The War on Love And My Ex-Mother God Who Became a Mummified Corpse by Andrew-Ryan Profaci; A Powerful Memoir About Cults, Deification, and Love of Others and Oneself

 The War on Love And My Ex-Mother God Who Became a Mummified Corpse by Andrew-Ryan Profaci; A Powerful Memoir About Cults, Deification, and Love of Others and Oneself 

By Julie Sara Porter 

Bookworm Reviews 

This review is also on Reedsy Discovery.

The Love Has Won cult is one of the most bizarre cults particularly with how it ended according to Andrew-Ryan Profaci’s expose, The War on Love And My Ex-Mother God Who Became a Mummified Corpse. 

To understand this book is to understand the cult itself, its leader Amy Carlson, its origins and its controversies. Between 2000-2007, Carlson became interested in New Age philosophy and participated in the Lightworker forums. There she met Robert Saltsgiver AKA Amerith WhiteEagle who introduced Carlson to paranormal phenomena and believed that she was divine. In late 2007, Carlson left her third husband, children, and her job as a McDonald’s manager in Dallas, Texas. She ceased contact with her family and left to join WhiteEagle in Colorado to form the Galactic Federation of Light, later known as Love Has Won. 

The Love Has Won cult did daily live streams on Youtube and even though Carlson had 12-20 members living with her in her Crestone,Colorado home at any given time, most of the members were contacted through social media. Their philosophies were an amalgam of New Age practices, elements from Abrahamic religions, conspiracy theories, and popular culture. One of their strongest tenets was the removal of ego to ascend into a pure spiritual being of love and energy. They believed that Carlson was the latest incarnation of a 19 billion year old being who gave birth to all of creation, whose other past lives included the queen of the fabled lost continent of Lemuria, Jesus, Joan of Arc, Cleopatra, and Marilyn Monroe and that she would lead people into a mythical 5th Dimension. Carlson was called Mother God and she had a revolving door of lovers, including WhiteEagle (who left in 2014) and Profaci, each of whom took the title of Father God. Carlson believed that she could communicate with a number of deceased celebrities like Robin Williams, Whitney Houston, and Rodney Dangerfield. Love Has Won also spoke of concepts like Atlantis, Anunnaki, and Reptilians. 

While most of their beliefs seem bizarre and outlandish, but mostly harmless, they also developed more hateful and violent rhetoric especially before Carlson’s death in 2021. They were believers in the now debunked QAnon conspiracy theory that there was a secret cabal of Liberal Democrats who abducted children, sacrificed them, sucked on their adrenochrome to preserve their youth, whose main hideout was the basement of the Comet Ping Pong Pizza Parlor in Washington DC (a pizza parlor which doesn’t have a basement nor any known ties to any conspiracy whatsoever), and that Donald Trump secretly led a fight against them. Bitterly ironic considering the recent implications with plenty of eyewitness accounts and evidence that Trump himself was engaged in pedophilia with disgraced and deceased financier Jeffrey Epstein and his henchwoman Ghislaine Maxwell. Love Has Won also believed other conspiracy theories such as that COVID 19 and the Sandy Hook school shooting massacre were hoaxes, and in 9/11 and Holocaust denials. They followed many racist and antisemitic tenets such as the Great Replacement Theory, globalist cabals, and support for Adolf Hitler.

The cult faced allegations from ex-members citing practices like physical abuse, sleep deprivation and mental torture. Despite having a zero tolerance policy for drugs and alcohol, Carlson was frequently intoxicated and addicted herself. The group travelled between Colorado, Oregon, California, Florida, and Hawaii between 2018-2021. Carlson was diagnosed with cancer in 2020 and due to the cult’s caveat against doctors, her worshippers refused to send her to the hospital or get her medical treatment. She was last seen in public on April 10, 2021 and is believed to have died on April 28, 2021.

Carlson’s mummified corpse was discovered in the mission house near Crestone. She was found in a sleeping bag wrapped in Christmas lights and her face was covered in glitter as a makeshift shrine. The state of decay revealed that she had been dead for weeks. Seven members were charged with abuse of a corpse and child abuse because there were two children in the compound. The members revealed that Carlson consumed colloidal silver which the cult promoted as a cure for COVID-19 and resulted in her having an emaciated frame, thinning hair, and blue-gray discoloration on her skin. Her cause of death was reported as “global decline in the setting of alcohol abuse, anorexia, and chronic colloidal silver ingestion.” After her death, remaining cult members separated and formed splinter groups including Joy Rains and 5D Full Disclosure. 

The story of Love Has Won itself is a twisted tale of divine worship, mental manipulation, and belief gone horribly wrong. Profaci’s memoir takes us inside a personal journey into a cult and specifically their leader whom he felt equal parts fascination, fear, love, and loathing.

Profaci lived a life marked by loss and endless searching. A tempestuous divorce and custody battle put him and his brothers in the hands of their father who had a criminal history. Profaci’s nights were as rocked with tension as his days when even as a child he was awakened by hypnopompic hallucinations of dark creatures standing at the foot of his bed. These incidents caused years of sleep disorders and a belief in the paranormal, supernatural, and conspiracy theories. This and his father’s neglect and escalating verbal abuse led to Profaci feeling lost, insecure, and curiosity about the deeper issues like his place in the world.His teenage years were rocked with criminal activity, being almost molested by a pedophile, and getting involved in a fatal car accident. He fell even further down the spiral and became addicted to painkillers. A person facing addiction, trauma, insecurities, depression, openness to ethereal and terrifying paranormal experiences, and existential quests for meaning is a perfect candidate for culthood and Profaci was no exception.

 A search down various spiritual paths, communicating with gurus, reading New Age books, and exploring believer websites, and message boards led him right to Amy Carlson, The Mother God. Profaci was attracted to Carlson’s youthful exuberance, enchanting charisma, mystical beliefs, and the two struck up a correspondence and friendship. He paid for and attended online sessions with Carlson and her group and became aware of signs around him that at the time seemed supernatural. After a job loss, he decided to go see Carlson in person.

Profaci’s memoirs are notable because of what they include but also what they leave out. Profaci left the group long before Love Has Won got involved with QAnon and focused on conspiracy theories, antisemitism, and racism. He only heard about those second hand after communicating with other ex-members. He also was a witness primarily to verbal abuse and the occasional physical abuse but was no longer a member during the torture sessions. Above all, he cut ties with Love Has Won completely by 2021 and was in the hospital for chemotherapy when he heard about Carlson’s death and display of her mummified corpse. Because of this Love Has Won is seen strictly through his eyes and personal experiences. It leaves out many parts to the story, most notably the most newsmaking, graphic, and sensationalistic aspects. 

What remains is a deeply personal human story about how one person is drawn into a cult but most importantly what keeps them there after all common sense should have told them to leave. In Profaci’s case, it boils down to a simple reason. He was in love with its leader. Their first face-to-face meeting illustrates this point. Profaci expected the warm, empathetic, wise, enthusiastic, charming guru with whom he communicated online. What he got instead was a fragile, sickly, intoxicated woman half asleep and fallen over in drunkenness. He suspected then and there that Carlson was a fraud but his empathy for this woman in her shattered state compelled him to remain.

There is considerable doubt whether Profaci ever believed in Love Has Won’s philosophies or not. Most of the time, he comes across as a detached deadpan snarker. Recalling his decision to remain with Love Has Won despite his disastrous first meeting with the presumed Mother God, Profaci writes, “I didn’t know how far this ‘awakening’ would push me or how much of myself I’d have to lose just to keep up. But I knew one thing: This path does not offer refunds. You paid with your soul or turned back empty-handed. So I paid.”

