Showing posts with label Mental Disorders. Show all posts
Showing posts with label Mental Disorders. Show all posts

Saturday, December 21, 2024

The Girl Who Didn't Get Married by Mark Ross; Bookish Madness

 

The Girl Who Didn't Get Married by Mark Ross; Bookish Madness

By Julie Sara Porter 

Bookworm Reviews

Spoilers: Books like any other arts and entertainment medium offers a means of escape, information, deep thought, knowledge, relaxation, and fun.

Mostly it can be a good thing but for some it can be a detriment especially if they have trouble separating fantasy from reality. Sometimes, what they read becomes more real than the world around them and they identify with the characters so much that they can't separate themselves from them. That is the conflict facing Emma Jenkins, protagonist of The Girl Who Didn't Get Married by Mark Ross, a psychological thriller about a bibliophile who is put into a destructive situation and copes by using her very active literary fantasy life.

Emma is engaged but her fiance, Christian calls it off the day before their wedding. Apparently he had something on the side with Dana Martin. Police officer Jared Evans interrogates her on the day of the wedding that never was to inform her that Dana was found dead inside a hotel room. Witnesses saw someone who looked like Emma leaving the hotel. She had the opportunity, means and certainly a motive so it doesn't look good. As Jared investigates Emma, Emma does her own investigation to clear her own name and confront Christian. She is also caught up in her favorite mystery novels and psychological thrillers identifying with characters like Amanda Chapman and Claire Rosen so much that she not only interacts with them but actually becomes the characters.

The Girl Who Didn't Get Married is a strong insightful psychological thriller about a woman who is on the cusp of losing her sanity right when her entire world is falling apart around her. 

Emma is someone whose delusions are getting in the way of living her life.

There are chapters where she talks to her favorite literary characters and they offer advice on her current predicaments. Whole chapters are told from those characters’ points of view not Emma's so the Reader is required to pay attention to whether Emma, Amanda, Claire, or one of the other characters is on the scene. 

It can get very confusing to follow especially when chapters jump from one point of view to another and where they purposely contradict each other. For example Amanda does things that Emma doesn't remember doing or has no control over. 

There are strong suggestions that Emma identifies with these characters because they act in ways that she wants to. They are brave, confident, self-assured, seductive, alluring, strong-willed, and are able to manipulate situations in their favor. Reading about, talking to, and becoming these characters becomes a wish fulfillment for a woman who feels like she has no sense of self-worth or identity and feels like a cypher in her own real world. Someone who things happen to rather than making them happen for herself.

Emma's transformations from character to character are the highlights of the book more so than the plot. The plot is suspenseful and mind twisting. There are some interesting detours and revelations that require the Reader to read closely and even go back to review them again just to be sure.

However, some plot points can be discombobulating. One in particular will have the character scratching their heads in confusion and torn between whether they loved or hated it. It requires some deep thinking and a potential suspension of belief but it also resonates with what we know about the characters and the information in which we are given and can infer.

The Girl Who Didn't Get Married is a compelling look at a troubled bookworm’s fractured mind. It's a bit dramatic but is also intriguing and sometimes scary to imagine how quickly that could become us.





Monday, December 9, 2024

The Blue Girl, Candy Lee Caine by Mickey J “Mike” Martin; Fascinating Portrait of a Troubled Marriage

The Blue Girl, Candy Lee Caine by Mickey J “Mike” Martin; Fascinating Portrait of a Troubled Marriage 

By Julie Sara Porter

Bookworm Reviews 


Spoilers: If ever there was a book that was made for the cliche that the road to Hell is paved with good intentions, The Blue Girl, Candy Lee Caine by Mickey J. "Mike" Martin would be it. 

It tells the story of a troubled marriage that gets worse because of the well meaning but thoughtless action of one spouse to another.

Mike Holder met Candice Lee “Candy” Caine Wilson at a college conference in 1969. The staid steady Mike was intrigued by Candy’s vivacious personality, her home life with doting adopted parents, and their mutual desire for a stable home life. The two married one year later.

What starts out as a seemingly happy marriage quickly becomes troubled as Mike climbs the academic ladder for an administrative position. This requires the couple to move around from college to college, town to town, state to state. At first Candy takes the moves in stride being complacent, uncomfortably so. She acquiesces by playing the supportive spouse externally but internally she displays symptoms of Anxiety, Depression, and Bipolar Disorder. Mike is unable to cope with the changes in his wife's emotional and mental state, so he tries to look for a solution or even a cause. His curiosity gets the better of him as he looks into Candy’s background and researches her life before her adoption, despite her repeated urges for him not to. The search for Candy's family history reveals some unpleasant things and inadvertently leads to a violent confrontation that tests the Holders’ marriage.

