Showing posts with label Coming of Age. Show all posts
Showing posts with label Coming of Age. Show all posts

Sunday, April 13, 2025

Beyond Tomorrow's Sun by Ronald McGuire; Involved Account of a Young Science Fiction Hero


 Beyond Tomorrow's Sun by Ronald McGuire; Involved Account of a Young Science Fiction Hero

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Ronald McGuire’s Beyond Tomorrow's Sun is not by any means a long book, but through the exhaustive journey of its protagonist, it covers in only a few short years what seems like a lifetime.

Charles begins his story in a post-Apocalyptic world when unexpected circumstances force him to go on the run far from his negligent uncle, his only remaining blood relative. He survives in the wilderness with his newly found dog, Katie. Charles’ travels take him to a nearby city where he reunites Katie with her former owner’s parents, Henry and Rose Bimmey. When they hear about Charles’ history and especially about the lack of care from his uncle, Henry and Rose decide to adopt Charles. The young boy matures and falls in love with Becca, a scientist's daughter. He then enlists in the Space Force and takes to the stars where he has to face war, hostile colonists, ruthless space pirates, unstable fellow soldiers, the potential destruction of Earth, and relocation to another world. 

Like I said a lot happens to this young man. So much so that the book shifts through various genres and subgenres to tell different aspects of Charles’ story. The first half is an Apocalyptic survivalist novel which puts him against natural elements and the harsh wilderness. While there, he learns many of the things that become useful later on in his Space Force career. 

Earlier, he was appalled watching an acquaintance get killed in front of him. While on the run, he ends up killing someone in defense of himself and Katie. He realizes that sometimes people have to do tough things to protect those around them. Survival sometimes requires the breaking of previous codes. Whether it's right or wrong, in a dangerous situation, one doesn't always have the luxury of thinking before acting.

That's not to say that Charles becomes a thoughtless machine who only acts on impulse. In fact, he retains a great deal of thought and understanding when he enters the city. This turns the book from one person's struggle and survival into a coming of age story about him finding a family, romance, a path in life, and a sense of belonging.

 He protects and cares for Katie on his own so she is able to lead him to her family. Charles gives The Bimmeys crucial information that he remembered through observation and navigation about their missing son. He also shares their grief, compassion, and tenderness so well that he is instantly accepted as one of the family.

He also finds love with Becca and a higher sense of purpose. Originally, Charles was someone who did not fully understand science or sociopolitical structure. He was interested in joining the Space Force, basically to get off the planet. But after listening to and understanding Becca's family’s interest in wormholes, he begins to study the sciences connected to them. He also recognizes both his and Becca's family's connections to political and military leaders and the way they think and operate. These studies become crucial to his experience in attending the Space Force.

 After his journey through Space Force, the book becomes a high tech Science Fiction Military Thriller and contains some of the more thrilling sections in it. His studies, survival instincts, and understanding of how other people think, feel, and react help him get promoted at young ages. They especially come into play when he has to weigh whether he should understand the point that rebellious colonists make against the Earth government or treat them like an enemy that must be destroyed before they destroy him and his crew.

Charles also gains a firm grasp and understanding in the minds of his adversary’s minds in dealing with pirate Gemma Chang. She is an alluring elegant beguiling figure with an analytical understanding of others’ actions and plans so Charles has to outfight and outthink her to take the advantage. On a personal note, I found Gemma Chang a fascinating and intriguing character and would love to learn more about her. Perhaps, McGuire could create a spin-off or a short work about her exploits and journey to space piracy.

The Space Force chapters lead into the final act, where the book becomes an Interstellar Travel which involves saving humanity from self destruction. This is where Charles’ survival skills, intellect, Space Force training, empathy, amd understanding-everything that he has learned has to come into play because he not only has to find a new world but survive in it. It's a parallel to his first journey in which he had to travel into the wilderness with a trusted companion. Here he has to do the same but on another planet where the landscape is completely unknown. It seems as though everything in Charles’ life led to this path and destination.

The various pieces of the book fit to create a mosaic of Charles' ascension into adulthood, leadership, and founder of a new world.





Thursday, November 16, 2023

New Book Alert: Third Wheel by Richard R. Becker; Nostalgic High School Memories Turn Dark and Disturbing

 



New Book Alert: Third Wheel by Richard R. Becker; Nostalgic High School Memories Turn Dark and Disturbing

By Julie Sara Porter

Bookworm Reviews


Spoilers: Richard R. Becker’s previous book, 50 States, was an ambitious and ultimately successful endeavor in which he wrote an anthology of fifty stories that were set in each state. His drive to capture the setting, dialect, and character of each state and its residents was perfection beyond comparison.

Becker's next work, Third Wheel, is a bit less ambitious but still a brilliant work. It begins as a nostalgia piece of 80’s kids living their best days during a time of music videos, shopping malls, and Dungeons and Dragons. Instead it becomes a much darker and grittier tale involving greed, corruption, violence, and murder.


In 1982, teenager Brady Wilkins moved with his family from the Midwest to suburban Las Vegas. Brady feels out of place in Party Town and joins a group of friends including older boys, Mick and Brett in playing Dungeons and Dragons. After Brett moves away, Mick draws in another kid, Alex, into their inner circle. Unfortunately, Alex's interests lie less in the realms of fantasy with paladins, clerics, thieves, and wizards and more in the real world of gangsters, dealers, addicts, and criminals. Alex becomes involved in drug dealing and then gets his friends into the scheme. Suddenly, Brady finds his close network of friends are not the people that he thought they were.


The book is a definite change of tone. It begins light-hearted with a strong tinge of nostalgia. I actually lived in Las Vegas from 1989-90 (while my father worked at Nellis Air Force Base. Yes, that Nellis, conspiracy buffs!) so it's actually very easy for me to picture the setting and time period. 


The first few chapters seem to imply a fun romp with high school hijinks and plenty of details to remind any 80’s kid. If you were a D&D player, the references and descriptions of game play will be fun to read through. 

We also see the wild parties when the parents are gone. When underage drinking and drug taking flows freely, the hook ups are plentiful, the cops are a phone call away, and someone's parent arrives at literally the worst moment. It's a tried and true staple of any coming of age story particularly one set during the rad consumerist spoiled spirit of the 80’s.


Brady is the typical kid who is on the outside of this group. He enjoys the D&D games and the parties but he's on the outer fringes of the in crowd. He sees other kids acting more daring and wilder than he does. He is often just the hanger on and after thought, the one that the cooler kids “forget” to pass the joint to and probably think he should just stay home. He isn't geeky enough to be a nerd and not wild enough to be a stoner. Brady's just there.


During these early chapters, there are hints of a dark undercurrent because of Alex. During the D&D games, he declared that fantasy games are stupid and knows where they can have some real fun. Then he starts lecturing them about Church of Satan founder, Anton LaVey more to shock his friends than actually following any of LaVey’s teachings. At the parties, he gives his friends hard drugs instead of the usual pot almost as if testing the effects on them. He then gets Brady and Mick into drug dealing to the point that when Brett returns to the group, he barely recognizes his old friends.


Once the drug dealing and criminal activity becomes prominent, lighthearted nostalgia ends. Third Wheel becomes a dark gritty crime drama. What was once fun and games and a way to relieve boredom becomes a means to get money, respect, and to survive.