When Carlson declared Profaci to be her lover and latest Father God, he was nonplussed and did not look at this promotion with honor. Recalling the previous Father Gods who came and went before him, Profaci wondered, “What did that make me? Father God #3? 4? 5?”

What stands out the most in this book is Profaci’s devotion to Carlson herself not to her Mother God persona but to Amy, the human woman who was just as lost and just as confused as he was, built a spiritual path to find her solutions, and got swept up in her own delusions.

Profaci’s empathy for his leader is most prominent during the frequent power struggles among members. A compelling conflict involved Profaci and another member KG who slowly climbed the ranks to become a Healer and part of a threesome with Carlson and Profaci. 

After KG’s ascension, the cult’s forums became flooded with messages from divine beings called Quantums. Through KG’s encouragement, Carlson believed the Quantums were real and began to rely on their unquestionable authority. As the group’s online conversations with the Quantums increased so did their claims and personalities. One of the Quantums claimed to be Robin Williams and Carlson actually claimed to represent Williams through visions and meditations. 

The book The War on Love includes transcripts of the conversations between the Quantum Beings and Love Has Won members. It’s perfectly clear that they, specifically Carlson, were in the grips of a widespread delusion and were willing to follow it through to the end. The irony that the leader of one delusion can be so swept up in a completely separate one cannot be understated. Sometimes the most manipulative can be the most easily manipulated by others. It shows how the assistants learn from and surpass the master in cruelty.

That’s what happened between Carlson and the Quantum Beings. Profaci had doubts about the whole experience. At first he wanted to give the Quantums the benefit of the doubt, however inconsistencies in their teachings and Carlson’s reliance on KG to facilitate the conversations with them aroused his suspicions. After some investigation and soul searching, Profaci revealed the truth that KG completely fabricated the Quantum’s existence and communications in an attempt to seize power within the cult. 

The Quantum Account is important to Profaci’s involvement with Love Has Won for many reasons. Among them is that it shows Profaci’s inner conflict between his doubts about cult doctrine and protective affection for Carlson. As Carlson came to terms with KG’s deception, Profaci comforted her. He almost broke her from her Mother God delusion to accept herself as Amy. He saw the glimpses of the real woman underneath the mask of confidence and alleged divinity and tried to convince her to accept and love her real self. Unfortunately, other members had private conversations with her and the mask slipped back on and firmly stayed on. The vulnerable woman that Profaci was anxious about was replaced by the remote and unapproachable Mother God and Profaci was not going to get her back.

It also was one of the first incidents that caused doubts about the cult and led to Profaci’s abandonment of them. Eventually those doubts would increase as Carlson insisted that he was full of ego. Any question of authority, any slight infraction, any disagreement was seen as ego and selfishness getting in the way. However, Profaci became aware of the hypocrisy of her words when the whole cult was built on her ego that said that she was the Mother of All Creation and Love Incarnate. Eventually, Profaci could no longer reconcile his concern for Carlson with his criticisms for Love Has Won. Disillusioned, Profaci eventually left the cult and his former girlfriend/guru behind.

Profaci never writes Carlson as a manipulator, con artist, or someone who wanted to fool innocent victims solely for financial gains. The monetary benefits were there and she clearly enjoyed her rule over innocent people but Profaci also saw someone who was in serious need of love, acceptance, and belonging. In fact, he saw Carlson as someone who genuinely wanted to believe that she was who she said she was. She repeated her claims of being a Mother God so often that she thought that they were true. It was a means of gaining some psychological and spiritual hold and control in her life. Her dangerous ego pushed her into a dark path that she created but could no longer separate from. By the end, there was no division between Amy Carlson and Mother God. She became the illusion that she created and fell in love with it. 

Profaci’s book is a profound look at love. His love for Amy Carlson kept him in a dangerous place, but it was his discovery of love for himself that broke him out and set him free.

Tales of Wythenwood by J.W. Hawkins; Bedlam Trances by Nicholas Wagner; Two Anthologies Reach the Dark Side of Human and Animal Nature

 

Tales of Wythenwood by J.W. Hawkins; Bedlam Trances by Nicholas Wagner; Two Anthologies Reach the Dark Side of Human and Animal Nature 

By Julie Sara Porter

Bookworm Reviews 

Spoilers: I have been reviewing a lot of anthologies this year. If you can't say it in a long novel, say it in a short story or novella and these authors do. Do they ever. 

Aside from being speculative anthologies J.W. Hawkins’ Tales of Wythenwood and Nicholas Wagner’s Bedlam Trances would have very little in common. Tales of Wythenhood is a fantasy about talking animals in an enchanted woods and Bedlam Trances is a Supernatural Horror and Crime Thriller about creepy people doing creepy things. But if we dig deeper, we discover that these books have a great deal in common. They are bleak looks that explore the dark side of human and animal nature. One is just more subversive about it than the other.

Tales of Wythenwood by J.W. Hawkins may be an anthology about talking animals, but don’t for a second think that it’s anything like Charlotte’s Web or Beatrix Potter. Think less Charlotte’s Web and more Animal Farm. Less Beatrix Potter and more Watership Down. Less Mickey Mouse and more Maus. It’s a very dark, at times disturbing and graphic fantasy novel that personifies animals with human traits and not very pleasant ones. Many of the traits that the flora and fauna represent include prejudice, avarice, wrath, vanity, aggressiveness, hatred, and vengeance. It is not some sweet adorable romp in the forest. Instead it is a commentary on human nature and it is forthright, savage, cruel, terrifying, beautiful, and captivating.

There are six stories total and the best are:

“Gerald the Mangy Fox”-What could be a decent variation of “Rudolf the Red Nosed Reindeer” where a misfit who is judged by their appearance becomes a hero by helping the people who insulted them instead becomes much more subversive and yet somehow more honest.

Gerald is insulted by other animals, particularly the other foxes because they have beautiful coats and his is covered in mange. The foxes are also facing conflicts with the Great Oak, who is the leader of the Wythenwood. They resent having to give back to the forest what they take from it. Gerald, angry at the other fox’s treatment, starts a chain reaction that affects himself and the other foxes.

Gerald is reminiscent of human outcasts, people who are turned away by others because of their appearance or place of origin. Gerald, like many, grows to resent the treatment that he has been given to the point that he wants bad things to happen to his tormentors and doesn't care if they inadvertently happen to him. He is filled with anger and regret towards those who made him miserable. It makes him an outsider but it also makes him understandable.

We have all had situations like that where we were scapegoated and treated horribly like others. Better people often forgive them and work towards positive things in spite of or because of that derision. Most people to be honest simmer with anger and justifiable hurt. They hurt us so we want to hurt them back. Gerald is like that to the point that he makes deals with wolves and the Great Oak to get even with the other foxes. 

The final pages drip with irony as the results are not what any of the characters expected. It shows a reversal of beauty and ugliness where true natures are shown and exposed. It becomes a test of honesty, kindness, and mercy which reveal the appearance of the souls underneath. 

“The Fall of the Orchid Copse”-This story takes a strange but meaningful look at interconnectivity within countries and how much people claim independence but we are often linked by economic, political, and social interdependence. No one truly stands alone. People buy and sell goods and services. We live off of each other’s work and survive because of those connections.

Some animals of Wythenwood live in the Orchid Copse which is a specific part of the woods that operates by its own laws and regulations. It’s the time of year when the animals of Orchid Copse must decide which one of three animals, selected by the Great Oak herself, will be the leader of the Copse and whether the Copse is to remain an independent area or become a complete part of Wythenwood. 

