What Happened At The Abbey (The Straithbairn Trilogy) Book One by Isobel Blackthorn; Blackthorn Goes Gothic in Engaging Historical Murder Mystery

 

What Happened At The Abbey (The Straithbairn Trilogy) Book One by Isobel Blackthorn; Blackthorn Goes Gothic in Engaging Historical Murder Mystery 

By Julie Sara Porter

Bookworm Reviews

Spoilers: Isobel Blackthorn is a favorite author of the blog. She is one of the best recent mystery/suspense authors. Her attention to setting and character brings new light to the Cozy Mystery, Locked Room Case, and other subgenres. Her books, The Cabin Sessions and Emma's Tapestry were favorites on the Best of the Best Year End Lists of 2021 and 2022 respectively. So when I say that What Happened At The Abbey, the first in Blackthorn's The Straithbairn Trilogy is the best of Blackthorn's work, I mean that it is the best of quite an impressive collection indeed.

What Happened at the Abbey is a loving tribute to the Gothic Mystery with an innocent female protagonist hired to work at a creepy wealthy estate for an eccentric family and unearths a secret that the family or their antecedents are trying to hide. It is a wonderful subgenre already and a personal favorite but Blackthorn's attention to tone and character make this a great addition to the genre and a stellar work in its own right.

Ingrid Barker is escaping an abusive marriage with her daughter, Susan. She had to leave her upper middle class lifestyle behind and travel North to Scotland to accept the position of housekeeper at Straithbairn Abbey. As she adjusts to her new surroundings and life as a single mother, Ingrid gets to know her employers, the McLeod Family particularly the argumentative daughter, Gertrude and the feckless secretive son, Miles. Miles in particular arouses suspicion with his cryptic words, his habit of sneaking around outside at night, and family's apparent dislike of him. It becomes clear that something is creepy in the estate of Straithbairn. Meanwhile, Ingrid is receiving threats of her own as she learns that her abusive ex husband is hot on her trail.

The atmosphere is one of stern judgment and deep ominous potentially demonic energy. Ingrid personifies Straithbairn as a “house that seems to frown down on all who behold it.” It's described with rugged countryside, omnipresent sharp craggy stones, a dour facade, and no softness. It is cold, imposing, and already unloving. 

The people who dwell inside Straithbairn are just as dysfunctional as the location that surrounds them. The McCleods are people who share a last name but harbor no illusions that they love each other or consider themselves family. Charles, their father, has a tight psychological grip on his children. Gertrude cares more about the estate than she does for the people who live inside it. Blake loses himself in alcohol and defeatism.

Then there's Miles whose arrival instantly brings derision and anger from the rest of his family. He is the McLeod Family Outsider. He appears at Straithbairn to collect moss for an academic study. But his first person narrative (which he alternates with Ingrid’s point of view) reveals more about him than he tells others. 

Miles is haunted by his family history and is searching for some answers to questions that have dogged him for years. His narration suggests him as someone who is teetering on the edge of sanity. He alternates between trying to retain rational thought and drifting towards paranoid delusions and fantasies. With the potentially supernatural atmosphere that charges the air, there are moments where it is uncertain if Miles is going insane or actually possessed by demons. What is apparent is that Miles is a man who is inwardly suffering and has no support from the people around him leading to further suffering.

The tension is also experienced by Ingrid. For someone who survived a physically and emotionally abusive marriage, Ingrid no doubt personifies her own experience with the setting around her. Her Anxiety and PTSD is paramount as well as her desire to get away from her previous situation. Straithbairn reminds her of her marriage: intimidating, isolated, domineering, confining, and loveless.

Ingrid is also someone whose own nerves are naturally at an all-time high. She shows a tremendous amount of strength of character by pulling herself and Susan out of a bad situation and  starting over in another country by telling people that she is a widow. However, she shows obvious signs of PTSD and Generalized Anxiety Disorder. She is suspicious of the bond that develops between Susan and Ethel, the cook. She finds a newcomer, Hamish, to be alternatively attractive and mysterious. Then there is the news of Edward's return which causes her to fear the world inside and outside the estate.

The tension in the air consumes Ingrid and it becomes clear that something terrifying is hiding in the fringes or under the surface and is about to happen. 

