Showing posts with label Missouri. Show all posts
Showing posts with label Missouri. Show all posts

Tuesday, September 17, 2024

Tales of Whiskey Tango from Misery Towers by James Aylott; Politics, Love, Crime, and Weirdness Come Together in St. Louis Apartment Building


 Tales From Whiskey Tango of Misery Towers by James Aylott; Politics, Love, Crime, and Weirdness Come Together in St. Louis Apartment Building 

By Julie Sara Porter 

Bookworm Reviews

Spoilers: I am quite giddy over the fact that one of the frequent settings this year is my home state of Missouri. It is even better when books are set in St. Louis, the closest city to where I live and consider my home. James Aylott’s anthologized novel, Tales of Whiskey Tango from Misery Towers is the fourth book this year to be set in Missouri, following Somewhere East of Me by Samuel Vincent O’Keefe, The Girl in the Corn, and The Boy From Two Worlds by Jason Offutt. In fact the only books that I reviewed previously that had a Missouri setting were Shaare Emeth (The Gates of Truth) by T.A. McLaughlin, Toward That Which is Beautiful by Marian O’Shea Warnicke, Chasing Dragons: The True History of the Piasa by Mark and Laurie Bonner-Nickless, the short story, “Jewel Box” in Sympathetic People by Donna Baier Stein, and The Adventures of Tom Sawyer and Huckleberry Finn from 2019-2023. So this year definitely made up for the minimal Missouri representation in previous years.

Missouri, particularly St. Louis, makes a heck of an appearance in Tales of Whiskey Tango. It is practically a character itself in a book that is filled to the brim with fascinating characters. It boasts of a group of fascinating weird characters that inhabit a St. Louis Apartment and deal with issues with love, politics, economics, and crime in the Gateway to the West.

In Missouri Towers, nicknamed Misery Towers, a downtown St. Louis Apartment that overlooks the Arch and the Mississippi River, a group of residents are contemplating their life choices: Nick Pipeman is standing on a bridge thinking of the crises that led to his despair; Colton Chesterfield III was the victim of a very strange crime and is currently inside a coffin alive; Mike Love is thinking about some serious love affairs and is racing towards the one who might be the love of his life; Daris Ballic is drunk and prepared to defend his property Missouri Towers with violence if necessary; Sam Robinson is in despair about an affair that ended; Butterfly wants to dance at her job and forget about her troubles; Gloria McKendrick is at the City Museum and anxious about an important decision regarding her love life; Tyrone Booker is covering his police beat preparing for what could be a rough night; Madison Stone is sitting on the rooftop of Missouri Towers observing the chaos underneath and the approaching storm on the horizon. 

The most important character is certainly the city itself. Readers are treated to the various tourist spots like The City Museum, Busch Stadium, The Arch, Forest Park, The Enterprise Center, and the teams like The Blues and the Cardinals. But we are given more than that. Aylott knows the city and its people.

We are immersed into the local culture like the food (toasted ravioli, gooey butter cakes, thin crusted pizza, and pork steaks), areas (the wealthy Central West End, suburban South side, working class North side, and impoverished East side, along with neighborhoods like the Loop, The Hill, Dogstown, Ferguson, Soulard, Clayton, Bellefontaine, and enough St. name schools and towns to fill an entire Catholic yearly calendar), colloquialisms (“Where did you go to high school” instead of college and the endless debates whether the state is pronounced “Missouri,” “Missoura,” or “Misery.”), music (many blues, alternative, and hip hop artists got their start here), sports (The Blues winning the Stanley Cup in 2019, The Cardinals winning 11 World Series), celebrities (Jon Hamm, Chuck Berry, Veruca Salt, and Nelly are shouted out), controversies (the tempestuous school board meetings and local elections, the Michael Brown shooting and Ferguson police protests, income inequality, the political division between Conservative Republicans and Liberal Democrats with most of Missouri on one side and St. Louis on the other). 

Aylott gives a total sensory journey for Readers to experience a city that, unless they are local, many may not think about very often. Once read about it, few Readers will forget this fly over city. They may even want to stop by and visit once in awhile.