This novella represents the way various nations are formed and the struggle that many face to become an independent country to themselves or to remain with a larger one and if so which one. There are many questions and arguments made by the various characters whether this is a flawed system or one that works. It doesn’t give any easy answers and allows the characters and Readers to decide for themselves.

Most of this story is seen through the eyes of Sriya, a fiery mongoose that questions this system that she has been given. She wants to know whether choosing only animals that are selected by the Great Oak is a real choice or whether it’s just the appearance of a choice. Is the Great Oak a dictator, an apathetic disinterested leader, or a loving parent watching her children? What does the Orchid Copse gain from maintaining its own complete autonomy from the Great Oak and what does it have to lose? 

Sriya represents the rebel, the one who recognizes the flaws in the system and has the passion to fight against and change it. When a violent action takes place, she is able to gather enough interest and a following for the Copse citizens to seriously consider breaking away from the Great Oak. But it comes at a great cost to their own freedom and security. 

Because it is based on the Hong Kong Umbrella Revolution of 2014, it also recounts what happens when rebellion falters and asks whether idealistic ideas are enough to sustain a community. It’s all well and good to break away from a government, but if there isn’t anything substantial to back it up and an actual plan in place, ideals and arguments are all that remains. 

“The Artfulness of Stupidity “-With all of the sweeping themes of politics, prejudice, and other important issues, Tales of the Wythenwood doesn’t lose sight of capturing good characters inside their fur and feathers. This is a particularly strong character driven piece in the anthology. 

In a colony of beavers, everyone does their part to build their dams and contribute to their community, everyone except Indoli. His outsider status, avaricious manipulative nature, and his insistence on obfuscating stupidity ends up causing problems for everyone in the woods, especially the beavers and himself.

Indoli, similar to Gerald and Sryia is also an outsider but unlike his appearance and his ideals, it is Indoli’s personality that makes him different. Instead of doing the hard work of his fellow beavers, he prefers to scheme and manipulate others. He plays dumb but is actually very clever in seeing problems and potential solutions. 

He is the type that knows where to point and put others in certain directions to acquire his own benefits, retain his own sense of leadership, or sometimes just to get even with others. He is a character who in other stories would become an outright villain. He could be reminiscent of corporate CEO’s or oligarchs who become wealthy not from their own merits, but from the labor of others. They control things from behind the scenes and are so drunk on their own power that they would rather hurt others, even if it means destroying all that they have worked for. They don’t see the danger that could backfire on them and in destroying others, they ultimately destroy themselves.

There is another possibility of Indoli’s character, one that is more positive towards him.Hawkins subverts those expectations of making Indoli a full villain by giving him certain character strengths and also a son, Pickwick whom he truly loves. Instead of being seen as a symbol of corruption and manipulation, he could also be seen as creative. He has a different mindset from those around him that causes him to function differently from the rest of the colony. He may not fit in, not because he chooses not to but because he can’t. This mindset allows him to come up with creative solutions that could be beneficial to the other beavers if they were implemented. Those traits that Indoli has gives him the ability to think and act differently, but also keeps him away from everyone else.

One of Indoli’s most positive characteristics is his love for his son, Pickwick. The young beaver is Indoli’s main confidant and sees the more vulnerable side that he keeps hidden from others. The two are at odds with Indoli’s means and methods, but they are still devoted as father and son. Pickwick doesn’t see a corrupt influence or an iconoclastic eccentric. He just sees his father. Likewise, Indoli doesn’t see a disappointment or one of the mindless herd working on the colonies. He sees his son. He gives Pickwick the love that he often felt was denied him by the rest of the colony and the Wood.

Bedlam Trances by Nicholas Wagner Bedlam Trances by Nicholas Wagner is familiar territory to the blog. It involves graphic horror in many different forms. Most of the stories focus on manipulation and control. One party uses violence and threats in their greatest extremes to control another. There is a feel of unease in each story as the truly violent means are executed and characters are left with broken lives, minds, hearts, and souls.

“Crown of Switchblades”-This story combines crime thriller with psychological horror and does both genres rather well. A criminal gang is caught up in a war between their employer and another upstart. What starts out as a crime spree of violence, public property damage, drunkenness, and debauchery becomes much darker as they run into a strange, morbid, and terrifying cult. 

“Crown of Switchblades” runs on two tracks and because of that the tone is drastically different. The first part is a black comedy along the lines of the Italian Job, Lock, Shock, and Two Smoking Barrels, or any Quentin Tarantino film. It consists of seedy characters having clandestine meetings, bodies tumbling out of cars, and plenty of f bombs shouted by no-hopers. It’s a grim but weirdly comic situation as the gang, particularly the main protagonist, Doss hit spots like pubs and football clubs as though they were just having a Lad’s Night Out rather than breaking the law on behalf of their leader. 

The story then takes a severe turn into something else as Doss and his cronies end up farther away from their city environment into a rural area dotted with abandoned buildings and metal sculptures called the pipe men. They then encounter the people behind the pipe men, a cult who is looking for someone called “The Prophet.” 

Once Doss encounters the cult, he is put in a situation in which he is not prepared. Before he and his friends were able to face these conflicts. They can deal with crime bosses, drug deals, and the occasional violent act. But this cult isn’t like that, they have darker purposes. They have no motives and they don’t care who fits their vision. They want to fulfill it and they draw Doss in a way that is incredibly bone chilling and ominous.

““The Tragic Events Befalling Lizaveta”-The darkness that these stories encounter carries over into the Medieval Era as Oresetes, a monk investigates some strange happenings in a monastery after a novitiate turns up dead. 

The murder mystery is effective as Oresetes and his superior, Wittelsbach investigate the murder and the various leads. The setting of the monastery is deceptively described in the first page which features children playing. It gives the impression of a good kind giving place which welcomes all. But the more that the protagonists visit the cold austere stone walls and the monks keeping secrets, the more an ugly side resonates. 

Things become more apparent when they enter an area called “The Hurting Place.” In a few pages, the secrets are revealed in a bloody violent confrontation. It shows the ancient outdoor Pagan subconscious inside the Gothic indoor Christian surface. It says that inside many law-abiding seemingly upright pillars of the community hides souls that seethe with wrath, sexuality, violence, anger, and hypocrisy.

“Notes from the Yucatan”-This is a very short story which makes the most of its setting to show the eerie sense of dread when one is out on an unfamiliar landscape and how it mirrors the dark souls that inhabit it. The Narrator is searching for a man named Sir Reginald with the help of a guide, Bartholomew. 

The setting has many descriptions of sinister trees, ruins, particularly pyramids, and harsh rain. It seems like the end of the world where someone is listening to every sound and seeing every shape and is in fear of what could be out there, whether it is animal or human. Whatever it is, it is coming for you. Worst of all, the body could be thrown somewhere and never be found.

The fear and paranoia in the setting is mirrored in the behavior of the characters that surround it. It  is like an Edgar Allen Poe story in which the Reader explores the Narrator’s fractured psyche and we see the violence in the main character is just as prominent as it is without. If anything it was even greater within the Narrator. He is not acting out of any motive or or reason. He is violent for violence’s sake, almost like a force of nature around him.

“Hecato’s Dream”-This story takes us to the decline of the Roman Empire.Two guards, Hecato and Rufus chase after an assassin and come face to face with their own mortality. 

This is set towards the end of an era and that is felt throughout the story. There are discussions about Gauls, invading armies, cults springing up, and lawlessness. The Empire that maintained such a wide control over various nations is on its way out the door. With that decline became a decline of structure, rules, regulations, defense things people like Hecato and Rufus were familiar with but had long taken for granted. 

