New Book Alert: Fool, Anticipation by Robert Polakoski; Brilliant Historical Fiction About a Woman's Exploration of Her Talent and Sexuality

 New Book Alert: Fool, Anticipation by Robert Polakoski; Brilliant Historical Fiction About a Woman's Exploration of Her Talent and Sexuality 

By Julie Sara Porter

Bookworm Reviews

Spoilers: It doesn't need to be said how appropriate it is to review a historical fiction about a lesbian poet struggling against restrictive gender roles and the lack of understanding towards her sexuality. It doesn't need to be said how SCOTUS' boneheaded, archaic, self-serving, underhanded, homophobic and misogynistic decisions to overturn Roe Vs. Wade, protections towards same sex marriages and gender affirming care, and recently permission for people to use religious freedom as an excuse to deny services, goods, and care to LGBTQ+ people make a book like Robert Polakoski's Fool, Anticipation even more relevant. (And that ending Affirmative Action and not legacy acceptances and hiring practices shows their true racist colors, mostly white, as well). It doesn't need to be said that such rulings and laws created and encouraged by Conservatives, especially Fundamentalists, are set to roll back women and LGBT+ people's statuses and protection back several centuries (or worse forward to Handmaid's Tale's Gilead). None of that needs to be said but it's being said anyway. Fool, Anticipation by Robert Polakoski is a book with a character who says all of that and more. It is a brilliant historical fiction about a woman who explores her talent and sexuality to find her own voice and independence.

Like with many Historical Fiction novels, we start with the protagonist, now older, looking back on their lives, perhaps writing or dictating their memoirs. In this case, poet Edna Rose Doyle is being interviewed by a reporter for a French publication. She gives some interesting hints that her life was a troubled one before we get to the narrative proper.

Rose Doyle was born in Jersey City to an Irish-American family given to abuse and alcoholism. To escape her unhappy home life, Rose turns to poetry, particularly that of Edna St. Vincent Millay. In fact, Millay becomes such an ideal that Rose calls herself Edna in the poet's honor. She wants to live her life the way Millay did, openly flaunting female lovers, writing frank and honest poems about sex, war, and social injustice, and living in Greenwich Village surrounded by other artists, writers, and intellectuals. 

Edna ends up working at Great Eastern Electric as a telephone tester during WWII. After the war ends, she and a few female friends go out for a few drinks when she encounters Tommy Prosky. Edna and Tommy have differing opinions about the war (Tommy was for, Edna against) but go on a second date. It is on this second date where Tommy rapes Edna, leaving her pregnant.

The pregnancy leaves Edna devastated and is left even more devastated when a doctor refuses to give her an abortion. She has a brief affair with another woman, Elle Rochfort before Edna returns to the reality of her situation and is forced to marry Tommy and endure an unhappy marriage rocked by abuse, addiction, and a mental breakdown.

Edna's intelligence and sardonic nature really shine through in her first person narration. I cannot stress this enough how well written this female perspective is, especially considering that Fool, Anticipation was written by a man. Polakoski captures the complexities of this character and makes her identifiable and understandable as she questions her life, sexuality, and place in the world as a woman of deep intellect and desires that society tells her that she should not have.

Edna has a definite idea of how she imagines her life. During adolescence, she stood outside the home of Millay, imagining herself as a poet surrounded by arty intellectuals, writing verses about how she really feels, and taking female lovers openly. However, the dreams are dashed by reality. She sends poems to publications that are rejected (though she admits that she is happy to even receive a rejection letter). At 19, she gets accepted to Vassar on a scholarship and saves money for the opportunity, but her rape, pregnancy, and quickie marriage end that plan.

On her jaunts to New York, Edna looked outside the Women's Literary Society,  longed to be a part of it, and also saw Elle looking at her through a window. She would have loved to enter the society and have a relationship with Elle but knew that society would never allow such a pairing. Ironically, during one of the lowest points of her life after her rape, Edna works up the courage to introduce herself to Elle. The two women have a very passionate and emotional night that could have meant that they were lovers and soulmates. Unfortunately, it only lasts for one night but sustains Edna through the loneliness of her marriage that she still thinks of and dreams about Elle.

Edna's sarcasm is never in doubt. When she compares herself to her female coworkers, she realizes how different her aspirations are from her friends. "It did bother me some that I wasn't like them," she said. "What they wanted was a man so simple and so obtainable. What I wanted-a woman-seemed so out of reach. I even confess to being a bit jealous on Monday morning, listening to (her other co-workers) discuss all the guys that they met while I spent my weekends staring furtively at women in storefront windows in Greenwich Village." Like Dorothy Parker, Edna uses her sarcasm, self -deprecating humor, and wisecracks to cover up her insecurities and vulnerabilities.

Sometimes Edna's narration shows an older woman discovering other things with the virtue of hindsight. For example, when she seeks the abortion she reflects that even though technically illegal, it was widely known and practiced in the 1930's. ("Everybody knew someone who could give one or knew someone who knew someone who could give one.") However, when Edna tries to get hers in 1945, she is a victim of the Baby Boom push.The goal of producing more babies to create good little Americans. Being someone who is fervently anti-war, Edna seethes at the hypocrisy of a government that didn't care if Japanese children were napalmed or atom bombed to death (and certainly didn't care enough about Jewish children to accept them into the country or African American children that they kept them separated from white children) and are now on their soapboxes about protecting the "Sanctity of Life." (It really makes you look at the Baby Boom differently). With a lifetime of reading and studying history, Edna understands the circumstances and far reaching regulations about why she was put in such situations that affected her individually.

