Showing posts with label King Henry VII. Show all posts
Showing posts with label King Henry VII. Show all posts

Saturday, October 19, 2019

Weekly Reader Philippa Gregory Edition: Three Sisters, Three Queens (The Plantagenet and Tudor Court Series Vol. VIII) by Philippa Gregory; Sisterly Competitiveness Reaches It's Zenith Between King Henry VIII's Wife and Sisters







Weekly Reader Philippa Gregory Edition: Three Sisters, Three Queens (The Plantagenet and Tudor Court Series Vol. VIII) by Philippa Gregory; Sisterly Competitiveness Reaches It's Zenith Between King Henry VIII's Wife and Sisters




By Julie Sara Porter

Bookworm Reviews




Spoilers: Many of the Plantagenet and Tudor Court Series books have an ongoing theme of sisterhood by blood or friendship, and for better or worse. Quite a few of the books deal with the jealousy and competitiveness that sisters share. When those sisters are members of a Royal family, that competitiveness can be very public, costly, and catastrophic.

The eighth volume of the series focuses on Margaret Tudor, second child of King Henry VII and Elizabeth of York and older sister of King Henry VIII. Her lot in life has always been to be the second and overlooked in any situation. She is not in the line of succession because she is a girl so she is not held in as high regard as her brothers, Princes Arthur and Henry. She is not thought of as a great beauty like her younger sister Princess Mary so she is not a serious contender for marriage. When Arthur marries Katherine of Aragon, all eyes and eventual power go to the new arrival from Spain so Margaret is overlooked in her own country.

It's no wonder that she looks forward to her arranged marriage to King James IV of Scotland. She may not know the country that well and it won't be a match made for love but at least she will be the most important woman in her own country.

When the book begins, Margaret is not a pleasant person. While many of the books in the series begin with the protagonists as children, they show a level of maturity that is to be expected of a preteen-teenager of that period. Here Margaret acts like a shrieking vain spoiled brat. She constantly judges Katherine for her clothes, piety, and accent even though she can't help but inwardly admire her composure and how she carries herself as a queen. She also constantly craves attention to the point of demanding it.
It is understandable, given her situation as the unfavorite in the family but it still is annoying to read.
After the difficulties that her predecessors suffer from political intrigue, child marriages, and warfare at young ages, Margaret Tudor is the first chronological Royal in the series that actually behaves like an Entitled Royal Pain.

Thankfully, she doesn't stay that way and the book is just as much about Margaret's path to maturity as it is about her carving her own destiny from underneath her sister's shadows.
After she marries James, she is bemused by his abrasive brusque nature and his freer sexuality. Part of that sexuality is to not only openly admit his various love affairs but to accept his illegitimate children into her household. While Margaret is aware of royal extramarital affairs and knows that male royals often have mistresses, she won't have that at her house. She orders James’ illegitimate children out of the castle and back with their mothers or other relatives. James grumbles but willingly accepts. Margaret for once is not content to play second fiddle to anyone and commands that at least as far as Scotland and her marriage bed are concerned, she comes first.

James and Margaret get through that first hurdle fairly well and settle into a fairly happy ultimately loving marriage in which they have two sons and one daughter. Though one son and the daughter die in infancy, Margaret's third son, James survives to become the heir. Just when Margaret and James are contemplating a bright future, King Henry VIII declares war on France and as part of the Auld Alliance, Scotland has to assist France. So James is called to lead the troops and Margaret is declared regent in front of a council of very suspicious old school male nobles who are none too keen about being led by a woman.

Remember how one of Philippa Gregory's strengths in this series is in telling multiple viewpoints of the same events? Well she brings that in full force in this book. What in The Constant Princess was a military triumph for Katherine of Aragon to show her strength and leadership becomes a moment of agony for Margaret Tudor. When English troops kill James, bury him in England, and send his bloody coat to Henry as proof, Margaret is in anguish and is filled with hatred at the smug English queen who caused this. Her rivalry with Katherine turns to grief and hatred.

It is fascinating how Katherine of Aragon transforms from a feisty spiritual warrior in her book to a bloodthirsty villain in Margaret's. That's the true talent in Gregory's book how a savior in one book turns into a terror in another.

