Showing posts with label Jane Austen. Show all posts
Showing posts with label Jane Austen. Show all posts

Thursday, August 24, 2023

Lit List Short Reviews: Authenticity: Poems by Lesley Day; Wolf Weather by Miles Watson; Reflections in My Magical Mirror: Lessons of Love from the School of Life by Ivan Figuero-Otero, M.D.; Jane Austen's Totally Unexpected New York Adventure by Robin Robby; Abraham Lincoln Tribute: His Life and Legacy by Zaki J. Doudak

 Lit List Short Reviews: Authenticity: Poems by Lesley Day; Wolf Weather by Miles Watson; Reflections in My Magical Mirror: Lessons of Love from the School of Life by Ivan Figueroa-Otero, M.D.; Jane Austen's Totally Unexpected New York Adventure by Robin Robby; Abraham Lincoln Tribute: His Life and Legacy by Zaki J. Doudak 


Authenticity: Poems by Lesley Day

Lesley Day's book of poems, Authenticity, explores many emotions like depression, grief, loneliness, fear, and solitude. She captures them all with raw, naked, and honest confessional poems that dare the Reader to feel what the Speaker is feeling.

From the first poem, "Nothing More Than A Prick," Day reveals her ability to capture those feelings through life changing moments. The Speaker reads through diary entries from when she was younger. The entries are from a 14 year old's perspective revealing her first experience with what she perceived as heartbreak.

The Speaker mocks her naivete and realizes that as an adult, she has experienced real loss and heartbreak.Day writes, "Who knew the flowing streams of tears, in reality, were only puddles?/Who knew the stones that weighed me down were only tiny pebbles?/Who knew I would one day envy feeling so strongly over something so trivial?" Now that she felt real sadness as an adult, the Speaker realizes that what she felt as a teenager was a mild mere pinprick compared to how she feels now.


Many of Day's poems deal with specific moments that cause great stress and grief and elicit strong emotional responses. The poem, "I've Been Here Before" deals with The Speaker's lover's suicide. Day transitions the lover's point of view from second to third person. In doing so, she wants to compartmentalize his troubled symptoms and the rest of his personality.

In one stanza, she says that "he" aimed a gun at her head. Then she changes perspective by saying, "Now I know that wasn't you/And I'm not saying that's what I think you'll do/But/Eyes,looks, tone of voice, and the rambles of a mind that is temporarily not your own/Triggers something inside/I see it flash before my eyes/Only this time?/He's not in my line of sight/It's you.." She wants to believe that the person with the gun, the one who ended his life, was a different person than the one that she fell in love with. She knows however that they were one and the same. The Speaker is struggling with her own complex feelings of guilt and blame over his death.

Day's poems reveal the various symptoms of depression and grief and how they affect those who have to endure them. "She Comes at Night" explores one of the Speaker's"enemies": insomnia. Day personifies insomnia as a clever enemy, something that sneaks into the Speaker's thoughts, races like a train, keeps her awake, and inspires her. The Speaker knows that this is unhealthy and the energy that insomnia temporarily gives her tapers off. Day writes, "Thoughts are no longer clever, and they make less and less sense/As the days drag on/My mind is foggy and overworked/I'm drowning, as I grasp for sleep/I'm sinking/Waiting for unconsciousness to save me."

The Speaker's battle with insomnia is an ongoing struggle in which she keeps fighting for her mind's sake.As many who have Depression can tell, it's not always dealt with or expressed in the same way. Some people take to their beds and can barely move. Others try their best to hide it. "Functional" describes someone who hides her depression behind function. The Speaker goes out, works, and interacts with others. Many would believe that she doesn't have it. She even tells herself that she's fine, but knows that it's there. She lies to herself until she no longer can. She refers to her depression as "controlled claustrophobia." "You know it's there," Day writes. "You recognize its presence/You feel the itch of panic tingle its skin/But you will yourself to breathe/And tell yourself that you will be okay/You don't allow yourself to scratch the itch/Because it will only make it spread."