Brady falls into Alex’s world feet first. At first, it's exciting and shakes up his world but the more he falls in, the more he loses parts of himself-friends, love interests, family, and parts of his identity. 


There is a point in the book where the dark undercurrents become overcurrents. Violence ensues and everything that Brady once did, thought, and believed is called into question. He is left to face the real consequences of what a life can bring and how much he stands to lose.


Third Wheel takes different tones and does both well. It's a comparatively smaller work than 50 States but no less brilliant and powerful.



Tuesday, August 29, 2023

Weekly Reader: Legacy of Heroes by Daniel P. Riley; Character's Real Identities Outshine Their Superheroics

Weekly Reader: Legacy of Heroes by Daniel P. Riley; Character's Real Identities Outshine Their Superheroics

By Julie Sara Porter

Bookworm Reviews

Spoilers: Maybe because I am sick of superheroes everywhere, but when the superhero's real life identity and problems are better written than their super identity and fights with villains, that's not a good sign.

That's the problem facing Daniel P. Riley's Legacy of Heroes. He gives us three interesting characters then puts them in a typical hero plot that is trite and leaves very few surprises or excitement.

The protagonists are three teenagers with different abilities. Dasani Watson suits up as the newest version of Paragon, as a tribute to the original hero who lost his life saving Dasani years ago. James Lassiter is followed by a demonic figure that hides in the shadows and is barely controlled by James. The third member is Amy Price AKA Shriek AKA Crescendo who was once a member of a supervillain gang but now uses her power of making sonic sounds for good when her old gang abandons her. 

The three are assembled by Martin Lieberman, journalist and friend to the original Paragon. He wants to turn the trio into the latest superhero team to take on various villains like Amy's old gang and enemies of original Paragon's.

Individually the trio have some great moments that revealed their personal problems and struggles. They are actually more interesting in their conflicts with their placements and teen problems then they are with their fights against their super antagonists.

Dasani is still grief stricken over the deaths of his parents and of the original Paragon. Even though he only met Paragon once, it was such a monumental moment that changed his life forever. Living with his grandfather and struggling to take the role of his hero, gives Dasani a sense of reality of a world in which heroes are all too mortal and can't always be found in reality. Dasani has to look for the heroism within himself.

James has some pretty frightening passages with his companion, The Shadow Man. In a way, he is similar to someone with a severe mental illness like Paranoid Schizophrenia, PTSD, or Dissociative Identity Disorder. He can't always control his darker aspects. Sometimes it lives independently and does things that James is often against. The Shadow Man makes James feel isolated from his new friends.

Amy has to deal with leaving a toxic group and getting her life back in order. She was frequently abused and knew that she was only being used because of her abilities but as a runaway estranged from her parents she had few options. She is intimidated by the gang leaders, Comedy and Tragedy (called because they wear the comedy and tragedy theater masks). Amy isn't able to cut herself off from the gang until she is abandoned and found by James and Dasani. There she finds people who understand and accept her.

The trio start strong until the team heroics begin. There are some interesting costumes and characters that they face, notably Amy's old acquaintances Comedy and Tragedy. But they are lost to the typical plot points found in most superhero tales: the fights where they are overpowered, then come together stronger and united, the moment when one of the good guys gets kidnapped with their weaknesses exposed, the history between these new enemies and the good guy's mentor, and the twist of one of the villain's secret identity. Of course, the climactic ending reminds us that this is only the beginning. It's all regular and even boring with no new approaches to the plot. So much so that I forgot many of the plot angles almost as soon as I ended the book.

We've seen it all before and with the exceptions of the trio's individual backstories, the rest isn't really that super.

 

Wednesday, February 8, 2023

Weekly Reader: Lily Upshire is Winning by John Holmes; Coming of Age YA Novel About A Girl's Conflicts In Her Online and Private Life

 



Weekly Reader: Lily Upshire is Winning by John Holmes; Coming of Age YA Novel About A Girl's Conflicts In Her Online and Private Life

By Julie Sara Porter

Bookworm Reviews 


Spoilers: Lily Upshire is Winning by John Holmes is one of those Contemporary YA novels that isn't about anything. Or let me rephrase that, Lily Upshire is Winning is about the protagonist facing many things that on their own would make short works but together produce challenges to how she views herself and the world around her.


Lily Upshire is a 12 year old girl who isn't just having a miserable day. Lately she has had a miserable life. She is the frequent target of bullying from the Bizzel Sisters. She doesn't do well in school and dislikes most of her teachers except for English teacher Emily Hass, with whom she might have a crush. She is being raised by her grandmother, because her mother died before she was two and she has no father. This leads many to question and spread rumors about her parentage. It's no wonder that she confides in her online boyfriend, Travis, about her problems.


Lily's problems are about to get worse. Before she drinks a smoothie from a nearby shop called Bashett's, she discovers a pea inside. She and her grandmother's friends, the Peacemakers, decide to report the discovery to Bashett's main corporate office. This act turns Lily into an Internet celebrity. During her strange 15 minutes of fame, she discovers some disturbing things about Travis and a girl named Mack reveals to Lily that she has a crush on her.


This is a novel with a lot of humor and heart. There are some hilarious moments when the Peacemakers suggest ways to make her story more pathetic to arouse sympathy. ("Say you've got allergies!" "I have peas at least twice a week!")


 Also, it is very true when Bashett's keeps sending her complimentary gifts like vouchers and free trips to New York. They spend a lot of time, money, and attention on this case but don't give Lily what she really wants: a simple apology.


Besides the laughs, there is also a lot of sadness in the book, particularly with Lily's loneliness. She is understandably crushed when Travis is revealed to be a fraud. While realistically, Readers understand the dangers of online relationships and that Lily should know better, try telling that to a teenager with few friends and no one to confide in.


She also has trouble with outside relationships. She throws a potentially good healthy relationship with Mac away even after the girl confesses that she is in love with her. Lily is a bundle of insecurities who reaches out for love then withdraws it when she needs it the most.


Lily finds some solace as she begins to take up boxing as a hobby. What starts out as a means to exercise and defend herself, becomes an outlet to articulate her rage at the betrayals and anger that she feels. She begins to excel as many do when they find their talent and true niche. Through boxing, Lily actually finds some purpose in life.


Lily Upshire is Winning is a very realistic honest coming of age book that opens that time when it seems that everything is against you. Your body goes through changes that you don't understand. You are beginning to be annoyed with and resent the people around you. 


If you can find something or someone to hold onto during that time to bring some pleasure and meaning that makes you excel, then that can actually feel like winning.



Wednesday, January 1, 2020

Classics Corner: We Were the Mulvaneys by Joyce Carol Oates; Superb Novel About Family Ties That Violently Break Apart



Classics Corner: We Were the Mulvaneys by Joyce Carol Oates; Superb Novel About Family Ties That Violently Break

By Julie Sara Porter

Bookworm Reviews


Spoilers: If you live in a rural community, you probably know a family like the Mulvaneys.

They were a family that seemed large in number and seemed to know everybody. They were the center of community life. The parents were part of many organizations, maybe on the school board, served on every committee, and maybe had a place or two named for them. The children seemed to be involved in every activity in school, won every prize, were the most popular kids, and were academic and/or athletic all stars. You might have befriended them. You might have envied them. You might have been sick of hearing about them. But one thing was for certain, you couldn't imagine that rural community without them.




