Showing posts with label Romance Regency Era. Show all posts
Showing posts with label Romance Regency Era. Show all posts

Wednesday, February 8, 2023

New Book Alert: The Wynters Series: Harriet Disguised by Catherine Dove; Predictable But Fun Escapist Regency Romantic Adventure

New Book Alert: The Wynters Series: Harriet Disguised by Catherine Dove; Predictable But Fun Escapist Regency Romantic Adventure 

By Julie Sara Porter

Bookworm Reviews 

Spoilers: "Meanwhile, back in stately Pemberley Manor…."

That's probably how most Regency Romances started, by the works of Jane Austen and her comedies of manners in which couples who swear that they are not suited for each other end up together. There usually is nothing more tense than a lover's quarrel and a frosty encounter during tea time with one's elderly, disapproving, or meddlesome relatives. All of this is resolved by the end.

Catherine Dove is no exception. Her Regency Romance, The Wynters Series: Harriet Disguised is full of typical Regency Romance tropes: brooding titled noble hero, spunky heroine who bucks traditions, conservative older relatives, usually aunts, that lecture the young ones about how things should be done, an upcoming Season, trips to inns, and misunderstandings and complications that result in the lovers quarreling. Of course, it ends with a romantic proposal and the promise of a happy marriage ever after.

However, Harriet Disguised also takes its cue from another popular genre: the adventure novel. Amidst the lighthearted romance between witty bickering lovers, Dove weaves a tale of missing inheritance, conniving ne'er do wells, treasure, disguises, and narrow escapes. Both the adventurous and romantic aspects give this book a pure escapist feel into that time period that inspired so many authors to explore it.

Sebastian and Harriet Wynters were raised by their archaeologist explorer parents. They had a unique upbringing in which they traveled the world, experienced different cultures and met many people, and were permitted to question everything and challenge standards. Unfortunately, their free spirited childhood and youth came to an end after their parents died and they ended up living in London with their staid aunt, while trying to fit into proper society.

 Sebastian learns that a stranger has a trunk of their late parents' things. Despite Harriet's objections and insistence that she go along, Sebastian goes alone. When he doesn't return, Harriet gets worried. She dons boy's clothes, takes on a male persona, and goes off to the country to look for him.

Meanwhile, a morose Lord Ashurst is out for a night on the town with his friends. He spends that night drinking, carousing, and bemoaning his arranged upcoming marriage to Miss Daphne Maitland. Wanting to get him to lighten up (and maybe sober up), Ashton's friends prank him by putting him in a stagecoach heading for the country. What an unbelievable coincidence, that coach is also carrying a boy with very feminine features and a soft voice who is looking for his missing brother! Yes siree, the other passenger is Harriet Wynters and our two potential lovers are off on a grand adventure.

Actually the high adventures are some of the best parts in the book. There are great moments of suspense such as when Sebastian executes a dangerous escape from his captors. 

Ashton and Harriet assuming disguises and identities while facing potential threats to the Wynters family seems to come out of something like the Scarlet Pimpernel. The plot of these works usually involves a disguised well connected clever hero who takes down some nasty usually titled do badders with sinister designs on some yet to be discovered wealth, maybe an inheritance or treasure. The only major difference is that the disguised hero in this book is a woman!

There are also some interesting moments of plot contrivances where characters converge into the same location such as an out of the way inn which somehow becomes a magnet for all parties involved. The protagonist and antagonist pile up is humorous but has its moments of tension as some characters just barely avoid being found by others and miss the people that they are supposed to catch up with.

The adventure is a bright spot but the Romance, while predictable, has its good points too. Yes we know Ashurst will see right through Harriet's disguise. We know that they will fight constantly and then share a kiss. We know that Ashurst will be drawn to Harriet's spiritedness because she's unlike any woman that he's ever met. We know that Harriet will find the hidden heart inside the brooding nobleman. We've seen it all before and somehow that's comforting.

