Steve B. Campbell's Kolchak Cases: The Underbelly Case Files Book 4 could be considered published fanfiction. It's inspired by and loosely based on Carl Kolchak, the protagonist of Kolchak: The Night Stalker, the short lived TV series that ran in 1974, starred Darren McGavin, and obtained a cult following that still exists to this day.
The Night Stalker was a huge inspiration for many horror writers, filmmakers, and show runners most notably Chris Carter who acknowledged that inspiration by hiring McGavin to play a key pivotal role in Carter's series The X Files’ ongoing mythology arc. The Underbelly Case Files is very well done published fanfiction that captures the spirit of the IP while doing some new interesting things with Kolchak for a modern audience.
This anthology takes Kolchak through the spooky streets of LA as he protects a status conscious and jaded population from ghosts, aliens, magic users, shape shifters and other supernatural creatures. It's a fascinating look at strange unusual situations told in a very gritty, almost realistic manner as though it were just any old human scandal.
For example in the story, “Monster or Machine” Kolchak works on a case involving L.A. 's sewage system. His investigation leads to questions about pollution, waste mismanagement, and bureaucratic lapses in judgement.
It also leads to another issue: a creature who has been fed by the overabundance, negligence, and ignorance of humans who take from the environment without giving anything back.
Many of the mysteries are metaphors for the reality surrounding many of L.A’s citizens. A strange creature serves as commentary for the natural world around them. Human frailties, vulnerabilities, and failings are magnified by this supernatural presence acting as a mirror to humanity's own behavior.
In “Is That Really You?,” people going out for nights on the town run into their doubles, creepy apparitions that look, sound, and act exactly like the person observing them. This encounter between human and doppelganger is reminiscent of the transitory disposable nature of the dating nightlife especially in L.A.
People hide their true selves, play the roles of carefree social butterflies to build some sort of connection, settle for meaningless quick passion, and hide vulnerability, safety, or empathy to facilitate that passion. This story offers the possibility of another self that lives solely for violent sexual pleasures and destroys the original self to survive. It suggests what could happen in a society that lived only for immediate personal gratification and leaves out the reason, wisdom, and understanding to safely navigate it.
Kolchak encounters not only supernatural creatures but humans whose involvement with the paranormal has disastrous consequences. The stories “Dark Fairies,” “Tunnels,” “Swamp Thing in L.A.” and “If I Only Knew,” depicts the reporter encountering humans whose greed, anger, lust, competitive nature and rage drove them to make dark magical paths that altered their lives and the state of the world. Moments of weakness were magically exploited and created further chaos and ruin.
Kolchak himself is an interesting character that travels through these peculiar situations to discover the truth. He is quick with a wry sarcastic comment and a last word. When he is forced to leave LA, he says his farewells with a lump in his heart and all of the warm nostalgia that he could muster: “So I must say it so long L.A. Hope you don't fall into the ocean someday….No goodbyes. No tickets to a show first. Just later, Karl, don't let the city hit your ass on the way out past the state line.”
Kolchak exposes his depth and vulnerability in all of the stories but notably in the story, “Leaving L.A.” He learns some unique truths about a couple of old friends. This search makes him the target of several powerful individuals and leaves him with tremendous loss and mental anguish.
This story reveals Kolchak's drive to expose the truth. However, sometimes the cost of his search is tremendously high and he pays with his profession, home, security, and lives


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