Tales From Whiskey Tango is a brilliant ensemble of a novel that explores the characters through their interests, personality traits, obsessions, and occupations. They stand out in different ways. Their personal journeys connect with one another by various means. Mike Love is a real estate agent who compares his life to his favorite Bruce Springsteen songs like “Born to Run,” “Born in the USA,” and “Thunder Road.” 

Gloria is a trapeze artist, newly arrived from Kansas and is fascinated by rom coms, specifically those starring Molly Ringwald. Mike and Gloria are weighing a potential romance but workplace conflicts, old flames, and different expectations throw challenges their way.

Mikes’ boss Daris is a Bosnian immigrant turned naturalized citizen and is hyper aware whether he seems American enough to his employees and clients. He treats his properties and sales leads like they are battlefields and his agents like Mike and Nick are soldiers in a war. 

Daris’ top agent, Nick is considered charming but has some very odd fetishes that affect his relationship with Zoe, a former circus clown and Gloria's roommate and is involved in criminal activity that could jeopardize his career.

 Nick and Zoe and Mike and Gloria's romances are observed and gossipped about by Madison whose favorite activities are sunbathing topless and spying on her neighbors.

Sam has an obsession with prostitutes and when he has an assignation with Alice, his latest, he has a notion to make her over Pretty Woman-style to be an ideal companion. But Alice is no Julia Roberts. She gets very tired of being controlled.

 Colton is a billionaire and ex-con whose darker side and hidden disreputability come back to haunt him when he is caught in a bizarre crime involving Reginald, a desperate gunman and Butterfly, an aging exotic dancer. 

As Tyrone tries to keep the peace in a city that is simmering with hatred and racism, he has to get to the roots of various crimes that involve many of the other characters.

Tales of Whiskey Tango isn't afraid to explore the beauty and ugliness of its setting and characters. Everyone is left to their own devices to make choices towards their own conclusion. They and the city lie in wait. 

The book explores each character and what led them and the city into this precarious position where they are waiting for romantic closure, crushing despair, escalating violence, delayed justice, waiting for a decision, to move forward, to live, to fight, or to die. Just like those storm clouds in the horizon, the characters will come and decide fates that they had been moving towards.



Thursday, August 29, 2024

The Girl in The Corn (Girl in the Corn Series Book 1) by Jason Offutt; Set Up is Just as Chilling as The Climax in This Contemporary Fantasy

 

The Girl in The Corn (Girl in the Corn Series Book 1) by Jason Offutt; Set Up is Just as Chilling as The Climax in This Contemporary Fantasy

By Julie Sara Porter 

Bookworm Reviews 


Spoilers: Warning: Before I begin this review, I insist that you read my review of the book, Boy From Two Worlds as this book will reveal important spoilers in this series. I will also reiterate that this review contains MAJOR HEAVY DUTY SPOILERS!!!

I find it an interesting experience to read a book series out of order. Sometimes, it can be very confusing. Sometimes, it can be tedious if the exciting parts happen in the earlier volume so we have to encounter the exposition. Other times, it actually makes the books better especially if you think of them as though they were meant to be written out of order. 

An example of the latter experience falls in The Girl in the Corn by Jason Offutt which is actually the first book in Offutt’s two part series but is actually the second book that I read in the series after its follow up Boy From Two Worlds. Reading the two books in the proper order works in a linear storytelling fashion in which the plot points are introduced, conflicts begin, action builds up to a climax, the events expand in the next volume, characters evolve, the scope of the threat expands, solutions are given, and resolutions are made. 

But Offutt gives his books a unique gift in which they are just as well written out of order as they are in. Instead of thinking of the books as an ongoing series, one can instead look at Boy From Two Worlds as the main book that tells the important story and Girl in the Corn as the prequel that sets up the situation retroactively. They can be read in order or out of order and the Reader would still be just as fascinated either way. 

