cynical dark urban nourish world.





Sunday, March 1, 2026

Choppiness on High Seas by Arvid Wadhera; One Man's Life, Loves, and Loss

 

Choppiness on High Seas by Arvid Wadhera; One Man's Life, Loves, and Loss

By Julie Sara Porter 

Bookworm Reviews

Spoilers: Arvid Wadhera’s novel Choppiness on High Seas tells the complex story of a man's life, from an impoverished childhood, to financial success, to a long marriage, business and personal relationships, parenthood, grandparenthood, and above all the various losses in his life as he comes to terms with the deaths of others. It’s an interesting trajectory even if the protagonist is not always the most interesting aspect of the book.

Matthew Stephens was born in poverty to Gail, a single mother and housekeeper to a wealthy family. He was raised during WWII where he became an evacuee and Gail cleaned hospitals. 

The poverty, war years, and separation gave the mother and son an unbreakable bond that lasts long after death. When Matthew is in a moral or emotional crossroads, he imagines Gail’s ghost giving him common sense advice and sometimes chastising him as though he were still a small child. 

This difficult upbringing taught Matthew much about resilience and loyalty. These traits carry him through the struggles that he experiences later in life. 

This resilience implements itself into his rise in status as he takes an apprenticeship for a shipping company. He then ascends to the point that he eventually becomes not only a shipping magnate, but the wealthiest man in Britain. 

His perseverance is found in his work style of “just getting on with it.” He does his work, does extra, collects his earnings, cultivates friendships, gets promoted. He faces his career trajectory with stoicism, calm under pressure, a strong sense for business, and a practical rational mind.

 As a teen, Matthew’s loyalty is manifested as he and his mother fight off a violent rapist and he takes care of her during the aftermath while Gail’s health takes a serious turn. 

The loyalty also occurs during his marriage to Gwendolyn and the birth of his daughter, Sally. He clearly loves his wife and is very restrained with his emotions towards her. She is the more emotional type and able to bring out a tender more romantic side in him. 

Matthew's fidelity is so great that when there is a moment where he meets an attractive brilliant client, Kung Ling, the Reader anticipates an extramarital affair but is pleasantly relieved to find that is not the case. He merges with her in business and nothing else. Gwendolyn is the real love of his life and this incident proves it.

 It’s not the most interesting subplot because of the resolution but it does show that Matthew has standards and loves his wife. It also is a credit to Kung Ling that Matthew is able to look beyond her attractiveness and see an intelligent and worthy business partner. 

Matthew and Gwendolyn’s union is tested when Gwendolyn faces a health crisis and Matthew remains by her side. There are plenty of moments where one is at their most vulnerable and in tears with the other providing a steady comfort. 

Matthew is also supportive of Sally’s decisions. She forgoes her privileged wealthy upbringing to become a nurse in a lower income area. Even though he worked hard to provide Sally with a lifestyle different from the one in which he grew up, he understands her need to make her own way in the world.

Matthew also respects Sally's decision during an unexpected pregnancy to raise the child herself as a single mother. No doubt, Matthew is reminded of his own feisty mum and sees a lot of Gail in her granddaughter. At least Sally won't be completely alone and will have a grandmum and granddad to help her look after the little one.

Traits such as resilience, stoicism, loyalty make Matthew a great guy, but they don’t make him the most compelling protagonist. This is a novel where a lot of dramatic things happen that we don’t see through the eyes of those who go through them. Instead it is told through Matthew’s limited third person.

Some of the experiences like Gwen’s illness affect him but it's all viewed with detachment from someone who just gets on with it and is outside of direct impact with the story. The other characters are the ones who get sick, get arrested, are abandoned by lovers, go bankrupt, or are faced with their immortality. At times, he comes across as a vanilla protagonist chronicling other people’s stories and how they affect him but not how they personally experience them.

 It would be more compelling to experience those things through the characters that are directly involved and not just Matthew. It would be interesting to get Gail’s backstory or experience Gwendolyn's illness from her perspective. Perhaps Sally’s work as a nurse could be much more fleshed out. We could find out about Kung Ling’s life as a woman in a man's world of big business. 