Now Margaret has to rule by herself while privately mourning for the husband that she had grown to love. Her widowhood and rule is made more difficult by her council who challenge her every rule, don't care for how she tries to make peace between the feuding clans, and consider the official male regent the Earl of Albany a better potential ruler. However despite the stumbling blocks, Margaret is able to use her leadership skills and forceful nature to make things happen.

One development that occurs because of the war is the importance of Princess Mary’s love life. Suddenly the young unmarried English princess and the recently widowed Scottish queen are debating potential partners. Okay, the King of France Louis XII is old enough to be their grandfather but he has wealth, power, and whichever sister he marries will be in charge of one country or in Margaret's case two. Margaret's claim on Louis ends however when the King sets his interest on the younger more beautiful Mary.

While the title of the book is Three Sisters, Three Queens, Mary probably gets the least amount of development in this book. Most of her story is told through letters to Margaret.
In these letters and in Margaret's recollections, Mary is childish, vapid, and more concerned with fashionable gowns, romance, and looking pretty. As we saw earlier Margaret was the same way, but she goes through a lot of growth and development in her book. Mary however does not.

Mary marries Louis for the financial benefits and to be taken care of even though she has a lover, Charles Brandon waiting in the wings. She doesn't care about ruling, she just wants to be admired and appraised because of her appearance and sunny disposition. Mary's extreme vanity is made apparent after Louis dies and she immediately leaves for England with Charles Brandon and marries him. This sudden marriage incense Harry and Katherine to the point that they estrange from Mary and Charles. It takes a papal dispensation before they forgive the duo.

They are ultimately forgiven, and their money is restored. Charles is accepted into Henry's inner circle despite having no interest in politics, religion, or the monarchy. He is solely seen as merely a charming courtier and Mary is seen as a pretty ornament in the castle. They contribute nothing but good looks and amiable companionship and that is a-okay with them.

Mary's two marriages and her closeness with Katherine, the woman whom Margaret blames for her husband's death reignites her rivalry with them. This causes Margaret to make the most reckless decision of her rulership: to fall in love with and marry Archibald Douglas, the 6th Earl of Angus.

Douglas is at first a supportive courtier, listening to Margaret's troubles and opens up her passionate desires. The first sign that all is suspicious is at their wedding when Douglas tells her that he doesn't have a ring so she supplies him with one. This little moment establishes his character as a moocher and freeloader who abuses his wife's trust for his own benefit.

Douglas does show some positive characteristics however. When the Earl of Albany displaces Margaret and her son James in a coup, Douglas does some quick thinking such as feigning loyalty to her anatgonists to ensure her safety and survival. When Margaret complains about Mary and Katherine again, Douglas brutally sets her straight by reminding her that this fight isn't just about her rivalry with the two women, this is about their kingdoms and she just really needs to shut up about them.

However, Douglas's bad qualities outweigh his good and this becomes noticeable in their marriage. Douglas convinces Margaret to favor his family members causing the clan rivalries to come into focus again undoing the work that she and her late husband,James did to bring those rivalries to an end. Margaret is so blinded by her attraction to Douglas, that she gives him whatever he wants and he slowly gains power through his wife.

During the coup, Margaret is left isolated and dependent on Douglas, even removed from her son. She is forced to appeal to her brother for assistance. While she is in exile, Douglas seizes her throne and shacks up with a mistress that he was once betrothed to.

Historically, Margaret Tudor was the grandmother of Mary Queen of Scots and the parallels are evident. Both had an arranged first marriage that ended with the death of their husbands. Both had unwise second marriages to opportunists who used their marriages as platforms for their own gain. Both had third marriages but ended up exiled from Scotland and separated from the throne and their sons.

However, what separates grandmother and granddaughter is the end results of their exile. Mary Queen of Scots was imprisoned while in England and spent much of her time in captivity and becoming the center of various plots and conspiracies. Ultimately, Queen Elizabeth signed her death warrant and she was executed.

Margaret however takes a different tactic becoming a bolder character by taking control of her life. She divorces Douglas. Despite objections from Douglas, the council, and her family Margaret fully intends to see the divorce through. It becomes particularly hypocritical when Henry insists that “marriage is ordained by God” you know despite his various lovers and him wanting to separate from his own lawfully wedded wife. This hypocrisy makes Margaret even more determined to divorce Douglas. She declares that she will never again “believe that rules should be separate between men and women.”