In Boy From Two Worlds, a mass murder committed by Bobby Garrett sets up a chain reaction that includes the birth of his son, Jakey, by a woman named Marguerite Jenkins, the disintegration of the relationship between Thomas Cavannaugh and his girlfriend Jillian Robertson, and a series of strange events that get stranger. It is eventually revealed that there are fairies that are violent predators who feast on human flesh and live for their suffering. Jakey inherited some of their powers which the fairies want to take full advantage of in their campaign against the mortals of St. Joseph, Missouri

Girl in the Corn takes us back in time to when 6-year-old Thomas first encounters a fairy in his mother’s garden who tells him that he is special. The fairy girl appears throughout his life telling him that he must defeat Dauor, a dark creature from her world. Meanwhile we are introduced to Bobby, who pre-murder is a teenager with violent impulses that are nurtured by a mysterious creature who takes the form of a Girl Scout. Throughout the years, Thomas and Bobby are encouraged, tormented, cajoled, persuaded, and shaped by these strange creatures who eventually pull them into a battle between supernatural forces, the lives and souls of many, and their own sanity. 

One thing that Boy From Two Worlds did well was expand the universe. Weird things didn't just happen to Thomas or Bobby. They happened all over St. Joseph. Through that we got to explore the town itself and particularly its obsession with Wild West outlaw/infamous native son, Jesse James. Exploring the daily realistic life of St. Joseph's residents builds up tension when the otherworldly action begins.

The supernatural incidents vary including bloody ritualistic murder, cattle mutilations, abductions, lost time, mass murder. If you didn't know going into the book series what happened in the first volume, you would be led to believe that anything could be responsible for the strange happenings.

Instead of expansion, Girl in The Corn focuses on intimacy. The events specifically happen to Thomas, Bobby, or someone associated with them. While we lose something in the setting, we gain something in character. It is not so much the supernatural invading an unprepared small town as it is the supernatural affecting two specific young men who happen to live in that town.

Through their separate experiences, the Reader is given contrasting characters that will end up confronting one another. 

When Thomas first encounters the fairy, he is a little boy. She appears as a sweet innocent little girl, one who promises to befriend the young boy. She plays on the portrayal of old fairy tale concepts where fairies were seen as beautiful,helpful, charming, adorable, and innocent creatures. 

As Thomas matures, his meetings with the fairy become more intense and less fanciful. She now appears as a troubled young woman who appeals to Thomas's good guy helpful personality and his insecurities about being average. She builds up his confidence by saying that he is destined to fight Dauor. This plays on Epic Fantasies where ordinary people are given the Chosen One narrative where they are the ones destined to fight evil for…reasons. Of course, this book is a clever subversion of that trope because it asks the question whether the figure predicting the heroism can be trusted and whether they have ulterior motives for what they do.

As with Boy From Two Worlds, Girl in the Corn builds on different genres. While Thomas's journey compared to Fairy Tales and Fantasy novels, Bobby’s story is more grounded in Occult Supernatural Horror. He comes from a religious family and has his own complicated spiritual beliefs so the fairy builds on that. It first appears as a disembodied voice that builds on Bobby’s anxieties and fears of God's judgment. Bobby begins to commit violence to silence those ever growing fears.

As Bobby ages, his spiritual encounters become angrier, more fierce, and graphic. They are reminiscent of his diminishing mental state and growing blood lust. It takes on horrific images like the body of a murdered girl to taunt and rage at Bobby until he does what it wants. If it weren't for knowing what would happen in the next book, it could be entirely possible that this fairy is in Bobby's head. But since we do know, it's a matter of seeing where it's going to go before it reaches its foreseen explosive conclusion.

Reading the series backwards, turns this book into an unfinished jigsaw puzzle. We see all of the sides and colors and are waiting for the whole image to show. “Okay we see Thomas and Bobby,” the Reader might think. “What about Jillian and Marguerite? When is Jakey conceived? What about the mass murder?” All of those questions are answered and the pieces fit in ways that make the Readers look at them differently in Boy From Two Worlds or deepen understanding in the second book if we read them in the right order.

Cleverly, Thomas and Bobby's journeys seem to be a battle of good vs. evil but once they face those final confrontations, those lines are less defined. The two young men realize that they were led to this conclusion by not only the magical influences but by their own choices. They were given great gifts to see another world, obtain intuition and knowledge, and to decide what to do with that information. In reading the two books, it becomes apparent that the trouble didn't start with a mass murder in a hospital. It started when a six year old boy met a fairy and chose to follow her.