Now during these times, bloody crimes occur but not in a way that feels justifiable or understandable, not for any specific reason. It is because there is no structure and the one that remains is so fatigued by the forces outside that they don’t care about the struggles within. If there are no laws, no one can be punished. If no one can be punished, there is no fear of being caught. Hecato and Rufus’ world is crumbling so they are taking what they can. They know that their time is short, just like that of the Empire and the only thing that they have left is their own violent avaricious angry urges that need to be satisfied. Once those are spent, they truly meet their ends in an afterlife in which they know but can’t accept that an inevitable end is coming. 

“Ceremony”- This story covers similar ground with “Crown of Switchblades” in which a seemingly badass group is undone by a supernatural presence and all of their braggadocio becomes a joke, whereas “Crown of Switchblades” excels in a shift in tone. “Ceremony” excels in dark comedy dialogue. Declyn, an investigator, is looking into  the rock group “The Raging Bastards. His lover, Misty, who is involved with not only him but the three guys in the group is his main contact. Declan’s time with the Raging Bastards begins with plenty of sex, drugs, and rock and roll and ends with blood, guts, and terror, especially after Misty disappears.

The key advantage is the dialogue. Many characters dance around the truth with plenty of strong language, sexual overtones, and violent metaphors. Many of the phrases like when Bastards member, La Roe sarcastically describes the group as “tree huggers preaching peace and love” brings ironic smirks. Other comments like “If I had your eyes, I’d drive us off a cliff” carry an edge of suspense undertones hidden inside the dark comedy overtones.

One of the more interesting aspects of the dialogue is the amount of foreshadowing. After the story is over, it’s worth going back and putting together the tantalizing clues that the characters dance around. The constant references to blood, animals, violence, and aggressiveness spill some of the tea before the entire kettle is knocked over. There are also warnings when people tell Declan that he should stay away and that he doesn’t want to know what Misty and the Bastards are up to. It’s one of those stories that lays the plot in front of you so when you go back and reread it, you think, “Of course, it was there all along!” 

The violence is graphic but detached in a way that makes it more grotesque or comic than scary. The moment when Declan reaches the truth is dripped in irony and gore. The final line is blunt in violence that comes out of nowhere leaving Readers to sort out the aftermath.

Virtuous Women by Ann Goltz; Contemporary Literature Novel Skewers Religion, Cults, and Restrictive Traditional Gender Roles

 Virtuous Women by Ann Goltz; Contemporary Literature Novel Skewers Religion, Cults, and Restrictive Traditional Gender Roles

By Julie Sara Porter

Bookworm Reviews 

Spoilers: Now we return to a favorite topic of this blog: Religion and Religious Cults. The Quiverfull Movement is a Christian theological position which encourages marital procreation with the intent to create large families. Its followers abstain from contraceptives, family planning, and sterilization reversal. Among the most famous, or rather infamous, adherents are Jim Bob and Michelle Duggar of reality television fame. 

Virtuous Women by Ann Goltz is a brilliant Contemporary Literature Novel that skewers religious cults and the Quiverfull Movement by showing the detrimental effect that they have on the women who are involved within them. In a time when women’s rights are eroding because of interference from Christian Evangelicals, the dangers that such a strict environment can bring cannot be stressed enough. 

Hope Wagner is the oldest girl in a religious family of ten children. Because of her status, she has to fill the motherly role towards caring for her younger siblings left by the death of their mother. However she is soon to approach the marrying age of 18 and her father, Michael will be left without a housekeeper. The elders of the Church of the Covenant order Michael to get remarried and they have the perfect candidate. Enter Jennifer Levine, a newcomer to the Church from an outsider background.

Goltz’s writing is brilliant with how she captures how people fall into such Fundamentalism and how people can be destroyed when they religiously (pun not intended) follow such a path.What is fascinating about the first half of the book is that the Church of the Covenant seems deceptively alright.

If you read a lot of Inspirational Fiction or watch a lot of Hallmark Holiday Rom Coms, you might recognize the pattern: Big city career woman with secret longing for a simple life finds herself in a cute old fashioned town with good old fashioned values. She meets a handsome rugged salt-of-the-earth local, usually a widower with children. Complications ensue but she decides to ditch her old life behind, stay in the town, marry the local, and conform to his ways. Expect quirky locals, beautiful natural settings, a sob story about the couple in question, detailed Holiday seasons, and definitely a trip or two or three to church to remind you that yes these are Faith-driven locals. 

That's all present in Virtuous Women, but something seems off about it. The Wagners seem at first like a decent family albeit very strict. Some details like the kids being home schooled could be attributed to their Conservative upbringing. They seem to be in a community whose members genuinely look out for and communicate with each other. Michael might be stern but he is honest and appears free of religious hypocrisy. 

 In this fast paced world of immediate gratification, ever present technology, and gloomy and doom-driven news, it's understandable why someone like Jennifer would want to be a part of this life, especially someone like Jennifer.

Jennifer is the type of modern woman who has the past in a nostalgia filter. She reads Classic Literature and wears vintage clothing. She works as a nanny and secretly resents her employer’s affluent attention seeking lifestyle. Her career driven parents were more interested in obtaining wealth and status than parenting. She is the type probably much like many of her Readers, who would like to go into a time machine, travel to the past, and stay there. But her vision of the past is not the same as the reality.

There are some early red flags that suggest that life in this Church isn't all that was originally advertised. Those signs are designed to make the hair stand on the back of the mind and eyes narrow in suspicion wondering what Jennifer is getting herself into.

 There's an early moment where Hope is assaulted on her way home from grocery shopping and her father blames her for the attack. There is the moment where Jennifer enters the church wearing period clothing but one that is too ornate and showy for the plain clothes congregation. There are plans to marry Hope off right away to Joel, a young man who comes from another family of believers even though she's only 18 and her younger sisters are also preparing for their future weddings. One of the biggest warnings occurs after Jennifer uses her money to buy her future stepdaughter’s wedding dresses and Michael becomes furious and physically violent, accusing Jennifer of violating his commands as the man of the house. They are present and definitely can't be ignored. It doesn't take long for Jennifer to realize that she may have gotten the old fashioned life that she thought that she wanted but she also got all that came with it including Christian Nationalism and subjugation towards women.

Jennifer is an example of someone from the outside who stumbles into a cult where everything is new and fresh to her and all rules have to be explained. Since she is so new, she questions everything around her when her suspicions and concerns manifest themselves. She sees a patriarchal system where women are second class citizens. Where God's love and forgiveness is minimized and his judgemental wrath and punishment are emphasized. Where education is limited to only what the church allows to be taught and advancement is diminished for boys and practically non-existent for girls. Where distrust in the government is so high that they don't go to hospitals even if they're dying or seek welfare when they are starving. Where girls are raised solely to be wives and mothers and are ordered to breed lots of children and have no choice in the matter. Once Jennifer realizes the dangers that she has gotten herself into, she begins to look for a way out.

Jennifer may have been thrust into the Church of the Covenant but another character reveals the pain of having been born into it: Hope who, after Jennifer leaves the book, becomes the primary protagonist. She had been raised by her father and the Church and never knew any other life. Her brainwashing began so early that she doesn't acknowledge that's what it is. Every time she mildly questions her upbringing, slightly disagrees with the lessons being taught, or considers a career in midwifery, she believes that she is sinning and that she needs to pray and read the Bible to seek attrition. She isn't even allowed the freedom to disagree or think for herself in her own mind. Her father's church has her convinced that as a woman, she is a weak vessel who needs to be controlled and made submissive.