Perhaps Wadhera wanted to create the book as a one-person narrative instead of an ensemble. Perhaps Matthew was the one he felt emotionally close to or was his Author Avatar. Matthew's perspective is fine particularly during a subplot when he has to weigh his loyalty to a friend who is charged with child molestation and whether his resilience is a defense mechanism for facing tough times or a coward’s means of avoiding them.

However, there are long stretches where the important life or death struggles are right outside our peripheral view. We need a more interesting narrator to experience them himself or the opportunity for other characters tell their own stories.




Thursday, February 26, 2026

Carrying On by Kali Desautels; She is Woman, Hear Her Roar and See Her Write

 

Carrying On by Kali Desautels; She is Woman, Hear Her Roar and See Her Write 

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

Spoilers:In this day and age when women’s rights are being challenged and some like, reproductive choice and the ability to vote under married names, are being removed, it is important to remember how women in the past lived. How they struggled to make their voices heard and fought for those rights. These accounts remind us of what we didn’t have, what we won, and what we could lose. Carrying On by Kali Desautels is the type of novel that does just that

Carrying On is a sharp and brilliant character driven Historical Fiction novel about Peggy Brennan, a woman embarking on a journalism career in the mid-1960’s. Peggy is different from her more traditional mother and sisters. They have all been married and expect Peggy to do the same, but she has other ideas. The journalism career that they believe is only a hold over until marriage is Peggy’s ticket for living a professional self-actualized life. If a woman has to choose marriage or a career, she is going for the latter while the other women in her family went for the former. 

The book explores the changes that women encountered during the volatile 60’s. The traditional roles of a house, husband, and children no longer applied and were not looked upon as the sole aspirations for women. Books like Simone de Beauvoir’s The Second Sex and Betty Friedan’s The Feminine Mystique and noted events like the release of the Pill are referenced. They are also shown in how this time affected people personally.

One of Peggy’s sisters leaves her closeted husband and moves to San Francisco. Another holds to her values, but also has serious questions about her life. Peggy also asks her mother if she is satisfied with her life and how things turned out. This is a conversation that would never have occurred to her if she wasn’t surrounded by these questions and the decisions that many women of her generation took to answer them.

Peggy herself is surrounded by these changes in her own way. Her roommates struggle with their jobs, relationships, and expectations. At work, she is dismissed for writing important news articles and is worried that she is only going to write the so-called “women’s articles” about fashion, cooking, and childcare. Her contributions are disregarded because the men don’t take her seriously and the women think that she’s acting above her station. Her progressive views are demeaned and dismissed. 

Her new editor, John Grant however is one of the few men that are actually receptive to the idea of change. When he wants to create a woman's section, he doesn't want it to be the fluffy soft news that readers and advertisers expect. He puts Peggy in charge of it because he wants to focus on real news that affects women. News like politics, war, laws, education, work, the various movements, and changes. 

 This egalitarian view interests Peggy as much as John’s genuine interest in her work and opinions. Even though Peggy questions the division between marriage and career, she weighs whether it's possible for a woman to have both. Can she truly have it all with a man who is accepting of that possibility? 

This is a relationship of mutual respect and friendship. It's interesting that I am reading this book at the same time as The Girl From Melodia which also deals with a romance between two people in a similar field. However, The Girl From Melodia explores the concept of the Artist’s Muse and how the Artist is so self-involved in their own art and voice that they deprive the Muse of theirs. Carrying On is the opposite. Someone who is not threatened by their intended’s voice and actively encourages it making their relationship an equal partnership. 

As Peggy conducts interviews and leads focus groups, she sees women of different ages, statuses, political views, goals, and outlooks. They do have one thing in common. They are glad that someone is taking their voices and opinions seriously and they are being shared on a wider scale.

That is what the various feminist movements do. Take seriously the current concerns of women and work to improve them. Whether it's the right to vote, having educational opportunities, to have control over their own bodies, to earn the same amount as men, to stop being assaulted and harassed, or to do away with the patriarchal assumptions of men and women. 

Sure the names change, the specific causes might vary, and the means of sharing information and rebelling fit the era but they all boil down to one obvious function. Anyone who identifies as female fighting for the freedom of agency and choice over their own lives and futures.