Sunday, June 16, 2024

The Boy From Two Worlds (The Girl in the Corn Book 2) by Jason Offutt; Contemporary Fantasy Brings Magic and Macabre to Missouri


 The Boy From Two Worlds (The Girl in the Corn Book 2) by Jason Offutt; Contemporary Fantasy Brings Magic and Macabre to Missouri

By Julie Sara Porter

Bookworm Reviews 


Spoilers: I love Contemporary Fantasies and I am always interested in books set in my home state of Missouri, so I feel like Jason Offut’s The Boy From Two Worlds was written specifically for me to read and review. It definitely delivers the magic of a Contemporary Fantasy and the macabre of a Supernatural Horror to the Show Me State.

In 2016, Bobby Garrett rigged a chain of explosives which resulted in the deaths of 462 people in St. Joseph, Missouri. Found at the center of the attack were a couple, Thomas Cavannaugh and Jillian Robertson, and Marguerite Jenkins, who was pregnant with Bobby’s child. One year later, Marguerite gives birth to a boy, Jacob AKA Jakey and Thomas and Jillian move in together. 

Over the next four years some strange things start happening. There are cattle mutilations. Some people are mysteriously murdered in a very horrible and graphic manner. A transient mumbles about some dark force coming. Jillian is acting very distant from Thomas and has a very bizarre conversation with his mother. There are parts of Thomas’ past that he doesn’t remember such as something traumatic that he blocked out, but has to do with his girlfriend. 

Then there’s Jakey. Ever since he was born, there has been something off about him. He has dark eyes with no irises and very sharp teeth, some of which he had at birth. Marguerite laughed when he came out and the boy was born with no umbilical cord and navel already intact. As if his physical abnormalities weren’t odd enough, there’s his weird precocious behavior. He is quite knowledgeable in mature subjects and has a taste for violence. He has a sadistic sense of humor that frightens many around him. It’s no wonder that Marguerite is afraid of and withdraws from her own son. Eventually, all of this creepy weird stuff culminates with the discovery that there is ancient magic afoot and fairies that will use it. But these fairies are far from the pleasant wish granting Disney fairies. Not even close. 

This book is a Grimm Fairy Tale combined with a Stephen King novel and I couldn't be happier that it's set in Missouri. It cannot be overstated how perfect the setting is for a book like this. Not just because Offutt lives in Maryville so knows the territory. Not just because it's my home state which is a huge draw for me. It's because of how much Missouri’s basic averageness plays into the thematic elements of dark sinister supernatural things happening to ordinary average people and scaring the living Hell out of them.


Don't get me wrong. Missouri has its charms with lovely natural settings and interesting tourist spots, and definitely has a complicated and fascinating history. Not many cities like St. Louis boasts a zoo, an art museum, a history museum, and a science center with free general admission and an outdoor amphitheater that hosts musicals during the summer and has free seating. I'm proud to live in the St. Louis area even when I don't agree with much of the right wing politics. But I will also admit there is no better state that emphasizes the “mid” in the Midwest and the “over” in flyover state. 

Missouri is a very thoroughly Midwestern state. Middle of the country. Middle of the road. Very average. I mean a more traditional setting for a Fantasy or Horror Novel would be possible. Take Louisiana which must have "a belief in the supernatural" written in their state constitution. California is certainly off beat enough.  Stephen King and H.P. Lovecraft   made quite use of the dark fantastic natures of their states of Maine and Massachusetts respectively. But Missouri is noted for not being very noteworthy.

 State residents may have favorite spots but non residents don't go out of their way to come here. They drive through on their way to other more interesting states. Michael Che summed it up in an SNL Weekend Update monologue: “Missouri is the Show-Me State as in Show-Me-the-Way-to-Chicago.” It is probably only surpassed by Kansas, Nebraska, Iowa, the Dakotas, and Idaho in overall average normalcy and blandness. Missouri is probably the last place that you would expect something weird, spooky, or particularly magical to happen which means it's perfect.