Besides being functional,The Speaker describes her depression as a "sometimes " thing. She doesn't always have the symptoms, but when she does, they hit hard. Perhaps The Speaker's depression is so powerful because she doesn't always feel that way. If depression was always there, perhaps it could recede into dullness whereas when it comes and goes, it comes on sharp, fast, and painful.

While Day's poems can seem bleak, they also present ways of coping with stress and depression. The poem, "Quiet in the Spaces," gives the Speaker the comfort of solitude. It says, "I don't enjoy the rush of life/Not rush as an emotion/But rush as in not enough time/You see/I need time/I need it to savor the quiet moments/The ones found in the spaces/Between the significance of a day." Day reminds the Reader that sometimes the most chaotic minds need those quiet times and safe spaces to reflect and just be.

Another positive coping mechanism can be found through reading and writing. In "Addiction to Lines," the Speaker reveals her addiction to "blank journals." With those journals, she can share her thoughts, express herself, and confide her troubles like a friend. The poem says, "They sit in a pile at my shelf/And when I look at the different colors melding together, I feel safe/Their silent presence is comforting/I'm no longer anxious about running out of lines/I feel confident that there will be enough for my thoughts to sleep." The Speaker is able to put her thoughts and emotions into her journals so they can provide some comfort and even control over them.

The book, Authenticity, puts emotions, especially the hardest ones to feel,together to create a whole soul. The poem, "Painted Colors" compares the soul to a painting that displays the various colors of emotions. Each one is painted in, carefully and precisely. It's an ongoing process which changes each time. The poem says, "Strokes of color do not come easy/Nor do they come quickly/But all it takes/Is one small blink/To paint black over all the colors/And drench this soul in darkness." This poem reveals what's inside the mind and soul of a person with depression. There will always be a bit of black inside them that will never truly disappear and can sometimes feel overpowering. However, that's not all there is. There are other colors, other emotions, that surround the soul and make it complete and authentic.


Wolf Weather by Miles Watson

Miles Watson's latest short work is a chilling atmospheric Dark Fantasy Horror that shows that there can be much to be feared in the cold woods during winter.

Crowning, a soldier of the Empire's Legion. Since Dagamin the Restless obtained the throne after conflicts between warring kingdoms. Dagamin decided to expand his kingdom far into the North. There isn't anything out there but wolves, he insists.

Unfortunately, they aren't just any wolves as the human-like howling and the wolves walking around on hind legs can attest. Then Crowning's fellow Legionnaires keep disappearing and the wolves' numbers increase. 

Wolf Weather is not long, only 62 pages, but like Watson's other works like The Numbers Game, The Devils You Know, and Deus Ex, he is an expert at capturing a really tense moment with plenty of atmosphere and not a lot of exposition. Aside from the bit of information about the preceding wars, and the current empire, we aren't told much about the political climate. We get some implications especially towards the end that all may not be well in this empire and that's all we need.

This is told from the point of view of Crowning, a Legion soldier, the type who follows orders. He doesn't see anything wrong with the Empire until he is faced with the possibility that encroaching on other lands might not be a good idea especially when the locals are not happy about it. 

The book is filled with descriptions that highlight the tension and isolation that Crowning feels during this story. The North seems cut off from the rest of the world because of the cold snowy landscape. Even when he is with the Legionnaires, there is a feeling of loneliness and despair. It gets worse as the other soldiers disappear and Corwin is literally and metaphorically cut off from everyone and everything that he knows.

One of the more interesting aspects is how Wilson writes werewolves. Their links between their human and animalistic natures are revealed and actually are even balanced. In most werewolf tales, the human side is not in control, usually not remembering or regretting their actions. Here the werewolves know what they are doing and why. It is almost seen as a reclamation between humans and nature that these half-human half-wolves have accepted their wild natural side and live their lives away from the structured human world. 

Corwin's encounter with the werewolves changes his outlook. He struggles to retain his humanity and his identity as a Legionnaire. However, his encounter with the werewolves causes him to question his loyalty, his placement in society, his own natural instincts, and the Emperor's ambitions. It culminates in a climax when Corwin has to face the truth of who he really is and what he really wants.