Wednesday, February 25, 2026

The Girl From Melodia by Jonathan Toussaint; The Toxic Musician and The Troubled Muse

 

The Girl From Melodia by Jonathan Toussaint; The Toxic Musician and The Troubled Muse

By Julie Sara Porter 

Bookworm Reviews


This review is also on Reedsy Discovery.

Spoilers: The relationship between an artist and their muse is one that has been discussed, studied, analyzed, argued about both for and against, critiqued, defended, parodied, and recognized. The Artist, usually a man but these days any gender will do, is a tortured soul driven by emotion and is inspired by The Muse, often a woman but again that has changed, who is the source of their art and possibly the breadwinner while they go through their artistic funk. The model for the portrait. The name in the catchy rock song. The disguised protagonist or love interest of the novel. The unattainable unrequited love of the romance film. Despite being named for the Greek goddesses who were the sources of the arts themselves, oftentimes the modern Muse takes a secondary role in creation. 

Think Camille Claudel for Auguste Rodin, Gala for Salvador Dali, Aline Bernstein for Thomas Wolfe, Leila Waddell for Alesteir Crowley, Yoko Ono for John Lennon, Patti “Layla” Boyd for George Harrison and Eric Clapton, Charlotte Gainsborough for Lars Von Trier, and Uma Thurman for Quentin Tarantino. While many muses have had careers of their own, the stereotypical assumption towards them is that the Muses are just required to shut up, stand there, passively inspire, and not actively create their own art. Often if the Artist is a Narcissist, they will agree with that assumption. That is what is at play with Johnathan Toussaint’s novel, The Girl From Melodia.

 The Girl from Melodia is like a folk song. It's about two people who are looking for their authentic voices and are consumed by a passionate love, a love that ends badly. It speaks about truth, love, art, obsession, and unhappiness all of the things that make a perfect tragic love song, but a very crappy real life incompatible relationship.

Martyn Lockhart is the son of famed English folk singer/songwriter, John Lockhart. He is proud of his family legacy and his father’s reputation but he also wants to come out of his father’s shadow and be known as his own person. In 1992, Martyn encountered Francoise, a French woman at the Tulle Music Festival. To Martyn, the Artist, Francoise is the Muse. She inspires him and the two begin a very passionate romantic love affair that continues when returning to Martyn’s native England. Unfortunately just as quickly as the romance and creativity are set afire, they fizzle out when the reality of commitment, artistic temperament, financial and practical woes, and professional and personal insecurity set in.

It cannot be overstated how unhealthy this relationship is. Martyn is the archetypal Artiste. He is creative, passionate, reckless, iconoclastic, argumentative, self-absorbed, and Narcissistic. Everything is material for his music. His first encounter with Francoise leads him to his latest song and concept album, The Girl From Melodia

Melodia is a fictional country that Martyn created as a child that he could mentally retreat to in his imagination when things got tough for him. In many ways, Martyn never left that fantasy and still remains in Melodia even as his real world falls apart around him.

He possesses a romantic ideal of Francoise at first. She inspires him with her looks, carefree attitude, lively spirit, and vulnerability. Like him, she is also a passionate writer particularly in her journal which she describes the headlong sexual and romantic emotions of being near each other and the intellect of two creatives sharing ideas. She is also a musician and songwriter and just as she inspires him, Martyn inspires her.

These are the days of the early lyrics and first juvenilia poems which describe the youthful innocence of plunging feet first without thinking or caring about what comes next. Francoise fills that Melodia fantasy so well that Martyn tries to remain there. He wants to hold Francoise to the fantasy world and image that he created. But he considers Melodia and Francoise as his works and there is only room for one writer and artist in that fantasy.

That all changes when they move to England and their real natures, especially Martyn’s, emerges. Because just like Martyn has all of the positive aspects of an artist like creativity and passion, he also has many of the negative aspects. He is the kind of guy who diss tracks like “You’re So Vain,” “You Oughta Know,” or most of Taylor Swift’s catalog were written about.

Martyn is the type of guy who excites, fascinates, and blinds one with his talent, charm, looks, and artistic fire at first. Then his true nature is revealed to be controlling, absent, egocentric, jealous, volatile, immature, and self-indulgent. Suddenly, his love interest is left with a broken heart, a diminished soul, and a cynical outlook on love to fill at least hundreds of discographies.

