Showing posts with label Religious Satire. Show all posts
Showing posts with label Religious Satire. Show all posts

Sunday, July 17, 2022

New Book Alert: Cardinals by Ian Conner; Lesbian Vampires and God's Wife are Highlights of This Seductive Mesmerizing Dark Fantasy

 

New Book Alert: Cardinals by Ian Conner; Lesbian Vampires and God's Wife are Highlights of This Seductive Mesmerizing Dark Fantasy

By Julie Sara Porter

Bookworm Reviews 


Spoilers: "God's Wife is a Lesbian Vampire!" 

That sounds less like the plot of a good dark fantasy novel and more like one of those weird cheesy tabloid headlines that could be found in any supermarket in the 80's-90's. But actually that's what Cardinals by Ian Conner actually is. Uh not a cheesy tabloid headline but a compelling mesmerizing dark fantasy about a goddess cast out of Heaven and ready to seek vengeance on the deity who abandoned her and now insists that he is the only way to Salvation.


As he did with his previous novels, Dark Maiden and The Long Game (An Amy Radigan Mystery), Conner proves that no two Ian Conner novels are alike. He can jump from an eerie supernatural horror to a complex political thriller in no time at all. His latest, Cardinals, is a dark fantasy which takes some clever savage gut punches to religion. The only thing that these books have in common are that they all have LGBT characters, particularly lesbians, but even those characters vary in terms of personality and relationships. It's nicely refreshing when an author takes on various genres and writes them so well.


In Conner's book (and according to some theological scholars) God's wife's name is Asherah. She was an actual deity who was worshipped in Canaanite religion. She also appeared in Mesopotamian religion as Ishtar and Egyptian as Isis.

 In Cardinals, it is she and not Lucifer (as told in the Bible) who sparked the angelic rebellion and is cast out of Heaven. Yahweh is so threatened by her demands of equal status,  goal to be acknowledged as co-creator, and her dislike for the humanity that he created to worship him, that he orders her to not only be cast out but not to be referenced in the records that humans are transcribing. This explains therefore why she had scant reference in the Bible and why despite other myths and religions that feature a God and Goddess, the Abrahamaic religions are one of the few that have a solely male deity.


Asherah's story in Cardinals is similar to that of Lilith, Adam's reported first wife who was thrown out of Eden after she refused to take a subordinate position to Adam. Afterwards, Lilith was referred to as the mother of monsters and later metamorphosed in Hebrew myth and legend as a demon who takes the souls of men and children at night. Asherah's in this book story is also analogous to the many religions that began with a goddess as the creator of the universe in agrarian society only to have her fall in status in favor of the male gods. This archetypal story can be found in various myths such as the conflict between Gaia and Zeus in Greek mythology, the war between Tiamat and Marduk in Mesopotamian, and Isis' relinquishment of her duties to Horus, her son, in Egyptian. 


Similar to the female characters in many of these stories, particulary Lilith and Tiamat, Asherah is not only removed from Heaven and very existence is denied, but she becomes demonized. Once she arrives on Earth, she sports a pair of fangs and obtains an unquenchable thirst for blood. She uses her newfound abilities to attack Sharit, a woman who takes her in but becomes her first victim.

 Asherah is not alone however. Once they fell, her fellow angels transform into rubies. Later, Adam's son Seth and his son Enoch gather the rubies and create the Amulet of Cassiel which the prophet Elijah later uses to call the flaming chariot. The rubies are later separated so the Amulet could never be used again. Asherah resolves to get back the rubies, call the chariot, and return to Heaven to have more than a few words with God, even if it takes thousands of years. After all she has an abundance of time to get the job done.


Asherah is a fascinating character. She is seductive, alluring, manipulative, and hypnotic. She is a character that the Reader can't look away from. She is a cunning strategic planner, spending centuries creating a financial empire and entertaining herself with various lovers, mostly female.

She ends many of her encounters by biting other humans which probably is a lot of fun in later centuries. Some guy cuts her off in traffic? Just feed on him. She fights with someone over the latest dress at a sale? Just have Sangre ala Karen. Jehovah's Witnesses or MAGA fans won't leave her alone? Just eh-maybe not. Who wants to be stuck with them for Eternity?


