Showing posts with label Transformation. Show all posts
Showing posts with label Transformation. Show all posts

Tuesday, October 21, 2025

The Orphanage of Cheswick Court (The Hollowbloods Book 1) by Haule Voss; Magical Training is Both Familiar and Exceptional


 The Orphanage of Cheswick Court (The Hollowbloods Book 1) by Haule Voss; Magical Training is Both Familiar and Exceptional 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: The first book in Haule Voss’s The Hollowbloods Series, The Orphanage on Cheswick Court is both familiar and exceptional. It features a young magic user discovering and studying magic among other magically gifted students which is familiar. But it also has enough originality to create some unique characters and themes that make it an exceptional work.

In the kingdom of Alodia, Thaddeus Rigel Volkameria is born and raised in the woods so he wouldn't be found and destroyed by Orion, a cruel despotic wizard. He is one of the Hollowblood, those born with volatile and forbidden magic. He is then raised by the Angrec Wolves of Eldenwood and protected and educated by Ozzy, a wise owl. It is foretold that the one who wears the Robe of Astra will be powerful enough to defeat Orion. Thaddeus is given a map to guide him to the Robe and told that he must find and don it before his 18th birthday.

To do so, Thaddeus must be trained at the Orphanage on Cheswick Court, an institution that trains Hollowbloods. But he is not alone. He is accompanied by Gilgal “Gilly” Mezereon, his adopted wolf brother, and Elara Bramblefern and Emerson Thornwillow, two Fairies. Gilly and the Fairies have to take human form to accompany their friend to the Orphanage so they can protect and study alongside him.

There are some very familiar tropes and beats that The Orphanage on Cheswick Court has that can be found in many Occult Academia novels. Thaddeus is the typical wife eyed naive newcomer sent on his Hero’s Journey. He is somewhat of a blank slate where most of the more interesting character trajectories are given to the other characters. 

He goes through some darker transformations, especially when he and his friends go on a journey to receive some magical objects that will lead them to the Robe and empower them to face Orion. During this journey, the objects latch on to Thaddeus’s desire for power, obsessive need for success, desire for revenge against Orion, and hidden anger. While he tries to shake this influence off for now, there is a strong possibility that it may not be a good thing for Thaddeus to wear the Robe any more than it would be okay to let Orion gain more power. 

The Orphanage is both a home and a school for Hollowbloods so we have the usual trajectories of magical boarding school stories with eccentric teachers with hidden secrets, loyal friends and classmates, unique classes, and obnoxious bullies. They are also here in this book.

The Orphanage headmasters Mabel and Jack Calidora seem like a nice wise couple that know their stuff and are protective of the young ones in their care. But they also exhibit some sinister mannerisms and leave subtle auras of mistrust. They seem decent but there might be something potentially troublesome about them.

Most of the students are not very memorable. There are two antagonists, Clavian, who will be our bully for the evening, and Lydia, The Calidora’s niece and resident mean girl. There are some suggestions that there might be more to their characters than we have seen with Lydia's crush on Thaddeus and Clavian’s silent analysis and fear of Thaddeus but it's mostly hidden and speculated. Nothing is revealed so they are mostly one dimensional.

 Clavian and Lydia join forces towards the end suggesting a dangerous duo for the main characters but a delicious bickering and romantic duo for the Readers. However, I must admit after seeing how multifaceted Drake Corvus, the arrogant bully from The Amazing Flight of Aaron William Hawk vol 2 Wings of Emifra by J. Bruno was written, Clavian and Lydia pale in comparison. It seems like their stories aren't quite finished, so perhaps they are only getting started. But for now, they could be less standard.

By far the best characters are Thaddeus’s friends, his adopted brother, Gilly, female friend, Emerson, and potential love interest Elara. Because they transform into humans, they have to weigh their former identities with their current ones. They are even told that the longer they are in human form, the more they will forget the beings that they once were.

Gilly is a protective loyal brother to Thaddeus. They never saw each other as different species but as brothers. Gilly still has many of his animal instincts like heightened awareness and extreme strength. However, he can't suppress his transformation and often goes into hiding when that happens. His struggles are balancing his new found human nature with his innate animal one.

Elara and Emerson entered the book as flighty flirtatious mischievous fairies that would help but may tease or play pranks just for fun. They were charming but mostly just flat comic relief. When they became human, they had to encounter human emotions and experiences.

Emerson struggles with her sexuality and identity and reconciles her feelings for a female student. Elara develops romantic affection for Thaddeus and has to weigh becoming involved with him and leaving her life as a fairy behind. They and Gilly question what makes a human and where their real roles and identities lie.

The Orphanage on Cheswick Court is well executed as a first volume and leaves open ended questions and enough curiosity to contact into the second book. 






Friday, December 1, 2023

New Book Alert: Just A World Away: A Collection of Modern Folk Tales Edited by John Tannhauser; Folk and Fairy Tales For The 21st Century

 



New Book Alert: Just A World Away: A Collection of Modern Folk Tales Edited by John Tannhauser; Folk and Fairy Tales For The 21st Century 

By Julie Sara Porter

Bookworm Reviews


Spoilers: Who doesn't love a good folk or fairy tale, especially one that illustrates the beliefs, characters, fears, and magic of a certain area? The type of story that is just as much about the people reading and hearing it as it is about the people that are inside the story.

That's what John Tannhauser accomplished when he edited and gathered ten short stories by various fantasy authors for Just a World Away: A Collection of Modern Folk Tales.