That is the type of family described in Joyce Carol Oates’s amazing novel, We Were The Mulvaneys. Oates peers into the private life of a family that appears large, happy, and involved, then reveals how they violently and tragically fall apart.


The Mulvaneys consist of Michael (AKA Curly), a roofer and small business owner, Corrine (AKA Whistle), his antique collecting wife, and their four children. The children are Mike Jr. (AKA Mule, Jr.,or Four), football champ and devoted big brother, Patrick (AKA Pinch), the science genius and introvert, Marianne (AKA Chickadee), the sweet and devout cheerleader and social butterfly, and Judd (AKA Baby, Dimple, Ranger), the youngest and most curious and awkward member of the family.

The Mulvaneys appear to be a very close family. They are actively involved in their community with Michael's country club membership, Corrine's church affiliation, and the kid's extracurricular activities. They care deeply for their animals and love their pets. There is always something going on, because the kids invite friends over and the house gets loud, crowded, and fun.

The Mulvaneys share family jokes such as their nicknames for each other or interpreting their pet's speeches. They tell stories, like Corrine's encounter with fireflies in December, with the kids usually making the same comments throughout. There are harmless teasing and personality clashes, but mostly this is a family that is very close, very loving, and generally very happy.

Until Valentine's Day, 1976. That night, Marianne is raped by the son of a family friend. As the Mulvaneys deal with the consequences of the rape, they also have to confront the judgement of a small town that once befriended and admired the family and now turn them into pariahs.

The Mulvaney family implodes as Michael turns to alcohol, rage, and various litigation suits to cope with the trauma. Corrine and the children also deal with the aftermath of the rape in their own ways causing the family to fracture even further.

This is a book that is filled with rich relatable characters, particularly in a family dynamic. There are many little details that those in a big family would recognize. When Corrine retells her kids the story about the fireflies, the kids groan and repeat the same lines about the fireflies (Ever scientifically accurate, Patrick always points out that fireflies couldn't appear in winter) but they always listen. One of the most touching moments is in the final chapter, after all the conflict has passed, the Mulvaneys are at a family reunion and the now adult children prompt Mom to begin the firefly story. Of course, Mom tells it and of course the kids groan and go into the same comments. This plays into the idea of inside jokes and memories that close family members share. Even the comments are repeated because they convey familiarity and comfort.

Another thing that repeats often is the family's devotion to their animals. Earlier, Judd says that his father, Michael insisted that the head of the family is their cat, Snowball, then Corrine, and he doesn't want to go farther down the line because it's too humiliating. Coming from a family that still mourns our beloved tortoiseshell calico, our queen, Houdini, gone these past ten years but not forgotten (though we insist that she is now sitting on God's shoulder running the Rainbow Bridge), I definitely understand.

The family's love for their pets is felt with the kids. Many of them have a signature horse, dog, or cat that they walk, take care of, ride, and regret saying goodbye to when they move out. However, when Marianne leaves home shortly after her rape, she brings her favorite cat, Muffin, with her so they can live with her mother's cousin and away from the shame. Marianne moves three more times throughout the course of the novel and each time brings her cat with her.

That's what makes this book so special. These details help the Reader sympathize with this family and sees them in happier nostalgic days, before reality hits, rape occurs, and they fall apart. We like and know these characters. Then we are horrified and pity them.

The family counts their lives before and after the rape, to the point that Marianne's rape becomes the turning point of the entire novel. It's hard to believe that the family who are isolated from town judgement and gossip, engage in violent arguments, and try to get as far away from each other as soon as possibleare the same family that was once so close and loving. You hate the rapist even more for hurting Marianne and destroying her family.

How the family deals with the rape and the aftermath says a lot about them as individuals as well as their placement in the family structure. Michael was once a proud community leader and a strong family head. He despairs because he feels like he failed in protecting Marianne. Alcoholism separates him from his family and his rages and lawsuits separates him from the community that he was once so proud to be a member of. He is arrested for striking Marianne's rapist and his father. He is stifled from caring for his family and feels impotent. The more impotent he feels, the more he retreats into perpetual drunkenness. He is in despair but feels helpless as they have to sell animals, Corrine's antiques, properties, the roofing business, and eventually their farm.

While Michael finds comfort in drink, Corrine finds comfort in passive religion. She was once a warm hearted woman who was devoted to her family and her live for God. She was a regular church attendee and was the type to share her Christian faith with anyone who asks (and even to some who don't ask.).

Since her family troubles, Corrine accepts her husband's transformation and her children's departures with resignation. She still clings to her God, but not for the joyful spiritual love she had before. Instead, she draws into religion as her only comfort and sanctuary in what is becoming a more violent and uncertain world.


The children are also deeply affected. Mike receives the least amount of attention, but he is someone who wants to go on with life. He is humiliated by Michael's behavior and constantly fights with his father. The father and son no longer can work cooperatively. When Michael loses the roofing business, Mike finds no need to stick around and enlists in the Marines, as if trying to move on from the trauma.

Patrick, the intellectual and introvert, retreats into his studies and his own thoughts. He goes to college to study biology, something that can be quantified, tested, and solutions can be found instead of unanswered. Patrick is also the one filled with the most rage though he hides it behind his cold intellectualism. He subtly searches for Marianne's rapist and in one tense moment confronts him with all the hurt that the family goes through.

Marianne is extremely traumatized by her rape. She was just as religious as her mother and was known around town as a good girl. After her rape, she has imaginary conversations with God wondering why this happened to her. She is shattered by the effects the assault had on her family and guilt stricken by believing that it was her fault. She moves out shortly after her rape out of guilt and sorrow.

While Patrick's journey was one of the mind, Marianne's is one of the spirit. She tries to find a spiritual center and purpose in life beyond her encounter. Marianne (and Muffin) goes to college, drops out, and then moves to a religious co-op. At the co-op, she is able to prepare food and work with others feeling accepted and useful. She believes that working at the Co-op provides herself with salvation.

However, the trauma still remains with Marianne. When the head of the Co-op confesses that he is attracted to her, Marianne is terrified and realizes that it's time to move on.

Jud has to suffer from the pains of being the baby of the family. He was too young to remember the majority of the good times. He only hears about them through family stories that he hears so often that he thinks he remembers them. He is a pre-teen when his sister is raped, so his main memories center on the dismal family afterwards, not the loving one before. As the first person narrator of the story, he chronicles their memories and stories as an observer not a participant. He can only gain access to the happy times from second hand information, not from his own recollections.

Because he is so young, Jud is filled with questions about who they were, how could anyone have attacked his sweet big sister, and why did they end up the way they did. In an early chapter, Jud sees a deer in front of the house and watches as it disappears into the forests. He thinks of Marianne like that deer: fragile, vulnerable, unprotected, and runs away to seek security.

Jud also has to come clean about his involvement with catching Marianne's rapist. He is there when Patrick makes the plan and follows him when Patrick confronts Marianne's attacker. Even though Jud is appalled that the rapist is free, he also realizes that he assisted his brother in committing a felony. His novel is also a way of coming clean over his actions while trying to understand the rest of the Mulvaneys.

The last chapter gives hope to the Mulvaneys as the children grow, find partners, and have children. Even their mother has found a close friend and has returned to collecting antiques. The family reunites again. While the years have worn them away and the trauma is still there, they are still a loving family. They can never go back to the way they are, but they can still be happy and together, even if they are now different.