 Asherah isn't likable, in that she often attacks and kills innocent people and cruelly uses others, particularly Amara, a girlfriend in the 21st century. However, her allure is unmistakable. She is one of those type of characters that is so memorable and so fascinating in her badness and single-minded pursuit that she steals every moment that she is in. You are drawn to her and almost, almost are rooting for her. So much so that the book is not quite the same when she isn't around and the plot shifts to the other characters.


However, the other characters are interesting as well, many of which are Asherah's former victims and are doing their best to thwart or aid in her attempts in putting back together the Amulet. There are: Lady Kellena Donnachaidh, a 14th noblewoman turned 21st century CEO who has a personal grudge against the former Mrs. Yahweh,  Suzette Allard, Kellena's loyal assistant and wife,  Yasmeen Obiad, Kellena's bodyguard and head of security who displays ruthless tactics to get the information that she needs,  Sharit Hagel, Asherah's first victim who is still around in the 21st cenury and seeking vengeance and Amara Korkolis, Asherah's current girlfriend who loves not wisely or well. 

Not to mention there various groups after Asherah such as:  The Cardinals , those who have been fed on by a vampire but not given vampire's blood in return (almost more like zombies), The Witches of Tenerife, a coven who are interested in not only Asherah but Amara as well, and the Roman Catholic Church particularly Cardinal DiScotti (the religious kind of Cardinal though she's a vampire too), the first female Cardinal and is on her way to becoming the first female Pope.


With all of these different characters and groups, sometimes it's hard to tell what are the character's real motives. Betrayal piles on top of betrayal and characters shift allegiances almost as fast as they change addresses. Sometimes it's a chore to go back and remember who is allied with whom and whether they are stopping or helping Asherah (or unintentionally helping her even when they think that they are stopping her). Sometimes the plot rubs away with itself.


There is also another flaw in the book. There is an earlier chapter that looks as though it will lead to something important but ends up having only a small impact in the final confrontation. If it had a larger importance and if the character featured in the chapter had actually become a part of the overall narrative, it may have made more sense to have it. Otherwise, it's just a baffling inclusion and seems to be only added to provoke and create controversy rather than exploring it to its fullest potential. 


Other than those flaws, Cardinals is a dark fantasy that like its lead character is impossible to ignore and hard to forget. In the vampire horror subgenre, it, and Asherah are goddesses among vampires.


Saturday, March 26, 2022

New Book Alert: Rite Judgement: Heads Roll-Corpses Dance (The DaDa Detective Agency Book 2) by Pete Adams; Bizarre Farcical Absurd Mystery That Is Short on Plot But Long On Tone and Theme

 



New Book Alert: Rite Judgement: Heads Roll-Corpses Dance (The DaDa Detective Agency Book 2) by Pete Adams; Bizarre Farcical Absurd Mystery That Is Short on Plot But Long On Tone and Theme

By Julie Sara Porter

Bookworm Reviews


Spoilers: Pete Adams' Rite Judgement Heads Roll-Corpses Dance is the second book that I am reading this month that prefers to ignore the heart, slightly focus on the head, but heads straight for the funny bone. However, this and Lakshmi and The River of Truth take different approaches in their pursuit of laughter.


Lakshmi and The River of Truth was a savage biting political satire disguised as a fantasy. The satire is obvious as various characters and situations in this dream world are intentional parodies of people and events surrounding the real world.

Rite Judgement's humor is less abrupt and more fanciful and whimsical. While there are some satirical moments and hidden important themes, the characters and situations are absurd and farcical. There isn't as much of a recognizable plot as there are excuses to throw a bunch of odd silly things together to create a whole book that focuses on the silliness and bury important messages inside of it.. Let's put it this way, if Lakshmi and The River of Truth is Saturday Night Live, then Rite Judgement Heads Roll-Corpses Dance is Monty Python's Flying Circus. No one is better than the other. Both are hilarious, they just have different ways of making people laugh.