One of the ways the narcissism is manifested is when Martyn suffers through writer’s block. As his creative well runs dry, Francoise is activated. She writes, rehearses, and performs. There are even hints of a record deal which makes Martyn furious. 

It is very reminiscent of stories like A Star is Born, which is a film that I thoroughly despise no matter the adaptation for reasons that I won’t go into, despite the original screenplay being written by Dorothy Parker, one of my favorite writers. Martyn feels that he is supposed to be the creative one, the musician, the poet and Francoise is the creation, the inspiration, the model. He can’t live with his partner’s success if it is at the expense of his own and doesn’t have the enlightened foresight to take pride in it. 

To Martyn, the muse is not supposed to drink from the artistic poetic well. She is supposed to guide him to the well and provide him with a cup. He was once interested in her talent when it was hers, but now that’s in direct competition of his own, he sees it as a threat. He behaves irresponsibly, withdraws from Francoise, belittles her, and in one of the worst chapters destroys her demo recordings that she worked hard on for months.

Her songs and journal entries show that she is just as driven, just as passionate, and cares about her music just as much as he does. She shapes Melodia into her own fantasy and Martyn doesn’t want to share it.  

To his credit, I suppose Martyn recognizes these attributes in himself. In the prologue, as he goes over his relationship with others, particularly Francoise, he realizes that he is to blame. He compares himself to a vampire sucking on Francoise’ energy and creativity to survive.

 The novel reveals that she wasn’t the only one who suffered from his egotism and his previous partnership with a former friend produced violent results because of Martyn’s conceit and insecurities. Looking back with regret and harshly obtained wisdom, he comments in the narration with lines like “This still haunts me,” and “I know that I shouldn’t have done this, but..” He knows that he screwed up so has some humility and remorse over it.

Some of those negative attributes can be attributed to his upbringing by his folksinger father, John. John also possessed a similar artistic temperament, penchant for violent behavior, and self-destructive coping mechanisms. Those mechanisms led to the decline of his relationship with Martyn’s mother. 

Martyn saw the creative sparks and emotional decline from the front row. But he only connects to his father through their music. He wanted to achieve the artistic, professional, critical acclaim, and audience adulation that his father had. Unfortunately, he got that and everything that came with it: the temper, the addiction, the mistreatment of partners and didn’t realize it until it was too late.

One could say that Martyn’s regret is more self-indulgence and that he hasn’t truly repented. That may be true. He might find another toxic relationship to inspire then anger him. But he may also see this as a wake up call and finally gain the maturity to improve not only his life but his music as well. 

Wednesday, February 18, 2026

The Sisters: The Saga of The Mitford Family by Mary S. Lovell; Engaging Biography of Provocative, Controversial, Opinionated, and Unique Sisters

 

The Sisters: The Saga of The Mitford Family by Mary S. Lovell; Engaging Biography of Provocative, Controversial, Opinionated, and Unique Sisters 

By Julie Sara Porter 

Bookworm Reviews

There are many controversial wealthy families in the 20th and 21st century who made news because of their scandalous behavior, illegal activity, political involvement, entertainment value, or even just by having a prominent family name. One of those is the Mitford Family, a wealthy titled English family. Mary S. Lovell tells the story of this eccentric family particularly the six Mitford Sisters in her book, The Sisters: The Saga of The Mitford Family.

 The Mitfords were shocking, provocative, controversial, divisive, opinionated, unique, and captivating women that interested, fascinated, and disgusted people with their behavior and involvement in the mid-20th century political, social, artistic, and cultural landscapes. They were the subject of books, movies, and miniseries. They recently appeared in episodes of Peaky Blinders and the miniseries Outrageous.

This book, The Sisters, captures their fascinating dynamic, diverse personalities, stormy private lives, and different views which drove many apart from each other. (On a personal note coming from a large family with mostly sisters, I have always been fond of reading about that bond between siblings particularly sisters. Those women who alternate between best friend and worst enemy for so many of us.)

The Mitfords were the children of David Freeman Mitford, 2nd Baron of Redesdale, Northumbria and his wife Sydney Bowles. They were a wealthy, accomplished and highly intelligent family whose maternal grandfather founded several influential magazines like British Vanity Fair and wrote historical biographies. They were also related to the Churchills.