The clever selection of Missouri as the state setting is only augmented by Offutt choosing St. Joseph for the city. St. Joseph is the home of one of Missouri's most infamous residents, Westerns outlaw, Jesse James and St. Joe is not a town that will let you forget it. The house in which he lived and died is now a Museum dedicated to the outlaw's life and career. Visitors can see his grave, whose epitaph is quite colorful in describing James's death at the hands of Robert Ford. They can even see the bullet hole in the wall that came from Ford's gun and killed James. There are Jesse James Festivals nearby. It is not an understatement that St. Joseph has a huge crush on the man.

The point is not so much outlaw fascination (though come to think of it, that might be a factor) but the idea of locals turning anything into a tourist trap. In my review of Somewhere East of Me by Sean Vincent O'Keefe, I wrote about those strange tourist traps that are found in out of the way locations in flyover average states. They are like these off the wall eccentric bright spots in what would otherwise be an endless sea of boring roads and rural farmland. Not only that but there is something bizarre, off putting, even macabre about them. When you stop to think about it, it is weird that a town pays such tribute to a man who was known for robbing and killing people. 

That's what The Boy From Two Worlds explores: the weird, macabre, and ultimately scary in a very average ordinary basic location. It explores how the people are unprepared for this weirdness. They would be content to work, go to the grocery store to shop and catch up on local gossip, binge watch their favorite show, have a drink or two, and spend quality time with their family or friends before going to bed. 

They are unprepared for a very human tragedy in which a psychopath with skewered views takes multiple lives. They are even less prepared for the otherworldly events that happen afterwards. They are plunged into a nightmare which subverts everything that they ever thought and believed. No wonder that the human characters suffer from alcoholism, addiction, PTSD, Depression, parental withdrawal, paranoia, Schizophrenia and other issues. Even Jakey’s earlier sociopathic tendencies which cause his mother to withdraw from him could be symptomatic of the bizarre otherworldliness which manifested itself before he was born.

The Boy From Two Worlds excels at using its creepy images and storytelling to subvert our expectations. When we first learn about the Garrett Murders, the book has shades of a Psychological Thriller. We also see Supernatural Horror with the strange potentially not human child and the brutal cult-like murders. There are even traces of Science Fiction with the appearance of cattle mutilations and abductions where the victim recalls bright lights, painful surgical experiments, and lost time. Like the characters, the Reader thinks they know where the plot is going based on information from other genres. Then we are left surprised by what approaches.

However, the Horror elements don't end once we learn that Fairies are involved. If anything, it makes things worse

The book has plenty of magic and magical creatures, but it reminds us that these creatures are powerful, menacing, and extremely dangerous. These Fairies have sharp teeth, shape shifting abilities, duplicitous ethics, and a hunger for human flesh. They are less animated family friendly Fairy Tale Faire Folk and more graphic nightmarish early Celtic and Teutonic legend creatures. They are powerful, immortal, hungry, deadly, obsessive and have a whole town of delicious mortals to play with and feast upon. 

The Boy From Two Worlds is a Dark Fantasy that knows exactly how to scare its Readers and offers the right setting in which to do the scaring.

Wednesday, August 14, 2019

Classics Corner: The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn by Mark Twain; Twain's Classics Capture Childhood Innocence and Developing Maturity

                                                                                                                                                                   


Classics Corner: The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn by Mark Twain; Twain's Classics Capture Childhood Innocence and Developing Maturity




By Julie Sara Porter

Bookworm Reviews




Spoilers: I am from Missouri and there is a state law which says “No Reviewer May Review Books Unless They Review Mark Twain At Least Once.” Okay it's not a state law, I just made it up. But, I would feel bad if I did not at least give a shout out to our local boy.

I moved to Missouri in 1992, and live near St. Louis. I have been to Hannibal, Twain's boyhood home several times and enjoy visiting it. So, I am reviewing his two most well known books, The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn.