Those nagging worrisome doubts that came into Hope’s head and then disappeared come to surface with the arrival of Jennifer and her subsequent marriage to her father. Suddenly those doubts come in a human form that becomes a catalyst for Hope finding her own independence. She sees the life that she has complacently accepted as one that imprisons and restrains those within it. The seemingly charming old fashioned plot gives way to something darker, more sinister, and more realistic than the life Jennifer imagined and Hope lived with every day.

With such a savage take down of cults, I sort of expected the book to climax in a violent and bloodthirsty manner which resulted in the death of the cult. That is not actually what happens. The cult instead destroys itself. It is destroyed from within as young members grow up and break free from their programming and older members refuse to go beyond their rigid beliefs to accommodate and adapt to the changing world.  

The Wagner Family themselves implode as the children fall into early death, domestic violence, unwanted pregnancy, estrangement, elopement, and rebellion. Some leave and then come back penitent. Others settle into unhappy marriages in which they outwardly follow the values in which they were raised but now makes them inwardly miserable. They become aware that their rigid religious upbringing left them unprepared for the world and in many ways was responsible for the troubles in which they found themselves. 

The only way that some of the Wagner Children can receive any type of fulfillment and contentment is to leave the Church and their family and make a clean break from the way of life in which they were raised. 

Virtuous Women is the type of book that reminds us that religion can be a good thing in small doses but for all too many, it is used as a means of control and oppression. Sometimes the most courageous, faithful, and virtuous thing that a person can do is live outside of and out speak against it.

Mystery in the Metaverse by Nick Airus; AI Metaiverse Science Fiction is Harrowing and Thought Provoking

 

Mystery in the Metaverse by Nick Airus; AI Metaiverse Science Fiction is Harrowing and Thought Provoking 

By Julie Sara Porter

Bookworm Reviews 

Spoilers: The Metaverse could be one of the best or one of the worst experiences ever. It could be the best because people can experience and interact in another world that before they could only experience with the arts, entertainment, and their own imagination. We can learn so much more and communicate with others around the world. It could also be the worst with the ever approaching overuse of AI and not knowing what is real and what isn't. Art and literature are being replicated and while still being flawed, could one day be hard to discern whether they were made by human hands or a program designed to appear human. There is also the possibility of technological addiction and people preferring to live in the AI world instead of the physical and natural world around them. Nick Airus explores the good and bad of AI and the Metaverse with his thought provoking and harrowing Science Fiction/ Mystery, Mystery in the Metaverse.

Damien Zill, Chief Technical Officer of Emergence AI and member of a secret group known as Obsidian Goal, has been attacked and is reported missing from his home. Detective Asher Bloom and Evidence Response Team Leader, Jade Heart investigate the disappearance. Witnesses said that Zill spent a lot of time in his Metaverse theater and books and notes left in Zill’s home describe a singularity and a cult. To find out what all of this means, Bloom has to travel inside the AI Metaverse to find clues towards Zill’s disappearance and other murders and death threats that pile up. To solve this mystery, Bloom must play the sadistic games of the enigmatic avatar known only as Ninjagod1138, who knows more than they are letting on.

This book has many highlights but the greatest among them is the Metaverse setting itself. When Bloom enters the virtual world, it is almost as real as the physical one. However, it is populated with various settings and characters that seem just a little bit off in that uncanny valley way where the virtual world seems real but not quite. It adds to the tension and blurred lines between AI and human, imagination and reality making them even more faint the longer that Bloom and others stay in this VR world. 

The best parts of the book are the trips into the Metaverse. Bloom is like a stranger in a strange land, in awe and amazement but wary about the dangers around him. The Metaverse manages to activate all senses and provides the visitor with knowledge to interact with other avatars.

 When arriving in Meta City, Bloom sees a city with shiny skyscrapers and avatars of all kinds from humans, to animals, to superheroes, walking around. It's like everyone's fantasy brought to life but it has a dark side. He also visits various other locations such as an ancient Greek civilization, under water, and a desert.

It would be fascinating to visually imagine the transition as pixels, binary numbers, codes , and images transform into a setting that is technically animated, but appears more real than reality itself. 

That dark side is seen when characters get hurt in the simulation world and still suffer the pain in the real world suggesting yes, if they die in the Metaverse, they die in real life too. It is a fascinating ever changing AI world and visiting it only covers a third of what this technology can do. That is a fascinating and terrifying thought and Mystery in the Metaverse covers those alternating schools of thought towards AI.

The investigation is intricate and detailed as well. Ninjagod1138 provides clues and games for Bloom and his colleagues to follow to find each hint and solve the case. One of the creepier aspects occurs when Bloom and his colleagues are forced to play Hangman to find a vital clue. Ninjagod 1138 is a sadistic genius who enjoys forcing the other characters to play off their sick and disturbing mind games.

 

The investigation also reveals much of the suspects’ motives on how they tried to put AI in its place but ended up becoming more servile than ever to the invention that humans created.

Robotics CEO, Eon Tarik (I thought ELONg and hard over who was Tarik’s inspiration but the results seem rather MUSKy) reveals some key information about the plans that he and his colleagues are working towards. It becomes clear that their plans are about to change but not by their own intended will.  Instead, they have to bear the responsibility for what they made and what will result from it. What is particularly frightening is that they do so without any remorse. No “what have I done” cries of anguish. No, “I have become Death, Destroyer of Worlds” moments of self-realization. They not only acknowledge and own up to it, but welcome the destruction and change their AI baby will bring about. It says something that the human characters like the tech gurus and possibly those behind  the avatars like Ninjagod 1138 are more terrifying and inhuman than the AI that strives to conquer through subjugation and assimilation. 

The Metaverse takes an even wider perspective especially towards the end where a transformation occurs that goes beyond known technological capabilities. After a while, I nearly forgot what book that I was reading as it turned from Science Fiction/Mystery into something else. The tone is changed by the end and the world goes through an evolution but it remains to be seen whether it's for the better or worse.

New Book Alert: Fancy Fanciful Fantasticality Book 2: Certain in the Circumvention by Francessca Bella; When Things Aren't Particularly Fanciful or Fantastical

 

New Book Alert: Fancy Fanciful Fantasticality Book 2: Certain in the Circumvention by Francessca Bella; Calista Shines Even When Things Aren't Particularly Fanciful or Fantastical

By Julie Sara Porter

Bookworm Reviews

Spoilers: 

The lovely lady with the awesome alliterative moniker is back. Calista Soleil, the Fancy Fanciful Fantasticality Overseer of Port Sunshinescence has returned for a new adventure in Certain in the Circumvention, the second book in Francessca Bella's Fancy Fanciful Fantasticality series.

To recap in the first book, Calista is a young woman of tremendous power and responsibility. She led a rebellion on Earth against the despots and became a leader in the new community that thrives in space by the sunlight. She made a return trip to Earth when a terrifying omen foretold Earth's destruction. Calista traveled to Earth and made new friends: Lavender, a former scientist for the sinister Moonbow Laboratoria, Sagan, a warrior, and Teal, an Earth citizen with precocious talent but little education to pursue it. Along the way, Calista saves Earth, refers Teal to study at her alma mater, Chromia Academy, and faces her own arrogance and prejudices to become a true hero.