It breaks when Ingrid and Miles come face to face with their own fears, anxieties, insecurities, and paranoia and those that cause them. 

 

Weekly Reader: Murder in Myrtle Bay (Ruth Finlay Mysteries Book 1) by Isobel Blackthorn; Secrets, Affairs, Lies, and Murder Surround a Small Town

 

Weekly Reader: Murder in Myrtle Bay (Ruth Finlay Mysteries Book 1) by Isobel Blackthorn; Secrets, Affairs, Lies, and Murder Surround a Small Town 

By Julie Sara Porter

Bookworm Reviews

Spoilers: We spent some time in the Atlantic exploring the history, current events, and legends of the Caribbean. Where to next? Why explore the danger and violence found in the Pacific Ocean of course. We saw a bit of the Pacific in Adrian Deans' Asparagus Grass beginning in New South Wales Australia but mostly it was the start of an around the world and into the stars trip.

This and the next book that I am going to review are murder mysteries set in the Pacific Islands of Australia and Hawaii respectively with the locals at their best and worst.

Cozy Mysteries usually show the best of small towns with friendly helpful residents, cute shop names, and, okay there's murder going on but there are many who want to solve it with the help of many eccentric families.

What makes Isobel Blackthorn's Murder in Myrtle Bay Ruth Finlay Mysteries Book 1 stand out is while it shows that charm and eccentricities of small town life, it isn't afraid to show these towns at their worst: the judgemental attitudes, the years long feuds, the clannish snobbishness when someone new comes along, the socioeconomic and sometimes racial divides that puts certain people in specific categories, and of course the strong emotions which result in violence and murder.

Friends, Ruth Finlay, and Doris Cleaver, are visiting the Factory, a now closed factory which has become an antiques and collectibles market. The duo find the dying David Fisk, who looks like he was hit on the back of his head and insisted that "he didn't do it" before expiring. This leaves Ruth and Doris with many questions. Who attacked David? What didn't he do? Who would dare attack him in broad daylight in an open market? How did they manage without anyone noticing? Ruth and Doris saw many friends and acquaintances that day, so which one is guilty?

Murder in Myrtle Bay is in many ways a typical cozy mystery with the usual tropes: murder in a small town, a victim with plenty of enemies and few friends, and an interesting detective, or in this case detectives, that takes their Reader through the mystery. That doesn't make Murder in Myrtle Bay, a lousy book. In fact, it's a lot of fun. It's the type of book that you want to read on the beach or on a warm summer night with a cold drink in hand.

Part of what makes this book are the lead characters themselves. Ruth and Doris are a fun fascinating duo who stand out as they try to solve the mystery of who killed David Fisk.

Ruth and Doris are an attraction of opposites. Ruth is a magazine writer in her 30's or 40's with an aging father. She grew up in Myrtle Bay, at least since high school, but she is something of an outsider, partly because of her standoffish personality and occupation as a journalist. This murder investigation also involves her asking a lot of personal questions to people that she has known for a long time making her even less liked. This scrutiny often makes her self conscious and overly serious at times.

While Ruth feels like a self conscious outsider, Doris knows she is an outsider and doesn't care. In fact, she dramatizes it. A senior, Doris dresses flamboyantly and can be very outspoken. Doris is also quite a gossip and knows the family histories in town and is even related to some of the noted families. She gives Ruth some much needed background information over who feuded with whom and who cheated on whom. Doris makes a strong presence whether it's getting a local to do some landscaping or to admit previous affairs with other women. While Ruth shies away from people, Doris is up front and center.

The mystery that Ruth and Doris find themselves in is pretty solid especially since it happened in open public and both admit that they saw friends and acquaintances coming in and out of The Factory meaning the murderer is more than likely someone that they know. 

Among the difficulties of living in a small town is that almost claustrophobic feeling of everyone knowing everybody. You go to a store and you see regular staff members or customers. You might see old school friends. Old friendships might be rekindled but also old grudges, rivalries, and fights may resurface. It's hard to live in the moment when there is someone always reminding you of your past.