I am reviewing the two books in one because I feel that they are two halves of the same story. The Adventures of Tom Sawyer is a book of a boy's adventure and is locked in eternal childhood innocence. Huckleberry Finn is a boy's adventure as he faces maturity and becomes an older and wiser person.

Both books are mostly episodic in nature with certain plot threads that carry over throughout the books. Tom Sawyer is mostly filled with Tom's various schemes and adventures with him and his friends getting into and out of trouble. There are some serious plot points in which a character named Injun’ Joe (I apologize for the slur. That is his name). Mostly it is an idyllic picaresque piece about growing up in Tom's native St. Petersburg, Missouri (a stand-in for Twain's Hannibal).

Huckleberry Finn however is less idyllic and more biting and satirical. Most of the adventures deal with Huck and his friend, a runaway slave named Jim, as they escape from Huck's abusive father and Jim's owners. They encounter various characters along the Mississippi River and are often put in danger by feuding families, opportunistic con artists, and various do-gooders who believe it's their duty to sell Jim or civilize Huck or both.

Even comparing the two lead characters provides a contrast between the boy, Tom and the adolescent, Huck. In all of Tom's schemes, he is always in control of the situation. He selects the games that he and the other boys play such as Robin Hood or pirates. He tricks his friends into doing chores such as white washing the fence for him.

He, Huck, and another friend, Joe get lost on an island and though Tom returns to St. Petersburg often, he delays telling the other boys until their deaths are reported and they can attend their own funeral.

Through all of his adventures and play, Tom is never in any serious danger.
Even in situations that are potentially treacherous such as searching for buried treasure that were hidden by dangerous crooks or when Tom and his girlfriend, Becky Thatcher are trapped in a cave, they manage to survive these circumstances with unbelievable luck that ultimately proves rewarding. Tom is insulated in his little world of fun and adventure.

Part of that insulation is because Tom comes from a fairly stable home life. Even though he is an orphan and has a half-brother, Sid suggesting a difficult parentage, not much is made of it. Tom, Sid, and their cousin, Mary are raised by the loving and stern Aunt Polly Sawyer. (his mother's sister adding further possibilities that are never specified that Tom may have had a single mother, possibly even an illegitimate birth, since he and Polly have the same last name.). While Polly is endlessly exasperated by Tom's foolery, she often forgives him for his behavior wishing that he could be good and tries to lead him down the path of righteousness which he does not follow. In Tom's childhood, Twain wrote the perfect ideal for any kid: a life filled with imagination and fun and little punishment for it.

Huck's home life by comparison is not near as stable and by consequence, he has already seen a much harsher world than Tom has. His mother is missing. (A possible retcon since Tom Sawyer reported she left, but Huckleberry Finn made it clear she died. Either way like Tom's mother, she is out of the picture.) He is raised by his abusive father who is the town drunk, so unlike Tom who plays games out of sheer boredom and a desire to fill a very active imagination, Huck goes on these adventures to leave a very tense household, for survival, and to bond with Tom who is one of the few people that shows him any kindness. He was temporarily fostered by Widow Douglas but because of the rough lifestyle he had before, he is unable to adjust to the loving home life that Tom has.

Huckleberry Finn does have some of Tom's imagination and adventurous spirit which he uses to his full advantage while he and Jim travel down the Mississippi River. He assumes different identities to gain access into people's homes and uses his wits when he and Jim are put into danger. Unlike Tom's adventures however, Huck and Jim do not always end up winners and are often on the run again. They are often involved in situations that are beyond their control, so all they can do is run.

These aren't games or play, their adventures are real and are filled with people who really will hurt them. Huck learns that much of his childish behavior has consequences such as when the truth of one of his false identities is discovered and they can't stay in what could have been a good home for them.

In an echo to the prank in which Tom and Co deliberately hide only to attend their own funeral, Huck plays a prank on Jim making him believe that he is dead. The incident traumatizes and upsets Jim so much that Huck vows never to play a joke like that again. Huck learns to empathize with another person's pain and sorrow, something that the mischievous Tom has trouble learning.

