Bomber Jackets by Rob Santana; An Insightful, Witty, and Sincere Queer Romance in 1970’s New York

 Bomber Jackets by Rob Santana; An Insightful, Witty, and Sincere Queer Romance in 1970’s New York 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: I suppose that it's fitting that I would review Rob Santana’s latest novel during Pride Month. As many long time Readers of this blog know that Rob Santana is a long time favorite of mine because Readers don't know what to expect when reading his novels except that it will be unexpected. What you read at the beginning of the book is not the same book when the final page is read.

 The Oscar Goes To deals with the glamor and gossip of Hollywood and becomes a tragic story about the mental breakdown of an abused starlet who commits suicide live on air. Little Blue Eyes starts as a heartwarming family drama about a single woman finding an abandoned baby and transforms into a heady custody battle and savage indictment of racism, class struggles, and addiction. Freeze Frame evolves from a quirky romance between two eccentric characters into an emotional crime drama as a murder is accidentally captured on film and various characters are destroyed by it. Not to mention the short works in which Jane Austen and Adolf Hitler are written in different ways.

Santana's latest and very timely book, Bomber Jackets also creates various tones into one text. It starts out as a desolate Crime Mystery as Patrick Madden, a landlord/building super, is interrogated by a police officer about a murder in which he was either a witness or a participant with his fellow gang members cousin Junior and friends, Frank Rapallo and Bambi. It then turns into a witty Queer Romance between Patrick and Erica Velez, a saucy and delightful transvestite tenant. Finally, it becomes an insightful and sincere Bildungsroman as Patrick finds his life irrevocably changed by the tug of war between his gang and his love interest, his loyalties between who he was to who he could be.

The darker aspects of the book’s Crime Mystery beginning are augmented by its setting and tone. It's probably no coincidence that Santana chose this particular time and place. As many know, New York City was in a severe economic crisis in the 1970’s. Well the whole country was but NYC’s situation was so bad that it faced near bankruptcy in 1975. This led to the infamous New York Times headline “Ford to City: Drop Dead” when the President refused to bail out the city though he later relented. There was massive unemployment, cuts in municipal services, declines in the subway system, and the so-called “white flight” when middle class families fled to the suburbs creating a larger racial and class divide. A city wide blackout in 1977, increased crime in places like the South Bronx, Bedford-Stuyvesant in Brooklyn, and Times Square, and the Son of Sam killing spree only increased the anxiety and uncertainty. 

On the positive side there was an explosive rise in arts and culture much of which is still recognized today. Graffiti art and hip hop were created specifically because of this economic crisis. (Hip hop actually benefited from it by performers hosting street parties and using used technology, second hand clothing, scratched records, and inexpensive items to create the sound and aesthetic). Disco offered escapist entertainment as many danced their troubles away, did drugs, and traded partners. Along with disco was a rise in Queer culture as many LGBT+ people came out and wrote, sang, performed, painted, and possibly for the first time felt free to live their truths.

The New Hollywood filmmakers like Martin Scorsese, Francis Ford Coppola, Walter Hill, and Sidney Lumet, and television shows like All In the Family, Kojak, Taxi, Rhoda, and Barney Miller addressed the times head on. Authors, poets, and musicians like Lawrence Block, Judy Blume, Peter Maas, Don DeLillo, Donald Westlake, Alice Childless, Frank O'Hara, Audre Lorde, Patti Smith, Lou Reed, John Kander, and Billy Joel captured that gritty time with their words and music. This is the milieu in which Patrick lives.

Patrick lives in a dilapidated apartment building with his stepmother, Yanna as his mother drifts from parental responsibilities and his father is in a coma. He collects rent and makes repairs or contacts other people to make those repairs. He has to face many complaining and threatening financially struggling tenants who need roofs over their heads but aren't looking forward to paying for them. Outside is pure kill or be killed Social Darwinism. If one doesn't get mugged, held up, raped, shot, or stabbed, there is always the fear that they will run into Son of Sam lurking in the shadows waiting for another victim. It's a desperate, bitter, and anxious existence.

Patrick is part of a mini-gang called the Bomber Jackets with Rapallo, Junior, and Bambi. His pals are also on the lower rungs of the economic ladder and work in dead end jobs, have unhappy marriages, and boast of criminal reputations. They endlessly mock each other with sarcastic quips and playful threats towards one another and those outside their circle. It's a means to vent out their frustrations, cover up their emotions, face their own insecurities by needling others for their weaknesses. Their antics start out mostly harmless but with a sardonic sharp edge that hints at darker intentions.