Wolf Weather is a short work but an interesting one with great atmosphere, characterization, and an interesting outlook at magical creatures who have been sidelined long enough.



Spirituality 104: Reflections in My Magical Mirror Lessons of Love from the School of Life by Ivan Figueroa-Otero, M.D.


I haven't read the other books in Ivan Figueroa-Otero's School of Life books so that would probably make his book, Spirituality 104: Reflections in My Magical Mirror Lessons of Love from the School of Life more comprehensive and expansive. However, Reflections in My Magical Mirror, is a short book that captures various lessons and advice from the previous books. Without the other books, the chapters are very thin and shallow with the content.

However they are also helpful and easily digestible if the Reader wants to read an uplifting quick chapter that reflects a problem that they are going through. 


Each chapter is the same. It begins with a quote from one of the previous School of Life Books. Then Figueroa-Otero continues with an interpretation of the quote from a spiritual perspective. Finally, he offers an exercise based on the quote in the chapter. It's formulaic but easy for Readers to determine which chapter may fit their particular situation.


For example Chapter 15 focuses on the quote: "We are like rivers that always flows (sic) to God's greatest ocean of love." Figueroa-Otero then compares the quotation to holograms where an original image can be replicated by its parts. The information is stored into each part to create the whole image, so each part makes a whole.

He also uses natural imagery to articulate the quote. With the one mentioned in Chapter 15, Figueroa-Otero compares us, humanity, to individual rivers flowing into the great ocean of the Universe. We are not separated. What affects our individual rivers affects the ocean and vice versa. 

The exercise encourages the Reader to visualize love flowing through them like water from a river into an ocean. It is designed to remind us that we are a small part of the universe and that we should share our love with those around us. 


Reflections in a Magical Mirror is slanted towards a more Biblical perspective. Figueroa-Otero uses quotes from the Bible such as "Whatever you did for my brothers and sisters of mine, you did for me" (Matthew 25:40). However, the emphasis is not on Christian Salvation, so much as it is on helping others and being kind. It is easy to replace the Christian rhetoric with any other spiritual path that talks about kindness, generosity, love, selflessness, and feeling spiritually centered. 

Reflections in My Magical Mirror is not a long book but it is one that is very helpful when you want a few minutes to clear your mind and fill your spirit.



Jane Austen's Totally Unexpected New York Adventure by Robin Robby


Robin Robby's novellette, Jane Austen's Totally Unexpected New York Adventure is a humorous and slightly romantic science fiction in which Jane Austen takes a trip to the future.


In 2061, New York, Fred, his friend, David, and fiancee, Clara have access to a time machine. So where to go? Well Clara is a huge Jane Austen fan having read her books several times and played Marianne Dashwood in a stage production of Sense and Sensibility. So for Clara meeting Jane Austen would be like meeting a favorite rock star. Plus, she died in 1817 at the age of 41 of either Addison's Disease or Hodgkin's Lymphoma. So the trio decided to dress in their Regency best and meet Austen at her home as she is beginning her final novel Persuasion, take her to the future where she can be treated with modern medicine, and return her to live a full productive life. Unfortunately, they don't count on Austen's overwhelming curiosity for this new futuristic world or Fred's growing affection for a certain English Regency era novelist.


The highlight of this Sci Fi Rom Com is Austen herself. She stands out from everyone else with her much more elevated speech patterns. When they ask her about her health, Austen replies "If I had not been suffering from such an annoying back pain, yes, I would turn back and bid you good day. But you have gauged my curiosity to no end. Whatever ends the pain."

In fact her manner of speech stands out that when others, particularly Carla, emulate her speech, it intentionally seems fake. They are playing a role while Austen lives it.