In Certain in the Circumvention, Calista is called into service once again. People can visit or move to the Principality of Sunshinescence as long as they have Aureate tickets. The problem is none of the Aureate ticket holders are showing up. Something or someone is preventing them from going to the Principality. Calista has to go down to Earth to find out why and what's holding them back. Not a moment too soon. Because there are some disgruntled employees who think a change in Overseer is definitely in order.

Just like in the previous book, Calista is dissected underneath the sunshiny goddess-like persona. In this volume, Calista's reputation is in danger of giving her away so she has to go incognito. She goes to Earth as a normal person with the same name. (More people know her by the title than her real name.)

Being deprived of her title, reputation, and abilities brings Calista down to the level of most people around her. She can't use her influence or power to learn what happened to the Aureate ticket holders. So she has to feel her way around by asking questions, observing her surroundings, and finding evidence.

Taking a vulnerable regular form humbles Calista. She isn't as polarizing as she is in the first book, very unyielding and somewhat arrogant. However, she shows flashes of it in this book. In the first book, the narrative implied that Calista befriended Teal and would take an active interest in her life. However, we find out that is not the case. Calista and Teal have grown apart and haven't spoken in years, something that Teal regrets. However, they continue to help each other as Teal provides Calista with assistance in finding where the ticket holders were sent.

However, Calista is a much improved character than she was before. She is still a courageous and compassionate leader, but she is much more nuanced in her approach. She has a lighter personality, even a sense of humor at times. She is even willing to consider various options. In one chapter, she sarcastically jokes that she is considering harming someone with violence, something that she wouldn't have done in the previous book (either harming someone or joking). It's a little moment but she's showing a more human facet to her character.

She also receives some challenges to her name and character. Calista learns some secrets about her family that calls to question everything that she previously believed. These revelations are key to her questioning her identity, background, and why she became the Fancy Fanciful Fantasticality.

Calista also once again comes face to face with Moonbow Laboratoria and the Moonites who continue to be thorns in the sides of Sunshinescence. Some of the most fascinating conflicts are between Calista and Luna, a representative of the Moon. To use Jungian archetypes, Luna is Calista's Shadow Self, her opposite. 

Throughout the book, Calista's vulnerability and humanity are laid open. These make her more identifiable and human especially when she faces Luna. In some ways, Luna is what Calista could be if her arrogance and colder nature get the better of her. To face her other self, she has to recognize the real her hidden underneath the Fancy Fanciful Fantasticality. Luna unleashes the monster. Calista unleashes the woman.

There is a third book in the series and it will be interesting to see where Bella takes her character as she learns more about the worlds around her and herself.

New Book Alert: Cleopatra's Vendetta (A Stryker Thriller) by Avanti Centrae; Complex,Suspenseful, and Exciting Combination of Fanciful Adventure with Gritty Thriller

 

New Book Alert: Cleopatra's Vendetta (A Stryker Thriller) by Avanti Centrae; Complex,Suspenseful, and Exciting Combination of Fanciful Adventure with Gritty Thriller 

By Julie Sara Porter

Bookworm Reviews

Spoilers: Avanti Centrae's books could be considered the Indiana Jones of adventure novels. They are exciting suspenseful chases in which the characters find some lost treasure that contains knowledge about history that challenges our previous perceptions of the past. Of course there are villains following close behind with the drive to kill the good guys, steal the treasure, and bury the information.

Centrae's previous series, The Van Ops is a great example of these adventures, featuring twins who are part of a secret government organization that searches for these treasures. Her other series, The Stryker Thrillers combines the style of the more fanciful adventure novels with the more grounded political thrillers. It's a strange but effective crossover of genres.

The estranged wife and daughter of Timothy Stryker, leader of M2, a military SpecOps Unit, have been kidnapped. It's up to Stryker and his sister-in-law and fellow M2 member Sam to find her. Meanwhile, Stryker's partner Jeronimo Guerrero Reyes is investigating a series of assassinations of high profile leaders with the assistance of Jane Parish, a British agent. Eventually it is revealed that the kidnappings and assassinations are linked because of an ancient religious sect called Sons of Adam that is tied to the true circumstances surrounding Cleopatra VII's death and it had nothing to do with asps.

There are some exciting moments that are to be found such as when Stryker and Sam trail a suspect to a bar to learn about Angie and Harper, Stryker's wife and daughter's whereabouts. Then there is the moment when Rey is an eyewitness to an assassination and follows the hitman through India.

Angie herself has some gripping scenes during her captivity when she struggles to find out where she is and what her captors want her for. Every character has several moments where they have to use strength, skill, and intelligence to get out of a bad situation.

There are also some great chapters that piece together the story of Cleopatra and characters explore what might be her tomb. The clues are tantalizing and very revealing about who she was and what information the Sons of Adam want to suppress.

This is the kind of book where there is a cliffhanger in nearly every chapter and the Reader can't wait to see what happens next and what it all leads to.

Even though politics are often involved in Adventure stories (usually the characters are employed, hired, or stopped by some government), it is often in the background with fanciful almost cartoonish representatives. Since Cleopatra's Vendetta is combined with the political thriller genre, there is an air of gritty reality to the suspense that goes beyond the archaic clues and narrow escapes in most of these books. 

Stryker's team for example is a veritable buffet of PTSD, addictions, and horrible pasta that make them characters that wrestle not only with antagonists outside but their own inner demons.

 While she and Harper are kidnapped, Angie fears that they might be taken by a human trafficking ring (and she's not too far off). 

Many of the protagonists commit violent actions in the name of gathering information and work for shady government representatives who couldn't care less if they live or die. Even though the adventure is rooted in the old tradition of black and white, good vs. evil, Cleopatra's Vendetta features characters who live in a world of muted gray.

There is treasure to be found, information to be learned, and a history that is faced and seen with new eyes. Most of it surrounds the true character of Cleopatra. Even the opening prologue focuses on the Egyptian queen moments before her death. 

Like the adventure surrounding Cleopatra and the clues about her death, the aura of mystique is removed from her giving a more complex portrayal than most of her representations. Usually, Cleopatra is portrayed as a highly wealthy femme fatale who took both Mark Antony and Julius Caesar as lovers. 

But many historians do not focus on Cleopatra's rule and immense leadership skills. She was considered one of the last great rulers of the Egyptian royal dynasties. She successfully wrestled the kingdom from her brother Ptolemy and was a consummate strategist who spoke several languages and studied the philosophers in learning how to adapt her thinking. In fact, her unions with Caesar and Antony weren't solely for carnal pleasures as they were to form powerful alliances with the Romans. She was thought in her day to be the reincarnation of Isis, Egypt's Goddess of fertility, magic, healing, death, and rebirth. This book restores the Egyptian queen's character and makes her just as powerful in death as she was in life. 

To focus only on Cleopatra's beauty and her lovers tell only half the story. It's like talking only about Elizabeth I's relationship with Robert Dudley but not focusing on her long reign and leadership. In her own way, Centrae allows her characters to bring the real Cleopatra's legacy to light.

The thriller aspects of espionage match well with the adventurous look at history making Cleopatra's Vendetta a complex, suspenseful, and exciting combination.

Weekly Reader: Murder By The Coven (A Belfast Murder Mystery Book 3) by Brian O'Hare; Supernatural Unnecessarily Brought In For Otherwise Thrilling Police Procedural Murder Mystery

 Weekly Reader: Murder By The Coven(A Belfast Murder Mystery Book 3) by Brian O'Hare; Supernatural Unnecessarily Brought In For Otherwise Thrilling Police Procedural Murder Mystery

By Julie Sara Porter

Bookworm Reviews 

Spoilers: Granted, I have only read two books in Brian O'Hare's the Belfast Murder Mystery Series, so it's hard to tell which is the weird one: Murder by The Coven for openly involving the supernatural or Murder on the Dark Web which is a police procedural which does not. Judging by the description of the other three books in the series, Murder by The Coven is the most likely outlier. Because of that, it is nowhere near as powerful and graphic as Murder on the Dark Web.

