The Last Ritual by Dragos Gaszpar; A Fantasy That Is Sometimes Too Dark and Somber For Its Own Good
By Julie Sara Porter
Bookworm Reviews
Spoilers: When a book starts with the line “we killed God,” you know that you are in for a dark somber time. That's what you get with The Last Ritual by Dragos Gaszpar, a dark Epic Fantasy which is mostly set during extensive battles between mortal enemies.
A group of traveling companions have spent centuries fighting against the beastly Leath. After some of their companions are killed in their latest battle, they think that they have an advantage when one of their own, Tarra returns from captivity with a Leath named Skar in tow. Having one of their enemies in their camp gives them an opportunity to study and understand the Leath and fight them smarter rather than harder.
The somber tone is the book’s biggest strength but oddly enough is also its biggest weakness. It answers a fundamental question of whether a book can be too dark for its own good. The Last Ritual says, “yes.”
The tone is what makes this Fantasy novel realistic which sounds like a contradiction in terms but in this case it works. It serves as a deconstruction of tropes which are often found in Fantasies.
While battles are the norm for many novels and death is expected, that's often a side feature of the conflict. In this case, victory in war gives way to endless slaughter and the heroism faced by the characters is switched instead for brutal inescapable violence. There are no wins when enemy armies have been fighting against each other for a long time. Instead, it is a resigned weariness that forces them to move forward because to end it would lead them to wondering what the point was in all of the fighting in the first place.
The constant battles can be weary not only to the characters but to the Reader as well. The book starts out suspenseful as some characters are met with death pretty early giving an intentional ill ease. But the fights and violence are so frequent and repetitive, that battle fatigue sets in. It becomes harder to remember strategies, motives, and actions. After a while, the battles are interchangeable. The Reader squirms with impatience and even boredom mirroring the emotions of the characters who live for the fight but are sick of it as well.
The dour nature can be found not only in tone and plot but in character as well. The companions face not only the Leath but disagreements from within. For example, Tarra who has spent time with the Leath suggests a more communicative and understanding approach that encourages dialogue and negotiation with them. Her colleague Silanna is more fiery tempered and is in favor of slaughtering every Leath and letting the god that they just killed rise from the dead to sort it out later. Melaan, who serves as the primary protagonist, hovers between the two ideologies, violent fury at the Leath and empathetic humanity, especially the more that he talks to Skar and sees a multifaceted complex individual and not a mindless monster.
The characters face their own views about mortality, prejudice, xenophobia, and what happens when the enemy is more within than outside. They argue and bicker a great deal amongst themselves. Just like the battles they often go back and forth on a regular basis. However, just like the fights against the Leath, the characters' personal struggles become tedious and cringy. At one point they stop an emergency situation just to have another argument that gets more shrill, irritating, and makes the Reader root for the Leath to end it. The protagonists' feelings towards each other also plays into realism that the constant struggle against the Leath is what holds them together as a unit. Without it, they wouldn't be close or even friends.
The Last Ritual is a book that thrives on being as troubling and morbid as possible. It works but it also goes a long way and leaves the Reader feeling hollow and empty.