Another aspect that Blackthorn's writing opens is the sharp lines that are often drawn among people in such towns. As Doris reminds Ruth of the different family rivalries and love triangles, it's clear that the two women are surrounded by a hierarchy and system where some people are on top and some are on the bottom. While that's true in most places, that's usually an abstract. In small towns, the people on top are known, usually families with a lot of wealth and connections. If not families, then institutions like the local churches or associations that shape the towns in their own images. If you are considered the wrong income bracket, live on the wrong side of town, the wrong skin color, the wrong religion, the wrong sexuality or gender identity, or become a subject of scandal, you could be made a pariah.

This claustrophobia and hierarchy is what Ruth and Doris have to muddle through as they get to the truth. There are many people, especially from certain families, that want to keep their image and reputation intact and won't let something like a dead body and a murder investigation get in the way of that. 

Murder in Myrtle Bay is a reminder that just because an area is rural doesn't mean that it isn't filled with hatred, prejudices, and violence. If anything, it's often worse than an urban landscape because Death could be wearing a familiar and even once friendly face.

New Book Alert: Emma's Tapestry by Isobel Blackthorn; Suspense and Mystery Writer Shows Gifts in Writing Historical Fiction Based On Her Own Family

 

New Book Alert: Emma's Tapestry by Isobel Blackthorn; Suspense and Mystery Writer Shows Gifts in Writing Historical Fiction Based On Her Own Family

By Julie Sara Porter

Bookworm Reviews

Spoilers: We have seen Isobel Blackthorn write excellent mystery and suspense novels. With A Prison in the Sun and The Ghost of Villa Winter, she was able to capture unsolved murders and hate crimes in the beautiful vacation setting of the Canary Islands.

With The Cabin Sessions, Blackthorn captured the dark secrets and inner turmoil of a small group of people huddled inside a dismal bar/nightclub on Christmas Eve.

So how well does this Mistress of Dark Fiction write a book that is not dark or mysterious? How does she write something like, say, Historical Fiction? Well judging by her book, Emma's Tapestry, pretty well actually.

The book is about Emma Harms, who in the late 19-teens leaves her Mennonite German-American family behind to marry Ernest Taylor, a social climbing Englishman. The two move to Singapore and then Japan so Ernest can ascend in the Export business. Emma meanwhile tries to maintain a career as a nurse, give birth and raise two daughters, and try to salvage her faltering marriage.

This story of Emma's troubled marriage is also combined with her subsequent life as a single mother to her now adult daughters in 1940. She also works as a nurse for seniors, like Adela Schuster who when she was younger ran in literary circles and befriended Oscar Wilde during his arrest and disgrace for homosexuality.

Blackthorn writes a strong sense of character in this book. There is a darn good reason for that besides that she is an incredibly gifted author. Emma's Tapestry is based on a true story. It covers Blackthorn's own family history.

According to her Epilogue, Emma and Ernest were based on her great-grandparents. They had a very fractured marriage that ended with Ernest abandoning his family and the severe repercussions were felt by Blackthorn's grandmother even years later. This book is Blackthorn's way of coming to terms with her family's loss and how the end of Emma and Ernest's marriage affected them and their children.

Even though, it's a nonfiction family history, Blackthorn writes Emma's Tapestry like a novel. This approach is similar to how Alex Haley wrote Roots or John Berendt wrote Midnight in the Garden of Good and Evil. She uses narrative techniques like interior thoughts, point of view, and dialogue to fill in the blanks of a painful family history with her imagination and speculation over what may have happened.

Blackthorn's narrative approach makes Emma memorable as a fully formed character as well as a real person. The Reader feels sympathy when she feels out of place in Japan and Ernest is more interested in climbing the corporate ladder than he is in helping his wife through her loneliness. Things become incredibly tense when war and revolution puts Emma's family in danger. She has to deal with giving birth and raising her young girls and surviving a stressful time with an increasingly insensitive and philandering husband.

Things get worse when Emma and her daughters emigrate to the United States. Despite being American, Emma is vilified because of her German heritage. In her new home town of Brush, Colorado, she receives suspicious looks and barely hidden remarks about her family and accusations of being an enemy spy. A woman who befriends her just as quickly throws her under the bus when the KKK stop by.

