Tales of Whythenwood by J.W. Hawkins; Bedlam Trances by Nicholas Wagner; Two Anthologies Reach the Dark Side of Human and Animal Nature

 

Tales of Whythenwood by J.W. Hawkins; Bedlam Trances by Nicholas Wagner; Two Anthologies Reach the Dark Side of Human and Animal Nature 

By Julie Sara Porter

Bookworm Reviews 

Spoilers: I have been reviewing a lot of anthologies this year. If you can't say it in a long novel, say it in a short story or novella and these authors do. Do they ever. 

Aside from being speculative anthologies J.W. Hawkins’ Tales of Whythenwood and Nicholas Wagner’s Bedlam Trances would have very little in common. Tales of Whythenhood is a fantasy about talking animals in an enchanted woods and Bedlam Trances is a Supernatural Horror and Crime Thriller about creepy people doing creepy things. But if we dig deeper, we discover that these books have a great deal in common. They are bleak looks that explore the dark side of human and animal nature. One is just more subversive about it than the other.

Tales of Whythenwood by J.W. Hawkins may be an anthology about talking animals, but don’t for a second think that it’s anything like Charlotte’s Web or Beatrix Potter. Think less Charlotte’s Web and more Animal Farm. Less Beatrix Potter and more Watership Down. Less Mickey Mouse and more Maus. It’s a very dark, at times disturbing and graphic fantasy novel that personifies animals with human traits and not very pleasant ones. Many of the traits that the flora and fauna represent include prejudice, avarice, wrath, vanity, aggressiveness, hatred, and vengeance. It is not some sweet adorable romp in the forest. Instead it is a commentary on human nature and it is forthright, savage, cruel, terrifying, beautiful, and captivating.

There are six stories total and the best are:

“Gerald the Mangy Fox”-What could be a decent variation of “Rudolf the Red Nosed Reindeer” where a misfit who is judged by their appearance becomes a hero by helping the people who insulted them instead becomes much more subversive and yet somehow more honest.

Gerald is insulted by other animals, particularly the other foxes because they have beautiful coats and his is covered in mange. The foxes are also facing conflicts with the Great Oak, who is the leader of the Whythenwood. They resent having to give back to the forest what they take from it. Gerald, angry at the other fox’s treatment, starts a chain reaction that affects himself and the other foxes.

Gerald is reminiscent of human outcasts, people who are turned away by others because of their appearance or place of origin. Gerald, like many, grows to resent the treatment that he has been given to the point that he wants bad things to happen to his tormentors and doesn't care if they inadvertently happen to him. He is filled with anger and regret towards those who made him miserable. It makes him an outsider but it also makes him understandable.

We have all had situations like that where we were scapegoated and treated horribly like others. Better people often forgive them and work towards positive things in spite of or because of that derision. Most people to be honest simmer with anger and justifiable hurt. They hurt us so we want to hurt them back. Gerald is like that to the point that he makes deals with wolves and the Great Oak to get even with the other foxes. 

The final pages drip with irony as the results are not what any of the characters expected. It shows a reversal of beauty and ugliness where true natures are shown and exposed. It becomes a test of honesty, kindness, and mercy which reveal the appearance of the souls underneath. 

“The Fall of the Orchid Copse”-This story takes a strange but meaningful look at interconnectivity within countries and how much people claim independence but we are often linked by economic, political, and social interdependence. No one truly stands alone. People buy and sell goods and services. We live off of each other’s work and survive because of those connections.

Some animals of Whythenwood live in the Orchid Copse which is a specific part of the woods that operates by its own laws and regulations. It’s the time of year when the animals of Orchid Copse must decide which one of three animals, selected by the Great Oak herself, will be the leader of the Copse and whether the Copse is to remain an independent area or become a complete part of Whythenwood. 

This novella represents the way various nations are formed and the struggle that many face to become an independent country to themselves or to remain with a larger one and if so which one. There are many questions and arguments made by the various characters whether this is a flawed system or one that works. It doesn’t give any easy answers and allows the characters and Readers to decide for themselves.

Most of this story is seen through the eyes of Sriya, a fiery mongoose that questions this system that she has been given. She wants to know whether choosing only animals that are selected by the Great Oak is a real choice or whether it’s just the appearance of a choice. Is the Great Oak a dictator, an apathetic disinterested leader, or a loving parent watching her children? What does the Orchid Copse gain from maintaining its own complete autonomy from the Great Oak and what does it have to lose? 