The Mitford parents had different socio-political views which inspired their children in various ways, not all of them for the better. David was an ardent Conservative and held very traditional views particularly where women were concerned. Sydney later became a Fascist and spoke admirably about Hitler. This view would influence three of her children to catastrophic results.

The Mitford’s privileged upbringing shaped the children early on as their parents experimented with various approaches to childrearing. They raised eldest Nancy with few rules and restrictions but reverted to becoming more rigid with the younger children when they felt that Nancy was becoming too spoiled and argumentative. Because of David's rigid views about men and women, they home schooled the girls but sent their son, Tom, to public school in Eton. They were also raised largely in their family estate in rural Northumbria where their snobbish parents only wanted them to hang out with children of their class.

Because of the home schooling and isolated upbringing in the country, the sisters were largely self-taught. They were voracious readers and devoured the books in the family library. They also created their own activities like writing The Boiler, their own literary magazine and newspaper, developing their own secret society called The Hons (a nickname for hens), raising farm animals for pocket money, and creating a secret language that they called Boudelage. This busy thoughtful upbringing molded their creativity, shaped their independent thoughts, and honed their self reliance.

The Mitfords consisted of seven siblings, six sisters and one brother. They were:

Nancy (1904-1973)- One of my two favorite sisters in the family. The eldest, Nancy had a troubled relationship with her siblings because of her caustic teasing sense of humor and bossy nature. She took the lead in many of their activities like editing and publishing The Boiler, created various games, and gave her younger siblings nicknames.

Nancy and her sister Diana were part of the Bright Young Things of the Roaring Twenties and had a close friendship with author Evelyn Waugh. Nancy had a stormy love life consisting of a broken engagement with Hamish Erskine, a closeted peer, an unhappy marriage to Peter Rodd, an alcoholic politician, and an ongoing tempestuous love affair with Gaston Palewski, a womanizing French colonel.

 Nancy's relationship with Palewski was particularly toxic as she became obsessed with him but he devalued and belittled her and was frequently unfaithful.

Nancy was a moderate Socialist though acknowledged her aristocratic upbringing. She was virulently against Fascism despite her mother and siblings’ support and took part in relief efforts for the war. During WWII, Nancy denounced her sister Diana who was an ardent open Fascist.

Nancy became a novelist. Her works included Highland Fling, a romp about Bright Young Things on vacation in Scotland and Wigs on the Green, a satire of the British Fascist movement particularly her brother in law Oswald Moseley. Her trilogy, Pursuit of Love, Love in a Cold Climate, and Don't Tell Alfred featured fictionalized versions of her family including her father, sisters, and other relatives. Her novels presented light hearted, mocking, and satirical accounts of the times and society in which she lived. 

Eventually she moved to France where she wrote historical biographies about Madame de Pompadour, Emilie du Chatelet, and Frederick of Prussia and various satirical articles and essays mocking British aristocracy. She died of Hodgkin's Lymphoma after years of frequent pain and surgeries cared for by her younger sisters, Diana, Jessica, and Deborah.

Pamela (1907-1994), The second child, she was the more maternal figure in the children's lives when they were younger. She was frail in early years having developed polio but later became physically strong and healthy. 

Nancy and the younger siblings often came to her for advice. Like her older sister, Pamela was a skilled organizer. Nancy influenced her siblings’ creativity but Pamela was more concerned about their practical needs. She began negotiations between her siblings and their father to increase their earnings from raising farm animals to the commercial average that actual farm workers were making. David was impressed by her research and nerve, so he acquiesced to the request.

Pamela married a physician named Derek Jackson which ended in divorce. She had no children but she and Derek briefly raised her sister Diana's children after she was arrested. She was also the subject of a poem by John Betjeman in which he called her “the most rural of them all.” She was flattered but turned down his marriage proposal.

Despite her marriage, Pamela was a lesbian. She fell in love with Giuditta Tommasi, an Italian horsewoman and lived with her for a time in Switzerland. After Guiditta’s death, Pamela remained in Switzerland until the last of their dogs died.

Unlike her involved siblings, Pamela largely stayed out of politics and spent much of her time in the country. She had a vast array of fur and feathered babies and managed farms in Ireland, Switzerland, and England. She became an expert on breeding chickens, even introducing new breeds into Britain. She appeared on television in agricultural themed documentaries and retrospectives about her family.