Those edges become larger and the intentions become more pronounced when a minority moves in and around Patrick's apartment, LGBT+ people. A presumed gay couple moves into the neighborhood. When Erica moves into Patrick's apartment, they are uncertain whether a man or a woman has moved in. (To answer the question, Erica identifies as female but sometimes wears her previous men’s clothing to avoid being harassed or when meeting her estranged family.) 

As often happens (and we can certainly see now), when people are struggling, they will take their frustrations out on someone different, an other. So Patrick’s gang attacks the LGBT+ around them. They catcall them, insult them, stalk them, and play childish but harmful pranks like throwing bugs and roaches into their apartments. Those interactions become more volatile as the book goes on, particularly as Rapallo becomes more violent and unpredictable. 

With the dark setting comes the Queer Romance between Patrick and Erica. Once Patrick gets over his confusion about Erica's gender identity, he becomes a close friend, which he admits to the police officers interrogating him. While Patrick questioned his friend's attacks on the LGBT+ community, he mostly remains neutral and inactive. He thinks that Rapallo and the others are idiots, but can't quite break away from them partly out of fear of what they will do, confusion about his own identity and sexuality, and misplaced loyalty to people he knew for most of his life. 

It takes Erica to make Patrick look at himself and take some action. Erica is flashy, charming, flirtatious, witty, saucy, independent, and fearless, someone who draws Patrick in with her vitality and effervescence. Her clothing, wigs, and style show us a woman who could be a skilled performer and that life is her stage. She quips at Patrick with lines like “Look at me. This Uptown Girl aims to hit fast ‘cause I'm there to assassinate.”

Erica has flashes of being a Manic Pixy Dream Girl but she also has layers that keeps her from being just a stereotype or a tool that brings out Patrick’s better qualities with no story of her own. Even though she wants to go to Drag Balls, she suffers from insecurity and panic attacks when she's there. She longed to be with people like herself, but once she is, she is intimidated partly because she spent so much time in the closet that it has become her comfort zone. She is more comfortable being outrageous and standing out from people who are seemingly normal than she is with people who are like her. It's a struggle but she is willing to adapt and refocus herself, playing on those hidden character traits as well as her more public persona.

In fact the few times when Erica is in male clothing, and reverts back to her assigned gender identity at birth, Eric, is when she shows the most vulnerability. She is quiet, uncertain, shy, self-conscious, and clearly miserable. As Eric, she hides and stays invisible drifting into the crowd that she would have made them pay attention and look at her as Erica. She reverts to make her family happy and to stay safe but it takes a toll on her. As Patrick bonds with and falls in love with Erica, he sees that her female identity is her real identity and the male identity that she is forced to wear is the disguise. 

As Patrick and Erica grow closer and accept each other, he begins to see his former friend's darker side and is less apathetic towards their actions. He has to make a choice between his old loyalties and new love. In doing so, like Erica he accepts and lives his own truth. 

Cease to Exist (The Richard O'Brien Series Book 2) by Ian Rodney Lazarus; Brilliant Treacherous Duo and Transition Theme Steal Complex Plot About Genetic Engineering and Warring Countries

 Cease to Exist (The Richard O'Brien Series Book 2) by Ian Rodney Lazarus; Brilliant Treacherous Duo and Transition Theme Steal Complex Plot About Genetic Engineering and Warring Countries

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: I'm beginning to sense a pattern in the Richard O'Brien books so far. While O’Brien is himself a compelling protagonist with his shaky love life, his brilliance combined with physical toughness, and his morally gray philosophical look at life, it's the antagonists who are some of the more captivating and stimulating parts of the books.

In the previous book, Con and Consequence, the genius con artist turned terrorist, Jelani captured Reader's interests with Jelani's arrogance at pulling a con job with many victims and his panic when he learned about his new organization's true goals and motives. His inscrutable handler, The Professor, also fascinated with their deceptive plays on all sides and the mystery of their real identity and loyalties.

The next book in Ian Rodney Lazarus’s stirring Political Thriller series, Cease to Exist gives us another pair of intriguing antagonists. The first is Emma Lee, a Chinese emigre who steals CRISPR samples from her work lab and also spies for various governments particularly China, North Korea, and the United States.

 The other is Dennis Spence, secretive founder of the nonprofit Center for New Beginnings, a rehab center/mental hospital with a dubious reputation. He is also a trans male and recipient of the CRISPR samples that his partner, Emma stole. 

