Showing posts with label Resistance. Show all posts
Showing posts with label Resistance. Show all posts

Saturday, March 26, 2022

New Book Alert: Rite Judgement: Heads Roll-Corpses Dance (The DaDa Detective Agency Book 2) by Pete Adams; Bizarre Farcical Absurd Mystery That Is Short on Plot But Long On Tone and Theme

 



New Book Alert: Rite Judgement: Heads Roll-Corpses Dance (The DaDa Detective Agency Book 2) by Pete Adams; Bizarre Farcical Absurd Mystery That Is Short on Plot But Long On Tone and Theme

By Julie Sara Porter

Bookworm Reviews


Spoilers: Pete Adams' Rite Judgement Heads Roll-Corpses Dance is the second book that I am reading this month that prefers to ignore the heart, slightly focus on the head, but heads straight for the funny bone. However, this and Lakshmi and The River of Truth take different approaches in their pursuit of laughter.


Lakshmi and The River of Truth was a savage biting political satire disguised as a fantasy. The satire is obvious as various characters and situations in this dream world are intentional parodies of people and events surrounding the real world.

Rite Judgement's humor is less abrupt and more fanciful and whimsical. While there are some satirical moments and hidden important themes, the characters and situations are absurd and farcical. There isn't as much of a recognizable plot as there are excuses to throw a bunch of odd silly things together to create a whole book that focuses on the silliness and bury important messages inside of it.. Let's put it this way, if Lakshmi and The River of Truth is Saturday Night Live, then Rite Judgement Heads Roll-Corpses Dance is Monty Python's Flying Circus. No one is better than the other. Both are hilarious, they just have different ways of making people laugh.


The main characters in Rite Judgement are former Police Detective Jack "Jane" Austen and his wife former Detective Superintendent Amanda "Mandy" Austen. Even though they are retired, they still thirst for adventure. That's why they formed the DaDa Detective Agency named for their other nicknames "Dick" for Jack (which Mandy jokes is perfect for him) and "Duck" for Mandy (which she objects to because she is not a bird and even if she were "why a f$#@_&g duck?"). 

The duo's latest case involves the appearance of St. Winifred, a martyred saint who has reappeared in modern day sans head. (Her head is on a conductor's stand.) As if it wasn't weird enough, the saint plays the violin and dances even though she's headless.

 Then there's a religious group called Umble Pie who is less than umble because they seem to be overly involved with the British government. There is also an actor posing as the Pope when the real deal ends up missing, a parrot that speaks Italian, and a goofy politician with the name of Pimple (yes you read that right) and his wife Crumpet. If you squint, you might be able to put these weird situations together and find a coherent plot.


The focus of the book is less on plot and more on tone.Situations happen that are too broad to be believable and the stabs at mystery solving are more resolved through contrived coincidence than any form of detection.

 In fact the main couple, Jack and Mandy Austen's disagreements and personal digs towards each other make them seem more like a sitcom couple than a pair of detectives. Jack is a pompous twit and Mandy's sarcasm brings him down to Earth. Think less Temperance Brennan and Seeley Booth from Bones and more Ray and Debra Barone from Everybody Loves Raymond uh with deductive reasoning and a license to investigate criminal activity of course.


Besides the humor of the bickering pair of crime solvers, the whole point of the book is not to have a straightforward mystery. Things don't have a linear structure. Conversations and incidents take place that have no real bearing in the overall narrative. 

The clue of the overall tone of the book is in the name, The DaDa Detective Agency. The name is a reference to the Dada Art Movement that began after WWI. Those involved with the movement rejected logic, aesthetics, and reason and embraced nonsense, irrationality, and anti-bourgeois views in their works. Even the name itself was coined by using a baby's words evoking childishness and absurdity. 

The works included collages, sound poetry, cut up writing, and sculpture.

Artists in the movement included Hugo Ball, Max Ernst, Hannah Hoch, and Beatrice Wood among others.

 Dadaism was an influence on later movements like Surrealism, Abstract Art, Avant Garde, Pop Art, Nouveau Realism, and others. Chances are if it's a weird way of looking at the world, the Dadaists made it.


Rite Judgement is right in the Dadaist style. A headless dancing corpse is treated not as a miracle but more like a money making opportunity and a booking on reality television. It's a ridiculous moment made even more ridiculous because of the behavior of the people around it.

There are groups of Holy Hairdressers and another group called Fishers of Men (which the narrative tells us "does exactly what it says on the can.") Of course it's hard to take seriously an organization that controls everything called Umble Pie. 

If there is a point, Rite Judgement is mocking religious institutions and society's dependence on them. It also mocks how those institutions exploit their symbols with the intentions of gaining money, followers, and governmental power. The book just does it in a way that plays the laughs before the message.


There is another theme that is more subtle than religious exploitation: that of class conflict. There is a constant allusion to spring throughout the book, which heralds new beginnings, rebirth, and awakening from what is considered cold and dead.

 The Arab Spring anti-government uprisings in the Arab World, a grassroots campaign that was spread throughout social media, in the early 2010's is referred to.