This section shows how during war time, propaganda and fear of an enemy can turn people against each other. They instantly hate someone because of their appearance or their last name.

This painful reality has echoed even modern times when 9/11 caused Islamophobia. Many Americans have attacked Latin Americans during days of increased immigration at the Southern borders.

The after effects of Covid saw an increase in hate crimes towards Chinese people. Most recently Russians have been held under suspicion and attacked because of the cruelty of their Premiere Vladimir Putin.

Emma's Tapestry reveals an early example of hate crimes that develop when people are taught to hate and fear an enemy and by extension see anyone from that space as a potential enemy simply because they are from somewhere else.

In contrast to Emma's painful past, her time in 1940 is a much lighter time. While there is some suspense because of living in Britain during the Blitz, Emma seems to be in a much better position. She is still overcoming her abandonment from Ernest but is still trying to form a family with her girls. She is closer to her daughters and is looking forward to becoming a grandmother.

She also continues to pursue her faith. In the past, she had been a member of Mennonite and Lutheran churches. Later she discovers a new interest in Spiritualism. This belief allows her to communicate with the dead and gives her hope that there is an afterlife after losing members of her immediate family, while also making her more active and involved in the present material world.

Emma has a good career as a nurse and through that is able to become close to Adela. While Adela at first seems to be a bit of a daffy name dropper, she shows a lot of wisdom in her stories of the past leading Emma by example. Also Adela's loyalty to the derided and disgraced Oscar Wilde is touching especially when he is alone in Paris with few friends, family, and lovers by his side. With this loyalty and wisdom, Emma takes stock in her own life and reevaluates some of her choices.

Blackthorn's family clearly had a painful past but she was able to capture it with detail, understanding, empathy and above all love.

New Book Alert: The Cabin Sessions by Isobel Blackthorn; Limited Setting and Ominous Sense of Dread Highlight This Session

 

New Book Alert: The Cabin Sessions by Isobel Blackthorn; Limited Setting and Ominous Sense of Dread Highlight This Session

By Julie Sara Porter

Bookworm Reviews

Spoilers: The strongest adjective that I can use to describe Isobel Blackthorn's The Cabin Sessions is "ominous." On the surface not much happens until the very end but the entire book fills the Reader with such dread and anticipation that they know something bad is going to happen long before it does.

The Cabin Sessions is different from Blackthorn's previous works, Prison in the Sun and The Ghost of Villa Winter. Both of those books were mysteries involving murder, hate crimes, and sexual assault set against the backdrop of the beautiful Canary Islands. In those works, the exterior setting was just as important as the plot and character's actions. The beautiful island is a contrast to the darkness that the characters suffer. 

The Cabin Sessions does something similar but with a different type of setting. Instead of opening up, the action is contained and limited. The setting of the book is mostly on Christmas Eve inside a bar/nightclub/local hangout in small town Burton called The Cabin. At The Cabin, musicians and other entertainers of dubious talent entertain the locals one night a week. Most of the locals attend the sessions to drink, listen to or mock the music, and try their best to ignore their troubles. 

It doesn't help the creepy atmosphere that The Cabin Sessions is full of miserable characters with enough emotional baggage to fill an entire airport terminal. The character's interior lives add to the overall dread as they are filled with secret sins, obsessions, and relationships ready to come out.

The cast includes: 

Adam- A guitarist and newcomer to Burton. He just ended an unhealthy relationship with the abusive rocker, Juan. He is dealing with the death of Benny, his close friend and mentor and Juan's jealousy over Adam's friendship with other men. He also is terrified  when he sees a sinister unknown man outside the Cabin that may have done something illegal. When Juan barges in to fill in for the recently deceased Benny, Adam is filled with revulsion and longing for his ex.

Philip and Eva- They are a brother and sister who live next to Adam and across the bridge from The Cabin. Philip is a plumber and handy person who has his way with many of the women (and some of the men) of Burton. He has a salacious history and is one third of a love triangle that is in the process of ending badly.

Eva is usually in her own little world doing peculiar things like collecting stamps from her job at the post office, holding her breath under water for a record time, and talking to "mermaids" that only she can see. However, her chapters reveals forbidden longings and desires that she is unable to reveal. 