A lover of animals to the very end, Pamela's final words, before she succumbed to complications from falling down a flight of stairs, were asking which horse won the race the day before. 

Tom (1909-1945)-He was the third child and only boy. He didn't get as much attention and wasn't as widely known as his more colorful sisters but was still a large presence in their youth and adulthood.

 Because of his schooling, he was not as close to his sisters. He shared similar views to Diana, Unity, and their mother Sydney and despite very different opinions was very close to Jessica. 

Tom was bisexual and had serious affairs with Eton classmate, James Lees-Milne and married dancer Tilly Losch. He also dabbled in Fascism before his death in WWII shortly before the war’s end.

Diana (1910-2003)-The fourth child and third daughter, she was considered a great beauty and social butterfly. She had a wide circle of friends, modeled, and posed for portraits. She was particularly fond of her cousin Winston Churchill who nicknamed her “Diana-mite.”

 The three younger sisters treated her like the cool big sister that they could have fun with whereas bossy Nancy and motherly Pamela did not always suffice. Unity particularly worshipped her which was a factor in her own problems. Like her sister Nancy, Diana was part of the “Bright Young Things” social set of the 1920’s and had many friends and lovers among them.

Diana eventually married and divorced Bryan Guinness, heir to the Guinness Family. She also embraced Fascism and their views of racial superiority. She eventually met and began an affair with Sir Oswald Moseley, head of the British Union of Fascists. They later married after the death of Moseley's wife and became a very notorious couple. Their wedding was attended by Hitler and they considered him and his girlfriend, Eva Braun to be close friends. At one point, Diana was considered “Britain's Most Hated Woman.”

After the Germans invasion of Britain, the Moseleys were arrested and imprisoned leaving Pamela and her then husband Derek to raise their children. Upon their release, they were exiled and lived in South Africa for a time where their racist and nationalistic views were welcomed by the White Apartheid-supporters.

After Moseley's death, Diana wrote book reviews. One of her columns ended when the editor learned of her previous involvement with Fascism and Nazism and terminated her employment. Her columns and articles then mostly appeared in right wing journals. She also wrote nonfiction works about her husband and her close friends and acquaintances like Wallace Simpson, the Duchess of Windsor.

 She later renounced many of her views but retained others such as her continued administration of Hitler. Many considered her words too little too late. She died of emphysema and heat exhaustion during the Paris heat wave of 2003. 

Unity (1914-1948)-The fifth child and fourth daughter. She resorted to shocking and provocative behavior to be noticed among her loud and busy family and may have had mental health disorders. She did unusual things like release pet snakes and rats in public places to get attention. 

Unity was particularly close to her sister, Jessica whom they referred to each other as “boud.” They communicated in their secret language Boudelage so well that they were not always understood by others. However they also had diverse views concerning the conflicts in the 1930s world in which they were raised.

 Unity supported Nazism and admired Hitler while Jessica became a Communist and devotee of Lenin and Stalin. Supposedly, their bedroom was sharply divided with a German flag, swastikas, and pictures of Hitler on Unity's side and Soviet flag, hammers and sickles, and pictures of Lenin and Stalin on Jessica's. 

There is some evidence that Unity was led to Fascism and eventually Nazism specifically because of her mother, brother, and older sister Diana's influence. That may have been true but her devotion became an obsession and paranoia. She openly spoke about and wrote Anti-Semitic views and was volatile when challenged.

Unity was obsessed with Adolf Hitler to the point of stalking him in Germany. They developed an affair during Hitler's temporary break up with long time lover, Eva Braun. It was a dangerous affair in which the leader infantilized and dominated her and she was submissive towards him. 

Their affair ended when Unity attempted suicide via gunshot on the eve of the German invasion of Britain. She survived and returned to England in the care of her mother and younger sister, Deborah. 

Unity suffered brain damage and amnesia. She fell into a childlike dependent state often requiring care. She may have had a brief passionate relationship with John Anderson, an RAF pilot but it ended quickly when he was reassigned and subsequently killed in battle. Unity eventually died of meningitis caused by cerebral swelling from the bullet. 