The main characters in Rite Judgement are former Police Detective Jack "Jane" Austen and his wife former Detective Superintendent Amanda "Mandy" Austen. Even though they are retired, they still thirst for adventure. That's why they formed the DaDa Detective Agency named for their other nicknames "Dick" for Jack (which Mandy jokes is perfect for him) and "Duck" for Mandy (which she objects to because she is not a bird and even if she were "why a f$#@_&g duck?"). 

The duo's latest case involves the appearance of St. Winifred, a martyred saint who has reappeared in modern day sans head. (Her head is on a conductor's stand.) As if it wasn't weird enough, the saint plays the violin and dances even though she's headless.

 Then there's a religious group called Umble Pie who is less than umble because they seem to be overly involved with the British government. There is also an actor posing as the Pope when the real deal ends up missing, a parrot that speaks Italian, and a goofy politician with the name of Pimple (yes you read that right) and his wife Crumpet. If you squint, you might be able to put these weird situations together and find a coherent plot.


The focus of the book is less on plot and more on tone.Situations happen that are too broad to be believable and the stabs at mystery solving are more resolved through contrived coincidence than any form of detection.

 In fact the main couple, Jack and Mandy Austen's disagreements and personal digs towards each other make them seem more like a sitcom couple than a pair of detectives. Jack is a pompous twit and Mandy's sarcasm brings him down to Earth. Think less Temperance Brennan and Seeley Booth from Bones and more Ray and Debra Barone from Everybody Loves Raymond uh with deductive reasoning and a license to investigate criminal activity of course.


Besides the humor of the bickering pair of crime solvers, the whole point of the book is not to have a straightforward mystery. Things don't have a linear structure. Conversations and incidents take place that have no real bearing in the overall narrative. 

The clue of the overall tone of the book is in the name, The DaDa Detective Agency. The name is a reference to the Dada Art Movement that began after WWI. Those involved with the movement rejected logic, aesthetics, and reason and embraced nonsense, irrationality, and anti-bourgeois views in their works. Even the name itself was coined by using a baby's words evoking childishness and absurdity. 

The works included collages, sound poetry, cut up writing, and sculpture.

Artists in the movement included Hugo Ball, Max Ernst, Hannah Hoch, and Beatrice Wood among others.

 Dadaism was an influence on later movements like Surrealism, Abstract Art, Avant Garde, Pop Art, Nouveau Realism, and others. Chances are if it's a weird way of looking at the world, the Dadaists made it.


Rite Judgement is right in the Dadaist style. A headless dancing corpse is treated not as a miracle but more like a money making opportunity and a booking on reality television. It's a ridiculous moment made even more ridiculous because of the behavior of the people around it.

There are groups of Holy Hairdressers and another group called Fishers of Men (which the narrative tells us "does exactly what it says on the can.") Of course it's hard to take seriously an organization that controls everything called Umble Pie. 

If there is a point, Rite Judgement is mocking religious institutions and society's dependence on them. It also mocks how those institutions exploit their symbols with the intentions of gaining money, followers, and governmental power. The book just does it in a way that plays the laughs before the message.


There is another theme that is more subtle than religious exploitation: that of class conflict. There is a constant allusion to spring throughout the book, which heralds new beginnings, rebirth, and awakening from what is considered cold and dead.

 The Arab Spring anti-government uprisings in the Arab World, a grassroots campaign that was spread throughout social media, in the early 2010's is referred to.


Igor Stravinsky's composition Rite of Spring keeps coming in and out of the book like a motif. The composition was a ballet depicting primitive people engaging a ritual sacrifice on a young maiden.  (Fans of Disney's Fantasia may remember the composition in the animated segment depicting the evolution of Earth from the formation of the land to the death of the dinosaurs.) 

Reportedly, the Rite of Spring ballet was so controversial that riots broke out in protest and defense of it. Stravinsky's music was favored by many revolutionaries and considered the music of the Russian Revolution. 


The motif of Rite of Spring adds to the subtle theme of earlier conventions passing away and dying out to make way for newer ideals. That older constraints like class distinction, religious schisms, and oligarchy politics are not working. If they aren't working, then the book suggests that the way must be made for something new. A return to spring if you will.


All of this is hidden inside a book with a headless dancing saint.