Rebekah and David- The proprietors of The Cabin and organizers of the Sessions. They are an ultra religious couple that try to keep a firm hold over their daughter, Hannah as she serves food and buses tables. Unfortunately, Hannah rebels against their watchful gaze by sneaking around with men. She ends up in a very precarious situation.

Cynthia- Dulcimer player, local eccentric, and some believe witch. She is in mourning for her sister, Joy, who most believe disappeared but she is convinced that she died. Cynthia also has a prophetic gift in which she displays that one of the gang is going to die before the night is through.

Delilah- She is the closest thing that Burton has to a diva. She is often the center of attention and acts as a confidante to many of the other characters. Also her father was the pastor at Burton but was defrocked after a sex scandal. She may have some buried rage against those who made it happen.

There are also a few other characters like Nathan (terrible songwriter, Hannah's boyfriend, and is also close to Eva), Alf (blues guitarist with a questionable musical history that he often embellishes), and Joshua and Ed (a duo who are often together, the former has a criminal history and the latter a bad tempered wife). 

With the small cast and limited setting, The Cabin Sessions would make a good stage play or short film. (Eva's chapters in particular would make effective monologues of a woman who may be in the process of losing her sanity and could be a very unreliable narrator.)

Most of the conflicts are implied and revealed through conversations and inner thoughts which often contradict each other. Everyone is hiding something and no one is revealing anything until they are forced to.

Most of the troubles are hinted at and it's partly because of the setting being largely in the Cabin. Despite some dramatic confrontations and dreadful situations throughout the night (like a rancid smell, Cynthia's predictions, and the strange man outside) no one makes an effort to leave the Cabin. It almost invites the possibility that they can't or won't leave. Perhaps The Cabin serves as a sort of Purgatory or holding pattern, even an askew and imperfect sanctuary, which tries to keep the bad things away. 

Unfortunately, The Cabin Sessions shows that troubles don't end at the front door of The Cabin. Sometimes they bang the door down and shake the Cabin's walls to create a giant explosion making what was once hidden and ominous become upfront and terrifying.

New Book Alert: The Ghost of Villa Winter (Canary Islands Mysteries Book 4) by Isobel Blackthorn; Engaging Murder Mystery Set On A Beautiful Island

 

New Book Alert: The Ghost of Villa Winter (Canary Islands Mysteries Book 4) by Isobel Blackthorn; Engaging Murder Mystery Set On A Beautiful Island

By Julie Sara Porter

Bookworm Reviews

When last we left the lovely but intriguing Canary Islands in Isobel Blackthorn's A Prison in the Sun,  ghostwriter Trevor Moore found a backpack of stolen money, a manuscript about a gay man imprisoned during Franco's Spain, and a dead body. In short order, he kept the money for himself, translated and edited the manuscript and kept the credit, and was left the target of sinister figures who were probably responsible for the dead body.

In Blackthorn's latest caper, The Ghost of Villa Winter, Trevor is in prison and his only remaining friend, Clarissa, is fighting a so far fruitless endeavor to get him released. Clarissa knows Trevor well and knows that he is innocent of the murder. Okay, sure he's a literary thief for passing off the manuscript as his own. Sure he was foolish and greedy for not reporting the money. And sure, he's well….kind of a bumbling idiot, but a murderer? Never!

Clarissa is staying with her niece, Claire and Claire's husband, Paco while she waits to visit Trevor in prison and reopen his case. Claire and Paco want her to forget about Trevor for a while and just enjoy herself. So, she takes their advice and notices a flier for a guided tour of Villa Winter. She decides to take the tour and gets to know a group of eccentric tourists and their tour guide, Francois. It is on the trip to this historical building with a sinister past, in which it was the farmhouse of Gustav Winter, a member of the Nazi Party, where things take a dangerous turn. She and novelist, Richard Parry, get separated from the group and discover the corpse of a murdered woman inside the Villa. Even more terrifying is that the apparent time of death had to be within the last few minutes, so the woman's murderer had to be a part of the tour, but who?