Margaret manages to divorce Douglas and get him exiled. She falls in love for a third time with Henry Stewart, 1st Earl of Methvan whom she marries. The books ends things on a happy third marriage though in reality, Margaret's third marriage was just as stressful and she separated from him as well.

However, Margaret does create a lasting legacy for her son when King James V is settled into his throne. Margaret becomes instrumental in restoring peace between England and Scotland and arranges her son’s marriage to the French princess, Marie of Guise.

Margaret reaches the end of her book sympathizing with Katherine who is cast aside for Anne Boleyn and Mary who is estranged from her brother when she supports Katherine. Mary also reveals in her final letter to her sister that her looks have faded, and that she is ill and dying.

Margaret realizes that in the three-way competition between the three sisters, Margaret's the only one that came out on top. However, it's a hollow victory as she sincerely mourns how low her sisters have fallen and that instead of enemies and rivals, they could have been friends.

Three Sisters, Three Queens develops Margaret Tudor into a memorable character that can be spoiled, jealous, headstrong, but also forceful, determined, and independent. She goes from a jealous princess into a great queen.

Wednesday, August 14, 2019

Weekly Reader Philippa Gregory Edition: The White Princess (The Plantagenet and Tudor Court Series Vol. V) by Philippa Gregory; Bridge Between Plantagenet and Tudor is Filled With Political Strife, Unhappy Marriages, and Royal Impostors






Weekly Reader Philippa Gregory Edition: The White Princess (The Plantagenet and Tudor Court Series Vol. V) by Philippa Gregory; Bridge Between Plantagenet and Tudor is Filled With Political Strife, Unhappy Marriages, and Royal Impostors




By Julie Sara Porter

Bookworm Reviews




Spoilers: You would think that the time between the War of the Roses and the rise of Henry VIII and his six wives would be a peaceful reprieve between serious conflicts.

Well, The White Princess is a 500-page way of Philippa Gregory saying “No such luck.” In this book, we are treated to a royal marriage rocked by infidelity, marital rape and abuse, constant threats against the king, and an impostor who may be one of the missing Princes in the Tower.

The marriage between Elizabeth of York and Henry VII was supposed to be an end to the conflict of the War of the Roses and bring the feuding York and Lancaster Houses together. Gregory's writing shows that peace can sometimes be as much of a Hell as war.

To start with both Elizabeth and Henry have plenty of baggage they bring into the marriage. Historical documents say that Elizabeth and Henry's marriage while political, was fairly happy and contented. Gregory however takes a different tactic that is less historical and more fiction and drama. It's not accurate, but makes for interesting reading and plays on the threads that have already been woven from the narratives in the previous books in the series.


Elizabeth of York still grieves for her deceased uncle, Richard and very bizarrely is still in love with him. It's a bit discomforting to modern Readers for obvious reasons for Elizabeth to recall making love to her uncle. Not to mention in The Kingmaker's Daughter, Richard tells his wife, Anne that he only romanced Elizabeth and allowed rumors to spread so she would be considered spoiled goods for Henry. It is uncertain whether Richard in the previous book was telling the truth or lying to placate Anne's suspicions. Certainly, Elizabeth took it extremely seriously and loved him far more than he loved her.

It would be nice if we had gotten Richard's perspective so we could get some finality in this bizarre love triangle to learn what he actually felt about Elizabeth and whether they were as passionate as Elizabeth believed or as chaste yet manipulative as Anne believed. Failing that, I will stick with the motive in Sharon Kay Penman's The Sunne in Splendor where he never made love to Elizabeth, that the romance was all in the head of an infatuated young girl, and he took a mentor interest in her as a replacement for the brother that died and the nephews that disappeared.

Either way, Elizabeth enters her story as a starry eyed romantic with dreams of creating the perfect kingdom of Camelot. It is shattered as her idealistic dreams get crushed and she succumbs to an unhappy marriage and the political intrigue around her.

Henry also comes into the marriage equipped with extra baggage and this baggage makes him extraordinarily unlikable. In Henry, we see the results of Margaret Beaufort's single minded ambition to make her son King. We see a young man filled with ambition and paranoid suspicion of enemies who only trusts the people who made him king: his mother and paternal uncle, Jasper Tudor.