Now don't get me wrong, I love supernatural mysteries. I love when the protagonist has psychic abilities along with massive powers of deduction in their arsenal. I love when "murder by dark magic" could logically be considered as a means for murder. I don't even mind when genres mix. However, in a long term series it has to do it from the beginning. To throw supernatural demonic influences on a mystery series which was fine being a typical police procedural with human murderers and pedophiles is jarring at best and sends mixed messages at worst.

Maybe I am particularly hard on Murder By The Coven because I loved reading Dark Web Murders so much. In fact it was one of my favorite mysteries that I read this year so the follow up was bound to be lacking in comparison. Murder on the Dark Web subverted the ideas of heroes and villains, good and bad, by making the murder victims reprehensible and guilty of crimes in which they were never caught nor charged because of their wealth and power. The murderer was victimized by these horrible people and seeks vengeance the only that they can. However, the fact that they take it too far and harm innocent people makes the murderer a bit hard to root for though understandable. The subversion is ever present and was what made The Dark Web Murders so great.

Murder by the Coven also has some of those same themes. When it explores that theme, it is very exciting and thrilling.

The prologue is set in 1995 and takes place during a terrifying ritual. A woman is brutally murdered in a sacrifice by a Satanic cult. The cult members are hooded and unidentified. Twenty one years later, an older couple is murdered. Meanwhile, Sheehan and his team investigate the skeleton of a woman that has been dead for over 20 years. After some investigating, the team learns that there is a connection among the skeleton, the couple's murders, and the Satanic coven which is alive and well.

Murder by the Coven is similar to Murder on the Dark Web which the rich and powerful's crimes are buried because of names and connections. Many people are left suffering in their wake and one seeks vengeance because of a lifetime of suffering from actions that have gone unpunished. Some of the murderer's actions are unconscionable and their overall personality is very different from the previous murderer of the Murder on the Dark Web. Many times they are just as cold blooded and methodical as the coven of Satanists. The Satanists created the circumstances in which the murderer acts and the murderer takes it to a higher level. The Satanists are the cause and the murderer is the effect.

There is some heart stopping suspense and a nice subplot involving coroner, Andrew Jones and Selena Carrington, a young woman involved in the investigation. When Murder by the Coven is set in the procedural world, it works.

That is how this book should be, unfortunately it isn't always like that. In the last book (and from reading the descriptions of the other books), faith is a strong theme throughout the series. Sheehan is a die-hard Catholic and in Belfast, the struggles between Catholics and Protestants are still present. In fact, the book is set against the backdrop of The Twelfth, an important day in Ulster history honoring William of Orange, the Protestant King of England. The Twelfth is still a day of contention between the Christian denominations in Northern Ireland. Sheehan and his team put their own religious divide and personal animosity to keep the peace. Faith and spirituality is important to the series but it has always been in the background until Murder by the Coven.

What doesn't work is that the book takes a hard left into the paranormal. One of the coven members invokes a demon to curse Sheehan and his crew. Suddenly,this awesome police force and their loved ones act like bickering and whining children accusing each other of infidelity, police corruption, and sloppy investigation tactics. If these were presented as legitimate concerns that the characters have had over the years that manifested itself into internal suspicion, petty bickering, or even joking asides or disagreements, it could be symptomatic of buried resentments now coming into focus because of a stressful case. But no, instead one minute they are acting as a team and the next they can't stand to be in the same room together. It takes the work of an exorcist to break the curse.

This subplot could have worked as a maybe magic maybe mundane situation where coincidences or hidden circumstances that could be attributed to otherworldly forces but it is so blatant here and seems to come from The Exorcist rather than a realistic crime drama.

This passage almost sends the book to an unnecessary detour into the supernatural. The Sheehan series seemed to exist in a regular real world where human beings sometimes did despicable hateful

things to other human beings. They didn't need demonic influences to act. Sometimes the darkest hearts can be with humanity itself and they get justly punished for their actions. Inserting paranormal forces into a series that didn't occur before is like throwing a dragon into Ed McBain's 87th Precinct series. It may shake things up and it was probably O'Hare's intention to do something different with this book. But it comes across as awkward and in this case contradicts messages from the other books.

Murder by the Coven seems to imply that the coven got where they were: rich, powerful, and corrupt because of their pact with Satan. It's the old "Devil Made Me Do It" defense that demonic influence, not human behavior, is the real enemy. So in this world if the Devil influences characters, does that work for the rest of the series? (I hope not. That club in Murder on the Dark Web are complete human a$#@_&es who definitely didn't deserve such an out.) Putting demons in a series that previously didn't have it removes the thought that ultimately humans are responsible for their actions for good or bad.

In a different book, the supernatural might have been an interesting addition to a crime drama series, but not in this one which operates and depends so much on real world issues and real world laws. Perhaps instead O'Hare could do a supernatural based series which directly involves such diabolic vs. angelic conflicts but not in a 

police procedural series and, volume in particular, which worked just as well without it.

New Book Alert: What Immortal Hand by Johnny Worthen; Hypnotic and At Times Disturbing Supernatural Horror Featuring Kali, Hindu Goddess of Death

 

New Book Alert: What Immortal Hand by Johnny Worthen; Hypnotic and At Times Disturbing Supernatural Horror Featuring Kali, Hindu Goddess of Death

By Julie Sara Porter

Bookworm Reviews

Spoilers: Johnny Worthen's novel, What Immortal Hand is one of those types of books that make you think it's going to be about one thing. The Reader goes into the book expecting and mostly getting a dark, disturbing, and at times hypnotic thriller. Then it takes a 180° turn and becomes more subtle, cerebral, and somehow more meaningful. 

Michael Oswald is an investigator for an insurance company who mostly resolves fraudulent insurance claims. He is recruited to look for Isaac Lowe, a semi truck driver who is missing, truck and all. The Reader learns in the prologue that Isaac attended a strange religious meeting in the desert, picked up a hitchhiker, and ran into some very violent characters before he met his untimely end. It is a very graphic beginning that grabs the Reader's attention from the word go.

Michael investigates Isaac's case but he has some mysteries of his own. He can't remember most of his childhood except for one foster family and that both parents died. His current life isn't any better. He is divorced and his ex and kids are settled into a new life with a new husband and father. However, Michael's ex wife keeps him somewhat updated on their troubled daughter. As an investigator, Michael lives nowhere in particular and just bounces around from place to place, assignment to assignment. He seems to be running towards or more than likely running away from something. 

This investigation ends up becoming very personal to Michael. He is followed by people who seem to know more about him than he does, causing him to really question the parts of his past that are blocked out.

One of the more horrifying aspects in Michael's journey are the visions or hallucinations that plague him. Sometimes, he sees tigers out of the corner of his eyes. Other times, he sees a sinister looking topless dark skinned woman with multiple arms. 

What Immortal Hand is an almost hypnotic mesmerizing journey where not only Michael but the Reader is constantly put in a state of unease and discomfort. The desert landscape really helps intensify the mounting tension. Michael gets a taste of it when he hears disembodied footsteps and sees crocodiles and melting faces.

Then there is that strange dark woman who keeps appearing and disappearing, frightening Michael to the point of paralysis.