Among the more delightful moments are when Austen observes the future. She is like an amazed child on their first Christmas morning. The lights, the people, and the modern buildings. No wonder she is "quite intoxicated." She is also amazed at the sociopolitical change of women in occupations that weren't dreamt of in her day, such as doctors, attorneys, and academics. Even Austen herself had to take credit for her own books as "A Lady." She is amazed and flattered that people from the future would know and admire her so much that they would want to see her (after she recovers from the initial shock that people from the future could travel to the past in the first place). She knows that her life was not in vain and that her "sketches" will be remembered.


It is her amazement and spirit that attracts Fred. At first he is cynical but willing to go along with the trip to impress Clara and one up David who built the machine. (In fact, he gets tired of David bragging about building the machine). The more time he spends with Austen, the more he sees someone who hides a rebellious nature behind a prim exterior. One who uses her works to satirize and ask direct questions about relationships hidden under convention. One who now sees those imaginative efforts and her legacy pay off. One who observes human nature and is able to put those observations into her works, especially her final finished posthumous work, Persuasion.


Jane Austen's Totally Unexpected New York Adventure is not just a fun time travel story. It's a love letter to an author who inspired and moved many.


Abraham Lincoln Tribute: His Life and Legacy by Zaki J. Doudak 


Zaki J. Doudak's Abraham Lincoln Tribute His Life and Legacy is not a dry account of Lincoln's life complete with important events and timelines. Instead, it is more of an inspirational tribute about why Lincoln's legacy is still so important and what it means for people today.


The book begins with two important quotations during Lincoln's political career, portions of The Gettysburg Address and quotes from his debate with Stephen Douglas. It also includes a chapter about Mary Todd Lincoln's life after her husband and son's deaths including her interest in Spiritualism and struggles with mental illness. The final third is an opinion essay by Doudak which explains the importance of Lincoln's legacy and its meaning in subsequent times when racism and division is still very much alive.


Lincoln's words have been repeated often but this book gathers some of the most stirring. Quotes like "The brave men, living and dead, who struggled (at Gettysburg) have consecrated it, far above our poor power to add or detract. The world will little know nor long remember what we say here, but it can never forget what they did here" remind us why Lincoln was known as a master orator. In giving this address, Lincoln takes attention away from himself and towards the soldiers that died and sacrificed. It also reveals how important it is for the United States to remain one union, so the soldiers would not have died in vain.


Mary Todd Lincoln's widowed life is the subject of many psychological studies. Doudak describes her as someone who suffered tremendous loss and wanted to hold onto her family connections and find some peace of mind. Doudak wrote, "That (Mary Todd Lincoln) was welcome in the arms of the unliving says much of the state of human beings in the 19th century. That death was not merely a way to be at peace, but a way to offer peace to those that needed it." He sees her as a woman who used her belief in life after death to give her peace during her troubled later years.


Most of the book, "A Celebration of Life" is an almost poetic essay that recognizes what Lincoln's life meant. It reminds Readers that they could be an inspiration and stand up for equality and unity. Doudak writes, "That there is an ebb and flow and a push and pull says more about human beings than it does on Earth. That there are changes, perceptions, and dreams to fulfill only underpins our desire to maturate in this world. That we do live up to our responsibilities depends on how we choose to view our role as caretakers."


Doudak's writings suggest that the many struggles today reveal that division is still rampant. We can come together as a union when we see each other as equals and express our highest human traits like kindness, understanding, and empathy.

History judges those who made changes and sacrifices for others. That is the legacy that people like Abraham Lincoln stood for. That there are certain causes and people that will sacrifice everything for and freedom, unity, and equality are among the most important. 



Friday, February 28, 2020

Weekly Reader: The Jane Austen Book Club by Karen Joy Fowler; Cute Romantic, but Fluffy Love Letter to Austen's Work



Weekly Reader: The Jane Austen Book Club by Karen Joy Fowler; Cute Romantic, but Fluffy Love Letter to Austen's Work

By Julie Sara Porter

Bookworm Reviews




PopSugar Reading Challenge: A book about a book club

Spoilers: Okay, I admit it. I am not by any means a fan of Jane Austen

At best, I find her books light fluffy romance, but nowhere near as well-written as other writers of her time like Charlotte Bronte or George Eliot. At worst, I find her overrated and her books and characters repetitive and borderline aggravating.