The way Twain writes other characters in the two books differs in the gulf between a child and a youth. Many of Tom Sawyer's characters are stereotypes: the salt of the earth townspeople, the loving parents, the strict schoolmaster and so on and so forth. Becky Thatcher, Tom's girlfriend, is less of an actual person than she is an ideal: the First Crush. She is the girl that Tom gets “engaged” to without really understanding what the word means (He gives her an old door knob and forgets that he was infatuated with another girl, Amy Lawrence, the year before.). Becky has youthful thoughts of romance and considers gestures such as Tom taking a whopping for her as the ultimate moments of chivalry. Like Tom, she too is caught up in her imagination of what love and romance really are based on books and an active imagination.

When the two are trapped in the cave, they spend the first few minutes giving the cave sections names like “Aladdin's Palace” suggesting that they found a world that they can shape according to the fantasies found in fairy tales and romantic legends.

It's also significant that even though Tom and Becky consider themselves “engaged” and are alone in a cave together, sexuality never enters their minds. They remain in their childhood innocence so such thoughts never occur to them.

While Huckleberry Finn, doesn't have a major female character that counters Becky, a close contrast would be Emmeline Grangerford. Emmeline was the daughter of a family that temporarily takes Huck in but are feuding with another family, the Shepherdsons. Huck never meets Emmeline in person, because she died at fifteen. However, Huck hears a lot about her and observes the painting and poetry she left behind.

Unlike Becky who is all sweetness and light with her yellow braids and thoughts of romance, Emmeline was preoccupied with death. Many of her poems were about the deaths of neighbors or people she read about in the obituary column. She painted morbid portraits of women in mourning that features titles such as “I shall never hear they sweet chirrup no more alas.”

Twain satirizes emotional artists like Emmeline by Huck naively complimenting her work saying that it was a shame that she did not live long enough to produce more (though Twain more than hints that he is glad she didn't.).

While Emmeline's talent is certainly debatable, she was clearly aware of a world that was not yet open to Becky. It was not a world of fairy tales and legends of chivalry, instead it was a world of darkness, violence, and despair. Like many teens when they understand the concept of death for the first time, Emmeline dramatized and emphasized it (making her the Mother of the Goth subculture).

The antagonists in Tom Sawyer and Huckleberry Finn are also studies in contrast and reveal Twain's evolution in writing the two novels. Injun' Joe is a stereotype, nothing more nothing less. He is vilified by the townspeople simply for being half-Native American and half-white. There is no understanding in his character, no motivation, no deep characterization and in a book told primarily from a child's point of view it makes sense that there wouldn' be.

He is seen as a remorseless killer and a ruthless gang leader. He is distinctly bad from the word go because that's how Tom sees him. Tom sees the world as made up of good guys and bad guys and the bad guys are easy to recognize.

However, Injun’ Joe's criminal nature does not equal success. Many times, Tom is able to thwart him. In court, he names him as the true killer and though he is afraid that Joe will catch him, he never does. He doesn't spot Tom when Tom overhears them talking about burying their loot and he just misses Tom and Becky when the three of them are in the cave. Tom even becomes indirectly involved in Joe's destruction as when he and Becky are freed from the cave, the cave is enclosed leaving Injun' Joe inside to starve to death.

The Duke of Bilgewater and The Dauphin of France are two con artists in Huckleberry Finn that hearken back to the charming rogue or the gentlemen thief. But while Injun' Joe is a stereotype from a children's adventure, The Duke and The King are more nuanced villains. Unlike Joe who wears his villainy on his sleeve, the duo hide their deceitful avaricious intentions behind charming facades. They con various people including Huck and each other with tales that they are long lost royalty. Even though their colloquialisms and their bucolic demeanors reveal their true natures to the Reader, their inflated claims of being royalty and trained dramatic actors fool a gullible public. While the Duke and King have charming natures, they also rob and cheat the various people that they come into contact with, plan to sell Jim, and at one point threaten to kill Huck if he reveals their plan to bilk a wealthy family out of their Inheritance. What the more experienced Huckleberry Finn learns is that sometimes villains aren't always easily spotted like Joe, sometimes they can be hiding and acting as respected members of society.

