By Julie Sara Porter
Bookworm Reviews
Spoilers: Time travel can be a precarious subject with the possibilities and paradoxes. Like going back in time to kill Adolf Hitler or prevent John F. Kennedy’s assassination could lead to history changing for the better or worse. Perhaps the Soviet Union becomes the victor in the Cold War or another dictator is created from the ashes of World War I or II. Imagine going back in time and accidentally killing or falling in love with your ancestor. You wouldn’t be there to travel back but then who killed or fell in love with them? What about seeing the future knowing what is to come but being unable to prevent it? Time travel can be very excruciating and produces many migraines to figure out the rules and fiction has explored the concept in different ways. Jonathan David Walter’s The Towpath is an example of a novel that explores the complex intricacies and fragile strands that the concept of time stands on.
A mysterious character called The Redeemer is in mourning for her daughter, Hannah, who committed suicide. She is searching for a powerful medallion which will allow the wearer to go back in time so she can prevent the girl’s death. Unfortunately, the medallion is accidentally found by Aaron Porter, a teen boy. Once he learns what the medallion can do, Aaron wants to use it to find his missing brother, Owen. The discovery puts Aaron and his friends, Simon and Libby in immediate danger as The Redeemer pursues them with the assistance of a group of Iroquois warriors that she gathered from the 17th century.
The Towpath has plenty of depth, particularly with its main protagonist and antagonist. The Redeemer alternates between troubled and terrifying. While searching for Aaron, she gives one of his classmates a particularly painful and grisly death. She is willing to kill for the medallion or send the Iroquois to do it and has no conscience when it comes to inflicting pain on the teen. In her desire to save her child from death, she has no qualms about inflicting it on other children.
However, The Redeemer is not completely soulless. Her intense grief over her daughter’s suicide is very real. Her telepathic conversations with Hannah’s younger self pours out the unhinged rage and despair over the girl’s death and the extreme lengths that she goes through to save her. This is a woman whose traumatized grief has driven her insane.
There is a possibility that time travel itself has played a hand in The Redeemer’s cracking mental state. She has completely disfigured herself and has become desensitized to the historical violence in which she encountered. She has some bouts of kindness such as helping the Iroquois in their fights against white settlers but they’re almost always with the specific goal in mind to save Hannah. As she travels back and forth, The Redeemer loses parts of herself more and more until in one heartbreaking moment she is rejected by Hannah who is frightened of and angry at her. She has become the person that she didn’t want to be because of her grief that has eaten away inside her.
Aaron is someone who if they were on the same side, would understand what the Redeemer is going through. He too has felt tremendous loss. He has no memories of his birth father. His stepfather, a kindly veteran, died. His mother lives in a drugged and depressed stupor so he is cared for by Owen.The loss that he feels after Owen disappears is just as harrowing as The Redeemer’s mourning. He is not just mourning his brother, but someone who had become another father figure to him shortly after losing his last one.
The twin stories of grief and obsession are fascinating parallels because it serves as a warning. The Redeemer stands as someone that Aaron is in danger of becoming if his sadness and anger overpower him. He could become just as driven, just as heartless, and just as insane as the woman who is chasing him.
The intricacies of time travel are brilliantly explored particularly after Aaron and The Redeemer both travel backwards in time and encounter Hannah. She is bruised, morose, and detached. Aaron has to help the troubled girl and repair the rift between her and her mother, without running into his past self. However, he desperately wants to warn and protect Owen from his own fate.
There are plenty of existentialist questions that are asked. If they rescue them from these specific incidents, are they really saving them or postponing the inevitable? Hannah is clearly troubled and her mother’s presence unnerves her. In her drive to save Hannah, is The Redeemer airbrushing the past and not acknowledging her own culpability in creating the tormented soul that Hannah became? Would Aaron’s knowledge of Owen’s future drive him closer to his brother or further away? If they are saved by their loved one’s trips to the past, then what happens to them in the future? They wouldn’t have this drive to travel back in time or maybe not the ability, so they wouldn’t be able to go back to save them. Would running into their past selves lead to a paradox by their mere presence and would they have any memories of this meeting or the circumstances that led to it?
These questions are addressed and explored in ways that weigh these potential consequences and change things for better and sometimes for worse.
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