Saturday, December 28, 2019

Weekly Reader: Maggie Elizabeth Harrington by D.J. Swykert; Historical Romance Youth and Love Between Humans and Animals



Weekly Reader: Maggie Elizabeth Harrington by D.J. Swykert; Historical Romance Explores Youthful Love For Humans and Animals

By Julie Sara Porter

Bookworm Reviews


Spoilers: It's an odd experience reading a series out of order. Besides the confusion of events not being chronological, there is a sense of sadness when you know how things are going to end. Every hopeful moment and every happy ending is tinged with some sadness that this happiness is only temporary.


That's the experience that I have when reading Maggie Elizabeth Harrington trilogy by D.J. Swykert. Through no fault of mine or Swykert’s, I read the last book, For the Love of Wolves first, followed by the first book Maggie Elizabeth Harrington, then the second, Alpha Wolves. Because of this, it is emotionally difficult to read about the young girl Maggie was without thinking of the elderly lonely woman that she becomes.

This book begins when Maggie is 13 and she witnesses her dour father kill a fragile kitten. Sickened by the event and upset by her widowed father's stern nature, Maggie finds solace with her friends, Annie and Tommie Stetter and in their explorations of the nature around their small town of Central Mine, Michigan.

The trio learns that a hunter shot a female wolf who had puppies. Maggie, Tommie, and Annie sneak out the four orphaned puppies and raise them in secret.

As they care for the wolf puppies, the imaginative Maggie can't resist galling in love with Tommie. She starts dreaming of a life in which her male friend becomes her lover and future husband.


Like For the Love of Wolves, Maggie Elizabeth Harrington is filled with beautiful evocative descriptions of nature and a strong connection between humans and animals.

The descriptions contrast greatly with For the Love of Wolves’s. Whereas For the Love of Wolves was concerned with winter and aging, Maggie Elizabeth Harrington deals with spring and summer and youth.

When Maggie looks out her bedroom window, she is glad to feel the sun in her face. In the winter her father boards up the house to keep the heat inside, so Maggie dislikes the darkness both real and manufactured.

In the summer however, Maggie can see for miles. She says, “I can see the bluffs that overlook Lake Superior, which surround this narrow peninsula I live on here in Northern Michigan. It is beautiful, so beautiful that when it is summer like it is now, I don't think that I would ever want to live anywhere else.”


Also like it's predecessor, or technically successor, Maggie Elizabeth Harrington is filled with the emotional connection between humans and animals. The wolf puppies are brilliantly written as Tommie, Maggie, and Annie care for and name them: Annabelle, Naomi, Emma, and Blackie. Maggie feels a maternal bond with them. It is no coincidence that as she and Tommie care for the wolves, they start to think that a life together is possible. Their caring for the puppies transfers into a caring for each other and opens the possibility of greater love.

Maggie's love for these small animals also foreshadow her affection for wolves later in life and makes her behavior in For the Love of Wolves understandable. Her desire to protect her beloved wolves lasts throughout her life and it is perfectly natural that she would seek vengeance against those who would hurt them.


The widowed lonely Maggie from For the Love of Wolves is far off in the future. This is a youthful Maggie in the summer of her life. This book is filled with the promises of youth in the summer. Young puppies are born. Young people fall in love. The type of youth where people act irrationally, dreams are created, and promises are made without thinking of the reality that is involved in preparing for those dreams, keeping those promises, and thinking about the consequences of those actions.


That recklessness is personified after Maggie, Tommie, and the puppies are discovered. (The more practical Annie has already ducked out worrying about the consequences of getting caught and no longer interested in living in Maggie's fantasy world.)

After they have to face Maggie's father and the hunter in a violent confrontation, Maggie and Tommie run off.

Left to their own devices, the couple stay with a friend and dream of a life together on the run. Unfortunately, their plans are not well thought out and are based on impulse than any acceptance of reality. Unfortunately, reality comes crashing into their dream world. The outlaws return home and there are real consequences for their actions.


The beautiful life that Maggie in which has dreamt is gone. Youth must give way to maturity. The summer lovers must become the autumn leaders and winter elders. Those days disappear for them as they do everyone.


What doesn't disappear however is the love that Maggie has for animals. As shown in a final passage between Maggie and a newly born tiny kitten, Maggie reveals that for the rest of her life, the animals have at least one human protector. No matter how old Maggie gets or her life changes, she will always be constant in her love for animals.

Wednesday, August 14, 2019

Classics Corner: The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn by Mark Twain; Twain's Classics Capture Childhood Innocence and Developing Maturity

                                                                                                                                                                   


Classics Corner: The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn by Mark Twain; Twain's Classics Capture Childhood Innocence and Developing Maturity




By Julie Sara Porter

Bookworm Reviews




Spoilers: I am from Missouri and there is a state law which says “No Reviewer May Review Books Unless They Review Mark Twain At Least Once.” Okay it's not a state law, I just made it up. But, I would feel bad if I did not at least give a shout out to our local boy.

I moved to Missouri in 1992, and live near St. Louis. I have been to Hannibal, Twain's boyhood home several times and enjoy visiting it. So, I am reviewing his two most well known books, The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn.

I am reviewing the two books in one because I feel that they are two halves of the same story. The Adventures of Tom Sawyer is a book of a boy's adventure and is locked in eternal childhood innocence. Huckleberry Finn is a boy's adventure as he faces maturity and becomes an older and wiser person.

Both books are mostly episodic in nature with certain plot threads that carry over throughout the books. Tom Sawyer is mostly filled with Tom's various schemes and adventures with him and his friends getting into and out of trouble. There are some serious plot points in which a character named Injun’ Joe (I apologize for the slur. That is his name). Mostly it is an idyllic picaresque piece about growing up in Tom's native St. Petersburg, Missouri (a stand-in for Twain's Hannibal).

Huckleberry Finn however is less idyllic and more biting and satirical. Most of the adventures deal with Huck and his friend, a runaway slave named Jim, as they escape from Huck's abusive father and Jim's owners. They encounter various characters along the Mississippi River and are often put in danger by feuding families, opportunistic con artists, and various do-gooders who believe it's their duty to sell Jim or civilize Huck or both.

Even comparing the two lead characters provides a contrast between the boy, Tom and the adolescent, Huck. In all of Tom's schemes, he is always in control of the situation. He selects the games that he and the other boys play such as Robin Hood or pirates. He tricks his friends into doing chores such as white washing the fence for him.

He, Huck, and another friend, Joe get lost on an island and though Tom returns to St. Petersburg often, he delays telling the other boys until their deaths are reported and they can attend their own funeral.

Through all of his adventures and play, Tom is never in any serious danger.
Even in situations that are potentially treacherous such as searching for buried treasure that were hidden by dangerous crooks or when Tom and his girlfriend, Becky Thatcher are trapped in a cave, they manage to survive these circumstances with unbelievable luck that ultimately proves rewarding. Tom is insulated in his little world of fun and adventure.

Part of that insulation is because Tom comes from a fairly stable home life. Even though he is an orphan and has a half-brother, Sid suggesting a difficult parentage, not much is made of it. Tom, Sid, and their cousin, Mary are raised by the loving and stern Aunt Polly Sawyer. (his mother's sister adding further possibilities that are never specified that Tom may have had a single mother, possibly even an illegitimate birth, since he and Polly have the same last name.). While Polly is endlessly exasperated by Tom's foolery, she often forgives him for his behavior wishing that he could be good and tries to lead him down the path of righteousness which he does not follow. In Tom's childhood, Twain wrote the perfect ideal for any kid: a life filled with imagination and fun and little punishment for it.