This is a marriage featuring a couple that loves and cares for each other but still are capable of causing great damage towards one another. Candy's mental health issues cause her to lash out and act unpredictably. She isn't always able to control herself and doesn't get the psychiatric care that she needs. Neither her adopted parents nor her husband encourage her to seek mental health services. Instead they attribute her emotions as just quirky personality traits that are just her being herself. 

Mike and Candy's parents don't see the potential danger until it's too late and the danger comes forward. They love her undoubtedly but her parents attributed it to her upbringing (more on that later) and errantly believed that once that was fixed then she would magically recover. They don't account for the long term post traumatic complications that would result or that when she reaches certain milestones in her life like marriage or a career, that she would be unable to handle them.

Mike also inadvertently puts a lot of pressure on her. He commits himself to his academic career and the material gains from it. He assumes that as long as Candy acts supportive and doesn't argue, that she actually is supportive and doesn't have reservations. The constant relocation where she often feels like an outsider isolates her and makes her more dependent on her husband. She feels like if she objects or disagrees, she will seem at best like a nagging shrew or at worst a mentally unstable person. She keeps it all inside and Mike is ill equipped to see beyond that and ask if something is actually wrong or what her actual feelings are about things.

 With some exceptions that peer into Candy's family history, the majority of the book is told from Mike’s first person point of view in hindsight. It's clear that he realizes that he made some colossal mistakes and regrets them. This keeps the Reader from seeing him as an abuser or a sadist who delighted in the pain that he caused Candy. He knows that he was a thoughtless heel and admits it. 

While their marriage is fraught with unspoken tension, it is when Mike researches Candy’s family history that he crosses the most lines. He is repeatedly told by Candy to drop it and that she doesn't remember or want to talk about it. 

He looks up records, newspaper announcements, and talks to distant relatives and family friends without Candy's knowledge or permission (which brings a plot hole that Mike would be unable to find most of that information, particularly official records without Candy herself being present and granting permission but no matter). 

Even when he gets the backstory to Candy's ancestry, that still isn't a clue to drop the subject. He is told about three generations of racism, alcoholism, trauma, mental illness, abuse, and neglect before getting to Candy's immediate family and childhood. It should have been enough to connect the dots and realize that chances are Candy's upbringing was not sunshine and roses but no Mike can't let the search die.

Mike feels that he has to be the problem solver, that learning about Candy's family will get to the root of her problems and she will get better. It becomes a mystery that his mind wants to solve but doesn't account for his wife's emotions or that maybe he's better off not knowing. For a time, the problem is more important than whether the solution leads to more unhappiness.

Mike confronts Candy using some of the most toxic language to do so. He does the “If you love me, you would do this” routine. He guilt trips her that marriage should be built in trust and honesty and browbeats her into talking about her childhood. It's a very emotional chapter that makes the Reader turn against the designated hero and question his motives. 

Is he willing to jeopardize his marriage and his wife's fragile emotional state to find out the truth? Is he potentially an abuser without realizing it? Are they better off separated instead of trying to work through a marriage that is this bad? 

Once Candy talks about her life with her birth parents, the Caines, it becomes apparent why she didn't want to talk about it. She opens up memories of addicted abusive parents, a large unruly mob of loud angry delinquent siblings, and intense poverty and neglect. Candy's past was so traumatic that even though she was adopted by loving parents, the Wilsons, the long term damage was already done. 

Again to his credit, when she finishes Mike regrets asking her and is empathetic towards her suffering. He also sees that the confession of Candy's upbringing, tears open old wounds which never healed. What had once been forgotten or rather forced to the back of her mind is now put out in the open. Her mind regresses, so the comfortable middle aged woman disappears. In her place is the troubled young girl who reacts to violence with escalating violence.

Candy's breakdown leads to some actions that change the course of the book which for spoiler’s sake won't be revealed. But it changes her and Mike's status considerably and forces him to objectively look at his wife's upbringing and his own thoughtless actions in contributing to her downfall. He sees a woman who was let down not only by her birth family and society but by the people who loved and were closest to her.

 This revelation that Mike unwittingly contributed to Candy's unhappiness makes the ending a bit hard to swallow. It suggests hope and potential support between an older and wiser couple than we met before. However, it is established that they made each other miserable and added to their problems by acting happy when they weren't. 

Candy needed psychiatric evaluation and to face accountability but Mike needs help too. He needs to recognize his own controlling and potentially manipulative nature that led to this conflict. It might do him some good to seek counseling himself and spend time apart from Candy.

Perhaps they needed to temporarily separate and work on themselves instead of staying together. Mike and Candy need to work out their issues apart, strengthen their individuality, and then maybe discuss getting back together. That would have made a better more realistic ending for a couple who may love each other but sometimes love just isn't enough.


