Weekly Reader: The Black Rose (Larkin's Barkin' Book One) by Pete Adams; Engaging Crime Thriller About East End London Crime Families Undone By Nonsensical Ending

 Weekly Reader: The Black Rose (Larkin's Barkin' Book One by Pete Adams; Engaging Crime Thriller About East End London Crime Families Undone By Nonsensical Ending

By Julie Sara Porter

Bookworm Reviews

Spoilers: One thing that I will say about Pete Adams's The Black Rose is that it had a very strong premise and a great engaging and suspenseful beginning and middle. However, somewhere towards the end, it really lost itself. While the book provided plot twists that were genuinely surprising, they were so far out in left field that Adams really should have let go of surprise and instead let the compelling narrative lead to a better, even if it had to be more conventional, ending.

The Black Rose is great at exploring the British criminal underworld and the families that run it. Adams was clearly inspired by such noted real-life firms like the Clerkenwell Crime Syndicate (AKA The Adams Family), The Arif Family, The Richardson  Gang, and The Kray Twins. The inner lives, rules,  standards, and family honor and sometimes disloyalty come into play within the fictional Saint and Larkin Families. The two families have been at war for generations. They have had blood for blood. Every time one member gets killed, another is struck down in retaliation.  They vie for ownership of the streets and the various illegal operations around town. Occasionally, they stop the fighting out of respect if important key members die or they join forces to fight a common enemy like the law or a rival firm. 

This time the Saints and Larkins have found a corker of an enemy: The O'Neill Crime Syndicate, a new group that originated from Ireland.

 Their main representative isn't a seasoned gangster. In fact, she is a fifteen year old girl, Roisin (pronounced Ro-sheen) O'Neil AKA Rose and The Black Rose. Rose befriends Chas Larkin, the sickly and mentally ill outcast of the Larkin family. When Rose and Chas begin their own crime spree, the Saints and Larkins realize that they have to put their differences aside to take on this new, psychopathic, and highly dangerous enemy.

The contrast between the Larkin-Saints and Chas and Rose are what makes the book. While no one in the book is particularly likeable, there are differences. The Larkins and Saints have been doing the criminal rivalry for decades so they are an integral part of the neighborhood. As much as these families hate each other, they realize that they are dependant upon one another.  

The Saints control the docks and the Larkins control the gambling houses, brothels, and other businesses around the docks. Both families are headed by tough as nails women in Bessie Saint and Alice "Nan" Larkin. They have their separate pubs in which they congregate-Dad's for Saints and Arrie's for Larkins. Two younger women in the families develop a friendship that turns into a romance, possibly a suggestion of a union at least by marriage. (Hey even the Hatfields and McCoys put down their guns temporarily when two of them married each other. Only to pick them up again after they got divorced.)

Both families know and respect the East End and the people that inhabit it, considering the London area their protectorate. They commit violence towards each other such as threatening rival family members (whoah to the Saint schoolchild who bullies a Larkin and vice versa. Rest assured, they will live to regret it.) and destroying their property. But they have rules and standards.

For example if an important family member is killed, they call off the fight long enough for a grieving process to continue and even have representatives attend the funeral. They both grieve when a mass death arrives (and in this book, it happens a lot.)

Their sometimes peace is symbolized by a crumpet that resides under a glass case in Dad's. The rules are that no one would but a Saint may touch it and the Larkins honor it until it gets mysteriously stolen in the beginning and the Larkins don't own up to it. This incident leads to a long chain of violence between the Saints, Larkins, the police, and the newcomer O'Neils which fractures the strained peace between the Saints and Larkins, especially when Chas and Rose become involved.

Chas meets Rose when she defends him from bully, Mickey Saint at school. Chas is often considered an outcast even within his own family, so in Rose he finds someone intoxicating and bewitching, a kindred spirit, and an understanding friend. However, there is a darker side to Rose's behavior as  she beats Mickey Saint practically to death. The two continue to go on a crime spree of wanton violent destruction, not caring whether it's Saint or Larkin property or neither. Rose and Chas act without conscience or scruples and they don't care who they hurt. In fact, Rose seems to delight in playing the two crime families against each other.

She also is able to carry Chas along. Playing on his loneliness, isolation, and his subconscious thoughts against the rest of his family and the Saints, Rose is able to put into action what he has wanted to do for some time. The more she acts, the more Chas follows her into that world and the more dangerous he becomes.

That's why she frightens the two families so much. Rose is less of a real person than an entity who feeds off of hatred and destruction. Unlike the two families who have a code and rules, Rose has none. She has no loyalty or allegiances. We hear about the O'Neills but don't see them except for Rose and there is even doubt whether they really exist or only exist because of this one girl. She is willing to do what the Saints and Larkins are not and that makes her more villainous and far more dangerous.

 It's as though Hannibal Lector was put into the middle of the Godfather. His psychopathic chaotic nature contradicts that of the Corleones and he would be considered a greater evil than them. That's how Rose is seen to the Saints and Larkins. She shakes up their world because she is not a part of it. She is beyond their control and almost unstoppable, unless the two families work together to end this two-person crime spree.

In fact the only thing that stops Rose is an ending that puts things to a screeching halt. I won't spoil it, but let's say it's one of those endings that seems to pull a twist out of thin air and a ridiculous one at that. It relies on an absolute suspension of disbelief that is beyond incredulous and requires a lot of questions to ask how it was possible to be pulled, how this twist could have been maintained when logistics would have prevented it, and the subsequent ramifications for what had occurred before the reveal. 

I don't want to say that Rose O'Neill is a good character who deserves a good ending, but she was built up to be so mesmerizing, so destructive, and so chaotic that this ending does her an injustice. A good antagonistic character deserves a better ending than that.