He spends a great deal of time consulting solely with his mother making her complicit in his various schemes such as raping Elizabeth before their wedding and arresting anyone who is affiliated with the Plantagenet family.

Henry repeatedly tests Elizabeth's loyalty by warning her not to contact relatives or friends who are about to be imprisoned, including her mother. The result is an emotionally abused Queen of England who has to remain silent for the sake of her family and eventually her children: Arthur, Henry, Margaret, Mary, and Edmund.

One thing that Elizabeth has going for her is that she has a lot of heart which she shows Henry when they are with their people. Since the previous volumes in the series involved the previous queens at war and Anne Neville had such a short time on the throne, we never got to experience any of the previous queens interact with their people apart from their military and staunchest supporters.

Oh in the White Queen, we see a few moments of Edward and Elizabeth's court being described as a merry court filled with music, intellect, and loyal courtiers but in the White Princess we experience more of that.

Elizabeth of York shows that she inherited her father's likeable kind nature in her interactions with her people. She greets subjects like old friends and assists the people with their problems. Now that the Cousin's War is finally out of the way it is nice to see a queen acting well...queenly.

As many characters describe her, Elizabeth inherited the York ability to make people love her, something that Henry lacks which he understands but is unable to feel. Elizabeth reveals this in a great confrontation with Margaret that she raised Henry to be a king not to be a good man and because of that, the people will only fear and maybe respect Henry, but never love him.

That distrustful nature plus the war-like nature in which Henry seized the throne are key factors as to why many of the people are so disgusted with the Tudor claim to the throne that they search for any Plantagenet survivors to take it. First, many supporters conspire with Teddy, the son of George Duke of Clarence and Elizabeth's cousin.

However, there are hints that Teddy is developmentally disabled and his involvement in conspiracies is brought forward resulting in him being sent to the Tower of London as well as the subsequent arrests of various members of Elizabeth's inner circle.

There are other claimants most prominently a young man named Perkin Warbeck. He claims to be Richard, the younger of the two Princes sentenced to the Tower. He is shuttled from Europe to Africa at first in hiding but then is chased off by a paranoid Henry.

In various countries, he convinces several rulers that he might be royalty. Even when he finally arrives in England “the boy,” as he is referred to by Henry, Elizabeth and their entourage, shows a great deal of courage, sophistication, scholarly learning, and a charismatic presence that would be possessed not only by any prince but particularly by the son of King Edward IV.

When Warbeck arrives in England, Henry is threatened by this man's personality and demeanor as the people see him as a better potential king. Elizabeth even notes that Henry may see the ruler that he might have been if he hadn't spent so much time in fear and exile, deprived of feeling any emotion. This challenge irates Henry so much that he manufactures Warbeck's escape so he can later lock him in the Tower of London.

Elizabeth unfortunately gets no moments alone with Warbeck so we do not get the potential brother-sister reunion, but he is still very present in Elizabeth's thoughts.
Warbeck’s beautiful wife cozies up to the king so she could win her husband's freedom. Henry is receptive and Elizabeth, who once openly dallied with the married former King Richard, now understands what it's like to be the other woman in that situation, the wife cast aside for a younger prettier model.

Elizabeth is also concerned towards Warbeck's cruel treatment from her bullying abusive husband and is anxious about the future of her family. She remembers the curse that she and her mother bestowed that the killer of her brothers would have a son and grandson that would die before they reached the throne, that there would be no healthy male heir, and that the line would end with a barren girl.

If Perkin Warbeck is in fact her brother, then his killer by definition is Henry Tudor (just as Prince Edward's killer was more than likely Margaret Beaufort, Henry's mother.). So the curse may in fact be enacted, not with the boy's disappearances from the Tower but by Warbeck's execution by Henry.

The queen is torn between her sympathies for the man who might be her brother and her own position and the future of her family, particularly her children. Does she speak out and appeal for Teddy and Warbeck's releases or does she remain silent and let no harm come to her children's lineage? She has to decide, is she a York or a queen?

The White Princess brings a finality to the Plantagenet family with The King's Curse feeling like a final death rattle. It brilliantly foreshadows the eventual horror that comes within the Tudor family through Henry VIII's multiple marriages, the ill health of King Edward VI, and the intense rivalry between Queens Mary and Elizabeth I. It's a fine bridge between the conflicts that had passed and reveals the conflicts to come.