That elderly voice also shows why the people around her acted the way that they did. She doesn't like them any better but she recognized people like her mother and Tommy had circumstances and standards that they had to live up to and led to the choices that they made for themselves and Edna. 

Her mother for example was in an abusive marriage and after her death was unable to survive on her own, so retreated into drink. She also had a sister Flossie who, like Edna, was raped and left pregnant so she was sent to the Magdalene Laundries (a deplorable institution in which so-called "fallen women" prostitutes, women who were raped or victims of incest, or the mentally ill worked in laundry facilities for mere pennies and were subjected to torture and abuse). Edna's mother is told what women are supposed to do to maintain respectability and she forces that thinking on her daughter. However, her mother does show some maternal kindness with her grandson, Tommy Jr.bonding with him in a way that Edna is unable to.

Tommy is also seen as victimized by societal expectations of men. A childhood bout with polio left him disabled and unable to serve in the military. Because of this, he is desperate to prove his masculinity and virility. He deals with desperation by doing violent and unconscionable things. Shortly before he rapes Edna, soldiers make fun of his disability. He also tries to prove his status as a wage earner by not only being a police officer, but a corrupt police officer who is on the take so he can earn more money. He has been told what a man should be and has completely given into the toxic masculinity image (even before it was an actual thing). He later confesses to Edna that he likes seeing shopkeepers and citizens fear him when he takes their money.

Edna's emotions are expressed most thoroughly through her poetry. Throughout the plot, Edna offers a poem that expresses her inner thoughts and conflicts reflecting her real feelings for a situation contradicting how she outwardly behaved during that time. For example, during her wedding to Tommy, she daydreams stopping the show with a zinger and walking off leaving everyone stunned. Instead, she meekly acquiesces to this no-win situation.

However, her poem "The Prisoner" shows what she really thinks about this not so joyous occasion:

"So Tommy married me and,

Obliterated from history

Washed from the shores of time 

Like a tide, passing

No mention is made again 

Of his rape

Except by me…"

Edna's poetry is confessional, similar to the works of Sylvia Plath and Anne Sexton. Edna's mental and emotional states become worse after her son, Tommy Jr. Is born. She doesn't feel bonded to him because he is the child of her rapist and keeps her attached to him. She is clearly suffering from postpartum depression and has no one to confide in except her poetry.

Shortly after Tommy Jr. is born, she writes "What Truth Gives" reflecting about how the truth is skewered about why children are born and how his birth makes her even more disconnected from life:

"What is lost

What is gained

When truth obscured

From view

Becomes a tool to use,

Or a drug to take

That makes

What a wish to see

Or hear,

Or know,

Go away…"

As her marriage and motherhood drags on and weighs her down, Edna's mental and emotional state continues to deteriorate. When she first discovers Tommy's kickback money she compulsively shops for things like wrapping paper, rubber bands, and other useless items. She has vivid frightening dreams like the Hiroshima bombing, being surrounded by American soldiers that congratulate her on adding to America's plan, and her father hovering over her like a specter. She gets pregnant a second time after having a terrifying flashback when Tommy startles her, reminding her of her rape. She miscarries and feels like she is being punished. 

All of these feelings are cast aside for the "new normal" of post-war prosperity. Edna is so disconnected from her life that she can't feel anything when her friend gets married to a nice guy. Not surprisingly, Edna falls right into the Feminine Mystique "Problem That Has No Name" that Betty Friedan spoke of. She is prescribed and becomes dependent on Oxycodone and later speed.The addiction only fuels her depression, loneliness, and paranoia. She hallucinates arguing with the housewives on TV and has continuous mood swings that last for days. She overdoses, eventually collapses, and is institutionalized.

Edna's institutionalization is terrifying as she is forced to recount many troubling aspects of her past like her rape and childhood trauma that finally resurfaces. However, it ends up helping her and becomes the first step of living a fulfilled life. She realizes that she is as much to blame as her mother and Tommy are for her mental state because she let her fears and insecurities get in the way of living a life for herself.

She is encouraged to write. In that time she realizes that she found her poetic voice. She writes the poem that becomes her greatest success, "Fool, Anticipation."

"Fears 

On a glacier or a tide

Ride away your dreams

They say goodbye

To the life you thought you'd lead

Fool, anticipation

Now there's only dreams

Of what there could have been 

Of what there might have been

And the fear and anger

All directed at him

You didn't get a chance…"

Even though she reunites with Elle before her hospitalization, Edna reconnects with her afterwards and allows herself to have a real relationship with her, one without her fears, emotional baggage, and societal standards getting in the way. She eventually finds the courage to make a clean break from her old life and make way for a new one.

Edna finally has the keys to change her life and become the person that she was meant to be: a talented and published poet, an intellectual surrounded by artists and freethinkers, a lesbian in a loving relationship, and an independent strong free spirited woman unafraid of life.