Jessica or Decca (1917-1996)-My other favorite Mitford sister. The sixth child and fifth daughter, she was the most outspoken and rebellious child and wasn't afraid to challenge her parents and siblings. She argued with her father when she wanted to go to school and questioned her mother's insistence on only playing with children of their class.

As previously mentioned, Jessica and Unity were close but took directly opposite political views. Jessica read about the Great Depression, the union strikes, racism, and hunger marches. They stoked her social conscience. Her sympathies towards lower income people led her to embrace Communism to the detriment of the rest of the family.

She eventually eloped with Esmond Romily, himself an avowed Communist and a distant cousin of hers and Winston Churchill’s. The Romilys emigrated to Spain where they sided with the Loyalists or Republicans during the Spanish Civil War. They wrote articles denouncing the Nationalists, tested weapons, and argued with their family who insisted on Jessica's return. Eventually the Romilys left Spain and moved to London then the United States.

While in the United States, Jessica became involved in various causes. In lieu of their once close bond, Jessica continued to speak well of Unity, but she was antagonistic towards Diana. After Edmond’s death during the War, Jessica denounced her older sister saying that she and Moseley should be shot. (They only reconciled years later while caring for an ailing Nancy.) 

Jessica eventually remarried a Civil Rights attorney named Robert Treuhaft and became heavily involved in American politics. She took part in protests to stop the execution of Willie McGee and refused to speak in front of the House of Un-American Activities.

Jessica, a self-described “professional muckraker” and investigative journalist wrote books and articles that explored her views in great detail and attacked various institutions and industries in Europe and the United States. Her books included, Hons and Rebels about her childhood, The American Way of Death (considered her most important work), attacking the funeral industry, The Trial of Dr. Benjamin Spock, The Rev. William Sloane Coffin Jr., Michael Ferber, Mitchell Goodman, and Marcus Ruskin, focusing on their protest against the Vietnam War and conspiracy to violate draft laws, Kind and Usual Punishment: The Prison Business attacking the American prison system, and The American Way of Birth, which criticized hospital care towards pregnant women, and articles about Southern attitudes about the Civil Rights movement for Esquire and decrying fraudulent correspondence course businesses for the Atlantic Monthly. 

True to her negative views about the American funeral industry, when Jessica died, her funeral cost a mere $533.31 and her ashes were scattered at sea.

Deborah or Debo (1920-2014)-The youngest of the family, she was considered quiet and sweet tempered. She was often babied by her older siblings and went along with many of the older ones’ schemes.

Deborah's sympathetic nature towards her siblings continued through the adversities. Even after her family stood on opposite political sides, she retained close correspondences with all of them often serving as a bridge among them. Similar to Pamela, she largely stayed out of politics and her views shifted from Conservative to Social Democratic. 

She was also the most sensitive and was greatly affected by her parents' separation when her father moved out of the Mitford home to an island off the west coast of Scotland and her mother remained on the estate. They reunited briefly when Unity returned. However they remained separated, unreconciled, but legally married until David's death in 1958.

Deborah eventually married Andrew Cavendish, the second son of the Duke of Devonshire. His older brother, William was killed in action in 1944 and William’s wife Kathleen “Kick” Kennedy died in a plane crash, Yes she was the sister of John F. Kennedy which linked the Mitfords to another wealthy, famous, controversial, and influential family. After the death of Andrew’s father, he and Deborah became the Duke and Duchess of Devonshire.

 Deborah took to running her husband's ancestral home, Chatsworth House which was in poor condition upon her arrival. She spent time and money renovating, restoring, and modernizing it. It is now one of Britain's most successful stately homes and is open for tours.

Deborah wrote several books on Chatsworth's restoration, the rooms, furnishings, and gardens and other books about home care. She was frequently interviewed about her sisters, including for Lovell's book becoming an unofficial family historian. When she died in 2014, she was honored as the last of the Mitfords.

The Mitford Family were outrageous, scandalous, and colorful. They were women who were highly intelligent, knew their own minds, and chose their own paths. Sometimes those paths led them down dark roads of prejudice, violence, hatred, and animosity. They suffered heartbreak, loss, separation, and the effects of a world that rapidly changed around them. Lovell's book shows that most importantly the sisters were unforgettable.