My personal experience with Austen's works are as follows: I find Emma humorous with a flawed but adorable and at times purposely annoying protagonist. Northanger Abbey is a lot of fun with its parody of Gothic literature. Sense and Sensibility, is okay but mostly average. Pride and Prejudice is  overrated with two annoying protagonists that are more annoying in their omnipresence (though more tolerable than those in Wuthering Heights). I am undecided on Mansfield Park and Persuasion since I have not read either. I have yet to read one of her books that I liked beyond.. .well just okay and many authors that I like better.




However, Jane Austen in February cannot be avoided. It's like cat videos and Top Ten lists on YouTube or Laura Brannigan's "Gloria" on St. Louis radio stations during hockey season. It's inevitable that Jane Austen and romance go together, so instead of ignoring it, might as well suck it up and enjoy it and read either one of her books or a book about her books.

In this case, I read The Jane Austen Book Club by Karen Joy Fowler. While I still am not a Jane Austen fan, I will always recommend any book that celebrates the importance of reading and where characters identity themselves with the situations that are found in books. On that level, I could not recommend The Jane Austen Book Club enough.

It is a fun cute lighter-than-fluff book that explores the troubled love lives of the members of the eponymous club. While it can be read and appreciated by any fans of romance, chick lit, or books about books, it will be best loved by fans of Jane Austen who will catch and enjoy the parallels between the characters and their literary counterparts.


The Book Club is started by best friends 40-somethings Jocelyn and Sylvia. Besides them the antendees are 28-year-old French teacher Prudie, Sylvia's lesbian thrill-seeker daughter, Allegra, Bernadette, a 50ish woman with multiple marriages to her credit, and Grigg, the lone male member. The six members are required to read all six of Austen's novels and one member has to lead the discussion and host the group at her or his house all while dealing with their own romances and problems.


The club members are a charming relatable bunch that play off each other very well. Many Readers will recognize the characters's personalities and quirks as people they may know or are. There is Jocelyn who loves to walk her Rhodesian Ridgebacks and is something of a control freak who likes to micromanage her friend's lives while ignoring her own lonely unmarried status. Sylvia is a recently divorced single mother who has been burned by love and is not eager to open herself up to the possibilities of another love.

Grigg prefers to live in the worlds of his favorite science fiction novels and conventions and often has trouble being the sole male among his three sisters and his new female friends, which causes him to be permanently friend zoned.

Bernadette loves to regale her friends with her colorful stories about her stage parents and her various flawed husbands with humor to disguise how lonely and troubled her life was. Allegra lives for exciting pastimes like skydiving and mountain climbing and being with women who give her an exciting hard time. Prudie is married, but can't ignore the advances that her students make towards her, nor her and her husband's many disagreements and annoying characteristics.


Fowler parallels each character with a specific Austen novel and the novel helps guide the character through their love lives. Jocelyn is compared to Emma with her desire to make matches with her friends. Like Emma Wodehouse, she sets her friend up with someone with whom she falls in love. She invites Grigg to the group to set him up with Sylvia, but realizes that she has fallen for him herself.

Meanwhile Grigg's interest in science fiction is much like Catherine Moreland's obsession with Gothic Romance novels in Northanger Abbey. Both use their preferred genres as means of escapism from complacent and conflicting reality. Grigg also uses his science fiction novels as means of communication, such as recommending Ursula K. LeGuin's novels to Jocelyn.

Allegra's literary counterparts is Marianne Dashwood in Sense and Sensibility. Like Marianne, Allegra is a woman of deep emotion who lives for new experiences. She doesn't always listen to the advice provided by her more sensible mother, especially when it comes to her relationship with her latest girlfriend, Corine. She suffers a near emotional breakdown when she learns that Corrine stole parts of her life for her writing inspiration. Even when she is in a new relationship in the end, there is much discussion whether this relationship will last.