Sriya represents the rebel, the one who recognizes the flaws in the system and has the passion to fight against and change it. When a violent action takes place, she is able to gather enough interest and a following for the Copse citizens to seriously consider breaking away from the Great Oak. But it comes at a great cost to their own freedom and security. 

Because it is based on the Hong Kong Umbrella Revolution of 2014, it also recounts what happens when rebellion falters and asks whether idealistic ideas are enough to sustain a community. It’s all well and good to break away from a government, but if there isn’t anything substantial to back it up and an actual plan in place, ideals and arguments are all that remains. 

“The Artfulness of Stupidity “-With all of the sweeping themes of politics, prejudice, and other important issues, Tales of the Whythenwood doesn’t lose sight of capturing good characters inside their fur and feathers. This is a particularly strong character driven piece in the anthology. 

In a colony of beavers, everyone does their part to build their dams and contribute to their community, everyone except Indoli. His outsider status, avaricious manipulative nature, and his insistence on obfuscating stupidity ends up causing problems for everyone in the woods, especially the beavers and himself.

Indoli, similar to Gerald and Sryia is also an outsider but unlike his appearance and his ideals, it is Indoli’s personality that makes him different. Instead of doing the hard work of his fellow beavers, he prefers to scheme and manipulate others. He plays dumb but is actually very clever in seeing problems and potential solutions. 

He is the type that knows where to point and put others in certain directions to acquire his own benefits, retain his own sense of leadership, or sometimes just to get even with others. He is a character who in other stories would become an outright villain. He could be reminiscent of corporate CEO’s or oligarchs who become wealthy not from their own merits, but from the labor of others. They control things from behind the scenes and are so drunk on their own power that they would rather hurt others, even if it means destroying all that they have worked for. They don’t see the danger that could backfire on them and in destroying others, they ultimately destroy themselves.

There is another possibility of Indoli’s character, one that is more positive towards him.Hawkins subverts those expectations of making Indoli a full villain by giving him certain character strengths and also a son, Pickwick whom he truly loves. Instead of being seen as a symbol of corruption and manipulation, he could also be seen as creative. He has a different mindset from those around him that causes him to function differently from the rest of the colony. He may not fit in, not because he chooses not to but because he can’t. This mindset allows him to come up with creative solutions that could be beneficial to the other beavers if they were implemented. Those traits that Indoli has gives him the ability to think and act differently, but also keeps him away from everyone else.

One of Indoli’s most positive characteristics is his love for his son, Pickwick. The young beaver is Indoli’s main confidant and sees the more vulnerable side that he keeps hidden from others. The two are at odds with Indoli’s means and methods, but they are still devoted as father and son. Pickwick doesn’t see a corrupt influence or an iconoclastic eccentric. He just sees his father. Likewise, Indoli doesn’t see a disappointment or one of the mindless herd working on the colonies. He sees his son. He gives Pickwick the love that he often felt was denied him by the rest of the colony and the Wood.

Bedlam Trances by Nicholas Wagner Bedlam Trances by Nicholas Wagner is familiar territory to the blog. It involves graphic horror in many different forms. Most of the stories focus on manipulation and control. One party uses violence and threats in their greatest extremes to control another. There is a feel of unease in each story as the truly violent means are executed and characters are left with broken lives, minds, hearts, and souls.

“Crown of Switchblades”-This story combines crime thriller with psychological horror and does both genres rather well. A criminal gang is caught up in a war between their employer and another upstart. What starts out as a crime spree of violence, public property damage, drunkenness, and debauchery becomes much darker as they run into a strange, morbid, and terrifying cult. 

“Crown of Switchblades” runs on two tracks and because of that the tone is drastically different. The first part is a black comedy along the lines of the Italian Job, Lock, Shock, and Two Smoking Barrels, or any Quentin Tarantino film. It consists of seedy characters having clandestine meetings, bodies tumbling out of cars, and plenty of f bombs shouted by no-hopers. It’s a grim but weirdly comic situation as the gang, particularly the main protagonist, Doss hit spots like pubs and football clubs as though they were just having a Lad’s Night Out rather than breaking the law on behalf of their leader. 

The story then takes a severe turn into something else as Doss and his cronies end up farther away from their city environment into a rural area dotted with abandoned buildings and metal sculptures called the pipe men. They then encounter the people behind the pipe men, a cult who is looking for someone called “The Prophet.” 

Once Doss encounters the cult, he is put in a situation in which he is not prepared. Before he and his friends were able to face these conflicts. They can deal with crime bosses, drug deals, and the occasional violent act. But this cult isn’t like that, they have darker purposes. They have no motives and they don’t care who fits their vision. They want to fulfill it and they draw Doss in a way that is incredibly bone chilling and ominous.