 There is a lot of barren landscape where your eyes can play tricks on you and you can see the creepiest things. At night, it's a lot worse. It wouldn't be hard to imagine that many semi truck drivers see some bizarre unexplained things during their late night runs down the flat dry barren roads.  Of course the fact that there is a lot of abandoned hot land that could be very useful for criminal activity can't be ignored. Michael and his new partner, Craig realize this as they stumble upon a mass grave. One might be Isaac, but there also seems to be an awful lot of unidentified people murdered in that same place.

Around the halfway point, What Immortal Hand, takes a distinct turn right around the time when Michael runs into people from his past or mysterious people who seem to know him though he doesn't know them. For spoilers sake, I will try not to reveal too much, but the plot twists largely involve Kali.

Kali, for those that don't know, is the Hindu goddess of death and time. According to the Linga Purana, Kali is an alternative form of Parvati, a light benign goddess who has to become the dark active Kali to fight against the demon Daruka. She is usually depicted as a woman with black skin, multiple usually four arms, and a large tongue sticking out of her mouth

 Hindu mythology portrays Kali as a fierce, bloodthirsty, sometimes out- of-control fighter who is able to act on the other god's darker impulses but needs them, especially her consort Shiva to calm her down. She was seen as both strong and wild, protective and violent, creator and destroyer. Her function was to be the fierce warrior that carries the anger, rage, deceit, fury and darker nature that the other Hindu gods no longer carry because of their benign, peaceful, detached personalities. 

While her actual portrayal in legends is nuanced and gives more facets to her character, popular culture concentrates more on her demonic form. The Thuggee cult of mid 19th century India cited Kali as their matron goddess. In film and literature, her legacy is seen as shock value as her worshippers are seen as murderers who cold bloodedly kill without remorse. 

Worthen's portrayal of the Hindu death goddess captures the nuances of her mythological roots rather than the pop culture transmogrification. There are some dark aspects involving her character (the mass grave and hallucinations are still incredibly disturbing), but her worshippers are three dimensional. They have a code on who to attack and who not to. They are protectors who defend each other and those whom they are close to, becoming almost vigilantes. 

They aren't always good though. They are still pretty bloodthirsty and live a chaotic existence. Michael is drawn into their world because of repressed memories and his own fears and insecurities about his placement in the world. He is detached from everyone around him and feels a strange connection to this modern day Kali cult. He fears Kali but he is also drawn to her too. 

What Immortal Hand is a dark hypnotic book that is meant to scare and then seduce the Reader into a Kali driven world.

Weekly Reader: The Neon God by Ben D'Alessio; Greek God of Chaos and Wine Comes To Wreck Havoc in -Where Else?-New Orleans

 

Weekly Reader: The Neon God by Ben D'Alessio; Greek God of Chaos and Wine Comes To Wreck Havoc in -Where Else?-New Orleans

By Julie Sara Porter

Bookworm Reviews

Spoilers: It would be interesting to imagine that if the Ancient Gods and Goddesses walked among us, what they would do. Zeus could be a CEO with a bevy of beautiful mistresses. Hera would be a marriage counselor or one of those right wing authors who wrote books on happy families. Ares would be a military strategist right in the thick of the action. Artemis and Athena would be spokeswomen for Feminist causes. Who knows?

Another fun one to picture is Dionysus, the God of Wine and Chaos. The god who was often around when his female followers, the Maenads, were at their most violent and bloodthirsty. He was the frequent rival of Apollo, the God of Order. He was often on hand to raise more than a little trouble in Ancient Greece.

Let's face it, in a modern world gone chaotic it wouldn't take much to place Ol' Dio right at the center of it.That is exactly what Ben D'Alessio does in this biting dark comedy, The Neon God.

 In this fractured fantasy, Dionysus explores modern day New Orleans and embraces its fun loving reputation. He finds the bars are always open, the people always ready for a good time, and the superstitious atmosphere perfect for him to make his presence known. While Dionysus, called Dio, by the locals struts down the Big Easy, he captures the interest of Zibby, a law student and wannabe writer. At first when Dio introduces himself, Zibby thinks that he's just exaggerating or speaking in metaphor when he tells her that he is a god. Then some unexplained things start happening and it looks like New Orleans is in the midst of an Act of God (or specifically Act of A God).

The Neon God has a strong sense of place in its setting. It's clear that D'Alessio loves New Orleans for all of its weirdness and eccentricity. Every street and building is brilliantly captured so well that the Reader can practically smell the spicy cooking and hear the jazz and blues music playing on the streets. New Orleans is a place that excites the imagination because of its closeness to the supernatural, magic, and the voodoo culture. The atmosphere is just right for something magical,something unexpected, and eventually something horrifying to happen.

D'Alessio also captures the modern day lives of the ancient gods with a tongue in cheek fashion. Zeus was last seen in Scandinavia answering to the name of Odin and staying as far away from his jealous wife, Hera as possible. Ares has been hanging out in Syria, Nigeria, all of the violent spots. Athena favors Athens, the city which bears her name and so on. The gods and goddesses divvy up the locations on Earth like spots on a Monopoly board game. They are bickering and as volatile as ever and none are too happy about the potential trouble Dionysus is going to cause in New Orleans.

There are some clever allusions to other mythologies and religions. There are implications that the Hellenistic pantheon change their names and appearances to whoever the local deities are. There is even a clever reference to Jesus Christ which is hilarious but will no doubt offend  any Conservative Christian reading.

D'Alessio has so much fun modernizing the gods and goddesses that I wish that he would do more of them. Besides Dionysus himself, we do see a few other mythological characters pop up, like the handsome Adonis who was an ex lover of Dio's. But it would be fascinating to see how much farther that D'Alessio can stretch this concept perhaps with a sequel or even a series focusing on a separate god or goddess living in modern times.

This is Dionysus' book and D'Alessio captures the dual nature of a god whose sole mission is to create chaos out of order and cause destruction.

At first Dio seems like a harmless party animal. He goes bar hopping, flirts with men and women. He rhapsodizes about wine. Wherever he goes, Dio inspires people to let loose, have fun, get drunk, and ignore responsibilities. He opens up that wild fun loving side that sometimes gets suppressed by jobs, commitments, and pesky adulthood.

However, there is a darker side to Dio's nature that has less to do with good drunken fun and more to do with bloody destruction. Dionysus also encouraged his new followers to embrace a more brutal side. The side practiced by the Maenads. They go into bloody frenzies, attacking and eating people, and drinking their blood. Of course while New Orleans is the city for parties, it is also the city for vampires and other dark creatures. Dionysus' devotees become mass murderers living outside of known laws, ethics, morality. They only live for carnage and chaos. A final parade with Dio at the head and his followers close behind is as terrifying as it gets.

A huge misstep that the book has is in the character of Zibby. She is the usual modern exposition character who is supposed to be the one who has to have the weirdness explained to her. She is our normal eyes and ears but when the action turns to her, she's kind of boring. Her presence especially in the middle of Dionysus' gathering of followers brings things to a near halt. When a god is creating a cult of vampire-like beings right in front  of you, now is not the time to be stressing about your law exams or in despair for getting a rejection letter. 

At first I thought Zibby was going to be a love interest for Dionysus, but when that didn't happen she seemed more unnecessary. While we need the point of view of the average New Orleans resident to respond to all the crazy, it might have been more interesting to have more than one person so we can have many different people either excited to join Dionysus,  skeptical of the happenings, or appalled by his behavior. One character just makes the situation rather flat.

Ben D'Alessio clearly had a lot of fun plunking Dionysus in the middle of modern day New Orleans. It would be a great journey to see what other possibilities that this idea takes him.