One of the best books that I read last year was Beautiful and Terrible Things by S.M. Stevens. It was a witty and insightful character study about a group of six friends: Charley, a bookseller, Xander, a political activist, Jessica, a financial analyst, Sunny, a solar energy systems sales associate, Terrence, Xander's fellow activist, and Buwan, an artist. The novel covers a period of several months where the friends face various personal internal conflicts, such as new romances, family drama,and shifting careers, and political external conflicts such as racial profiling, immigrant xenophobia, and income inequality. It's a wide reaching novel that covers various topics but also brilliantly captures its six protagonist’s traits, characteristics, and eccentricities that make them stand out as individuals and part of a group.
Stevens reentered that universe with the short novel, The Wallace House of Pain. Instead of an expansive novel about many things and having six leads, this one is shorter and more intimate focusing solely on one character.
This time the lead is Xander Wallace himself. The short novel covers six chapters in which Xander brings each friend to his Conservative parent's house for dinner. The contrast between the fiery opinionated Xander, his rigid uncompromising father, Jim, his placid demure stepmother, Kathy, and his iconoclastic diverse friends is quite apparent.
Since this story is more compact, we get a closer look at Xander's background and experiences and how they contributed to his lifestyle and decisions in the novel. He is someone who saw a lot of artifice and superficiality. A home with plenty of affluent creature comforts but an inability to live his truth. He loves his parents and vice versa, but feels like he has to play a role for them.
Xander can't discuss his work in any meaningful way. While he voices his political opinions, it can be very draining as he, and his parents especially his father, talk circles around each other never coming to an even ground. Xander has to hide his bisexuality, his political involvement, and even his name (His friends call him, “Xander” while his parents call him, “Alex”). Xander can't be his authentic self as he hides parts of himself from his family.
Much of Xander's real self is revealed by the family’s conversations with his friends. Terrence connects to his commitment to political activism. Sunny represents Xander's sexuality and gender identity. Jessica is indicative of the passion and talent that leads to finding a gainful career. Charley reflects his emotional and social connections with others. Buwan reveals Xander's self-expression and creative thinking as he uses his activism to shape the world into a better, more idealistic place with actual racial harmony and equality.
Through the short novel, the larger aspects of Beautiful and Terrible Things are referred to particularly a Black Lives Matter protest that is a central climax in the previous novel. Xander's friends and his real self can no longer be denied as he reveals the real him to his father and stepmother, bisexual Liberal environmental social activist and all. He is able to be the open honest authentic person that we saw in the novel and be that person to his family.
The Wallace House of Pain is a small thread in the tapestry of the larger work but a very important one.
Muted Rage (The Forge Trilogy in The Shadow Guardians Series Book 2) by G. Russell Gaynor
In The Blind Smith, the first book in G. Russell Gaynor’s The Forge Trilogy in The Shadow Guardians Series, tech billionaire genius John James “J.J.” Moore is severely wounded and rendered blind in an attack that kills his security team and his lover. He is recruited by a secret organization of spies and assassins and obtains the code name, “Augur.” He is able to use his new found abilities and organization to seek vengeance upon his enemies, including traitors to the organization.
The second volume, Muted Rage, elevates J.J.’s status significantly within the organization. Instead of being the rookie student, J.J. is now actively recruiting and training new members. His latest recruit is Sonya Bocharova, a Russian deaf woman. He sees a lot of himself in her. Her arrival can't come at a better or worse time because their enemies are closing in and ramping up their attacks.
This volume focuses primarily on action and plot which works well in the Political Spy Thriller subgenre. Sometimes the various characters and sides are disconcerting because it's hard to tell who is with which organization. Readers and characters are conditioned to be on the lookout for traitors and double crosses so just because someone seems on one side doesn't mean that they are going to stay that way. Sometimes it's a surprise twist but mostly because everyone is so suspicious, have ulterior motives, and live in worlds of morally gray, it's to be expected. Betrayal is the most logical step in their development.
The action also serves as a means for the various sides to show off their intellect. In the first book, J.J., was playing 3-D chess while everyone else is playing checkers. In this book, everyone else is playing the same game of chess. Every character, including J.J., is trying to outfight and outsmart each other. As one organization gets an advantage, the next one fires back and so on. It keeps the Readers invested with its suspenseful tone.
While action is the primary facet to this book, there is some time for insightful characterization particularly in J.J.’s evolution from fresh newbie to hardened veteran. He was always somewhat arrogant in the previous book, though he had moments where his naivete was noticeable. There were also times when his conceit cost him dearly.
In this volume, J.J.’s character ascends to frightening levels. His Authoritarian streak is more paramount. Now that he is leader, his leadership style is iron will. In one chapter, one of J.J.’s colleagues calls him out on his personality and J.J. answers in a way that suggests that he is unapologetic and will only get worse. It raises the possibility whether in a future volume, characters may be driven to stop John James Moore rather than work with or for him.
So far though, J.J. still shows some glimmers of kindness. This is particularly noticeable in his dialogue with Sonya. They have a great deal in common, both have disabilities that they have or are in the process of using to their advantage as assassins. They both carry a lot of grief and anger.
J.J. is at the point where he can guide someone else to channel that anger and put it to good use and Sonya sees a higher opportunity to protect others and unleash vengeance. With the help of sign language and technology that allows them to communicate, the two come to an understanding and partnership, perhaps even a friendship or more.
The action and lead characters help Muted Rage act on many of the things that were hinted at in the first volume. It prepares and keeps Readers in suspense ready for the next one.