Like Fanny Price of Mansfield Park, Prudie has to learn to face life on her own with the death of her mother. She also is permanently confused by the open flirtations around her while maintaining a deeper more loving connection with her husband.

Bernadette's story is like that of Elizabeth Bennett in Pride and Prejudice. As a child, she was used by her mother to achieve child stardom like Mrs. Bennett uses her daughters to find wealthy husbands. She also recognizes the stubborn pride and arrogant assumptions that filled her previous marriages. She is always ready with a quick word and witty comment like many of the most loquacious of Austen's characters.

Finally, Sylvia is compared to Anne Elliot of Persuasion, the oldest and final of Austen's protagonists. She too had been left alone and deserted by a former love. When she and her ex meet again, they have to consider how much they have changed and whether they want to sever all ties or get back together.

The book has the usual formulaic ending where characters are paired up and learn lessons. Some relationships are a bit abrupt and one might make modern Readers cringe more than it would have in Austen's day. But still it's a cute book, one that is good reading for Valentine's Day or for anyone who wants to read a book that celebrates a love of reading.

Like any good book about reading, the characters recognize themselves within the books. Jane Austen's novels provide escape and friendship as they discuss the plots, characters, and themes. They also provide their own answers towards their own lives and loves.


Wednesday, February 20, 2019

Classics Corner: Pride and Prejudice by Jane Austen; Allegedly Classic Romance Is Overrated with Irritating Characters



Classics Corner: Pride and Prejudice by Jane Austen; Allegedly Classic Romance Is Overrated with Irritating Characters

By Julie Sara Porter

Bookworm Reviews

Spoilers: Jane Austen is practically an industry and her book, Pride and Prejudice is the flagship of that industry. It seems every year a new variation of Austen's works appears. I remember Austenmania in the ‘90’s when most if not all of her books were put on the screen and they haven't left since.

Modern day adaptations like Bridget Jones's Diary snd Clueless move the characters to modern day. Books and movies like Jane Austen Book Club feature people who use Austen's works as advice to the current lovelorn. Fanfiction and novels put Darcy, Elizabeth, Emma Wodehouse, the Dashwood Sisters and the rest in the heart of mysteries, thrillers, more realistic setting, and in front of zombies.


When something becomes that much a part of popular culture, you have to wonder if it's worth all the hype. While Pride and Prejudice has its fans in this case, I am going to have to say no.

Pride and Prejudice is a tremendously overrated book and part of the issue is in Austen's protagonists. Some consider Elizabeth Bennet and Mr. Darcy the Alpha Romantic Couple, the yardstick of which other romantic literary couples should be compared. Unfortunately, they are some of the more irritating characters ever written and their media overexposure makes them even more irritating.

I know. I know. They are supposed to be an argumentative couple, the type that ridicules and mocks each other but we the Reader's know they are nuts about each other. The problem is that Austen spends so much time portraying them as a feuding couple, she fails to give us a reason why they should be together in the first place. (Sorry “He's Darcy,” is not a reason.)

They have the pride and prejudice towards each other of the title but they spend so little time together doing anything but bicker so that every time I read it, I feel “Seriously, this is the couple I heard so much about?” When do they actually show anything resembling friendship or affection for each other?

They don't have a chance to develop into fully three-dimensional characters. Elizabeth has a few nice redeemable moments with her sisters but Darcy has barely any at all.

We know the drill. We are supposed to find out that his pride is just a shell and he really isn't that bad a guy after all. But is he really? In the rare occasion when he is alone, he comes across as snide and arrogant as he is with the Bennets. Austen gives us very little depth that goes into the character so through most of the book it appears that the surface opinions people have about him may actually be true.

So the book is less about two flawed individuals helping each other to smooth out their rough edges, than it becomes another tired cliche of the bad boy redeemed by the love of a good girl. (Though admittedly she gets smoothed out a bit too.)

