Showing posts with label Alison Stuart. Show all posts
Showing posts with label Alison Stuart. Show all posts

Thursday, August 6, 2026

The Girl Who Never Left by Alison Stuart; More Character and Less Mystery

 

The Girl Who Never Left by Alison Stuart; More Character and Less Mystery 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: Despite the marketing towards The Girl Who Never Left by Alison Stuart focuses on a mystery, the mystery is probably the least important aspect of it. Instead it is the character development of a woman exploring a new life after the death of her husband.

Helen Morrow’s husband Charlie is killed in The Great War/WWI. Instead of returning to her native Australia, she moves into her late husband's family estate, Holdston. Helen befriends her mother in law, Evelyn and Paul, Charlie's cousin who suffers from his own war ghosts. Helen finds an old diary written by an ancestor of Paul and Charlie's depicting an unhappy marriage and some dark secrets. Helen and Paul investigate the diary's revelations as they fall in love and deal with their own traumas.

By far the most fascinating aspects of the book are Helen and Paul’s post-war struggles. It's hard to live in the present when the past is so brutal and violent.

Helen is forced to live her life in a new place surrounded by strangers. She is far from Australia and constantly feels like she is being judged. She feels out of place in her late husband's wealthy home. The formidable Lady Evelyn, Charlie's mother, hovers between domineering matriarch and welcoming grandmotherly type. Helen isn't sure whether she is welcome or not.

She makes some good friends though. Servants Sarah and Sam Pollard provide steady sources of comfort and understanding for the bereaved widow. She befriends Tony, a titled childhood friend of Charlies’, who develops an attraction to her. Her daughter, Alice thrives in Holdston.

What makes Helen’s journey profound is that of a WWI era widow starting her life over again. Even though she is in the grip of grief, depression, and mental anguish, she keeps it suppressed for Alice's sake. Being an impoverished single woman in the early 20th century, Helen can only depend on the charity of her in-laws to survive. It is a desperate situation and the reader is made to feel and understand it.

Besides Helen’s story, we also get a parallel subplot featuring Paul, Charlie's cousin and Helen's soon to be love interest. If Helen has the stress of living among strangers, Paul has to face the pain of coming home. He has to return to a life that remains the same while he came face to face with trauma, violence, and death. He would rather study archaeology in places like Mesopotamia than go home and face a family that loves him but can't understand what he is going through.

He has PTSD flashbacks of his time on the Front particularly with Charlie. He weighs his guilt, memories, shame, and anxieties of what he did and didn't do and the aftermath of those actions. Paul can't adjust to life back at home with so much baggage surrounding him.

The mystery that surrounds the book concerns an unhappy marriage, domestic violence, and the division between living one's truth and doing one's duty. It thematically shares much with the rest of the book but really it is not as important as Helen and Paul’s plots. The book could just as easily have gone without it.

Instead of focusing on a mystery, the book's true strength lies in the personal journeys of two people who have to start their lives over after being faced with death and the senseless violence of war.





Monday, April 13, 2026

By The Sword (Guardians of The Crown) by Alison Stuart; English Civil War Backdrops Engaging Romance and Fun Predictable Adventure

 

By The Sword (Guardians of The Crown) by Alison Stuart; English Civil War Backdrops Engaging Romance and Fun Predictable Adventure 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: The focus of Alison Stuart’s Historical Fiction novel By The Sword part of her Guardians of The Crown is not the English Civil War. That's just the historical backdrop. It's not really even a Woman's Fiction about a woman living with and challenging her role similar to The Wedding Shroud by Elizabeth Storrs. Those are parts of it but the main focus is the romance between the main characters.

 The novel is formulaic, runs on far too long, and some of the dialogue and plot points seem to survive on a charcuterie platter consisting solely of Velveeta cheese products. But the characters are winning, their trajectories hold the reader’s interest, and despite being predictable and formulaic, there are charming moments that make you root for these likeable characters.

In 1650 England recently widowed Kate Ashley and her son Tom were facing genteel poverty when they received word from their dying grandfather-in-law. In absence of any male heirs, he designates Tom to inherit the Thornton Family estate. Since he is only a boy, his mother Kate cares for it until he comes of age. She must restore the estate to its former glory and fend off greedy neighbors.

Jonathan Thornton, grandnephew, cousin of Kate's late husband, and exiled because of his loyalty to King Charles, now wants to garner support for the king. He meets the young widow and helps her with the inheritance and defending her new homestead. However, the two become attracted to one another despite avenging armies, a menacing rival of Jonathan's, and Kate's complicated feelings and loyalty to her late husband's family, particularly his handsome cousin.

The novel centers around an appealing couple that carry the book together or separately. Kate is an older character than the usual one that leads Historical Fiction. She is a widow approaching middle age and is already used to being an experienced leader in her household. This is less about a young woman discovering her agency than it is about an older woman maintaining her agency during great change and turmoil.

Kate is uncertain about being around her late husband's estranged family as anyone would be coming to a house of strangers. But she quickly accepts this change and settles into the family. She befriends many of the locals like Jonathan's sister and becomes an indispensable member of the household. It's likely that when Tom comes of age, the Thornton Family estate will be in good hands. 

Jonathan also carries a world weariness that comes with age and experience. He is on the side of the Royalists, even fights alongside King Charles whom he considers a friend. His war time experiences enable him to think fast on his feet which comes in handy when getting himself and Kate out of trouble. He is used to violence and tough situations.

However, we also see someone who probably realizes that he is past his prime as a soldier. The passages where he acts as a father figure to Tom and as a love interest to Kate reveals him as someone who wouldn't mind settling down and has found the right family to do so.

Kate and Jonathan’s romance works pretty well even through the predictable formula. There are plenty of moments where Kate, Jonathan, or both are in a tight spot and need to use fighting prowess, intelligence, or medical know-how to get them out of it.

There are one dimensional antagonists that are no match to the heroes. One has an understandable grudge against Jonathan but is written so broad and reprehensible that their somewhat justifiable reason disappears underneath the veneer of melodramatic boos and hisses.

It's like those old adventure movies and novels where you shake your head amused, know the good guys will survive, but enjoy the cliff hanging excitement and the romance. It's fun but predictable. But remember, predictable can sometimes be fun.