Weekly Reader: Semicolon: Life Goes On From A Different Perspective: Living With Purpose by A.P. Aristeiguieta; Captivating Spiritual Journey Into Deep Emotion, Strong Friendships, and Lucid Dreams
By Julie Sara Porter
Bookworm Reviews
Spoilers: Is it too early to pick a potential favorite book of 2023 because I found a contender?
Semicolon Life Goes On From A Different Perspective Living With Purpose by A.P. Aristeiguieta is a captivating, lyrical, and spiritual book that tells a fantastic story about loneliness, depression, and friendship.
Semicolon is not unlike some of my other favorite books in the past like Imajica by Clive Barker, Melia in Foreverland by Thomas Milhorat, The Thursday Next Series by Jasper Fforde, A Wrinkle in Time by Madeleine L'Engle, The Neverending Story by Michael Ende, The Unseen Blossom by Zlaikha Y Samad and L'mere Younossi, The Enchanted World Series, Tales From The Hinterland by Melissa Albert, The Bookbinder's Daughter by Jessica Thorne, Kaleidoscopic Shades Within Black Eternity by David A Neuman, Merchants of Knowledge and Magic by Erika McCorkle, and Alice's Adventures in Wonderland and Through the Looking Glass). It's a book that is thought about, felt, and lived in as much as it is read.
According to the Introduction, this is somewhat based on a true story, a semiautobiographical novel or a literary nonfiction, on incidents from Aristeiguieta's past. Aristeiguieta's author surrogate is Amy, a teenager who has been hospitalized. One night, she sees a little boy, Tito, standing by her bed and who appears to be a friendly spirit of some sort.
Amy is released and after a while, her parents send her to a boarding school in Mexico. At the airport, she meets Alberto, a talkative teen about her age who is heading for the same destination and quickly becomes an intelligent and very odd friend to her.
Semicolon is a book that asks as many questions as it provides answers, allowing those to explore their own inner conclusions about what they experienced. It is both thought provoking and visceral at the same time.
The book's excellence starts with its protagonist. While books about troubled teens are nothing new, Aristeiguieta takes great care to capture a young brilliant but fractured mind on the verge of falling into existential loneliness and emotional numbness.
At first, there are some hints about the cause of Amy's hospitalization but we aren't told anything definite until later. She lays in the hospital bed thinking about how she got there. She was someone who felt invisible and lived inside her own head. (What depressed, lonely, imaginative kid hasn't felt that way? Heck what depressed, lonely, imaginative, adult still doesn't feel that way?) One day, she wanted to end those feelings and attempted to take her own life.
She also reflects that even during her hospitalization, her frequently arguing parents couldn't stop blaming each other, throwing herself even further into despair. She finds no comfort in outside existence so she retreated into her own solitude but when even that failed to soothe her, she decided to kill herself instead.
This is a very accurate description of long term depression that someone feels when their usual escapes and coping mechanisms no longer work. After all, you can read, watch TV or stream videos, or play games all day. But eventually the book will close, the credits will roll, and the game will be over, and the real world unfortunately has to be lived in.
Tito and Alberto act as sort of spirit guides towards Amy. Throughout the book, Tito leads Amy through various astral projections and lucid dreams to see different views of the world around her. She travels through moments and memories that aren't just hers but belong to other people and recognizes different parts of herself that she thought were long gone.
In the hospital, he astrally takes her out of her room to observe her family, other patients, and their concerned friends and family members. She is able to connect with others in a way that is greater than what she has felt in a long time. Tito is able to open up a warmer part of Amy's personality that still exists underneath the sadness and depression. Later, Tito takes her to a park where there are balloons and a party. This opens up the youthful childlike side of her as a counter to the cynicism that she has developed.
While Tito helps Amy, his appearance does not suddenly solve all of Amy's problems. Her parents send her to the boarding school, partly because they are concerned that she may try to attempt suicide again but also so their arguing and eventual separation does not affect her fragile state. At the school, she is just as isolated as she was at her old one. Luckily, Alberto, the boy that she met at the airport, attends the same school and instantly becomes her closest friend.
Alberto serves a different purpose for Amy than Tito. One could compare Amy's time in the hospital to her being reborn. When she meets Tito, she is like a child and children often communicate with pictures, simple words, and concepts like "love," "fun," and "happy."
When she goes to the school, Amy re-enters her teen stage. Teenagers are full of questions, confused about the world and their identity, and struggling to understand it. Alberto helps her in that respect.
Alberto is a more human presence than the ethereal Tito. While he is an actual human (possibly), he is very intellectual and intuitive. He asks Amy provocative questions about her beliefs and experiences and shares his own views. He is someone with a deep faith in Judaism but is also open to other spiritual practices like the concepts of lucid dreams and visions and the existence of parallel dimensions. He's like a Teen Guru advising Amy intellectually, emotionally, and spiritually.
He guides Amy into putting her time with Tito into words and discovering what it could actually mean.
It is very refreshing that even though Amy and Alberto become close, they do not develop a romance. Aristeiguieta was wise to avoid this because it shows that there can be great value in platonic friendship and that two people, even teenagers, can find connections that are built on mutual trust and care and not necessarily on lust. In developing her friendships with Tito and Alberto, Amy is able to understand her relationships with others like her parents and learn more about herself, maybe even love herself.
Semicolon is a punctuation symbol that joins two independent clauses without using a coordinating conjunction like and. That's what this book is about, joining independent clauses: things that shouldn't exist at once but somehow do. Things like life and death, dreams and reality, sleep and awake, emotion and thought, dark and light, and childhood and adolescence. They're like Yin and Yang, divided they make separate halves and different sections of a story. When they join together, united, they make a whole picture and story.
Through her dreams of Tito and her conversations with Alberto, Amy goes on a metaphysical journey by means of astral projection, parallel dimension travel, and lucid dreams to show her a deeper world of love, hope, and the power of one's mind and spirit.
Whether this book is literally or metaphorically true, it is a powerful account of the mind, heart, soul, and spirit.
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