Huck's home life by comparison is not near as stable and by consequence, he has already seen a much harsher world than Tom has. His mother is missing. (A possible retcon since Tom Sawyer reported she left, but Huckleberry Finn made it clear she died. Either way like Tom's mother, she is out of the picture.) He is raised by his abusive father who is the town drunk, so unlike Tom who plays games out of sheer boredom and a desire to fill a very active imagination, Huck goes on these adventures to leave a very tense household, for survival, and to bond with Tom who is one of the few people that shows him any kindness. He was temporarily fostered by Widow Douglas but because of the rough lifestyle he had before, he is unable to adjust to the loving home life that Tom has.

Huckleberry Finn does have some of Tom's imagination and adventurous spirit which he uses to his full advantage while he and Jim travel down the Mississippi River. He assumes different identities to gain access into people's homes and uses his wits when he and Jim are put into danger. Unlike Tom's adventures however, Huck and Jim do not always end up winners and are often on the run again. They are often involved in situations that are beyond their control, so all they can do is run.

These aren't games or play, their adventures are real and are filled with people who really will hurt them. Huck learns that much of his childish behavior has consequences such as when the truth of one of his false identities is discovered and they can't stay in what could have been a good home for them.

In an echo to the prank in which Tom and Co deliberately hide only to attend their own funeral, Huck plays a prank on Jim making him believe that he is dead. The incident traumatizes and upsets Jim so much that Huck vows never to play a joke like that again. Huck learns to empathize with another person's pain and sorrow, something that the mischievous Tom has trouble learning.

The way Twain writes other characters in the two books differs in the gulf between a child and a youth. Many of Tom Sawyer's characters are stereotypes: the salt of the earth townspeople, the loving parents, the strict schoolmaster and so on and so forth. Becky Thatcher, Tom's girlfriend, is less of an actual person than she is an ideal: the First Crush. She is the girl that Tom gets “engaged” to without really understanding what the word means (He gives her an old door knob and forgets that he was infatuated with another girl, Amy Lawrence, the year before.). Becky has youthful thoughts of romance and considers gestures such as Tom taking a whopping for her as the ultimate moments of chivalry. Like Tom, she too is caught up in her imagination of what love and romance really are based on books and an active imagination.

When the two are trapped in the cave, they spend the first few minutes giving the cave sections names like “Aladdin's Palace” suggesting that they found a world that they can shape according to the fantasies found in fairy tales and romantic legends.

It's also significant that even though Tom and Becky consider themselves “engaged” and are alone in a cave together, sexuality never enters their minds. They remain in their childhood innocence so such thoughts never occur to them.

While Huckleberry Finn, doesn't have a major female character that counters Becky, a close contrast would be Emmeline Grangerford. Emmeline was the daughter of a family that temporarily takes Huck in but are feuding with another family, the Shepherdsons. Huck never meets Emmeline in person, because she died at fifteen. However, Huck hears a lot about her and observes the painting and poetry she left behind.

Unlike Becky who is all sweetness and light with her yellow braids and thoughts of romance, Emmeline was preoccupied with death. Many of her poems were about the deaths of neighbors or people she read about in the obituary column. She painted morbid portraits of women in mourning that features titles such as “I shall never hear they sweet chirrup no more alas.”

Twain satirizes emotional artists like Emmeline by Huck naively complimenting her work saying that it was a shame that she did not live long enough to produce more (though Twain more than hints that he is glad she didn't.).

While Emmeline's talent is certainly debatable, she was clearly aware of a world that was not yet open to Becky. It was not a world of fairy tales and legends of chivalry, instead it was a world of darkness, violence, and despair. Like many teens when they understand the concept of death for the first time, Emmeline dramatized and emphasized it (making her the Mother of the Goth subculture).

The antagonists in Tom Sawyer and Huckleberry Finn are also studies in contrast and reveal Twain's evolution in writing the two novels. Injun' Joe is a stereotype, nothing more nothing less. He is vilified by the townspeople simply for being half-Native American and half-white. There is no understanding in his character, no motivation, no deep characterization and in a book told primarily from a child's point of view it makes sense that there wouldn' be.

He is seen as a remorseless killer and a ruthless gang leader. He is distinctly bad from the word go because that's how Tom sees him. Tom sees the world as made up of good guys and bad guys and the bad guys are easy to recognize.

However, Injun’ Joe's criminal nature does not equal success. Many times, Tom is able to thwart him. In court, he names him as the true killer and though he is afraid that Joe will catch him, he never does. He doesn't spot Tom when Tom overhears them talking about burying their loot and he just misses Tom and Becky when the three of them are in the cave. Tom even becomes indirectly involved in Joe's destruction as when he and Becky are freed from the cave, the cave is enclosed leaving Injun' Joe inside to starve to death.

The Duke of Bilgewater and The Dauphin of France are two con artists in Huckleberry Finn that hearken back to the charming rogue or the gentlemen thief. But while Injun' Joe is a stereotype from a children's adventure, The Duke and The King are more nuanced villains. Unlike Joe who wears his villainy on his sleeve, the duo hide their deceitful avaricious intentions behind charming facades. They con various people including Huck and each other with tales that they are long lost royalty. Even though their colloquialisms and their bucolic demeanors reveal their true natures to the Reader, their inflated claims of being royalty and trained dramatic actors fool a gullible public. While the Duke and King have charming natures, they also rob and cheat the various people that they come into contact with, plan to sell Jim, and at one point threaten to kill Huck if he reveals their plan to bilk a wealthy family out of their Inheritance. What the more experienced Huckleberry Finn learns is that sometimes villains aren't always easily spotted like Joe, sometimes they can be hiding and acting as respected members of society.

It is significant that unlike Tom who is able to thwart Joe, Huck is not active in the Duke and King’s downfall. He warns a family that the duo are about to scam them out of an inheritance, but he is elsewhere when they are caught and arrested. He only sees them as they are being led out on a rail and tarred and feathered. As a kid, he is not always the instigator and sometimes events transpire without his actions or involvement.

Huck also becomes aware that the romantic image that he and Tom had of outlaws was false when he realizes that outlaws like the King and Duke are ruthless and murderous. During their disgrace, he also sees the consequences that such a life brings. The reality of experience challenges the romance of innocence.

Since Tom Sawyer and Huckleberry Finn are set in a pre-Civil War era both books are indicative of their times in referring to social issues particularly slavery or at least Huckleberry Finn is. In Tom Sawyer, slavery is only referred to a few times. Some of the residents of St. Petersburg talk about their slaves. Tom has many conversations with an African-American boy named Jim (probably not Huck's friend Jim since that Jim is a grown man and the Jim Tom knows is a young boy.). Many characters particularly Huck talk about cures and folklore they learned from various African-Americans in the community, but slavery is in the background just a part of daily life in St. Petersburg.

Slavery however is at the forefront of Huckleberry Finn and in Jim, Huck sees the struggle that is faced by the African-Americans that are around him. Jim is escaping to freedom and wants to be reunited with his wife and family. Huck, an abused boy, understands that need for freedom and helps him escape.