Igor Stravinsky's composition Rite of Spring keeps coming in and out of the book like a motif. The composition was a ballet depicting primitive people engaging a ritual sacrifice on a young maiden.  (Fans of Disney's Fantasia may remember the composition in the animated segment depicting the evolution of Earth from the formation of the land to the death of the dinosaurs.) 

Reportedly, the Rite of Spring ballet was so controversial that riots broke out in protest and defense of it. Stravinsky's music was favored by many revolutionaries and considered the music of the Russian Revolution. 


The motif of Rite of Spring adds to the subtle theme of earlier conventions passing away and dying out to make way for newer ideals. That older constraints like class distinction, religious schisms, and oligarchy politics are not working. If they aren't working, then the book suggests that the way must be made for something new. A return to spring if you will.


All of this is hidden inside a book with a headless dancing saint. 


Friday, January 29, 2021

Weekly Reader: Where The Sun Rises by Suzanne Strong; Suspenseful and Heartbreaking Novel of Female Fighters in Syria

 


Weekly Reader: Where The Sun Rises by Suzanne Strong; Suspenseful and Heartbreaking Novel of Female Fighters in Syria

By Julie Sara Porter

Bookworm Reviews


Spoilers: War stories about soldiers still are largely slanted towards the male point of view. We read about their involvement in key conflicts and battles, their comradeship towards their fellow brothers-in-arms, their desensitization when they see the other side as an enemy to be destroyed and not fellow human beings, the sacrifices that they make, and the post trauma when they can't return to the life that had and are still living the war in their heads.

In the past few decades, authors are beginning to become aware that there is an untold side: that of the women who have been involved in war. Their stories as nurses, spies, defenders of the home front, and yes sometimes as soldiers, are finally being told. They are seen just as courageous, just as determined, just as strong, and just as self-sacrificing as their brother soldiers as they fight not only the enemy, but often a patriarchal system which challenges their right to fight in the first place.


The themes of war and feminism on the homefront and battlefield are revealed in Suzanne Strong's novel, Where The Sun Rises, a suspenseful and heartbreaking novel about two women who join an all-female fighting unit in war torn Syria.


In 2014, Karin and Roza are two friends who live in Kobane, Syria in tense anticipation as Daesh's army is closing in on the Kurds. Many men are fighting a resistance against the approaching army. The people left behind are left with the choices: either leave Syria forever, take up arms and join the fight, or stay and take their chances. Either way, these are difficult dour options, options that could end in misery, violence, and death.

Roza and Karin are ready to face these dark changing times. Roza is a teacher and married woman who lives with her loving husband, Sercan, and darling son, Yez. Karin is unmarried, but has her own views about what a woman should do. She recently ended an engagement with an abusive fiance. Karin is ready to fight against Daesh, but her traditional family forbids it. Her brothers can go of course. 

Sercan is joining the Resistance against Daesh. Roza is worried and doesn't want him to go, but understands why he has to. When Sercan and Karin's brother, Mani, are killed in action, Roza and Karin grieve, but then wipe their tears and enlist in the Yekineyen Parastina Jin (YPJ), the all-female fighting unit.


This novel is particularly effective in how Roza and Karin are portrayed. They are motivated to join by grief and revenge, but also by other reasons. Roza is protective towards Yez and signs up as an ultimate act of motherhood to keep any harm from coming towards her child. Karin enlists as though to prove her worth as a woman. She is tired of being treated as a second class citizen and wants to prove her worth to her country, family, and herself.

Karin is rational and feisty while Roza is quiet and emotional, but the two make a great team. Their friendship is developed on the battlefield as violence and bloodshed that surrounds them makes them more protective towards each other.


We also see characterization developed in the rest of the unit as well. Perhaps Strong wanted to avoid stereotypes and cliches. Perhaps since the lead characters are female, Strong wanted to emphasize collaboration over competition, but Commander Tolhedan, their leader, is a relief. While she is stern, she is not a shouting drill sergeant. She has a dry sense of humor and clear compassion towards the women in her unit. Tolhedan knows that "a woman can fight" against their enemy and society's perception of them and is ready to use any means necessary to help her women prove it.


There are some really tense moments that solidify the horrors of war and the deep friendships that the women feel towards each other. Their joy is felt when they defiantly sing traditional Kurdish folk songs over a fire. Suspense mounts as the YPJ take on a dangerous mission to rescue a soldier's sister and other women who are about to be trafficked to Daesh's army. They also face heartbreak when a raid results in the death of a friend and colleague of Karin and Roza's.


Karin and Roza's characters evolve even as their friendship is strengthened on the front. The intense grief is understood when Karin and Roza return to Kobane and Roza pays her respects to Sercan's grave no longer the shy schoolteacher, but a fierce warrior ready for action. Karin also begins a transformation as she develops close friendships with the other women and begins to trust and fall in love with a male journalist who shares her progressive views about women. The two friends help each other through the changes as Karin provides another emotional center for Yez and Roza helps steer Karin towards her own personal happiness.


Where the Sun Rises shines with rich fully characterized women who face war and death, but most importantly are pulled together by their friendship. This friendship is what helps see them through the dark days of war and look towards the better brighter days ahead.