Bomber Jackets by Rob Santana; An Insightful, Witty, and Sincere Queer Romance in 1970’s New York

 Bomber Jackets by Rob Santana; An Insightful, Witty, and Sincere Queer Romance in 1970’s New York 

By Julie Sara Porter 

Bookworm Reviews 

Spoilers: I suppose that it's fitting that I would review Rob Santana’s latest novel during Pride Month. As many long time Readers of this blog know that Rob Santana is a long time favorite of mine because Readers don't know what to expect when reading his novels except that it will be unexpected. What you read at the beginning of the book is not the same book when the final page is read.

 The Oscar Goes To deals with the glamor and gossip of Hollywood and becomes a tragic story about the mental breakdown of an abused starlet who commits suicide live on air. Little Blue Eyes starts as a heartwarming family drama about a single woman finding an abandoned baby and transforms into a heady custody battle and savage indictment of racism, class struggles, and addiction. Freeze Frame evolves from a quirky romance between two eccentric characters into an emotional crime drama as a murder is accidentally captured on film and various characters are destroyed by it. Not to mention the short works in which Jane Austen and Adolf Hitler are written in different ways.

Santana's latest and very timely book, Bomber Jackets also creates various tones into one text. It starts out as a desolate Crime Mystery as Patrick Madden, a landlord/building super, is interrogated by a police officer about a murder in which he was either a witness or a participant with his fellow gang members cousin Junior and friends, Frank Rapallo and Bambi. It then turns into a witty Queer Romance between Patrick and Erica Velez, a saucy and delightful transvestite tenant. Finally, it becomes an insightful and sincere Bildungsroman as Patrick finds his life irrevocably changed by the tug of war between his gang and his love interest, his loyalties between who he was to who he could be.

The darker aspects of the book’s Crime Mystery beginning are augmented by its setting and tone. It's probably no coincidence that Santana chose this particular time and place. As many know, New York City was in a severe economic crisis in the 1970’s. Well the whole country was but NYC’s situation was so bad that it faced near bankruptcy in 1975. This led to the infamous New York Times headline “Ford to City: Drop Dead” when the President refused to bail out the city though he later relented. There was massive unemployment, cuts in municipal services, declines in the subway system, and the so-called “white flight” when middle class families fled to the suburbs creating a larger racial and class divide. A city wide blackout in 1977, increased crime in places like the South Bronx, Bedford-Stuyvesant in Brooklyn, and Times Square, and the Son of Sam killing spree only increased the anxiety and uncertainty. 

On the positive side there was an explosive rise in arts and culture much of which is still recognized today. Graffiti art and hip hop were created specifically because of this economic crisis. (Hip hop actually benefited from it by performers hosting street parties and using used technology, second hand clothing, scratched records, and inexpensive items to create the sound and aesthetic). Disco offered escapist entertainment as many danced their troubles away, did drugs, and traded partners. Along with disco was a rise in Queer culture as many LGBT+ people came out and wrote, sang, performed, painted, and possibly for the first time felt free to live their truths.

The New Hollywood filmmakers like Martin Scorsese, Francis Ford Coppola, Walter Hill, and Sidney Lumet, and television shows like All In the Family, Kojak, Taxi, Rhoda, and Barney Miller addressed the times head on. Authors, poets, and musicians like Lawrence Block, Judy Blume, Peter Maas, Don DeLillo, Donald Westlake, Alice Childless, Frank O'Hara, Audre Lorde, Patti Smith, Lou Reed, John Kander, and Billy Joel captured that gritty time with their words and music. This is the milieu in which Patrick lives.

Patrick lives in a dilapidated apartment building with his stepmother, Yanna as his mother drifts from parental responsibilities and his father is in a coma. He collects rent and makes repairs or contacts other people to make those repairs. He has to face many complaining and threatening financially struggling tenants who need roofs over their heads but aren't looking forward to paying for them. Outside is pure kill or be killed Social Darwinism. If one doesn't get mugged, held up, raped, shot, or stabbed, there is always the fear that they will run into Son of Sam lurking in the shadows waiting for another victim. It's a desperate, bitter, and anxious existence.

Patrick is part of a mini-gang called the Bomber Jackets with Rapallo, Junior, and Bambi. His pals are also on the lower rungs of the economic ladder and work in dead end jobs, have unhappy marriages, and boast of criminal reputations. They endlessly mock each other with sarcastic quips and playful threats towards one another and those outside their circle. It's a means to vent out their frustrations, cover up their emotions, face their own insecurities by needling others for their weaknesses. Their antics start out mostly harmless but with a sardonic sharp edge that hints at darker intentions.

Those edges become larger and the intentions become more pronounced when a minority moves in and around Patrick's apartment, LGBT+ people. A presumed gay couple moves into the neighborhood. When Erica moves into Patrick's apartment, they are uncertain whether a man or a woman has moved in. (To answer the question, Erica identifies as female but sometimes wears her previous men’s clothing to avoid being harassed or when meeting her estranged family.) 

As often happens (and we can certainly see now), when people are struggling, they will take their frustrations out on someone different, an other. So Patrick’s gang attacks the LGBT+ around them. They catcall them, insult them, stalk them, and play childish but harmful pranks like throwing bugs and roaches into their apartments. Those interactions become more volatile as the book goes on, particularly as Rapallo becomes more violent and unpredictable. 

With the dark setting comes the Queer Romance between Patrick and Erica. Once Patrick gets over his confusion about Erica's gender identity, he becomes a close friend, which he admits to the police officers interrogating him. While Patrick questioned his friend's attacks on the LGBT+ community, he mostly remains neutral and inactive. He thinks that Rapallo and the others are idiots, but can't quite break away from them partly out of fear of what they will do, confusion about his own identity and sexuality, and misplaced loyalty to people he knew for most of his life. 

It takes Erica to make Patrick look at himself and take some action. Erica is flashy, charming, flirtatious, witty, saucy, independent, and fearless, someone who draws Patrick in with her vitality and effervescence. Her clothing, wigs, and style show us a woman who could be a skilled performer and that life is her stage. She quips at Patrick with lines like “Look at me. This Uptown Girl aims to hit fast ‘cause I'm there to assassinate.”

Erica has flashes of being a Manic Pixy Dream Girl but she also has layers that keeps her from being just a stereotype or a tool that brings out Patrick’s better qualities with no story of her own. Even though she wants to go to Drag Balls, she suffers from insecurity and panic attacks when she's there. She longed to be with people like herself, but once she is, she is intimidated partly because she spent so much time in the closet that it has become her comfort zone. She is more comfortable being outrageous and standing out from people who are seemingly normal than she is with people who are like her. It's a struggle but she is willing to adapt and refocus herself, playing on those hidden character traits as well as her more public persona.

In fact the few times when Erica is in male clothing, and reverts back to her assigned gender identity at birth, Eric, is when she shows the most vulnerability. She is quiet, uncertain, shy, self-conscious, and clearly miserable. As Eric, she hides and stays invisible drifting into the crowd that she would have made them pay attention and look at her as Erica. She reverts to make her family happy and to stay safe but it takes a toll on her. As Patrick bonds with and falls in love with Erica, he sees that her female identity is her real identity and the male identity that she is forced to wear is the disguise. 

As Patrick and Erica grow closer and accept each other, he begins to see his former friend's darker side and is less apathetic towards their actions. He has to make a choice between his old loyalties and new love. In doing so, like Erica he accepts and lives his own truth.