While Huck is beginning to understand society's laws that require that an escaped slave be returned to his owner, Huck is in conflict because of his growing affection for Jim. Huck writes a letter to Mrs. Watson, Jim's mistress, fearful that if he doesn't send it, he broke the law and committed a sin. He is afraid that he will go to prison then Hell.

However, Huck recognizes the bond that he shared with Jim is greater than those laws and says “So I’ll go to Hell” and tears up the letter. As a boy, Huck believes that he is once again doing wrong by breaking the law but Twain subtly encourages us to realize that Huck is taking a stand against an immoral institution. Huck's decision to rebel against the society's constructs towards slavery matures him into a developed character that is able to question and fight the world around him.

Ironically, as Huck becomes developed we are reminded of what a static character Tom is with his return to Huckleberry Finn. While, Tom and Huck stay at Tom's Aunt Sally's home and Jim is in hiding, Tom creates an elaborate plan based on his readings of adventure novels to help Jim escape to freedom. The plan is filled with Tom's imaginative and dramatic touches such as an anonymous note so they will be chased. However, once they are through with the escape, Tom reveals that Mrs. Watson had declared Jim a free man and this was a ruse so Tom could have one of his adventures.

Tom's return to Huckleberry Finn is jarring after so much growth in Huck's character. It shows that in the dark world that Huck experienced of slavery, death, deceit, and darkness there is no longer a place for childhood adventures. That while Huck has grown up, Tom has not and is still stuck in perpetual childhood.

The endings of both books diverge in where the characters move forward on their journies. In Tom Sawyer, Tom and Becky are rescued, Injun’Joe's treasure is found and is equally dispersed for Tom and Huck's education with an allowance, and Widow Douglas takes Huck in to civilize him. When Huck disappears to return to his old ways, Tom lures him back with promises of forming a gang, but he has to return to the Widow.

What Tom understands is that adventures are fun and that play is nice, but there is always a need for a home to return to once the adventure is done. Tom may irritate his family and friends, but he also knows that he is safe, protected, and loved as any child should be and he wants that for Huck as well.

While Tom Sawyer ends with Tom feeling the security of childhood, Huckleberry Finn ends with the uncertainty of adulthood. After Jim is freed, Tom's Aunt Sally offers to adopt Huck and civilize him. No thanks, Huck says. He has seen enough of that world and instead he “wants to light out for the Territory. (He’d) been civilized before.” He has seen the world of deception, darkness, and heartless institutions that are approved by society and he doesn't want to be a part of it.

Part of adulthood is finding your own path in life and Huck is heading towards that path. It won't be as cozy as the secure home that Tom retreats to at the end of his book, but it will be the next step towards his Independence and him becoming a fully mature and self-aware adult.

Wednesday, April 24, 2019

Weekly Reader: Emmie of Indianapolis by Kay Castaneda; Brilliant Slice of Life Stories Detail A Girl's Coming of Age in Indianapolis




Weekly Reader: Emmie of Indianapolis by Kay Castaneda; Brilliant Slice of Life Stories Detail A Girl's Coming of Age in Indianapolis

By Julie Sara Porter

Bookworm Reviews




Spoilers: Kay Castaneda's Emmie of Indianapolis is one of those coming of age books that take various moments in the young protagonist's life to depict their developing maturity. Emmie of Indianapolis takes that standard and does it well.

12 year old, Emmie's mother announces that she is divorcing her father and moving to Indianapolis with Emmie and her younger sisters, Jennie and Cassie. Understandable but difficult today, rare and even more difficult in 1963.

Emmie and her family have to adjust to moving to a small apartment above a tavern where their mother works. There are some tense moments as the girls have to deal with some pretty tense situations such as a pedophile visitor entering their apartment to be stopped by a neighbor, a disgusting landlord nicknamed “Ogre”, and their mother's slow descent into alcoholism.

Emmie befriends Joey, an African-American boy, George, a Chinese boy, and Polly, a Romanian Gypsy girl. Emmie encounters racism as her new friends are bullied by other kids in school. When Emmie defends her friends, she is ostracized because of her friendship with them and also because of her family's Catholic religion contrasting with the mostly Protestant student body.


While there are hardships in the book, Emmie of Indianapolis also has plenty of sweet engaging moments to spare. Many of them involve Emmie, her sisters, and friends exploring her new city. Many of the streets and landmarks like Monument Circle, are accurately described and the kids have fun shopping and sightseeing.

They also are able to one up their bullies by their scholarly efforts. They participate in a Spelling Bee and it's a genuine victory when George wins to the pride of his friends and parents. Emmie and her friends really shine in these moments.

Emmie's parents shine in their moments with Emmie and her sisters. The reasons for their divorce is never explained but they clearly love their daughters. The secret is that they are flawed but not irredeemable. Emmie's father takes them on weekend visits and is there during an emergency. While her mother is beginning an alcohol dependency that is noticeable when Emmie withdraws from uncomfortable with conversations about alcohol, her mother is still written as a kind loving woman. She cares for the girls and wants to protect them from danger. The alcohol may just be a sign that she is overwhelmed.

Besides finding strength in her friends and family, Emmie finds strength in her Catholic faith. When they arrive in Indianapolis, Emmie looks for a Catholic Church and is pleased when she finally finds it. She uses her knowledge in religion to serve others like her friends and feels a spiritual presence during times of stress. It makes sense that Emmie wants to become a teacher or a nun so she can serve others as an adult.

Emmie of Indianapolis is a charming slice of life with plenty of darkness but plenty of sweetness to spare.

Friday, December 7, 2018

New Book Alert: Trailer Trash: An ‘80’s Memoir by Angie Cavallari; Totally Detailed and Radical Memoir Is Perfect For Children of The ‘80’s



New Book Alert: Trailer Trash: An ‘80’s Memoir by Angie Cavallari; Totally Detailed and Radical Memoir Is Perfect For Children of The ‘80’s

By Julie Sara Porter

Bookworm Reviews




I have two reasons to identify with Angie Cavallari's book, Trailer Trash: An ‘80’s Memoir. 1) Like Cavallari, I was a child of the ‘80’s and spent some of that gnarly time growing up in Florida (Ft. Walton Beach to be precise) and 2) My Mom grew up in Tampa, Florida as Cavallari did. So we both understood and enjoyed many of the things Cavallari spoke of in her book.

Cavallari, her parents, sister, and brother moved to the Pelican Mobile Home Park in Tampa, Florida in 1980 where her parents managed the trailer park. Cavallari's childhood was forever linked with the park, its eccentric residents, and memories of MTV music videos, Rubik's Cubes, and E.T.

Trailer Trash doesn't have a large plot so much as it features several small moments organized into chapters with minimal dialogue. That works well for this book. Cavallari's reminisces are rich in detail and recall that bring these moments to life. When she describes the tedious task that she and her siblings had of cleaning the trailers, the Reader's nose wrinkles at the accounts of soiled sheets, drug paraphernalia, broken bottles and who really wants to know what else.