The Ghost of Villa Winter is just as effective a murder mystery as its predecessor. Blackthorn once again provides a real strong sense of place throughout the book. Unlike Prison in the Sun which took advantage of the gorgeous beaches and outdoor views, most of the action is set in and around Villa Winter and the village of Cofete. However, the setting never feels claustrophobic or contained as there is always something new to explore.

Villa Winter is itself described as an imposing building. Blackthorn writes, "Villa Winter presented its visitors with a very high and imposing stone wall that appeared to serve as the dwelling's foundations. The two corners of the wall were finished off with square turrets, each sporting a small casement window set about two-thirds of the way up the front wall-too high for anyone outside to peer in-and topped with a stone parapet. The house itself sat above a stone wall and sported a somewhat austere veranda contained within a series of stone arches. A low pitched roof of terracotta tiles completed the look. Attached to the front of the house on the far side was a large round tower. The whole edifice was more imposing close up than (Clarissa)'d imagined viewing photos on the Internet."

Between the stone wall, tower, the strange bunkers on the lower floor, and a kitchen that looks more like an autopsy room, Villa Winter leaves a general impression that no one comes in and no one comes out. 

The setting isn't the only thing that leaves a memorable eerie impression on the Reader. The tour group are an odd crew that would be at home in an Agatha Christie locked room mystery. From the mean looking tour guide, Francois, to the know it all married couple, Fred and Margaret, to the oddly quiet, Helen, to the thrill seeking backpackers, Dave and Steve, to the gossipy Vera, to the no nonsense, Carol, to the mysterious, Simon who seems unsure even of his name at times. These characters give off a bizarre vibe particularly when they enter Villa Winter and seem to engage in a verbal competition over who knows the most about Gustav Winter, WWII trivia, and conspiracy theories. These are people who constantly bicker and don't mind showing off their knowledge to anyone who asks, and to anyone that doesn't. Anyone of them could be a murderer and their odd behaviors suggest that no one could be ruled out.

The only character that Clarissa finds completely trustworthy is Richard and that's because he is too much of a sniveling wimp to be a murderer and he hasn't left Clarissa's side since they entered Villa Winter. (He had no time to steal away and murder the young woman the way the others would have). 

There are some genuinely suspenseful moments that evoke a Hitchcockian film. Clarissa and Richard are abandoned by the tour group and trapped in the tower where they hear footsteps and the sounds of someone turning on the crematorium down below. 

They also plan a daring escape from Villa Winter that requires a long climb downhill as the sun threatens to set. Then,  they find that the road out of Cofete is closed so they are trapped in a small village with no electricity and no phone, with their tour group, one of whom is a murderer. The chapters are designed to keep the Reader clenched in suspense throughout this tour.

Even though there is a dark undercurrent, particularly with the murder and the history of Villa Winter, the protagonists keep things light-hearted veering this book towards a cozy mystery more than its darker predecessor. In particular, Clarissa is a great lead character. She has some unique traits such as her interest in astrology. (Really she should have known there would be trouble with the arrangement of Saturn, Pluto, and Mars and a Scorpio Moon present). She has a gift of being a good of judge of character, such as her initial observations of the tour group, that is seldom proven wrong. This gift seems to border on intuition, a sixth sense, love of mysteries, and good common sense that comes with age. That's how come she knows that Trevor is innocent. She knows him well.

Clarissa is also a brave and physically fit woman. She is like Miss Marple or Jessica Fletcher juiced up. When she and Richard have to escape Villa Winter, she proves her mettle by pushing herself and her cowardly companion outside of the Villa and harm's way. Most of that mettle is proven by carrying Richard's useless weight around as he spends most of the time, sniveling, whining, and contributing very little to their survival or solving the mystery around them.

Clarissa shows a protective streak towards Richard and Trevor, showing more competency than either of them. She isn't romantically attached to either one (Richard because of his personality and Trevor because of reasons that are revealed in A Prison in the Sun.) She has a sisterly protectiveness that wants to care and look after these guys. This leads to a heartfelt and sweet reunion between Clarissa and Trevor that strengthens their friendship.

The Ghost of Villa Winter is an engaging follow up to A Prison in the Sun that shows in scenic locations all may not be Paradise. Not with terrifying histories, dead bodies, and curious odd tourists and locals lurking around every beach and villa.