Cerberus: The Sheriff, The Gimp, and Queen of The Underworld (Founders Universe) by Chad Miller; Go West Ancient Olympians

Cerberus: The Sheriff, The Gimp, and Queen of The Underworld (Founders Universe) by Chad Miller; Go West Ancient Olympians

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: 

First, I apologize for the derogatory term to describe a person with leg injuries. It is in the title and will only be used in that context. 

What can be more interesting than a retelling of Greek Mythology? How about a retelling of Greek Mythology complete with cowboy hats, six shooters, showdowns, saloons, and lots of gunfights?

That's what you get when you read Cerberus: The Sheriff, The Gimp, and The Queen of The Underworld by Chad Miller. It retells the story of the Ancient Greek pantheon as a Western. It's a unique interpretation that borrows heavily from its original source and is able to turn it around in new and interesting ways.

Ari is a gunslinger who has been disabled and disfigured since birth. He was abandoned as an infant and was raised in isolation by Zeke, a mysterious benefactor. As an adult, Ari has a large killing record and an unquenchable thirst for violence and vengeance against a world that despised and abandoned him since birth. He receives messages from Zeke informing him of the various enemies that he wants Ari to kill. Along the way, he faces opposition from Sheriff Posey and Deputy Leena, the law in the land. Auntie Phyllis controls the brothels, thieves, outlaws, and scallywags in town and has her own vengeance to gain on this mysterious gunslinger/assassin. As Ari’s kill count grows higher, his various enemies are forced to put their heads together to fight their common foe. But once united they may find their common foe is not who they thought.

Cerberus has a lot of fun with the “Olympian Gods and Goddesses Go West” premise. The characters are recognizable not only by their role in a traditional Western but also as members of the Greek Olympian pantheon. For example Herman the gregarious telegraph operator who loves gossip is easily recognizable in his ancient form as Hermes the swift-footed Trickster and messenger god. Who is that beautiful buxom lady emerging from her shell to flirt and spend time with the fellas for a brief time and for money? That’s no lady, that's Annie, the classic hooker with a heart of gold counterpart of Aphrodite, Goddess of Love and Beauty. Those twins that are consummate warriors, handy with bows and arrows and his dark solitary nature contrasts with her sunny more humanistic personality? They can’t be anyone else but Artemis and Appolonia, outlaws and gender swapped counterparts of Artemis, Goddess of the Moon and Hunt and Apollo God of the Sun and various other attributes including Music, Poetry, and Healing. If you are ill or injured there is no one better to go to than Applius, town doctor since he is the current incarnation of Ascelipus, the God of Healing. 

Because of this connection to Greek mythology, it’s easy to see where the various plot points are going. When Aunt Phyllis, Queen of the Underworld, has her eyes on Phillip, the handsome young son of Demetrius, a prosperous farmer whose crops feed the town, it's not hard to recognize the parallels between them and Hades, Persephone, and Demeter respectively. It’s also a given that Phillip will be pulled into Phyllis’ service, an irate Demetrius will threaten to burn his crops to the ground if he doesn’t get his son back, and the three will work together on an arrangement where Phillip will work for his father’s farm for part of the year then serve Phyllis’ needs for the other half. 

Just because they are based on mythological characters doesn’t mean that they are bound to the original stories. Sometimes they purposely counter them to distance themselves from what had gone on before. One of the most interesting aspects like that is the working relationship between Sheriff Posey and Deputy Leena, this book’s answer to Poseidon, God of the Seas and Athena, Goddess of Wisdom, War and Handicraft. In mythology the two might be uncle and niece, but they are also frequent rivals vying for patronage to Athens or taking opposite sides during the Trojan War. But in Cerberus, the duo are allies and have a surrogate father daughter relationship. Sure Posey spends a lot of time on his boat in the lake and would rather be fishing. Okay Leena has a tendency to put people, including her boss, off with her know-it-all attitude and high standards. Posey’s laid back paternal demeanor counters with Athena’s more high handed approach to law enforcement making them a great team that compliments one another’s strengths and weaknesses.

So where does Ari fit into all this? Well, he is a composite character. His background of being abandoned at birth, disfigured, and isolated from the rest of the society puts him as a counterpart to Hephaestus, God of Fire, Metalwork, and Craftsmanship, and Blacksmith to the Gods. However instead of living in a secluded hut crafting firearms for the townspeople like his forebear, Ari serves the purpose of another character: Ares, God of War. He is the blade of vengeance that strikes at anyone who is his target. Like the savage brutal aspects of war, Ari doesn’t care who his victim is. He will kill anyone regardless of who they are or what they have done. They are just names, targets to be destroyed at the orders of Zeke (whose remoteness, long term schemes, ulterior motives, and penchant for womanizing echo his mythological doppelganger Zeus).

It’s never stated how or why these characters line up with Greek mythology whether they are descendents who are destined to follow their predecessors, reincarnated spirits, or it's just a coincidence that their paths line up with those who have gone on before. Barring any in-universe explanation the reasonable answer is Miller likes Greek Mythology and westerns and couldn’t decide which to write about so he decided to split the difference. 

One thing is for sure is that unlike their mythological sources, these characters are all too human. That means there are very few supernatural occurrences that can’t be explained away. Zeke’s messages to Ari seem to come out of thin air or are divinely sent but could just as easily be formed by a guy who has many spies, is great at eavesdropping and obtaining information without getting caught, and has an almost inhuman and potentially sociopathic psychological understanding of human nature at its worst. 

That also means that unlike the residents of Mount Olympus and beyond these characters are all too mortal and can die and die they do. The passages describing Ari’s murders are particularly graphic and individualized. They are gruesome and particularly over the top so that the Reader could think that no matter what they did, they certainly didn’t deserve to be a checkmark on someone’s kill list for arbitrary reasons. 

Perhaps the mortality of the characters and the differences and similarities to mythology is the point. Fate and destiny are common themes in mythology and that’s what is being explored in Cerberus. Zeke,as Zeus, positions the characters, particularly Ari, where he wants them and observes them mostly from afar. He uses and toys with them for his own pleasure, amusement, and self-righteous need to settle scores. He treats the other characters like they don’t have any agency of their own and are incapable of living their own lives and making their own decisions. They are programmed to live according to pre-chosen stories and narratives. The moment comes when they realize that they are being played, break their programming, and change the narrative into something else, becoming somebody else.