While I don't find them as offensive as I do Wuthering Height's Catherine and Heathcliff which are the prototypes of every abusive and toxic relationship, I mostly find Elizabeth and Darcy one-dimensional and annoying. Unfortunately, they contributed to the romance genre so much that every couple since then has been compared to them and has recreated their courtship ever since creating later generations of one-dimensional and annoying couples.

I keep comparing them to Benedick and Beatrice from Shakespeare's Much Ado About Nothing, another argumentative couple destined to be together. While they also bicker constantly, their one-liners and repartee are clearly put-ons and they seem to enjoy the arguing almost as much as the romance. But most of all they are more than just a fighting couple. There are multiple scenes that show how deeply they care about their friends and there is never a point where the Reader feels that their comments are anything worse than a friendly rivalry.

There are hints that the book is meant to be something else perhaps a satire or parody of the genre. Austen herself never married, so she could be very well making fun of the genre in which she would later become the face. There are many moments particularly at the various dances where Elizabeth and Darcy play off each other like a dance where he takes a step then she does. There are quite a few times when characters call out the rigid rules of courtship such as when Elizabeth compliments the ball and she reminds Darcy that he is supposed to comment on the size of the room or the amount of couples as though there was some preapproved conversation list that they were supposed to follow.

Also Austen seems fully aware of the consequences of a romance based on passion and nothing else. Elizabeth's younger sister, Lydia runs off with a known rake, Wickham. Other books have done this subplot better most notably David Copperfield with David's childhood friend, Little Em'ly running off with his vain schoolmate, Steerforth. That it is in Pride and Prejudice at all shows it to be almost a counterpoint to the other romantic couplings that are going on.

Another counterpoint in Pride and Prejudice is provided by Mary, the plain younger sister. In a book that is so entranced with pairings, that Austen chose not to pair one of the sisters at all is an interesting choice. Mary instead is the introverted bookworm who comments on her other sister's foolishness and vapidity. Perhaps Mary is meant to be a stand-in for Austen herself silently and gently mocking romance while still being a part of it.

Pride and Prejudice did not invent the romance genre but many that follow look to it as the blueprint. It is incredibly flawed, but if you look at it deeper and see the potential for comedy and satire, it might stand to be one of the best put ons of all time.

However as far as literary heroes go, you can keep Mr. Darcy. I'd rather have Sherlock Holmes

Monday, February 19, 2018

Classics Corner: Emma by Jane Austen: A Sweet Comedy With A Sometimes Infuriating But Always Well-Meaning Protagonist




Classics Corner: Emma by Jane Austen, A Sweet Comedy With A Sometimes Infuriating But Always Well-Meaning Protagonist
By Julie Sara Porter
Bookworm Reviews

Spoilers: I want to apologize for being so late with these reviews. I had some personal stuff going on. This past Saturday was my birthday and I’ll be honest, I’ve been watching the Olympics. (Figure skating’s my jam. Though I’m an American, I'm happy for Virtue and Moir, their "Sympathy for the Devil" and "Moulin Rouge" performances were awesome. Javier Fernandez was one charming entertainer and totally deserved that Silver Medal-come on going from Charlie Chaplin to Don Quixote, the man deserved a prize for showmanship.) Anyway, on to Emma.

Emma Woodhouse is the type of friend who people constantly criticize but usually end by saying “But she means well.” Okay, she may meddle in people’s lives, set people up against their will, “But she means well.” She’s like that popular girl who thinks that the key to her fellow student’s happiness is a complete makeover and a date with the captain of the football team, “But she means well.” Jane Austen once described her as a “heroine in which no one but (herself) would like.” But…well you get the idea.

Emma Woodhouse is determined to match up her friends whether they want to be or not. Taking pride that she introduced her former governess (and surrogate mother) to a local wealthy widower, she takes full credit for the match and thinks that she has a career (as much a career as a woman would have in Regency-era England) ahead of her of setting up her unattached lovelorn friends with the right person where they will live, hopefully, ever after.