 

Thursday, July 29, 2021

Weekly Reader: Hades Forest by Simon Elson; Dystopian Science Fiction Marries 1984 and Lord of the Flies and Creates A Very Dark Weird Baby

 


Weekly Reader: Hades Forest by Simon Elson; Dystopian Science Fiction Marries 1984 and Lord of the Flies and Creates A Very Dark Weird Baby

By Julie Sara Porter

Bookworm Reviews


Spoilers: The usual trajectory of dystopian science fiction is when the protagonist leaves their oppressive regime and joins the Resistance Movement, the Resistance consists of better characters that intend to speak and fight against the dictators and create a newer and better society. It's rare that the protagonist discovers that the rebels are just as bad or worse than the people that they left behind. Sometimes if the rebels don't have a decent society and structure planned, they can turn the dystopia into further chaos.

Simon Elson's Hades Forest is just such a science fiction novel. It begins as a dystopia describing a world right out of 1984, Fahrenheit 451, Brave New World, or The Handmaid's Tale. Then halfway through the novel, the book seems to get lost on its way to Lord of the Flies, featuring characters struggling to survive within various tribes that attack and kill each other.



The style of the book is similar to Reality Testing by Grant Price in that the book is separated in two distinct sections: the one set in the dystopia and the other with the resistance. However, unlike Reality Testing which shows better characterization and a distinct goal from the rebels on how to improve their society, neither side looks particularly good and both have their share of problems


Perry Benson lives in futuristic Tambamba, in the country formerly known as South Africa, now called the Holy States of Borea. In the future, governments and countries have collapsed. Perry lives in a society where he has a voice recorder on his neck and a tracking device on his foot. Everyone gives thanks to Borea as part of a greeting and parting much to Perry's chagrin. 

Borea's government controls every aspect of its citizens' lives including that they are assigned a partner after thirty and are only permitted one child. Eradicts like Perry are ordered to destroy any item that is considered evil i.e. things of the past: things like tinsel, rugby balls, DVD players, and a copy of Alice's Adventures in Wonderland (the last from my cold dead hand!). Citizens like Perry and his wife, Mabel are required to attend public events which talk about Borea's history and how "wonderful" their society is. 


Perry and Mabel's marriage is similar to that of Guy and Mildred Montag in Fahrenheit 451. Mabel is the loyal card carrying member of Borean society. There is nothing that she does or says that isn't approved of by Borean's Codes and Society. She even schedules her and Perry's copulations when Borea says that they need to procreate. Mabel is practically a robot created only to please the state.

Perry on the other hand has to play the role on the outside while challenging the standards on the inside. The way that Borea is structured makes someone who questions it believe that there is something wrong with them and not the society. In fact they have a term for that (similar to how psychiatrists in Soviet society actually created mental disorders for people who denounced Soviet politics.)

People with physical and mental disorders are considered Crolax and are exiled. Anyone who denounces the state is considered Crolax. Perry discovers for himself what being a Crolax is like when he denounces Borea in public and ends up in prison.


Borea is terrible no doubt about it but when you think Perry is going to become a hero, things take an even more disturbing turn.

Perry breaks out of prison with the help of a man named Dolphin who leads him to Hades Forest. If Borea represents too much order and control in which every move and every aspect is micromanaged and planned, then the world of Hades Forest represents too much chaos. The only laws involve survival of the fittest. People are separated into five tribes which use cutthroat means to attack the others.

 Left alone in the forest, Perry encounters The Leagros, a tribe of survivalists who steal from other tribes to survive. The Leagros battle against other tribes that specialize in rape, slavery, murder, and torture. Each tribe feels that it is their right to strike back at those who oppose them in any means possible with no laws, no ethics, and no compassion. The tribes use the methods that they learned from the Boreans who hurt them.  However, they fight amongst themselves rather than against Borea which puts them in this mess in the first place.


Perry and the other tribe members stand out as interesting characters despite the bleak circumstances. There's the excitable Kirito who constantly talks in third person and once he befriends Perry, becomes a loyal staunch friend. Chintu is a hard edged veteran of the Tribal Wars and has no time for Perry's ethical arguments. Crank is the shifty leader of Leagros who has cunning means of stealing from other tribes and a grudging respect for those in his tribe. Then there's Miist, an enigmatic member of another tribe who mysteriously saves Perry and the others on occasion.


Some plot twists get introduced towards the end that are genuinely surprising and cause Readers to question the characters' behavior. One revelation caused this Reader to go back and reread some passages to follow the leads to this revelation. Upon second reading it made sense and added a bit more to the Boreans and the Hades Forest residents than originally perceived.


There have been many dystopian fiction novels written in the past year. Sometimes a writer can still add a new twist to what could be a tired subgenre. Luckily, Elson is that writer.