It is significant that unlike Tom who is able to thwart Joe, Huck is not active in the Duke and King’s downfall. He warns a family that the duo are about to scam them out of an inheritance, but he is elsewhere when they are caught and arrested. He only sees them as they are being led out on a rail and tarred and feathered. As a kid, he is not always the instigator and sometimes events transpire without his actions or involvement.

Huck also becomes aware that the romantic image that he and Tom had of outlaws was false when he realizes that outlaws like the King and Duke are ruthless and murderous. During their disgrace, he also sees the consequences that such a life brings. The reality of experience challenges the romance of innocence.

Since Tom Sawyer and Huckleberry Finn are set in a pre-Civil War era both books are indicative of their times in referring to social issues particularly slavery or at least Huckleberry Finn is. In Tom Sawyer, slavery is only referred to a few times. Some of the residents of St. Petersburg talk about their slaves. Tom has many conversations with an African-American boy named Jim (probably not Huck's friend Jim since that Jim is a grown man and the Jim Tom knows is a young boy.). Many characters particularly Huck talk about cures and folklore they learned from various African-Americans in the community, but slavery is in the background just a part of daily life in St. Petersburg.

Slavery however is at the forefront of Huckleberry Finn and in Jim, Huck sees the struggle that is faced by the African-Americans that are around him. Jim is escaping to freedom and wants to be reunited with his wife and family. Huck, an abused boy, understands that need for freedom and helps him escape.

While Huck is beginning to understand society's laws that require that an escaped slave be returned to his owner, Huck is in conflict because of his growing affection for Jim. Huck writes a letter to Mrs. Watson, Jim's mistress, fearful that if he doesn't send it, he broke the law and committed a sin. He is afraid that he will go to prison then Hell.

However, Huck recognizes the bond that he shared with Jim is greater than those laws and says “So I’ll go to Hell” and tears up the letter. As a boy, Huck believes that he is once again doing wrong by breaking the law but Twain subtly encourages us to realize that Huck is taking a stand against an immoral institution. Huck's decision to rebel against the society's constructs towards slavery matures him into a developed character that is able to question and fight the world around him.

Ironically, as Huck becomes developed we are reminded of what a static character Tom is with his return to Huckleberry Finn. While, Tom and Huck stay at Tom's Aunt Sally's home and Jim is in hiding, Tom creates an elaborate plan based on his readings of adventure novels to help Jim escape to freedom. The plan is filled with Tom's imaginative and dramatic touches such as an anonymous note so they will be chased. However, once they are through with the escape, Tom reveals that Mrs. Watson had declared Jim a free man and this was a ruse so Tom could have one of his adventures.

Tom's return to Huckleberry Finn is jarring after so much growth in Huck's character. It shows that in the dark world that Huck experienced of slavery, death, deceit, and darkness there is no longer a place for childhood adventures. That while Huck has grown up, Tom has not and is still stuck in perpetual childhood.

The endings of both books diverge in where the characters move forward on their journies. In Tom Sawyer, Tom and Becky are rescued, Injun’Joe's treasure is found and is equally dispersed for Tom and Huck's education with an allowance, and Widow Douglas takes Huck in to civilize him. When Huck disappears to return to his old ways, Tom lures him back with promises of forming a gang, but he has to return to the Widow.

What Tom understands is that adventures are fun and that play is nice, but there is always a need for a home to return to once the adventure is done. Tom may irritate his family and friends, but he also knows that he is safe, protected, and loved as any child should be and he wants that for Huck as well.

While Tom Sawyer ends with Tom feeling the security of childhood, Huckleberry Finn ends with the uncertainty of adulthood. After Jim is freed, Tom's Aunt Sally offers to adopt Huck and civilize him. No thanks, Huck says. He has seen enough of that world and instead he “wants to light out for the Territory. (He’d) been civilized before.” He has seen the world of deception, darkness, and heartless institutions that are approved by society and he doesn't want to be a part of it.

Part of adulthood is finding your own path in life and Huck is heading towards that path. It won't be as cozy as the secure home that Tom retreats to at the end of his book, but it will be the next step towards his Independence and him becoming a fully mature and self-aware adult.