““The Tragic Events Befalling Lizaveta”-The darkness that these stories encounter carries over into the Medieval Era as Oresetes, a monk investigates some strange happenings in a monastery after a novitiate turns up dead. 

The murder mystery is effective as Oresetes and his superior, Wittelsbach investigate the murder and the various leads. The setting of the monastery is deceptively described in the first page which features children playing. It gives the impression of a good kind giving place which welcomes all. But the more that the protagonists visit the cold austere stone walls and the monks keeping secrets, the more an ugly side resonates. 

Things become more apparent when they enter an area called “The Hurting Place.” In a few pages, the secrets are revealed in a bloody violent confrontation. It shows the ancient outdoor Pagan subconscious inside the Gothic indoor Christian surface. It says that inside many law-abiding seemingly upright pillars of the community hides souls that seethe with wrath, sexuality, violence, anger, and hypocrisy.

“Notes from the Yucatan”-This is a very short story which makes the most of its setting to show the eerie sense of dread when one is out on an unfamiliar landscape and how it mirrors the dark souls that inhabit it. The Narrator is searching for a man named Sir Reginald with the help of a guide, Bartholomew. 

The setting has many descriptions of sinister trees, ruins, particularly pyramids, and harsh rain. It seems like the end of the world where someone is listening to every sound and seeing every shape and is in fear of what could be out there, whether it is animal or human. Whatever it is, it is coming for you. Worst of all, the body could be thrown somewhere and never be found.

The fear and paranoia in the setting is mirrored in the behavior of the characters that surround it. It  is like an Edgar Allen Poe story in which the Reader explores the Narrator’s fractured psyche and we see the violence in the main character is just as prominent as it is without. If anything it was even greater within the Narrator. He is not acting out of any motive or or reason. He is violent for violence’s sake, almost like a force of nature around him.

“Hecato’s Dream”-This story takes us to the decline of the Roman Empire.Two guards, Hecato and Rufus chase after an assassin and come face to face with their own mortality. 

This is set towards the end of an era and that is felt throughout the story. There are discussions about Gauls, invading armies, cults springing up, and lawlessness. The Empire that maintained such a wide control over various nations is on its way out the door. With that decline became a decline of structure, rules, regulations, defense things people like Hecato and Rufus were familiar with but had long taken for granted. 

Now during these times, bloody crimes occur but not in a way that feels justifiable or understandable, not for any specific reason. It is because there is no structure and the one that remains is so fatigued by the forces outside that they don’t care about the struggles within. If there are no laws, no one can be punished. If no one can be punished, there is no fear of being caught. Hecato and Rufus’ world is crumbling so they are taking what they can. They know that their time is short, just like that of the Empire and the only thing that they have left is their own violent avaricious angry urges that need to be satisfied. Once those are spent, they truly meet their ends in an afterlife in which they know but can’t accept that an inevitable end is coming. 

“Ceremony”- This story covers similar ground with “Crown of Switchblades” in which a seemingly badass group is undone by a supernatural presence and all of their braggadocio becomes a joke, whereas “Crown of Switchblades” excels in a shift in tone. “Ceremony” excels in dark comedy dialogue. Declyn, an investigator, is looking into  the rock group “The Raging Bastards. His lover, Misty, who is involved with not only him but the three guys in the group is his main contact. Declan’s time with the Raging Bastards begins with plenty of sex, drugs, and rock and roll and ends with blood, guts, and terror, especially after Misty disappears.

The key advantage is the dialogue. Many characters dance around the truth with plenty of strong language, sexual overtones, and violent metaphors. Many of the phrases like when Bastards member, La Roe sarcastically describes the group as “tree huggers preaching peace and love” brings ironic smirks. Other comments like “If I had your eyes, I’d drive us off a cliff” carry an edge of suspense undertones hidden inside the dark comedy overtones.

One of the more interesting aspects of the dialogue is the amount of foreshadowing. After the story is over, it’s worth going back and putting together the tantalizing clues that the characters dance around. The constant references to blood, animals, violence, and aggressiveness spill some of the tea before the entire kettle is knocked over. There are also warnings when people tell Declan that he should stay away and that he doesn’t want to know what Misty and the Bastards are up to. It’s one of those stories that lays the plot in front of you so when you go back and reread it, you think, “Of course, it was there all along!” 

The violence is graphic but detached in a way that makes it more grotesque or comic than scary. The moment when Declan reaches the truth is dripped in irony and gore. The final line is blunt in violence that comes out of nowhere leaving Readers to sort out the aftermath.