Meanwhile, Richard O'Brien became an FBI special agent after he was removed from his former position as a linguist and translator. Reports of missing people with connections to The Center of New Beginnings puts Richard on the case and right in Emma and Dennis's path. The stolen CRISPR samples, missing people, and Emma, Dennis, and Richard’s exploits are revealed to be parts of larger stakes from bigger governments who have wider motives and uses for genetic engineering technology.

Similar to Con and Consequence, Cease to Exist shows the threads beginning with the sample theft and the missing persons cases. Then these threads grow larger and become more tangled with international plots in which the wealthy and powerful world leaders cause long term complications for their own personal gain. 

The strongest theme in this volume is transition. Everyone is transitioning from one life to another. Their lives, jobs, roles, personalities, ideologies, and gender identities are in flux and require great thought, skill, patience, persistence, and acceptance. Once the book ends, it becomes clear that nobody is the same person that they were in the early chapters or the previous volume.

Richard goes from being a bright academic and translator to an active field agent. His first few chapters focus on his training and the lessons, such as memorizing code words while in captivity, become useful during his assignment. He becomes less cerebral and an outsider and more active and aggressive while on the inside. 

His love life also goes through a change. In the previous volume, he was written as a callous womanizer with a long term girlfriend who took her own life. He ended the last book in a relationship with Special Agent Sarah Goodman. In this volume, he is involved with Sarah and while he strays or thinks of other women, he feels guilt for it and does everything that he can to patch things up with Sarah. While there are still problems in his personal life, Richard is veering towards taking things to another level and maturing.

He also has to play many parts while undercover. Once he impersonates a kidnap victim during an international prison exchange. One of the darkest creepiest sections occurs when he is institutionalized for a time after investigating a lead at The Center for New Beginnings. The gaslighting from Dennis and his staff is so effective that Richard doubts whether he really is an FBI agent or it was just a delusion. 

Emma is another character who goes through many changes. One of the most interesting aspects to her character is her chameleon like way of adapting and changing herself to fit how others see her. While working in the genetic engineering, she takes on the role of an amusing geeky girl who watches Science Fiction films like Jurassic Park with her colleagues. She becomes a loyal and devoted friend and lover to Dennis even willing to break the law for him. In front of her handlers, she is cold blooded and methodical. 

One of her most intriguing changes occurs later in the book when she acts as a honey trap in a game of seduction. She is dressed in a sexy gown, speaks in double entendre, and draws her target in with her allure and charisma. It's hard to believe that she is the same nerd applauding Jeff Goldblum’s speeches in Jurassic Park before stealing CRISPR samples but it shows her versatility and transformation in becoming the person others want to see in her.

Emma has a lot of layers that Lazarus expertly writes so it's hard to tell who the real Emma Lee is. After all, if she plays so many roles, how do we know where the real Emma begins and ends or if a real Emma exists at all.

Naturally, the biggest change occurs within Dennis Spence. Lazarus goes to great lengths to show us Dennis's background of abuse that he endured during his early years of his assigned female gender at birth when he lived under the name of Denise. It was a violent abusive past that Dennis had to run from. Despite being an antagonist, Lazarus writes Dennis with a lot of care so we can see a multifaceted person with a backstory that created the person that he became.

 It's clear that Dennis has been hurt and chose to return that hurt to others. He sees the world as shallow and empty and people as mere playthings that can do whatever he wants. Similar to The Professor, he hides his true intentions and alliances. But unlike his predecessor who has the luxury of anonymity, Dennis hides his real nature and past behind a public philanthropic famous persona. He keeps up appearances while hiding a knife that will stab anyone who interferes.

There are other transformations which play into the plot and these changes affect the wider goals of government officials who want to perform their own transitions. They want to change the world around them so only they can benefit and others are destroyed. That's a transition which benefits no one. There are no winners, only dictators and those that they crush until they themselves are crushed by those who have had enough.

Tipani Walker and The Nightmare Knot by Jessica Crichton; A Dream Come True for Fantasy YA Lovers

 

Tipani Walker and The Nightmare Knot by Jessica Crichton; A Dream Come True for Fantasy YA Lovers  

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Now, we come to the second Jessica Crichton novel, Tipani Walker and the Nightmare Knot. If possible, it is actually better than Dr. Fixit’s Malicious Machine, particularly in terms of setting. character, most notably with its protagonist, Tipani Walker, and themes about the difference between living in fantasy or accepting reality. 