The first to reach Emma’s Spidey Single Sense is Harriet Smith. Harriet is a shy young woman with very little to offer any future prospects. She is illegitimate with unknown parents and is taken in by the charity of distant relatives. So Emma plans on setting her up with an eligible bachelor with the determination of an Olympic athlete competing for a Gold medal. (If Matchmaking were an Olympic sport that is).
First Emma ignores Harriet’s interest in Mr. Martin, a local farmer, thinking that Harriet could do much better….like the new young curate, Mr. Elton. Unfortunately, Mr. Elton is a fickle weak minded fool who is looking for a bride to bring him up a few notches in the social stratosphere. In fact he is quite receptive to the invitations that Emma sends him to be with herself and Harriet. He is completely enamored and proposes to…..Emma. Emma has the sense to turn Elton down and send him packing to find a wealthy but air headed bride.

Other people get involved in Emma’s attempts at match making. There’s Frank Churchill, a local boy made good by a wealthy aunt and uncle and has grown into a snob and a rake. Jane Fairfax, a girl who’s Aunt and Great-Aunt, Miss and Mrs. Bates, will extol her virtues to everyone who is unfortunate enough to be in hearing distance. Their praise of Jane sickens the others, Emma especially, who envision  her as the model of perfection. 

Emma almost treats her friends like dolls, albeit well-loved dolls. She thinks that if she positions them just right, insert a few dinner parties and balls, then they will fall in love just as she suspected. However, she fails to account that unlike dolls, people don’t always act the way she wants them to. She falls in love with Frank Churchill. Then when her infatuation dies, she steps aside for Harriet when she believes the younger woman is in love with him, only to discover that Churchill had been in a secret engagement with Jane Fairfax, the whole time.  Gee, it’s like her friends are actual human beings with thoughts of their own and aren’t Emma’s playthings to move however she sees fit.

The thing with Emma is that she’s not a heartless person. She genuinely believes that she is acting for the good of all. When she tries to set Harriet up with Mr. Elton then briefly with Mr. Churchill, she genuinely wants to see Harriet happy. She doesn’t think about the consequences of whether the men are interested in Harriet or someone else. The worst that she can be accused of is thoughtless. When she is filled with remorse (such as after she realizes that she has hurt Miss Bates’ feelings after she says some thoughtless words at an outing or when she finds out that Frank Churchill and Jane Fairfax are engaged and she has to find a way to break the news to Harriet), the Reader has no doubt that her remorse is genuine. Emma is the type of person that you may want to lecture, even slap sometimes, but you don’t want to hate or completely break things off with.

Emma also has a difficult time with following her own desires. Originally, she is content to remain a spinster and care for her eccentric father and estate. Perhaps her need to set up her friends is to ignore or avoid her own feelings. While she admits to being fascinated by the charming Frank Churchill even engaging in flirting with him, she gets out of any potential attachments when he proves himself to be vain, foppish, and overly critical. (She actually pities Jane Fairfax when it is revealed that they married. But Churchill does show some maturity as he writes and apologetic letter to Emma and to his father for deceiving them, suggesting some growth in his character.)

Emma’s own romantic needs become entangled with those of Mr. Knightly, her brother-in-law. Knightly has the unenviable task of acting as Emma’s conscience telling her when she’s gone too far. He is offended when she insults Miss Bates and reminds her that her meddling in Harriet’s life will only bring trouble to her. Of course Emma never listens and learns the hard way.
However, like Emma, Mr. Knightly also shows that he is a caring person. He dances with Harriet at a ball when no one else will earning a schoolgirl crush from her which is almost thwarted by Emma’s jealousy but Harriet’s former intended, Mr. Martin appears from nowhere (a plot point left somewhat dangled) to set things right. When he lectures Emma, it is more out of a blunt kindness of telling her what she needs to hear rather than playing along with her schemes like everyone else does. He’s the type of person that someone like Emma needs, someone to bring them back down to earth before they fly too high and get themselves in trouble.

Despite Austen’s insistence that no one but herself will like, Emma actually is very likable. She is packed with flaws and insecurities. She is extremely meddling, but caring. She gets herself and her friends in trouble and almost makes a mess of many things. But oh darn it all, she means well.