The highlight of any book set in the ‘80’s, especially for those of us who grew up in that time, is the constant parade of trends, fads, entertainment, and other signs of an ‘80’s upbringing. The book is peppered with various songs and music videos such as Genesis’ “Land of Confusion,” Debbie Gibson's “Lost in Your Eyes”, and The Bangles’ “Eternal Flame” that are probably meant to present earworms for the average Reader. Cavallari described various activities like playing on a Slip and Slide and going to a skating rink (called originally enough, the United Skates of America) as well as watching prime time shows like Thee A Team, Dukes of Hazard, and Knight Rider, and You Can't Do That on Television on Nickelodeon and Don Knott's movies on the Disney Channel. She also writes about fashion trends like extremely permed hair and large fist-sized hoop earrings. These memories will fill former ‘80’s kids with warm nostalgia or embarrassed derision (and will no doubt give children or younger relatives and friends more fuel with which to tease them.).

Cavallari also captures the Florida setting so well that my mother who is also a former resident of Tampa Bay recognized them. Cavallari frequently watched Dr. Paul Bearer, the local Creature Feature host who showed older cheesy horror movies (no doubt directed by the likes of William Castle). She also writes of visiting the Ben T. Davis Beach (AKA Tampa Bay Beach) which far from being a paradise, Cavallari considered it crowded, noisy, hot, and extremely polluted and dirty. Cavallari even states that the only thing she hated more than cleaning the mobile home units was “going to the beach with (my) Mom.”

Cavallari also captures the eccentric spirit of a state that thrives on tourism. She visited the usual theme parks such as Walt Disney World (which she described as the only place her “family behaved themselves.”) and Busch Gardens. She also acknowledges the stranger tourist sites that Central Florida had to offer like Gibsonton, a small town that was home to various carnival workers during the winter season. Cavallari described the homes with amusement park rides in their front yards and dives run by sideshow entertainers in a way that both teases them for their weirdness and respects them as people who live for standing out in the crowd and being themselves.

Cavallari also offers helpful lists including glossary terms and descriptions of the various tenants. The glossary terms offer the lingo that is used in the trailer park as well as nearby Gibsonton. The glossaries are hilarious and helpful with terms such as “Mobile Homes” (what the residents prefer to call trailers) or “TPD” (the Tampa Police Department who seemingly get called in at least once a day.) The Gibsonton section is rich in terms like such as “Mark” (people who attend carnivals so named because the employees could easily con them to take part in the rigged games) and brilliantly foreshadows the Cavallari's eventual move to Gibtown (Gibsonton to the locals).

The residents are also described in a list format which focuses on their oddities making them a bizarre memorable bunch. They range from Florence who wore halter tops and no brassieres and was often seen walking to and from the liquor store to “Drive-Thru Bob” who was the first person Cavallari met who had an emergency tracheotomy and Bob’s wife, Alice, who was an expert in all things sitcom and would often describe various episodes in great detail. The Pelican Mobile Home Park appeared to be an odd assortment of alcoholism, drug addiction, and peculiar traits that could be signs of mental illness. It's no wonder that many of the tenants would eventually die of heart disease, natural causes and other means. These deaths would eventually cause the Cavallari's family to move and apparently traumatized her so much that she would later recall them in great detail and abandon in her book.

Cavallari captures her youth brilliantly. The end appears to set up a sequel in which the family moved from the trailer park to Gibsonton. I look forward to another trip down Cavallari's memory lane.

Sunday, September 16, 2018

Banned Books Special: The Kite Runner by Khaled Hosseini; A Moving Novel About Friendship in Time of War and Conflict



Banned Books Special: The Kite Runner by Khaled Hosseini; A Moving Novel About Friendship in Time of War and Conflict

By Julie Sara Porter

Bookworm Reviews




Spoilers: When we are kids, we are told and believe that everything is going to be okay. We believe that our best friends will be our best friends for life, our families will always be together, and that the bad things that happen in the world that grown-ups talk about on the news won't possibly affect us. We look forward to our favorite games, cartoons, summer vacations and holidays like Christmas with great excitement. As we grow older and are hit with the realities of death, divorce, poverty, war and so on we become more aware how dark life really is and look back on those childhood days with an idyllic nostalgia.




Khaled Hosseini’s The Kite Runner is about that. It is told from the point of view of Amir, an Afghan man who recalls his childhood friendship with wondrous detail and how that friendship changed because of world events and Amir’s own weaknesses.




Amir’s best friend growing up was Hassan, the son of his family's servant. The two grew up in 1970’s Kabul and even though they are separated by class, ethnicity, and religion (Hassan’s family are poor Hazara Shiite Muslims while Amir’s are wealthy Pashtun Sunni Muslims.), the two share some things in common. They both lost their mothers as infants (Amir's died in childbirth and Hassan's walked out on him and his father shortly after he was born.) and their fathers were also childhood friends as well as master and servant. Amir and Hassan share many interests such as American Western films, adventure stories which Amir reads and Hassan listens, and kite flying. Kite flying is a particularly important past time as the two participate in the annual Kite Flying Festival Events in which Amir flies the kite and Hassan runs after it. Hosseini develops his two lead characters really well as he explores their childhood games, interests, and families. Even though there are some conflicts, the two are portrayed with the innocent idealism of childhood. They are ready for fun days, adventure, and dreaming of their future until life and reality hits them in the faces forcing them to mature long before they reach adulthood.




The two families become affected by the Soviet attack on Afghanistan and the constant days of bombs, armies, and fighter planes that fill the Afghan landscape. They are also affected by the increasing racism that Amir’s classmates feel towards other ethnic groups like the Hazara. One classmate, Assef openly admires Hitler’s Final Solution and is fond of taunting and physically bullying Hassan for being from a different ethnic group.

Besides the troubles from the outside world, Amir also recognizes conflict at home. While Hassan swears unconditional loyalty to Amir, Amir feels guilty that he doesn't feel the same. As an adult, he is filled with guilt for all of the times that he teased Hassan for being illiterate or pushed his loyalty by bossing Hassan around. Above all, he feels remorse for his jealousy that his father, Baba treated both Hassan and Amir equally and that he got along with the active practical Hassan better than the introverted literary Amir.




Both the political and the private struggles culminate during the Kite Flying Festival when Hassan is attacked and raped by Assef and his friends. Instead of defending his best friend, Amir ran in fear. Ashamed of his actions, Amir orchestrates the dismissal of Hassan and his father, Ali from Amir's family home and his life.




Even though the two friends are separated, the Soviet-Afghanistan conflict and Hassan's rape followed by Amir’s inaction continue to follow Amir. Even as he and his father flee Afghanistan for America and live a life as impoverished refugees, Hassan continues to haunt Amir like a ghost. Even when Hassan’s not there in body, he’s still there in spirit and in Amir’s consciousness.




Despite the troubles both in his former country and in his mind, Amir begins to settle in America. He rekindles his relationship with Baba as the old man mourns his former life, befriends only other Afghan refugees, and health declines. Amir becomes his caregiver seeing a man who he once thought of as having a high honor code, shriveled into despair. Amir also marries another Afghan immigrant with a troubled romantic past and begins a career as a talented best-selling author.




Just when Amir begins to settle in his new life, he receives a letter from an old friend that forces him to return to Afghanistan. The chapters when Amir returns to Afghanistan are among the most heartbreaking as he sees a country torn apart by war. He travels among destroyed buildings, little vegetation, the Taliban ruling their country with violent and religious dogma, adults with missing limbs and gone mad with grief, and children who have been deprived of their childhoods. Afghanistan becomes like a giant graveyard as Amir recalls his youth which seemed so pleasant at the time and contrasts it to the destroyed country before him.