While many folk tale collections are modern adaptations of older stories, this set is made up of new and unique stories created from the minds of the authors themselves. Yes, some characters and tropes are familiar but the spin in which the authors take is all theirs and is reflected in the cultures in which they are set.


All of the stories are winners but the best are:


“Tales of Fuji” by Voima Oy (United States)

A favorite trope in folktales is the magical animal. Sometimes they talk and dispense some worldly advice and sometimes they provide good luck to a warm hearted but unfortunate soul.

In this case, the animal is a bobtail tabby cat named Fuji. Well actually, Fuji is an immortal spirit currently taking the form of a ghost cat and comes to help a boy named Michio.


This is a beautiful dream-like story that is reminiscent of an anime short film or Japanese folktale. Fuji brings luck to Michio and the people around him by her own presence and those of other spirits. At first, Michio’s father is convinced that she is a demon but after a talk in his dreams where Fuji predicts that Michio will have a large loving family and the town will achieve success, the father relents.

This is a gentle heart warming story about the love between humans and animals and the importance of having and believing in one’s dreams. 


“A Genie's Tale” by Lani Davies (United Kingdom)

From a folktale inspired by Japanese folklore to one inspired by Arabian Nights. Davies’ contribution is a love story between a male djinn, Asem and a human woman, Safiya and what happens when a female djinn, Naria, becomes obsessed with Asem and wants to get rid of the competition.


This romantic adventure gives some interesting insights towards djinn lore like they are creatures of fire and air and part of the Court of Iblis. The backstory gives them more depth than being funny or sexy wish granters in a lamp. They are well written and some of the most interesting characters in the story.


Another brilliant attribute that this story has is that it captures multiple viewpoints. Asem is the primary first person narrator but we also get narration from Safiya and other characters. This captures the Arabian Nights story within a story narrative with the stories being told by Scheherazade leading to tales about characters like Aladdin, Sinbad, and Ali Baba, then parts of those stories are told by other characters. The pieces of the narratives work together to tell one whole tale. 


The multiple narrative also gives equal opportunity to Asem and Safiya. Both characters get to tell separate adventures in which they had to display courage, cleverness, and love to be together again. While there are plenty of male characters in Arabian lore, some of the female characters have adventures of their own like Morgiana, Badoura, Dalilah and her daughter, Zaynib, and of course, Scheherazade herself. “A Genie's Tale” reminds us that male and female characters play their parts in folklore and have their own stories to tell.


“Bear With It” by C.S. Voll (South Africa)

One of the favorite tropes in fairy tales is metamorphosis, particularly humans into animals. Sometimes they are cursed to remain an animal until someone does something for them and they change back. Other times they don't and embrace their bestial side.


Mateus is curious about the strange inhabitants of a nearby castle. Why are there so many inhuman cries coming from there? Why doesn't anyone ever see anyone go in and out? Why have villagers like Mateus’ father disappeared? Why has the village been cursed ever since their arrival? Mateus goes to the castle to meet its inhabitants: a golden haired woman named Frida and two bears, Bumbles and Gleams.


This variation of “Goldilocks and The Three Bears” makes a family out of the bears and the one-time intruder. The bears often fight trolls which pester Mateus’ village as well. It is an interesting take to the original fairy tale and Beast Man stories that depicts the benefits of the animal in which the characters inhabit such as superior strength and a pack (or sleuth since they are bears) mentality for each other and those that they look after. This also explains why Frida is so devoted to them. 


The human to beast transformation is treated less like a curse and more like a blessing, one that Mateus ultimately partakes in and embraces the closer he gets to Frida and her family. He sees a devoted loyal family and protectors that he wants to be a part of.


“The Voice on the Water” by Lila (Ireland)

There are often spirits of the elements that are part of Earth, Air, Fire, and Water. This story goes one better. It personifies a river itself. 

Tara, the river, falls in love with William, a young lonely blind man. They have many long talks and build a connection. 


This is a strange romance but it fits as the two bond with each other. Their conversations play off each other rather well and how each fills a need. Tara finds someone who will defend her and protect her from being abused and polluted. William finds someone to see and really listen to him. 


“Voice on the Water” develops a literal spiritual connection between humanity and nature. There is a certain sadness and poetic melancholy as though William and Tara are taking a chance on love that could never realistically be and could end because of the selfishness of the humans around them that could destroy everything that Tara is. It's one of those folktales that the Reader knows is destined for a sad ending. The only immortality that they receive is to live on through their story.


“All in a Name” by John Tannhauser (Australia)

Similar to “Tales of Fuji,” this story has a Japanese setting but it is less gentle and more ghostly and dark.

Hiro gets lost in the snow and he is rescued by a mysterious beautiful woman who won't tell him her name. 


There is something sinister as she leads him through the cold snowy landscape. She tells him very little and even though she saved Hiro from near death, it is unclear whether there is an ulterior motive.


She appears to be a magical spirit who tells him that if he remains by the lantern light, he will remain warm. She also knows about him and his sick grandmother. These details add to the overall unease that she demonstrates in this story. That she isn't human becomes clear but whether she means to help or harm him remains to be seen.


There is a great moment in which Hiro learns her name. Names are important in folklore stories (think Rumplestiltskin). A name can empower or defeat a character. To know a name brings that being or thing to life and allows one to overpower or free them. When Hiro learns his rescuer's name, he is able to see beyond her mysterious exterior and see something human and alive within her. It connects them by bringing her to his level as an equal.


Just a World Away captures the beauty of folktales reminding the Readers that there is another world than the physical one around us. There is another world of magic, old ways, fantastic creatures, and heroes that show courage, strength, and wisdom.