Weekly Reader: House of Silence by Sarah Barthel; A
Fascinating Historical Fiction About Life in a Mental Hospital With Mary Todd
Lincoln
By Julie Sara Porter,
Bookworm Reviews
Spoilers: It's hard for people who aren't mentally ill to
imagine what life is like for those who are. They probably can't picture a life
where emotions are so largely felt that the person is held captive by their
sadness or their anger. They can't imagine a world in which a person is ruled
by obsessions, paranoid thoughts, or elaborate delusions and the mind will do
anything to protect those delusions.
Above all someone who
isn't mentally ill can't imagine wanting to have that illness. They can't
imagine that someone's so-called normal life is so awful that they have to
retreat into mental illness to escape. This circumstance is faced by Isabelle
Larkin, the troubled protagonist of Sarah Barthel's poignant and dark
book, House of Silence.
Isabelle is a socialite in late 19th century Illinois who is
looking forward to her upcoming wedding to Gregory Gallagher, a handsome,
charming, social climbing businessman. There are hints that Isabelle is
something of a rebel, by having a fondness for reading books about independent
women like Jane Eyre and encouraging her best friend to marry the man she loves
even though he is considered unsuitable. But her rebellious nature is subdued
and she looks forward to her wedding to Gregory even though she doesn't know
very much about him and can't truly say whether she loves him.
Isabelle’s life changes instantly when she witnesses her
future fiance commit a violent crime. She goes from princess to pariah when she
accuses Gregory of the crime.
He not only denies it but is so skillful in charm and
deception, that he gets everyone to believe him, including Isabelle's snobbish
mother.
Isabelle's doctor thinks that she was attacked by someone
else and Gregory rescued her. Isabelle's mother won't allow the truth of
Gregory's crime interfere with Isabelle's chance for an advantageous marriage.
When her mother and Gregory wish to proceed with the wedding
despite Isabelle's protests, Isabelle realizes that the only way out is to
feign insanity. She refuses to speak, so her mother has her declared mentally
ill and has her institutionalized in Bellevue Sanitarium for Women.
Isabelle's time in Bellevue is the most interesting part of
the book. She is monitored by various medical staff and doctors, one of whom
she becomes attracted to considering him a better more understanding
alternative to Gregory's manipulations and violent temper.
Isabelle also gets to know the other female patients such as
Marilla who suffers from eating disorders and who runs back to her husband
every chance she gets.
The Bellevue milieu comes alive as a place that chokes the
lively vibrant women inside. While none of the employees are cruel and are
genuinely trying to help them, these women are treated as outcasts and freaks
by family members who would rather put them away than help them.
Besides Isabelle, the other stand-out of Bellevue's patients
is a very familiar name: Mary Todd Lincoln. As many history buffs know, the
former First Lady had various mental health disorders such as depression and
bipolar throughout her life. Her condition worsened after the death of her
young son, Willie in the White House and she was frequently institutionalized
after her husband's assassination.
Mary Todd Lincoln is written as a woman with severe
emotional distress but is also seen as a woman who can function, despite the
opinion from others particularly her son, Robert who wants to keep her
institutionalized.
Isabelle and Mary’s friendship is moving as they both fill a
void in each other's life: Isabelle finds an understanding mother-figure who
won't betray her to a violent fiancée.Mary finds a daughter that she never had
who supports her rather than putting her away and refusing to deal with her.
Their friendship is beautifully written and that's why one
passage where Isabelle betrays Mary by feigning insanity in front of Robert
with only minor repercussions later is hollow and out-of-character from how
they are written throughout the rest of the book.
While Barthel develops Mary well, she wisely keeps her as a
supporting character, something Barthel acknowledged in her Author’s Note. This
is Isabelle's book all the way and she is a commendable lead particularly in
the Sanitarium when despite being selectively mute makes her voice heard and in
the end when she confronts Gregory for his deception and cruelty.
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