Amir's return to Afghanistan also gives him a chance to confront his past guilt. He learns the truth of some family secrets involving his father, Amir, and Hassan and also learns of Hassan's current whereabouts. In one suspenseful passage Amir encounters a former enemy turned Taliban leader, and Hassan's young son. This moment and the aftermath when Amir bonds with the boy give Amir a second chance to face his old fears and atone for his past inaction in running when Hassan needed him the most.




The Kite Runner is a moving novel about a friendship that is torn apart by war, deception, and conflict. But ultimately it is about getting beyond that conflict and reconciling with and forgiving others and oneself.

Monday, September 10, 2018

Banned Books Special: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie; The Story of a Spokane Native American Boy is Both Humorous and Heartfelt



Banned Books Special: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie; The Story of a Spokane Native American Boy is Both Humorous and Heartfelt
By Julie Sara Porter
Bookworm Reviews

Spoilers: Sherman Alexie's National Book Award YA Novel, The Absolutely True Diary of a Part-Time Indian has the unfortunate and dubious distinction of having both book and author being banned and challenged at different times. The book has received accusations of “profanity, frank sexual discussions including masturbation, frequent alcoholism, and a negative portrayal of the home life of the Spokane Native American tribe.” (among other things) If this laundry list wasn't enough, in 2018 it's author, Sherman Alexie has been accused of sexual harassment by several women. These allegations caused many schools and libraries to cancel Alexie's scheduled readings and also caused Alexie to decline the Carnegie Award for his current release, You Don't Have To Say You Love Me: A Memoir and for the American Indian Library Association to rescind it's 2008 Award for Part-Time Indian.

While the former accusations are technically true, like many banned and challenged books, Part-Time Indian is so much more than what it's accusers believe it to be. More on that later.
Now for the latter accusation towards Sherman Alexie himself, I am a proud supporter of the Time's Up Movement and if these allegations against Alexie are true, they are certainly awful. He should avoid making public appearances for now since it will only make him, his audience  and accusers uncomfortable. Should his current books remain on shelves? I hope so for they still have something to say. However, it is up to the patron or customer whether they wish to borrow or buy them. Any future endeavors? Perhaps a cool-off period would be wise for some time until all legal issues are finished and then publishers etc. can do what they feel is right depending on the verdict and Alexie’s plea.

But what about The Absolutely True Diary of a Part-Time Indian? An award winning well-written book that has been published and praised beginning a full ten years before these accusations came about? I have always believed that the artist should be separated from his or her work. There are plenty of good novels as well as films, shows, and other forms of art made by people who have done horrible things and were horrible people.
 With Mists of Avalon for instance, I admire Morgaine as one of my favorite female characters in literature. I cite the book as a prominent influence assisting me down my path as a Wiccan and a Feminist. However, I find Marion Zimmer Bradley's sexual abuse towards her daughter deplorable and inexcusable.

I feel the same way about Arnold Spirit Jr. Why should a bright, talented, funny protagonist get punished because his creator behaves terribly towards women? I say give Alexie the allegations and the trial, but leave Junior alone. He’s a great kid even if his author isn't.

It's not like Arnold Spirit Jr. doesn't have enough problems of his own which he deals with both humor and earnestness in this wonderful book that has the ability to make its Reader laugh or cry or do both.
14-year-old, Arnold Junior lives on the Spokane Reservation in which everyone he knows lives on or below the poverty line. He is no stranger to going to bed hungry and he has several relatives or friends’ relatives who are alcoholics.
His father is a depressed alcoholic who while doesn't beat him mercilessly like his friend, Rowdy's father does, disappears for days on end on a drunken binge. Jr.’s sister, Mary AKA Mary Runs Away is a high school graduate who has dropped out of life by just remaining in the family's basement in a deep depression.

Besides his family and social background, Junior’s health is a concern. He is a hydrocephalic, a condition which causes excess fluid in the brain. He is nearsighted in one eye and farsighted in the other so that causes him to wear thick large glasses. He is susceptible to seizures and speaks with both a stutter and a lisp. All of these problems give Junior permanent membership in, as he dubs it, “The-Black-Eye-Of-The-Month Club”, constant bullying by other kids and a pair of 30-year-old brothers who really should have something better to do than beat up a 14-year-old boy.

Any one of these problems would be enough to put most people into despair and a permanent state of depression. But Junior is able to challenge his life's difficulties with his sarcastic wit and talent for drawing.
Junior is often given to one-liners that often poke fun at himself and the people around him.

One passage at his grandmother's funeral displays Junior's wit perfectly. A white billionaire whom Junior recognizes as Ted gives a long clichéd speech about how he relates to the Indian culture and feels Indian in his bones. Junior merely rolls his eyes and privately riffs the guy’s attempts at humility. (“Do you know how many white strangers show up on Indian reservations every year and start telling Indians how much they love them? Thousands. It's sickening. And boring.”)

Besides his words, Junior's drawings reveal his true soul especially with his drive to become a cartoonist.
 The illustrations by Ellen Forney are the highlights of the book as they reveal Junior's thoughts and often make many good points in clever satiric ways.



For example, an illustration of Junior's parents is titled “What My Parents Would Have Been If Somebody Had Paid Attention To Their Dreams.” The pictures depicts Jr.’s mother as “Spokane Falls Community College Teacher of The Year 1992-1998” and his father as “The Fifth Best Jazz Sax Player West of the Mississippi.” (Complete with “a stylish bob from Vidal Sassoon for $50.00” for Mom and “a white dress shirt from KMart -cause he likes to 'keep it real,’” for Dad.) Illustrations like this show the humorous asides that Junior makes to try to make sense in a world where his parents have long ago given up on their dreams that were closed because of their race and socioeconomic status.

Besides Junior's sense of humor, another thing that pushes him along is his desire to move from the Reservation and see other places. On his first day at the Reservation high school, Junior becomes aware that the textbook that he is given is the same one his mother used-over 20 years ago. In a fury, he hurls the book at the front of the classroom. Instead of becoming angry, Junior's teacher sees a burning desire in the teenager to make something of himself. He also remembers that Junior's older sister, Mary, wanted to be a romance novelist and like everyone else including her parents gave up on her dream. The teacher recommends that Junior transfer to Reardon, the nearby mostly white school in which the only other Native American is the school mascot.

The transfer causes more problems for Junior to handle. The white kids treat him like he’s a strange sideshow attraction. People on the Reservation think Junior sold out and is acting white, particularly his best friend, Rowdy who gets into some violent fights with Junior.
 It is only when Junior gains some success on the school's basketball team and befriends a couple of outsiders in Reardon: Gary, the school nerd and Penelope, a  popular girl who is also bulimic, that he begins to adjust to his new surroundings.

Despite all of his troubles, Junior is aware that he has the love and support of his family. This is particularly shown when over the course of the book, Junior and his family attend three funerals, each one sadder than the last. Junior holds onto his mother and father, grateful that they love and support him. He also reflects about how many of the Reardon kids don't have a father or mother in the picture. Junior knows that despite the poverty and difficulties, the Reservation also includes family that are tied by love, blood, and support.

Like many banned and challenged books, The Absolutely True Diary of a Part-Time Indian is greater than the accusations thrown at it. It is funny, moving, tragic, and is a truly memorable story of a boy who acknowledges, mocks, and embraces his family and heritage.