12 year old Tipani Walker has a difficult home life. Her father is in a coma. Her mother falls into a drug addiction which is provided by a man that Tipani calls The Spoon Man. She is frequently bullied and made the victim of a cruel prank at her school Science Fair. She stops inside an antique store and meets its eccentric owner, Piper, who gets her interest by appealing to her talents of making complex knots. After experiencing vivid dreams and some strange encounters with mysterious creatures, Piper reveals that Tipani is a Weaver able to travel through Time and Space into what Piper calls the Day Knot (memories) and the Night Knot (dreams). As a Weaver, her job is to protect people’s dreams. During her dream travels, Tipani encounters various characters both friendly and unfriendly, most notably Cassie, a girl who may or may not be part of a dream or a real person, may be in a lot of trouble, and might need Tipani’s help. 

This book is a veritable feast for the imagination. While Dr. Fixit’s Malicious Machine subverts Children’s Book expectations by giving us a very grim dark parallel universe, Crichton puts us right into those expectations of a magical fantasy world and weaves an excellent challenging story around it. I am someone who is fascinated by dreams, dream psychology, dream interpretation, and astral travel so this book definitely appeals to those interests. 

The Dream Worlds that Tipani visits alternates between whimsical and terrifying, beautiful and horrible, fantasy and horror. They’re mutable and constantly change landscapes, characters, and situations depending on what either she or the Dreamer is going through. The longer Tipani stays in a dream, the scarier and weirder it becomes. This is symptomatic of when a Dreamer enters different levels of REM sleep, they have less control over their dreams and their subconscious thoughts and fears manifest themselves. 

There are many chapters that show this. In one trip, Tipani and her guide, a doll named Chicken, encounter the Spoon Man who is transformed into a monster. He is terrifying by playing into Tipani’s fears and insecurities about abandonment and loneliness. Then upon escaping, Tipani and Chicken meet Wynken, Blynken, and Nod, the characters from the eponymous poem by Eugene Field. The poetic trio are charming, kind, and helpful. Their wooden shoe boat sailing among the stars is the stuff of childhood nostalgia while the Spoon Man is the stuff of childhood fears. Exploring the dreams is a trip into Tipani’s mind and discovering what comforts and frightens her, what she hopes for and what she wants to run away from. This book is a fascinating psychological study wrapped inside an engaging YA novel. 

Crichton’s characters are as rich as the setting. There is the kind and helpful Piper who is a wise teacher and a potential father figure. Chicken gives plenty of assistance with a touch of sardonic humor. Cassie is in a quandary of her own, forced into playing a role in which she is unhappy to play and only able to truly be herself within her own mind and through her friendship with Tipani. The Spoon Man is a monster who knows what those around him fear and worry about and doesn’t mind using it against them. 

Tipani by far is the most intriguing character and is a brilliant protagonist. Since she is 12 years old, she is certainly an angst filled adolescent who at times cops a bad attitude but with her difficult home life, it’s easy to understand why. After all, if you are facing some of the most difficult years of your life, your father is ill, mother stopped caring, and you are surrounded by classmates who want to fight you if they so much as look at your direction, you would probably not be in the best of moods either. 

Tipani is also a very intelligent and persistent girl. Once she is introduced to the concept of being a Weaver, she is curious and willing to participate. She recognizes the responsibilities that she has in helping people through their dreams and fighting their inner fears. In fact, when she befriends Cassie through her dreams, she wants to find her in the real world to see if she needs help in her waking life as she does in her dreams. 

Tipani's intelligence is already realized even before she becomes a Weaver. Her interests lie in creating complex knots like the Not Knot (unable to be untied except by the one who tied it) and learning to undo other knots like the Rapunzel Knot (long and wrapped in braids). This gives her the ability to analyze and recognize patterns, a talent that is helpful when she recognizes patterns within the dreams. This knowledge comes in handy when she has to stand up to the monsters that torture Cassie and herself. 

For all of its monsters, fears, magic, and whimsy, Tipani Walker and the Nightmare Knot is a very powerful story with some very strong things to say about the nature of dreams and reality. Sometimes our lives are terrible and we want to live inside our dreams. There we live the way we want and if things don’t work out, we can always wake up. But it’s not enough to live inside of dreams and memories. Tipani realizes that she has to take action to find and rescue Cassie, to encourage her to live her truth, and for herself to fight her own battles. Once dreaming is over, it’s time to start doing. 

With a memorable setting, commendable characters, and brilliant themes, Tipani Walker and the Nightmare Knot is a definite dream of a YA novel.