This isn't the type of book that veers on surprises and it's not supposed to. There are some disappointments towards the end such as when the heroes and villains confront each other and it's hard to keep track of the various schemes and betrayals. Also a final unnecessary complication drags out a final chapter between Ashurst's proposal and Harriet's answer. But for the most part, those flaws can be forgiven in favor of the adventure and romance.

 Harriet Disguised is what it is, a sweet suspenseful romantic adventure in its purest escapist form, a reminder of days gone by of fancy dress, etiquette, swordfight, balls, witty banter, a kiss or two, and the feeling that everything will be alright in the end.




 

Saturday, February 27, 2021

Weekly Reader: The Earl's Sinful Quest by Lisa Campbell; Dark and Mature Regency Romance Shows Love After Death

 


Weekly Reader: The Earl's Sinful Quest by Lisa Campbell; Dark and Mature Regency Romance Shows Love After Death

By Julie Sara Porter

Bookworm Reviews


Spoilers: The Earl's Sinful Quest is among the darker more mature of the Regency Romances that I read this month. The female protagonist is in a different stage in her life from the other women. She isn't a young virginal woman in her late teens or early twenties awaiting her Season so she can catch a potential husband and first love. Lady Amelia Turner has already been through that. In fact, she is a widow and currently the Dowager Countess of Wilton. 

Her husband, Arthur, died a year after their marriage leaving Amelia a widow who is at the mercy of her in laws including her domineering sister in law, Leonora and younger brother in law, Malcolm who is forced to end his medical studies and assume the title of the Earl of Wilton.

Of course in the time honored tradition of any romance, Malcolm appears and he and Amelia hit it off, developing a friendship that evolves into a romance. 


This romance does a good job of pointing out many of the social standards of the time period.

Once Amelia and Malcolm's romance develops, they face public scrutiny. This is a society in which some believe that being involved with the widow of one's brother is technically considered incest (even though they are not related by blood.) It's a Biblical concept that is still believed in some cultures. Amelia and Malcolm's romance could be cause for scorn and scandal. Not to mention, Amelia could look like a gold digger being with two brothers from the same family. At the time, their relationship could be enough to end their reputation.


Because of the situation that she is in, Amelia is not as naive as many other female protagonists in her genre. She understands the ideal of marriages of convenience and to her credit had a good one. She married Arthur to get her family out of debt and to help his reputation. He was gay and needed a wife for appearances. Despite their marriage not being consummated, Amelia and Arthur were good friends and generally happy with their marriage. In Arthur, Amelia found a close friend and loyal supporter.


In Malcolm, Amelia finds not only a good friend but a lover. Malcolm fills the emotional needs that his late brother could not. Malcolm also recognizes that emotional need with Amelia. Even though he never married and is by definition less experienced than Ame!ia, he has been committed to his studies and pursuits of women. He 

is regarded as a family outsider. 

When he is welcomed by Amelia, he finally feels a connection to his family that he previously kept at arm's length. He finally feels accepted. Their love making is established late in the book as they slow!y recognize each other as friends before they become lovers.


This book also shows what happens when most of the scrutiny comes from within one's own family. Malcolm and Arthur's sister, Leonore is unmarried but uses her dominating personality to control things from behind the scenes. She thinks that she knows best regardless of their arguments to the contrary. She tries to arrange the engagement of Amelia and Malcolm to the Duke of Derby and his sister. She disregards their feelings in the matter.


Leonore has a marginal hold in society. As a wealthy unmarried woman, no one regards her. She is completely diminished, so all that she has is her limited role that she is determined to hold onto. It is very likely that she sees Amelia as a threat so is determined to marry her off in an attempt to get rid of her. Leonore is a woman who social climbing and maintaining a good reputation are everything to her because that's all she has. She is unable to fill the one role that society placed on her, to be a loyal, loving, and wealthy wife so she expects others to do so. Her determination flies into obsession and causes her to tdo some manipulative and abusive  things to hold onto that role.


The Earl's Sinful Quest is filled with darker themes and characters than your average Regency romance but it still retains the sweetness and attention to detail that surrounds other romances. Somehow, the darkness is what actually makes Amelia and Malcolm better lovers.